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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #969040 it is the complementary color #696FBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #969040. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #969040 shade: #9B903B, #ACA24E, #BDB461, #CEC674 and #DFD887

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #969040. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #969040 shade: #969040, #857E2D, #746C1A, #635A07 and #524800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #969040 shade: #958F40, #957840, #956140, #954A40 and #954040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #969040 shade: #958F40, #849540, #6D9540, #569540 and #409541

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #969040 shade matches the following richer shades: #958F40, #A79E2E, #B8AD1D and #C9BC0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #969040 shade: #958F40, #848151, #737262, #616374 and #505485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #969040 shade: #956140, #957740, #958E40, #869540 and #6F9540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #969040 shade: #5C5827, #797433, #958F40, #B2AB4C and #BFB969

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #969040 shade: #969040, #40954A and #6C4095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #969040 shade: #969040, #40958E and #8E4095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #969040 shade: #969040, #40954A, #404795 and #95408B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #969040 shade: #969040, #409563, #404795 and #954072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 57 / 41

HEX #969040

RGB 150 144 64

HSL 55.81, 0.4%, 0.42%

LAB 58.79, -8.65, 42.52

 

Complementary color

CMYK 45 / 42 / 0 / 25

HEX #696FBF

RGB 105 111 191

HSL 235.81, 0.4%, 0.58%

LAB 49.66, 18.85, -42.81

 

CMYK 0 / 7 / 62 / 39

HEX #9B903B

RGB 155 144 59

HSL 53.13, 0.45%, 0.42%

LAB 59.19, -6.83, 45.47

 

CMYK 0 / 6 / 55 / 33

HEX #ACA24E

RGB 172 162 78

HSL 53.62, 0.38%, 0.49%

LAB 65.87, -7.59, 44.36

 

CMYK 0 / 5 / 49 / 26

HEX #BDB461

RGB 189 180 97

HSL 54.13, 0.41%, 0.56%

LAB 72.44, -8.21, 43.16

 

CMYK 0 / 4 / 44 / 19

HEX #CEC674

RGB 206 198 116

HSL 54.67, 0.48%, 0.63%

LAB 78.91, -8.72, 41.95

 

CMYK 0 / 3 / 39 / 13

HEX #DFD887

RGB 223 216 135

HSL 55.23, 0.58%, 0.7%

LAB 85.28, -9.14, 40.76

 

CMYK 0 / 4 / 57 / 41

HEX #969040

RGB 150 144 64

HSL 55.81, 0.4%, 0.42%

LAB 58.79, -8.65, 42.52

 

CMYK 0 / 5 / 66 / 48

HEX #857E2D

RGB 133 126 45

HSL 55.23, 0.49%, 0.35%

LAB 51.95, -7.85, 43.52

 

CMYK 0 / 7 / 78 / 55

HEX #746C1A

RGB 116 108 26

HSL 54.67, 0.63%, 0.28%

LAB 44.96, -6.79, 43.99

 

CMYK 0 / 9 / 93 / 61

HEX #635A07

RGB 99 90 7

HSL 54.13, 0.87%, 0.21%

LAB 37.81, -5.39, 43.16

 

CMYK 0 / 12 / 100 / 68

HEX #524800

RGB 82 72 0

HSL 52.68, 1%, 0.16%

LAB 30.47, -3.48, 39.15

 

CMYK 0 / 4 / 57 / 42

HEX #958F40

RGB 149 143 64

HSL 55.76, 0.4%, 0.42%

LAB 58.42, -8.55, 42.08

 

CMYK 0 / 19 / 57 / 42

HEX #957840

RGB 149 120 64

HSL 39.53, 0.4%, 0.42%

LAB 52.05, 4.24, 34.66

 

CMYK 0 / 35 / 57 / 42

HEX #956140

RGB 149 97 64

HSL 23.29, 0.4%, 0.42%

LAB 46.05, 17.48, 27.34

 

CMYK 0 / 50 / 57 / 42

HEX #954A40

RGB 149 74 64

HSL 7.06, 0.4%, 0.42%

LAB 40.67, 30.49, 20.47

 

CMYK 0 / 57 / 57 / 42

HEX #954040

RGB 149 64 64

HSL 0, 0.4%, 0.42%

LAB 38.6, 35.79, 17.75

 

CMYK 0 / 4 / 57 / 42

HEX #958F40

RGB 149 143 64

HSL 55.76, 0.4%, 0.42%

LAB 58.42, -8.55, 42.08

 

CMYK 11 / 0 / 57 / 42

HEX #849540

RGB 132 149 64

HSL 72, 0.4%, 0.42%

LAB 58.76, -19.07, 42.1

 

CMYK 27 / 0 / 57 / 42

HEX #6D9540

RGB 109 149 64

HSL 88.24, 0.4%, 0.42%

LAB 57.19, -28.44, 39.88

 

CMYK 42 / 0 / 57 / 42

HEX #569540

RGB 86 149 64

HSL 104.47, 0.4%, 0.42%

LAB 55.93, -36.81, 38.09

 

CMYK 57 / 0 / 56 / 42

HEX #409541

RGB 64 149 65

HSL 120.71, 0.4%, 0.42%

LAB 55.04, -43.3, 36.32

 

CMYK 0 / 4 / 57 / 42

HEX #958F40

RGB 149 143 64

HSL 55.76, 0.4%, 0.42%

LAB 58.42, -8.55, 42.08

 

CMYK 0 / 5 / 72 / 35

HEX #A79E2E

RGB 167 158 46

HSL 55.54, 0.57%, 0.42%

LAB 64.05, -9.78, 56.34

 

CMYK 0 / 6 / 84 / 28

HEX #B8AD1D

RGB 184 173 29

HSL 55.74, 0.73%, 0.42%

LAB 69.59, -10.76, 67.16

 

CMYK 0 / 6 / 94 / 21

HEX #C9BC0C

RGB 201 188 12

HSL 55.87, 0.89%, 0.42%

LAB 75.08, -11.35, 75.16

 

CMYK 0 / 4 / 57 / 42

HEX #958F40

RGB 149 143 64

HSL 55.76, 0.4%, 0.42%

LAB 58.42, -8.55, 42.08

 

CMYK 0 / 2 / 39 / 48

HEX #848151

RGB 132 129 81

HSL 56.47, 0.24%, 0.42%

LAB 53.17, -6.55, 26.44

 

CMYK 0 / 1 / 15 / 55

HEX #737262

RGB 115 114 98

HSL 56.47, 0.08%, 0.42%

LAB 47.7, -2.64, 9.02

 

CMYK 16 / 15 / 0 / 55

HEX #616374

RGB 97 99 116

HSL 233.68, 0.09%, 0.42%

LAB 42.35, 3.07, -9.81

 

CMYK 40 / 37 / 0 / 48

HEX #505485

RGB 80 84 133

HSL 235.47, 0.25%, 0.42%

LAB 37.37, 11.47, -27.96

 

CMYK 0 / 35 / 57 / 42

HEX #956140

RGB 149 97 64

HSL 23.29, 0.4%, 0.42%

LAB 46.05, 17.48, 27.34

 

CMYK 0 / 20 / 57 / 42

HEX #957740

RGB 149 119 64

HSL 38.82, 0.4%, 0.42%

LAB 51.78, 4.81, 34.33

 

CMYK 0 / 5 / 57 / 42

HEX #958E40

RGB 149 142 64

HSL 55.06, 0.4%, 0.42%

LAB 58.14, -8.01, 41.75

 

CMYK 10 / 0 / 57 / 42

HEX #869540

RGB 134 149 64

HSL 70.59, 0.4%, 0.42%

LAB 58.91, -18.23, 42.31

 

CMYK 26 / 0 / 57 / 42

HEX #6F9540

RGB 111 149 64

HSL 86.82, 0.4%, 0.42%

LAB 57.31, -27.66, 40.05

 

CMYK 0 / 4 / 58 / 64

HEX #5C5827

RGB 92 88 39

HSL 55.47, 0.4%, 0.26%

LAB 36.75, -5.8, 28.6

 

CMYK 0 / 4 / 58 / 53

HEX #797433

RGB 121 116 51

HSL 55.71, 0.41%, 0.34%

LAB 48, -7.3, 35.98

 

CMYK 0 / 4 / 57 / 42

HEX #958F40

RGB 149 143 64

HSL 55.76, 0.4%, 0.42%

LAB 58.42, -8.55, 42.08

 

CMYK 0 / 4 / 57 / 30

HEX #B2AB4C

RGB 178 171 76

HSL 55.88, 0.4%, 0.5%

LAB 68.83, -9.93, 48.85

 

CMYK 0 / 3 / 45 / 25

HEX #BFB969

RGB 191 185 105

HSL 55.81, 0.4%, 0.58%

LAB 74.06, -9.21, 41.18

 

CMYK 0 / 4 / 57 / 41

HEX #969040

RGB 150 144 64

HSL 55.81, 0.4%, 0.42%

LAB 58.79, -8.65, 42.52

 

CMYK 57 / 0 / 50 / 42

HEX #40954A

RGB 64 149 74

HSL 127.06, 0.4%, 0.42%

LAB 55.15, -42.03, 31.88

 

CMYK 28 / 57 / 0 / 42

HEX #6C4095

RGB 108 64 149

HSL 271.06, 0.4%, 0.42%

LAB 36.03, 36.23, -39.66

 

CMYK 0 / 4 / 57 / 41

HEX #969040

RGB 150 144 64

HSL 55.81, 0.4%, 0.42%

LAB 58.79, -8.65, 42.52

 

CMYK 57 / 0 / 5 / 42

HEX #40958E

RGB 64 149 142

HSL 175.06, 0.4%, 0.42%

LAB 56.62, -27.26, -4.05

 

CMYK 5 / 57 / 0 / 42

HEX #8E4095

RGB 142 64 149

HSL 295.06, 0.4%, 0.42%

LAB 40.55, 45.55, -32.2

 

CMYK 0 / 4 / 57 / 41

HEX #969040

RGB 150 144 64

HSL 55.81, 0.4%, 0.42%

LAB 58.79, -8.65, 42.52

 

CMYK 57 / 0 / 50 / 42

HEX #40954A

RGB 64 149 74

HSL 127.06, 0.4%, 0.42%

LAB 55.15, -42.03, 31.88

 

CMYK 57 / 52 / 0 / 42

HEX #404795

RGB 64 71 149

HSL 235.06, 0.4%, 0.42%

LAB 33.49, 21.07, -43.96

 

CMYK 0 / 57 / 7 / 42

HEX #95408B

RGB 149 64 139

HSL 307.06, 0.4%, 0.42%

LAB 41.09, 45.7, -25.22

 

CMYK 0 / 4 / 57 / 41

HEX #969040

RGB 150 144 64

HSL 55.81, 0.4%, 0.42%

LAB 58.79, -8.65, 42.52

 

CMYK 57 / 0 / 34 / 42

HEX #409563

RGB 64 149 99

HSL 144.71, 0.4%, 0.42%

LAB 55.57, -37.6, 18.87

 

CMYK 57 / 52 / 0 / 42

HEX #404795

RGB 64 71 149

HSL 235.06, 0.4%, 0.42%

LAB 33.49, 21.07, -43.96

 

CMYK 0 / 57 / 23 / 42

HEX #954072

RGB 149 64 114

HSL 324.71, 0.4%, 0.42%

LAB 40.03, 41.65, -11.47

 

Description

Color code: HEX #969040 | qconv.com Color code: HEX #969040 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 144 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 144 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 57 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 57% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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