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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96923A it is the complementary color #696DC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96923A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96923A shade: #9B9235, #ACA448, #BDB65B, #CEC86E and #DFDA81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96923A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96923A shade: #96923A, #858027, #746E14, #635C01 and #524A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96923A shade: #96923A, #96793A, #96603A, #96483A and #963A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96923A shade: #96923A, #81963A, #68963A, #50963A and #3A963D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96923A shade matches the following richer shades: #96923A, #A7A129, #B8B118 and #C9C007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96923A shade: #96923A, #85834B, #74735C, #63646D and #52547E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96923A shade: #96603A, #96793A, #96913A, #82963A and #6A963A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96923A shade: #5B5823, #78752E, #96923A, #B4AF46 and #C1BD61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96923A shade: #96923A, #3A9648 and #6D3A96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96923A shade: #96923A, #3A9691 and #913A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96923A shade: #96923A, #3A9648, #3A3F96 and #963A88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96923A shade: #96923A, #3A9663, #3A3F96 and #963A6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

Complementary color

CMYK 47 / 45 / 0 / 23

HEX #696DC5

RGB 105 109 197

HSL 237.39, 0.44%, 0.59%

LAB 49.46, 21.88, -46.58

 

CMYK 0 / 6 / 66 / 39

HEX #9B9235

RGB 155 146 53

HSL 54.71, 0.49%, 0.41%

LAB 59.69, -8.32, 48.73

 

CMYK 0 / 5 / 58 / 33

HEX #ACA448

RGB 172 164 72

HSL 55.2, 0.41%, 0.48%

LAB 66.36, -9.13, 47.79

 

CMYK 0 / 4 / 52 / 26

HEX #BDB65B

RGB 189 182 91

HSL 55.71, 0.43%, 0.55%

LAB 72.91, -9.79, 46.66

 

CMYK 0 / 3 / 47 / 19

HEX #CEC86E

RGB 206 200 110

HSL 56.25, 0.49%, 0.62%

LAB 79.36, -10.33, 45.48

 

CMYK 0 / 2 / 42 / 13

HEX #DFDA81

RGB 223 218 129

HSL 56.81, 0.59%, 0.69%

LAB 85.71, -10.78, 44.3

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 0 / 4 / 71 / 48

HEX #858027

RGB 133 128 39

HSL 56.81, 0.55%, 0.34%

LAB 52.48, -9.32, 46.66

 

CMYK 0 / 5 / 83 / 55

HEX #746E14

RGB 116 110 20

HSL 56.25, 0.71%, 0.27%

LAB 45.52, -8.18, 46.61

 

CMYK 0 / 7 / 99 / 61

HEX #635C01

RGB 99 92 1

HSL 55.71, 0.98%, 0.2%

LAB 38.39, -6.73, 45.36

 

CMYK 0 / 10 / 100 / 68

HEX #524A00

RGB 82 74 0

HSL 54.15, 1%, 0.16%

LAB 31.09, -4.7, 39.61

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 0 / 19 / 61 / 41

HEX #96793A

RGB 150 121 58

HSL 41.09, 0.44%, 0.41%

LAB 52.36, 3.63, 38.16

 

CMYK 0 / 36 / 61 / 41

HEX #96603A

RGB 150 96 58

HSL 24.78, 0.44%, 0.41%

LAB 45.85, 18, 30.5

 

CMYK 0 / 52 / 61 / 41

HEX #96483A

RGB 150 72 58

HSL 9.13, 0.44%, 0.41%

LAB 40.29, 31.49, 23.64

 

CMYK 0 / 61 / 61 / 41

HEX #963A3A

RGB 150 58 58

HSL 0, 0.44%, 0.41%

LAB 37.51, 38.68, 20.09

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 14 / 0 / 61 / 41

HEX #81963A

RGB 129 150 58

HSL 73.7, 0.44%, 0.41%

LAB 58.78, -21.37, 44.87

 

CMYK 31 / 0 / 61 / 41

HEX #68963A

RGB 104 150 58

HSL 90, 0.44%, 0.41%

LAB 57.14, -31.45, 42.59

 

CMYK 47 / 0 / 61 / 41

HEX #50963A

RGB 80 150 58

HSL 105.65, 0.44%, 0.41%

LAB 55.91, -39.89, 40.88

 

CMYK 61 / 0 / 59 / 41

HEX #3A963D

RGB 58 150 61

HSL 121.96, 0.44%, 0.41%

LAB 55.12, -45.73, 38.33

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 0 / 4 / 75 / 35

HEX #A7A129

RGB 167 161 41

HSL 57.14, 0.61%, 0.41%

LAB 64.86, -11.59, 58.9

 

CMYK 0 / 4 / 87 / 28

HEX #B8B118

RGB 184 177 24

HSL 57.38, 0.77%, 0.41%

LAB 70.66, -12.95, 69.17

 

CMYK 0 / 4 / 97 / 21

HEX #C9C007

RGB 201 192 7

HSL 57.22, 0.93%, 0.41%

LAB 76.15, -13.44, 76.49

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 0 / 2 / 44 / 48

HEX #85834B

RGB 133 131 75

HSL 57.93, 0.28%, 0.41%

LAB 53.74, -7.93, 30.47

 

CMYK 0 / 1 / 21 / 55

HEX #74735C

RGB 116 115 92

HSL 57.5, 0.12%, 0.41%

LAB 47.94, -3.82, 12.9

 

CMYK 9 / 8 / 0 / 57

HEX #63646D

RGB 99 100 109

HSL 234, 0.05%, 0.41%

LAB 42.57, 1.57, -5.21

 

CMYK 35 / 33 / 0 / 51

HEX #52547E

RGB 82 84 126

HSL 237.27, 0.21%, 0.41%

LAB 37.19, 10, -23.94

 

CMYK 0 / 36 / 61 / 41

HEX #96603A

RGB 150 96 58

HSL 24.78, 0.44%, 0.41%

LAB 45.85, 18, 30.5

 

CMYK 0 / 19 / 61 / 41

HEX #96793A

RGB 150 121 58

HSL 41.09, 0.44%, 0.41%

LAB 52.36, 3.63, 38.16

 

CMYK 0 / 3 / 61 / 41

HEX #96913A

RGB 150 145 58

HSL 56.74, 0.44%, 0.41%

LAB 59.01, -9.65, 45.61

 

CMYK 13 / 0 / 61 / 41

HEX #82963A

RGB 130 150 58

HSL 73.04, 0.44%, 0.41%

LAB 58.85, -20.95, 44.98

 

CMYK 29 / 0 / 61 / 41

HEX #6A963A

RGB 106 150 58

HSL 88.7, 0.44%, 0.41%

LAB 57.25, -30.68, 42.76

 

CMYK 0 / 3 / 62 / 64

HEX #5B5823

RGB 91 88 35

HSL 56.79, 0.44%, 0.25%

LAB 36.6, -6.64, 30.54

 

CMYK 0 / 3 / 62 / 53

HEX #78752E

RGB 120 117 46

HSL 57.57, 0.45%, 0.33%

LAB 48.15, -8.73, 38.6

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 0 / 3 / 61 / 29

HEX #B4AF46

RGB 180 175 70

HSL 57.27, 0.44%, 0.49%

LAB 70.04, -11.6, 52.96

 

CMYK 0 / 2 / 50 / 24

HEX #C1BD61

RGB 193 189 97

HSL 57.5, 0.44%, 0.57%

LAB 75.2, -11.21, 46.55

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 61 / 0 / 52 / 41

HEX #3A9648

RGB 58 150 72

HSL 129.13, 0.44%, 0.41%

LAB 55.26, -44.22, 32.99

 

CMYK 27 / 61 / 0 / 41

HEX #6D3A96

RGB 109 58 150

HSL 273.26, 0.44%, 0.41%

LAB 34.96, 40.08, -41.97

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 61 / 0 / 3 / 41

HEX #3A9691

RGB 58 150 145

HSL 176.74, 0.44%, 0.41%

LAB 56.84, -28.09, -5.47

 

CMYK 3 / 61 / 0 / 41

HEX #913A96

RGB 145 58 150

HSL 296.74, 0.44%, 0.41%

LAB 39.99, 49.42, -33.66

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 61 / 0 / 52 / 41

HEX #3A9648

RGB 58 150 72

HSL 129.13, 0.44%, 0.41%

LAB 55.26, -44.22, 32.99

 

CMYK 61 / 58 / 0 / 41

HEX #3A3F96

RGB 58 63 150

HSL 236.74, 0.44%, 0.41%

LAB 31.01, 25.49, -48.6

 

CMYK 0 / 61 / 9 / 41

HEX #963A88

RGB 150 58 136

HSL 309.13, 0.44%, 0.41%

LAB 40.06, 48.31, -24.98

 

CMYK 0 / 3 / 61 / 41

HEX #96923A

RGB 150 146 58

HSL 57.39, 0.44%, 0.41%

LAB 59.29, -10.19, 45.92

 

CMYK 61 / 0 / 34 / 41

HEX #3A9663

RGB 58 150 99

HSL 146.74, 0.44%, 0.41%

LAB 55.7, -39.42, 19.02

 

CMYK 61 / 58 / 0 / 41

HEX #3A3F96

RGB 58 63 150

HSL 236.74, 0.44%, 0.41%

LAB 31.01, 25.49, -48.6

 

CMYK 0 / 61 / 27 / 41

HEX #963A6D

RGB 150 58 109

HSL 326.74, 0.44%, 0.41%

LAB 38.92, 44.15, -10.02

 

Description

Color code: HEX #96923A | qconv.com Color code: HEX #96923A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 146 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 146 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 61 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 61% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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