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Color name
HEX #96990F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96990F it is the complementary color #6966F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96990F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96990F shade: #9B990A, #ACAB1D, #BDBD30, #CECF43 and #DFE156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96990F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96990F shade: #96990F, #858700, #747500, #636300 and #525100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96990F shade: #96990F, #99760F, #99510F, #992C0F and #990F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96990F shade: #96990F, #70990F, #4B990F, #26990F and #0F991C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96990F shade matches the following richer shades: #96990F and #A3A601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96990F shade: #96990F, #898B1C, #7C7D2A, #6F7037 and #626245

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96990F shade: #99510F, #99760F, #96990F, #72990F and #4D990F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96990F shade: #4C4E07, #71730B, #96990F, #BABE12 and #DFE416

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96990F shade: #96990F, #0F992D and #640F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96990F shade: #96990F, #0F9699 and #990F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96990F shade: #96990F, #0F992D, #110F99 and #990F7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96990F shade: #96990F, #0F9956, #110F99 and #990F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

Complementary color

CMYK 56 / 58 / 0 / 6

HEX #6966F0

RGB 105 102 240

HSL 241.3, 0.82%, 0.67%

LAB 50.45, 39.42, -69.36

 

CMYK 0 / 1 / 94 / 39

HEX #9B990A

RGB 155 153 10

HSL 59.17, 0.88%, 0.32%

LAB 61.46, -13.67, 63.3

 

CMYK 0 / 1 / 83 / 33

HEX #ACAB1D

RGB 172 171 29

HSL 59.58, 0.71%, 0.39%

LAB 68.01, -15.01, 65.42

 

CMYK 0 / 0 / 75 / 26

HEX #BDBD30

RGB 189 189 48

HSL 60, 0.59%, 0.46%

LAB 74.46, -16.11, 66.17

 

CMYK 0 / 0 / 68 / 19

HEX #CECF43

RGB 206 207 67

HSL 60.43, 0.59%, 0.54%

LAB 80.82, -17.03, 66.08

 

CMYK 1 / 0 / 62 / 12

HEX #DFE156

RGB 223 225 86

HSL 60.86, 0.7%, 0.61%

LAB 87.1, -17.79, 65.52

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 1 / 0 / 100 / 47

HEX #858700

RGB 133 135 0

HSL 60.89, 1%, 0.26%

LAB 54.36, -14.36, 58.7

 

CMYK 1 / 0 / 100 / 54

HEX #747500

RGB 116 117 0

HSL 60.51, 1%, 0.23%

LAB 47.54, -12.6, 53.03

 

CMYK 0 / 0 / 100 / 61

HEX #636300

RGB 99 99 0

HSL 60, 1%, 0.19%

LAB 40.53, -10.77, 47.21

 

CMYK 0 / 1 / 100 / 68

HEX #525100

RGB 82 81 0

HSL 59.27, 1%, 0.16%

LAB 33.3, -8.87, 41.21

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 0 / 23 / 90 / 40

HEX #99760F

RGB 153 118 15

HSL 44.78, 0.82%, 0.33%

LAB 51.57, 4.66, 54.6

 

CMYK 0 / 47 / 90 / 40

HEX #99510F

RGB 153 81 15

HSL 28.7, 0.82%, 0.33%

LAB 42.29, 25.75, 47.31

 

CMYK 0 / 71 / 90 / 40

HEX #992C0F

RGB 153 44 15

HSL 12.61, 0.82%, 0.33%

LAB 35.22, 44.06, 41.8

 

CMYK 0 / 90 / 90 / 40

HEX #990F0F

RGB 153 15 15

HSL 0, 0.82%, 0.33%

LAB 32.14, 52.68, 39.43

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 27 / 0 / 90 / 40

HEX #70990F

RGB 112 153 15

HSL 77.83, 0.82%, 0.33%

LAB 58.28, -32.21, 58.6

 

CMYK 51 / 0 / 90 / 40

HEX #4B990F

RGB 75 153 15

HSL 93.91, 0.82%, 0.33%

LAB 56.4, -45.65, 56.26

 

CMYK 75 / 0 / 90 / 40

HEX #26990F

RGB 38 153 15

HSL 110, 0.82%, 0.33%

LAB 55.31, -54.61, 54.9

 

CMYK 90 / 0 / 82 / 40

HEX #0F991C

RGB 15 153 28

HSL 125.65, 0.82%, 0.33%

LAB 55.04, -56.79, 51.29

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 2 / 0 / 99 / 35

HEX #A3A601

RGB 163 166 1

HSL 61.09, 0.99%, 0.33%

LAB 65.8, -16.95, 68.09

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 1 / 0 / 80 / 45

HEX #898B1C

RGB 137 139 28

HSL 61.08, 0.66%, 0.33%

LAB 55.95, -13.96, 54.08

 

CMYK 1 / 0 / 66 / 51

HEX #7C7D2A

RGB 124 125 42

HSL 60.72, 0.5%, 0.33%

LAB 50.83, -11.6, 43.44

 

CMYK 1 / 0 / 51 / 56

HEX #6F7037

RGB 111 112 55

HSL 61.05, 0.34%, 0.33%

LAB 45.97, -9.22, 31.29

 

CMYK 0 / 0 / 30 / 62

HEX #626245

RGB 98 98 69

HSL 60, 0.17%, 0.33%

LAB 40.83, -5.23, 16.56

 

CMYK 0 / 47 / 90 / 40

HEX #99510F

RGB 153 81 15

HSL 28.7, 0.82%, 0.33%

LAB 42.29, 25.75, 47.31

 

CMYK 0 / 23 / 90 / 40

HEX #99760F

RGB 153 118 15

HSL 44.78, 0.82%, 0.33%

LAB 51.57, 4.66, 54.6

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 25 / 0 / 90 / 40

HEX #72990F

RGB 114 153 15

HSL 76.96, 0.82%, 0.33%

LAB 58.41, -31.4, 58.76

 

CMYK 50 / 0 / 90 / 40

HEX #4D990F

RGB 77 153 15

HSL 93.04, 0.82%, 0.33%

LAB 56.48, -45.02, 56.36

 

CMYK 3 / 0 / 91 / 69

HEX #4C4E07

RGB 76 78 7

HSL 61.69, 0.84%, 0.17%

LAB 31.81, -9.87, 37.32

 

CMYK 2 / 0 / 90 / 55

HEX #71730B

RGB 113 115 11

HSL 61.15, 0.83%, 0.25%

LAB 46.71, -12.66, 49.93

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 2 / 0 / 91 / 25

HEX #BABE12

RGB 186 190 18

HSL 61.4, 0.83%, 0.41%

LAB 74.39, -18.78, 73.28

 

CMYK 2 / 0 / 90 / 11

HEX #DFE416

RGB 223 228 22

HSL 61.46, 0.82%, 0.49%

LAB 87.6, -21.67, 84.26

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 90 / 0 / 71 / 40

HEX #0F992D

RGB 15 153 45

HSL 133.04, 0.82%, 0.33%

LAB 55.15, -55.41, 45.31

 

CMYK 35 / 90 / 0 / 40

HEX #640F99

RGB 100 15 153

HSL 276.96, 0.82%, 0.33%

LAB 27.71, 56.54, -55.61

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 90 / 2 / 0 / 40

HEX #0F9699

RGB 15 150 153

HSL 181.3, 0.82%, 0.33%

LAB 56.3, -30.75, -10.93

 

CMYK 0 / 90 / 2 / 40

HEX #990F96

RGB 153 15 150

HSL 301.3, 0.82%, 0.33%

LAB 36.59, 64.73, -38.98

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 90 / 0 / 71 / 40

HEX #0F992D

RGB 15 153 45

HSL 133.04, 0.82%, 0.33%

LAB 55.15, -55.41, 45.31

 

CMYK 89 / 90 / 0 / 40

HEX #110F99

RGB 17 15 153

HSL 240.87, 0.82%, 0.33%

LAB 19.06, 49.63, -70.19

 

CMYK 0 / 90 / 20 / 40

HEX #990F7B

RGB 153 15 123

HSL 313.04, 0.82%, 0.33%

LAB 35.09, 60.84, -24.64

 

CMYK 2 / 0 / 90 / 40

HEX #96990F

RGB 150 153 15

HSL 61.3, 0.82%, 0.33%

LAB 61.05, -15.83, 61.99

 

CMYK 90 / 0 / 44 / 40

HEX #0F9956

RGB 15 153 86

HSL 150.87, 0.82%, 0.33%

LAB 55.64, -49.42, 25.92

 

CMYK 89 / 90 / 0 / 40

HEX #110F99

RGB 17 15 153

HSL 240.87, 0.82%, 0.33%

LAB 19.06, 49.63, -70.19

 

CMYK 0 / 90 / 47 / 40

HEX #990F51

RGB 153 15 81

HSL 331.3, 0.82%, 0.33%

LAB 33.37, 56.16, -0.34

 

Description

Color code: HEX #96990F | qconv.com Color code: HEX #96990F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 153 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 153 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 90 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 90% 40% C M Y K

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