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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96999B it is the complementary color #696664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96999B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96999B shade: #9B9996, #ACABA9, #BDBDBC, #CECFCF and #DFE1E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96999B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96999B shade: #96999B, #858788, #747575, #636362 and #52514F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96999B shade: #96999B, #96989B, #96979B, #97969B and #98969B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96999B shade: #96999B, #96989B, #96979B and #96969B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96999B shade matches the following richer shades: #96999B, #869CAB, #75A0BC, #65A3CC and #54A6DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96999B shade: #96999B, #A7968A, #B7927A, #C88F69 and #D88C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96999B shade: #969B9A, #969A9B, #96999B, #96989B and #96979B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96999B shade: #6D7071, #818486, #96999B, #ACADAF and #C1C2C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96999B shade: #96999B, #99969B and #9B9B96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96999B shade: #96999B, #9B9699 and #999B96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96999B shade: #96999B, #99969B, #9B9896 and #989B96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96999B shade: #96999B, #9A969B, #9B9896 and #979B96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

Complementary color

CMYK 0 / 3 / 5 / 59

HEX #696664

RGB 105 102 100

HSL 24, 0.02%, 0.4%

LAB 43.4, 0.77, 1.54

 

CMYK 0 / 1 / 3 / 39

HEX #9B9996

RGB 155 153 150

HSL 36, 0.02%, 0.6%

LAB 63.3, 0.16, 1.82

 

CMYK 0 / 1 / 2 / 33

HEX #ACABA9

RGB 172 171 169

HSL 40, 0.02%, 0.67%

LAB 70.01, -0.01, 1.14

 

CMYK 0 / 0 / 1 / 26

HEX #BDBDBC

RGB 189 189 188

HSL 60, 0.01%, 0.74%

LAB 76.58, -0.18, 0.5

 

CMYK 0 / 0 / 0 / 19

HEX #CECFCF

RGB 206 207 207

HSL 180, 0.01%, 0.81%

LAB 83.05, -0.34, -0.13

 

CMYK 1 / 0 / 0 / 11

HEX #DFE1E2

RGB 223 225 226

HSL 200, 0.05%, 0.88%

LAB 89.41, -0.49, -0.73

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 2 / 1 / 0 / 47

HEX #858788

RGB 133 135 136

HSL 200, 0.01%, 0.53%

LAB 56.18, -0.54, -0.8

 

CMYK 1 / 0 / 0 / 54

HEX #747575

RGB 116 117 117

HSL 180, 0%, 0.46%

LAB 49.15, -0.38, -0.14

 

CMYK 0 / 0 / 1 / 61

HEX #636362

RGB 99 99 98

HSL 60, 0.01%, 0.39%

LAB 41.94, -0.2, 0.56

 

CMYK 0 / 1 / 4 / 68

HEX #52514F

RGB 82 81 79

HSL 40, 0.02%, 0.32%

LAB 34.48, -0.01, 1.31

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 3 / 2 / 0 / 39

HEX #96989B

RGB 150 152 155

HSL 216, 0.02%, 0.6%

LAB 62.77, -0.13, -1.83

 

CMYK 3 / 3 / 0 / 39

HEX #96979B

RGB 150 151 155

HSL 228, 0.02%, 0.6%

LAB 62.49, 0.43, -2.23

 

CMYK 3 / 3 / 0 / 39

HEX #97969B

RGB 151 150 155

HSL 252, 0.02%, 0.6%

LAB 62.3, 1.34, -2.5

 

CMYK 2 / 3 / 0 / 39

HEX #98969B

RGB 152 150 155

HSL 264, 0.02%, 0.6%

LAB 62.38, 1.7, -2.37

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 3 / 2 / 0 / 39

HEX #96989B

RGB 150 152 155

HSL 216, 0.02%, 0.6%

LAB 62.77, -0.13, -1.83

 

CMYK 3 / 3 / 0 / 39

HEX #96979B

RGB 150 151 155

HSL 228, 0.02%, 0.6%

LAB 62.49, 0.43, -2.23

 

CMYK 3 / 3 / 0 / 39

HEX #96969B

RGB 150 150 155

HSL 240, 0.02%, 0.6%

LAB 62.22, 0.98, -2.63

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 22 / 9 / 0 / 33

HEX #869CAB

RGB 134 156 171

HSL 204.32, 0.18%, 0.6%

LAB 63.17, -4.35, -10.39

 

CMYK 38 / 15 / 0 / 26

HEX #75A0BC

RGB 117 160 188

HSL 203.66, 0.35%, 0.6%

LAB 63.8, -7.41, -19.08

 

CMYK 50 / 20 / 0 / 20

HEX #65A3CC

RGB 101 163 204

HSL 203.88, 0.5%, 0.6%

LAB 64.42, -8.63, -27.13

 

CMYK 62 / 25 / 0 / 13

HEX #54A6DD

RGB 84 166 221

HSL 204.09, 0.67%, 0.6%

LAB 65.26, -8.54, -35.29

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 0 / 10 / 17 / 35

HEX #A7968A

RGB 167 150 138

HSL 24.83, 0.14%, 0.6%

LAB 63.23, 4.25, 8.61

 

CMYK 0 / 20 / 33 / 28

HEX #B7927A

RGB 183 146 122

HSL 23.61, 0.3%, 0.6%

LAB 63.37, 10.45, 18.01

 

CMYK 0 / 29 / 48 / 22

HEX #C88F69

RGB 200 143 105

HSL 24, 0.46%, 0.6%

LAB 64.12, 17.08, 28.74

 

CMYK 0 / 35 / 59 / 15

HEX #D88C59

RGB 216 140 89

HSL 24.09, 0.62%, 0.6%

LAB 65.02, 23.89, 38.88

 

CMYK 3 / 0 / 1 / 39

HEX #969B9A

RGB 150 155 154

HSL 168, 0.02%, 0.6%

LAB 63.56, -1.99, -0.11

 

CMYK 3 / 1 / 0 / 39

HEX #969A9B

RGB 150 154 155

HSL 192, 0.02%, 0.6%

LAB 63.31, -1.24, -1.03

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 3 / 2 / 0 / 39

HEX #96989B

RGB 150 152 155

HSL 216, 0.02%, 0.6%

LAB 62.77, -0.13, -1.83

 

CMYK 3 / 3 / 0 / 39

HEX #96979B

RGB 150 151 155

HSL 228, 0.02%, 0.6%

LAB 62.49, 0.43, -2.23

 

CMYK 4 / 1 / 0 / 56

HEX #6D7071

RGB 109 112 113

HSL 195, 0.02%, 0.44%

LAB 47.02, -0.93, -0.96

 

CMYK 4 / 1 / 0 / 47

HEX #818486

RGB 129 132 134

HSL 204, 0.02%, 0.52%

LAB 54.96, -0.7, -1.47

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 2 / 1 / 0 / 31

HEX #ACADAF

RGB 172 173 175

HSL 220, 0.02%, 0.68%

LAB 70.7, 0.03, -1.16

 

CMYK 1 / 1 / 0 / 24

HEX #C1C2C3

RGB 193 194 195

HSL 210, 0.02%, 0.76%

LAB 78.38, -0.16, -0.63

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 1 / 3 / 0 / 39

HEX #99969B

RGB 153 150 155

HSL 276, 0.02%, 0.6%

LAB 62.47, 2.06, -2.24

 

CMYK 0 / 0 / 3 / 39

HEX #9B9B96

RGB 155 155 150

HSL 60, 0.02%, 0.6%

LAB 63.85, -0.94, 2.61

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 0 / 3 / 1 / 39

HEX #9B9699

RGB 155 150 153

HSL 324, 0.02%, 0.6%

LAB 62.58, 2.4, -0.93

 

CMYK 1 / 0 / 3 / 39

HEX #999B96

RGB 153 155 150

HSL 84, 0.02%, 0.6%

LAB 63.69, -1.67, 2.36

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 1 / 3 / 0 / 39

HEX #99969B

RGB 153 150 155

HSL 276, 0.02%, 0.6%

LAB 62.47, 2.06, -2.24

 

CMYK 0 / 2 / 3 / 39

HEX #9B9896

RGB 155 152 150

HSL 24, 0.02%, 0.6%

LAB 63.03, 0.72, 1.43

 

CMYK 2 / 0 / 3 / 39

HEX #989B96

RGB 152 155 150

HSL 96, 0.02%, 0.6%

LAB 63.61, -2.04, 2.23

 

CMYK 3 / 1 / 0 / 39

HEX #96999B

RGB 150 153 155

HSL 204, 0.02%, 0.6%

LAB 63.04, -0.68, -1.43

 

CMYK 1 / 3 / 0 / 39

HEX #9A969B

RGB 154 150 155

HSL 288, 0.02%, 0.6%

LAB 62.55, 2.42, -2.11

 

CMYK 0 / 2 / 3 / 39

HEX #9B9896

RGB 155 152 150

HSL 24, 0.02%, 0.6%

LAB 63.03, 0.72, 1.43

 

CMYK 3 / 0 / 3 / 39

HEX #979B96

RGB 151 155 150

HSL 108, 0.02%, 0.6%

LAB 63.53, -2.4, 2.11

 

Description

Color code: HEX #96999B | qconv.com Color code: HEX #96999B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 153 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 153 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 1 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 1% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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