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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9695A5 it is the complementary color #696A5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9695A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9695A5 shade: #9B95A0, #ACA7B3, #BDB9C6, #CECBD9 and #DFDDEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9695A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9695A5 shade: #9695A5, #858392, #74717F, #635F6C and #524D59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9695A5 shade: #9796A5, #9B96A5, #9F96A5, #A396A5 and #A596A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9695A5 shade: #9796A5 and #9696A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9695A5 shade matches the following richer shades: #9796A5, #8986B5, #7B76C5, #6E67D4 and #6057E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9695A5 shade: #9796A5, #A5A696, #B2B586, #C0C576 and #CED567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9695A5 shade: #969DA5, #9699A5, #9796A5, #9B96A5 and #9F96A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9695A5 shade: #6C6B7E, #818092, #9796A5, #ADACB8 and #C3C2CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9695A5 shade: #9695A5, #A596A1 and #9BA596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9695A5 shade: #9695A5, #A59796 and #96A597

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9695A5 shade: #9695A5, #A596A1, #A5A596 and #96A59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9695A5 shade: #9695A5, #A5969D, #A5A596 and #96A59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 10 / 0 / 35

HEX #9695A5

RGB 150 149 165

HSL 243.75, 0.08%, 0.62%

LAB 62.25, 3.59, -8.25

 

Complementary color

CMYK 1 / 0 / 15 / 58

HEX #696A5A

RGB 105 106 90

HSL 63.75, 0.08%, 0.38%

LAB 44.3, -3.47, 8.87

 

CMYK 3 / 7 / 0 / 37

HEX #9B95A0

RGB 155 149 160

HSL 272.73, 0.05%, 0.61%

LAB 62.51, 4.32, -4.99

 

CMYK 4 / 7 / 0 / 30

HEX #ACA7B3

RGB 172 167 179

HSL 265, 0.07%, 0.68%

LAB 69.23, 4.08, -5.53

 

CMYK 5 / 7 / 0 / 22

HEX #BDB9C6

RGB 189 185 198

HSL 258.46, 0.1%, 0.75%

LAB 75.82, 3.85, -6.06

 

CMYK 5 / 6 / 0 / 15

HEX #CECBD9

RGB 206 203 217

HSL 252.86, 0.16%, 0.82%

LAB 82.29, 3.64, -6.58

 

CMYK 6 / 6 / 0 / 7

HEX #DFDDEC

RGB 223 221 236

HSL 248, 0.28%, 0.9%

LAB 88.67, 3.44, -7.08

 

CMYK 9 / 10 / 0 / 35

HEX #9695A5

RGB 150 149 165

HSL 243.75, 0.08%, 0.62%

LAB 62.25, 3.59, -8.25

 

CMYK 9 / 10 / 0 / 43

HEX #858392

RGB 133 131 146

HSL 248, 0.06%, 0.54%

LAB 55.37, 3.83, -7.77

 

CMYK 9 / 11 / 0 / 50

HEX #74717F

RGB 116 113 127

HSL 252.86, 0.06%, 0.47%

LAB 48.33, 4.09, -7.29

 

CMYK 8 / 12 / 0 / 58

HEX #635F6C

RGB 99 95 108

HSL 258.46, 0.06%, 0.4%

LAB 41.09, 4.38, -6.8

 

CMYK 8 / 13 / 0 / 65

HEX #524D59

RGB 82 77 89

HSL 265, 0.07%, 0.33%

LAB 33.61, 4.7, -6.3

 

CMYK 8 / 9 / 0 / 35

HEX #9796A5

RGB 151 150 165

HSL 244, 0.08%, 0.62%

LAB 62.6, 3.38, -7.72

 

CMYK 6 / 9 / 0 / 35

HEX #9B96A5

RGB 155 150 165

HSL 260, 0.08%, 0.62%

LAB 62.93, 4.77, -7.2

 

CMYK 4 / 9 / 0 / 35

HEX #9F96A5

RGB 159 150 165

HSL 276, 0.08%, 0.62%

LAB 63.26, 6.18, -6.67

 

CMYK 1 / 9 / 0 / 35

HEX #A396A5

RGB 163 150 165

HSL 292, 0.08%, 0.62%

LAB 63.6, 7.6, -6.12

 

CMYK 0 / 9 / 1 / 35

HEX #A596A3

RGB 165 150 163

HSL 308, 0.08%, 0.62%

LAB 63.72, 7.93, -4.8

 

CMYK 8 / 9 / 0 / 35

HEX #9796A5

RGB 151 150 165

HSL 244, 0.08%, 0.62%

LAB 62.6, 3.38, -7.72

 

CMYK 9 / 9 / 0 / 35

HEX #9696A5

RGB 150 150 165

HSL 240, 0.08%, 0.62%

LAB 62.52, 3.03, -7.85

 

CMYK 8 / 9 / 0 / 35

HEX #9796A5

RGB 151 150 165

HSL 244, 0.08%, 0.62%

LAB 62.6, 3.38, -7.72

 

CMYK 24 / 26 / 0 / 29

HEX #8986B5

RGB 137 134 181

HSL 243.83, 0.24%, 0.62%

LAB 57.76, 11.51, -24.25

 

CMYK 38 / 40 / 0 / 23

HEX #7B76C5

RGB 123 118 197

HSL 243.8, 0.41%, 0.62%

LAB 53.17, 21.05, -40.62

 

CMYK 48 / 51 / 0 / 17

HEX #6E67D4

RGB 110 103 212

HSL 243.85, 0.56%, 0.62%

LAB 49.21, 31.22, -55.53

 

CMYK 58 / 62 / 0 / 11

HEX #6057E4

RGB 96 87 228

HSL 243.83, 0.72%, 0.62%

LAB 45.5, 42.99, -70.67

 

CMYK 8 / 9 / 0 / 35

HEX #9796A5

RGB 151 150 165

HSL 244, 0.08%, 0.62%

LAB 62.6, 3.38, -7.72

 

CMYK 1 / 0 / 10 / 35

HEX #A5A696

RGB 165 166 150

HSL 63.75, 0.08%, 0.62%

LAB 67.63, -3.27, 8.16

 

CMYK 2 / 0 / 26 / 29

HEX #B2B586

RGB 178 181 134

HSL 63.83, 0.24%, 0.62%

LAB 72.38, -8.83, 23.67

 

CMYK 3 / 0 / 40 / 23

HEX #C0C576

RGB 192 197 118

HSL 63.8, 0.41%, 0.62%

LAB 77.55, -13.6, 39

 

CMYK 3 / 0 / 52 / 16

HEX #CED567

RGB 206 213 103

HSL 63.82, 0.57%, 0.62%

LAB 82.75, -17.5, 52.87

 

CMYK 9 / 5 / 0 / 35

HEX #969DA5

RGB 150 157 165

HSL 212, 0.08%, 0.62%

LAB 64.41, -0.87, -5.04

 

CMYK 9 / 7 / 0 / 35

HEX #9699A5

RGB 150 153 165

HSL 228, 0.08%, 0.62%

LAB 63.33, 1.35, -6.64

 

CMYK 8 / 9 / 0 / 35

HEX #9796A5

RGB 151 150 165

HSL 244, 0.08%, 0.62%

LAB 62.6, 3.38, -7.72

 

CMYK 6 / 9 / 0 / 35

HEX #9B96A5

RGB 155 150 165

HSL 260, 0.08%, 0.62%

LAB 62.93, 4.77, -7.2

 

CMYK 4 / 9 / 0 / 35

HEX #9F96A5

RGB 159 150 165

HSL 276, 0.08%, 0.62%

LAB 63.26, 6.18, -6.67

 

CMYK 14 / 15 / 0 / 51

HEX #6C6B7E

RGB 108 107 126

HSL 243.16, 0.08%, 0.46%

LAB 45.92, 4.55, -10.37

 

CMYK 12 / 12 / 0 / 43

HEX #818092

RGB 129 128 146

HSL 243.33, 0.08%, 0.54%

LAB 54.22, 4.15, -9.53

 

CMYK 8 / 9 / 0 / 35

HEX #9796A5

RGB 151 150 165

HSL 244, 0.08%, 0.62%

LAB 62.6, 3.38, -7.72

 

CMYK 6 / 7 / 0 / 28

HEX #ADACB8

RGB 173 172 184

HSL 245, 0.08%, 0.7%

LAB 70.77, 2.68, -6.01

 

CMYK 4 / 4 / 0 / 20

HEX #C3C2CB

RGB 195 194 203

HSL 246.67, 0.08%, 0.78%

LAB 78.75, 2.04, -4.39

 

CMYK 9 / 10 / 0 / 35

HEX #9695A5

RGB 150 149 165

HSL 243.75, 0.08%, 0.62%

LAB 62.25, 3.59, -8.25

 

CMYK 0 / 9 / 2 / 35

HEX #A596A1

RGB 165 150 161

HSL 316, 0.08%, 0.62%

LAB 63.66, 7.55, -3.76

 

CMYK 6 / 0 / 9 / 35

HEX #9BA596

RGB 155 165 150

HSL 100, 0.08%, 0.62%

LAB 66.58, -6.4, 6.55

 

CMYK 9 / 10 / 0 / 35

HEX #9695A5

RGB 150 149 165

HSL 243.75, 0.08%, 0.62%

LAB 62.25, 3.59, -8.25

 

CMYK 0 / 8 / 9 / 35

HEX #A59796

RGB 165 151 150

HSL 4, 0.08%, 0.62%

LAB 63.62, 4.97, 2.38

 

CMYK 9 / 0 / 8 / 35

HEX #96A597

RGB 150 165 151

HSL 124, 0.08%, 0.62%

LAB 66.24, -8.01, 5.45

 

CMYK 9 / 10 / 0 / 35

HEX #9695A5

RGB 150 149 165

HSL 243.75, 0.08%, 0.62%

LAB 62.25, 3.59, -8.25

 

CMYK 0 / 9 / 2 / 35

HEX #A596A1

RGB 165 150 161

HSL 316, 0.08%, 0.62%

LAB 63.66, 7.55, -3.76

 

CMYK 0 / 0 / 9 / 35

HEX #A5A596

RGB 165 165 150

HSL 60, 0.08%, 0.62%

LAB 67.36, -2.72, 7.77

 

CMYK 9 / 0 / 7 / 35

HEX #96A59A

RGB 150 165 154

HSL 136, 0.08%, 0.62%

LAB 66.31, -7.44, 3.89

 

CMYK 9 / 10 / 0 / 35

HEX #9695A5

RGB 150 149 165

HSL 243.75, 0.08%, 0.62%

LAB 62.25, 3.59, -8.25

 

CMYK 0 / 9 / 5 / 35

HEX #A5969D

RGB 165 150 157

HSL 332, 0.08%, 0.62%

LAB 63.55, 6.8, -1.67

 

CMYK 0 / 0 / 9 / 35

HEX #A5A596

RGB 165 165 150

HSL 60, 0.08%, 0.62%

LAB 67.36, -2.72, 7.77

 

CMYK 9 / 0 / 4 / 35

HEX #96A59E

RGB 150 165 158

HSL 152, 0.08%, 0.62%

LAB 66.42, -6.66, 1.81

 

Description

Color code: HEX #9695A5 | qconv.com Color code: HEX #9695A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 149 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 149 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 10 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 10% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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