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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #969B44 it is the complementary color #6964BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #969B44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #969B44 shade: #9B9B3F, #ACAD52, #BDBF65, #CED178 and #DFE38B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #969B44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #969B44 shade: #969B44, #858931, #74771E, #63650B and #525300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #969B44 shade: #969B44, #9B8944, #9B7144, #9B5A44 and #9B4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #969B44 shade: #969B44, #7F9B44, #679B44, #509B44 and #449B50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #969B44 shade matches the following richer shades: #969B44, #A6AE32, #B7C020 and #C7D20D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #969B44 shade: #969B44, #868956, #767768, #66657A and #56538D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #969B44 shade: #9B7144, #9B8844, #979B44, #809B44 and #689B44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #969B44 shade: #5F622B, #7B7F37, #969B44, #AEB455 and #BCC171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #969B44 shade: #969B44, #449B5A and #7D449B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #969B44 shade: #969B44, #44979B and #9B4497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #969B44 shade: #969B44, #449B5A, #48449B and #9B4486

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #969B44 shade: #969B44, #449B74, #48449B and #9B446B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

Complementary color

CMYK 44 / 47 / 0 / 27

HEX #6964BB

RGB 105 100 187

HSL 243.45, 0.39%, 0.56%

LAB 46.59, 24.38, -45.38

 

CMYK 0 / 0 / 59 / 39

HEX #9B9B3F

RGB 155 155 63

HSL 60, 0.42%, 0.43%

LAB 62.31, -12.42, 47.06

 

CMYK 1 / 0 / 53 / 32

HEX #ACAD52

RGB 172 173 82

HSL 60.66, 0.36%, 0.5%

LAB 68.94, -13.02, 46

 

CMYK 1 / 0 / 47 / 25

HEX #BDBF65

RGB 189 191 101

HSL 61.33, 0.41%, 0.57%

LAB 75.46, -13.51, 44.84

 

CMYK 1 / 0 / 43 / 18

HEX #CED178

RGB 206 209 120

HSL 62.02, 0.49%, 0.65%

LAB 81.88, -13.9, 43.66

 

CMYK 2 / 0 / 39 / 11

HEX #DFE38B

RGB 223 227 139

HSL 62.73, 0.61%, 0.72%

LAB 88.2, -14.22, 42.5

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 3 / 0 / 64 / 46

HEX #858931

RGB 133 137 49

HSL 62.73, 0.47%, 0.36%

LAB 55.17, -13.55, 45.14

 

CMYK 3 / 0 / 75 / 53

HEX #74771E

RGB 116 119 30

HSL 62.02, 0.6%, 0.29%

LAB 48.26, -12.72, 45.61

 

CMYK 2 / 0 / 89 / 60

HEX #63650B

RGB 99 101 11

HSL 61.33, 0.8%, 0.22%

LAB 41.19, -11.58, 44.88

 

CMYK 1 / 0 / 100 / 67

HEX #525300

RGB 82 83 0

HSL 60.72, 1%, 0.16%

LAB 33.94, -10.04, 41.67

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 0 / 12 / 56 / 39

HEX #9B8944

RGB 155 137 68

HSL 47.59, 0.39%, 0.44%

LAB 57.34, -2.29, 38.98

 

CMYK 0 / 27 / 56 / 39

HEX #9B7144

RGB 155 113 68

HSL 31.03, 0.39%, 0.44%

LAB 50.92, 11.26, 31.27

 

CMYK 0 / 42 / 56 / 39

HEX #9B5A44

RGB 155 90 68

HSL 15.17, 0.39%, 0.44%

LAB 45.22, 24.41, 24.13

 

CMYK 0 / 56 / 56 / 39

HEX #9B4444

RGB 155 68 68

HSL 0, 0.39%, 0.44%

LAB 40.44, 36.35, 17.9

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 18 / 0 / 56 / 39

HEX #7F9B44

RGB 127 155 68

HSL 79.31, 0.39%, 0.44%

LAB 60.22, -23.82, 41.76

 

CMYK 34 / 0 / 56 / 39

HEX #679B44

RGB 103 155 68

HSL 95.86, 0.39%, 0.44%

LAB 58.74, -33.11, 39.64

 

CMYK 48 / 0 / 56 / 39

HEX #509B44

RGB 80 155 68

HSL 111.72, 0.39%, 0.44%

LAB 57.62, -40.84, 38.05

 

CMYK 56 / 0 / 48 / 39

HEX #449B50

RGB 68 155 80

HSL 128.28, 0.39%, 0.44%

LAB 57.32, -42.55, 31.48

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 5 / 0 / 71 / 32

HEX #A6AE32

RGB 166 174 50

HSL 63.87, 0.55%, 0.44%

LAB 68.47, -18.3, 59.12

 

CMYK 5 / 0 / 83 / 25

HEX #B7C020

RGB 183 192 32

HSL 63.38, 0.71%, 0.44%

LAB 74.74, -20.74, 70.74

 

CMYK 5 / 0 / 94 / 18

HEX #C7D20D

RGB 199 210 13

HSL 63.35, 0.88%, 0.44%

LAB 80.89, -23.14, 79.39

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 2 / 0 / 37 / 46

HEX #868956

RGB 134 137 86

HSL 63.53, 0.23%, 0.44%

LAB 55.72, -9.48, 27

 

CMYK 1 / 0 / 13 / 53

HEX #767768

RGB 118 119 104

HSL 64, 0.07%, 0.44%

LAB 49.55, -3.25, 8.13

 

CMYK 16 / 17 / 0 / 52

HEX #66657A

RGB 102 101 122

HSL 242.86, 0.09%, 0.44%

LAB 43.56, 5.08, -11.57

 

CMYK 39 / 41 / 0 / 45

HEX #56538D

RGB 86 83 141

HSL 243.1, 0.26%, 0.44%

LAB 38, 16.24, -31.81

 

CMYK 0 / 27 / 56 / 39

HEX #9B7144

RGB 155 113 68

HSL 31.03, 0.39%, 0.44%

LAB 50.92, 11.26, 31.27

 

CMYK 0 / 12 / 56 / 39

HEX #9B8844

RGB 155 136 68

HSL 46.9, 0.39%, 0.44%

LAB 57.07, -1.74, 38.66

 

CMYK 3 / 0 / 56 / 39

HEX #979B44

RGB 151 155 68

HSL 62.76, 0.39%, 0.44%

LAB 62.03, -13.75, 44.31

 

CMYK 17 / 0 / 56 / 39

HEX #809B44

RGB 128 155 68

HSL 78.62, 0.39%, 0.44%

LAB 60.29, -23.41, 41.85

 

CMYK 33 / 0 / 56 / 39

HEX #689B44

RGB 104 155 68

HSL 95.17, 0.39%, 0.44%

LAB 58.79, -32.75, 39.72

 

CMYK 3 / 0 / 56 / 62

HEX #5F622B

RGB 95 98 43

HSL 63.27, 0.39%, 0.28%

LAB 40.15, -9.8, 30.48

 

CMYK 3 / 0 / 57 / 50

HEX #7B7F37

RGB 123 127 55

HSL 63.33, 0.4%, 0.36%

LAB 51.46, -12.14, 37.97

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 3 / 0 / 53 / 29

HEX #AEB455

RGB 174 180 85

HSL 63.79, 0.39%, 0.52%

LAB 71.08, -15.53, 47.08

 

CMYK 3 / 0 / 41 / 24

HEX #BCC171

RGB 188 193 113

HSL 63.75, 0.39%, 0.6%

LAB 76.08, -13.7, 39.61

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 56 / 0 / 42 / 39

HEX #449B5A

RGB 68 155 90

HSL 135.17, 0.39%, 0.44%

LAB 57.47, -40.9, 26.37

 

CMYK 19 / 56 / 0 / 39

HEX #7D449B

RGB 125 68 155

HSL 279.31, 0.39%, 0.44%

LAB 39.34, 40.03, -37.88

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 56 / 3 / 0 / 39

HEX #44979B

RGB 68 151 155

HSL 182.76, 0.39%, 0.44%

LAB 57.78, -23.79, -9.74

 

CMYK 0 / 56 / 3 / 39

HEX #9B4497

RGB 155 68 151

HSL 302.76, 0.39%, 0.44%

LAB 43.27, 47.63, -29.01

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 56 / 0 / 42 / 39

HEX #449B5A

RGB 68 155 90

HSL 135.17, 0.39%, 0.44%

LAB 57.47, -40.9, 26.37

 

CMYK 54 / 56 / 0 / 39

HEX #48449B

RGB 72 68 155

HSL 242.76, 0.39%, 0.44%

LAB 33.73, 26.75, -47.19

 

CMYK 0 / 56 / 14 / 39

HEX #9B4486

RGB 155 68 134

HSL 314.48, 0.39%, 0.44%

LAB 42.5, 44.7, -19.92

 

CMYK 3 / 0 / 56 / 39

HEX #969B44

RGB 150 155 68

HSL 63.45, 0.39%, 0.44%

LAB 61.95, -14.18, 44.19

 

CMYK 56 / 0 / 25 / 39

HEX #449B74

RGB 68 155 116

HSL 153.1, 0.39%, 0.44%

LAB 57.97, -35.72, 12.69

 

CMYK 54 / 56 / 0 / 39

HEX #48449B

RGB 72 68 155

HSL 242.76, 0.39%, 0.44%

LAB 33.73, 26.75, -47.19

 

CMYK 0 / 56 / 31 / 39

HEX #9B446B

RGB 155 68 107

HSL 333.1, 0.39%, 0.44%

LAB 41.48, 40.65, -4.87

 

Description

Color code: HEX #969B44 | qconv.com Color code: HEX #969B44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 155 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 155 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 56 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 56% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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