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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #969EB9 it is the complementary color #696146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #969EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #969EB9 shade: #9B9EB4, #ACB0C7, #BDC2DA, #CED4ED and #DFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #969EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #969EB9 shade: #969EB9, #858CA6, #747A93, #636880 and #52566D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #969EB9 shade: #969EB9, #9896B9, #A196B9, #AB96B9 and #B496B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #969EB9 shade: #969EB9 and #9696B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #969EB9 shade matches the following richer shades: #969EB9, #8897C7, #7A8FD5, #6C88E3 and #5E80F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #969EB9 shade: #969EB9, #A4A6AB, #B3AE9D, #C1B58F and #CFBD81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #969EB9 shade: #96B1B9, #96A8B9, #969FB9, #9896B9 and #A196B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #969EB9 shade: #657198, #7E88A9, #969EB9, #AFB5CA and #C8CCDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #969EB9 shade: #969EB9, #B896B9 and #ACB996

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #969EB9 shade: #969EB9, #B9969F and #9FB996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #969EB9 shade: #969EB9, #B896B9, #B9B196 and #98B996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #969EB9 shade: #969EB9, #B996B0, #B9B196 and #96B9A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

Complementary color

CMYK 0 / 8 / 33 / 59

HEX #696146

RGB 105 97 70

HSL 46.29, 0.2%, 0.34%

LAB 41.21, -1.41, 16.58

 

CMYK 14 / 12 / 0 / 29

HEX #9B9EB4

RGB 155 158 180

HSL 232.8, 0.14%, 0.66%

LAB 65.53, 3.46, -11.74

 

CMYK 14 / 12 / 0 / 22

HEX #ACB0C7

RGB 172 176 199

HSL 231.11, 0.19%, 0.73%

LAB 72.19, 3.25, -12.15

 

CMYK 13 / 11 / 0 / 15

HEX #BDC2DA

RGB 189 194 218

HSL 229.66, 0.28%, 0.8%

LAB 78.73, 3.04, -12.55

 

CMYK 13 / 11 / 0 / 7

HEX #CED4ED

RGB 206 212 237

HSL 228.39, 0.46%, 0.87%

LAB 85.16, 2.85, -12.96

 

CMYK 13 / 10 / 0 / 0

HEX #DFE6FF

RGB 223 230 255

HSL 226.88, 1%, 0.94%

LAB 91.46, 2.47, -12.88

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 20 / 16 / 0 / 35

HEX #858CA6

RGB 133 140 166

HSL 227.27, 0.16%, 0.59%

LAB 58.5, 3.16, -14.57

 

CMYK 21 / 17 / 0 / 42

HEX #747A93

RGB 116 122 147

HSL 228.39, 0.13%, 0.52%

LAB 51.54, 3.41, -14.25

 

CMYK 23 / 19 / 0 / 50

HEX #636880

RGB 99 104 128

HSL 229.66, 0.13%, 0.45%

LAB 44.39, 3.7, -13.96

 

CMYK 25 / 21 / 0 / 57

HEX #52566D

RGB 82 86 109

HSL 231.11, 0.14%, 0.37%

LAB 37.03, 4.02, -13.69

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 18 / 19 / 0 / 27

HEX #9896B9

RGB 152 150 185

HSL 243.43, 0.2%, 0.66%

LAB 63.34, 8.08, -17.88

 

CMYK 13 / 19 / 0 / 27

HEX #A196B9

RGB 161 150 185

HSL 258.86, 0.2%, 0.66%

LAB 64.07, 11.04, -16.69

 

CMYK 8 / 19 / 0 / 27

HEX #AB96B9

RGB 171 150 185

HSL 276, 0.2%, 0.66%

LAB 64.94, 14.41, -15.29

 

CMYK 3 / 19 / 0 / 27

HEX #B496B9

RGB 180 150 185

HSL 291.43, 0.2%, 0.66%

LAB 65.76, 17.48, -13.97

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 19 / 19 / 0 / 27

HEX #9696B9

RGB 150 150 185

HSL 240, 0.2%, 0.66%

LAB 63.18, 7.43, -18.13

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 32 / 24 / 0 / 22

HEX #8897C7

RGB 136 151 199

HSL 225.71, 0.36%, 0.66%

LAB 62.92, 5.95, -26.47

 

CMYK 43 / 33 / 0 / 16

HEX #7A8FD5

RGB 122 143 213

HSL 226.15, 0.52%, 0.66%

LAB 60.42, 10.52, -38.27

 

CMYK 52 / 40 / 0 / 11

HEX #6C88E3

RGB 108 136 227

HSL 225.88, 0.68%, 0.66%

LAB 58.36, 15.52, -49.39

 

CMYK 61 / 47 / 0 / 5

HEX #5E80F1

RGB 94 128 241

HSL 226.12, 0.84%, 0.66%

LAB 56.26, 22.08, -60.58

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 4 / 3 / 0 / 33

HEX #A4A6AB

RGB 164 166 171

HSL 222.86, 0.04%, 0.66%

LAB 68.1, 0.26, -2.83

 

CMYK 0 / 3 / 12 / 30

HEX #B3AE9D

RGB 179 174 157

HSL 46.36, 0.13%, 0.66%

LAB 71.07, -1.2, 9.36

 

CMYK 0 / 6 / 26 / 24

HEX #C1B58F

RGB 193 181 143

HSL 45.6, 0.29%, 0.66%

LAB 73.78, -1.76, 20.94

 

CMYK 0 / 9 / 38 / 19

HEX #CFBD81

RGB 207 189 129

HSL 46.15, 0.45%, 0.66%

LAB 76.83, -2.24, 32.66

 

CMYK 19 / 4 / 0 / 27

HEX #96B1B9

RGB 150 177 185

HSL 193.71, 0.2%, 0.66%

LAB 70.48, -7.48, -7.18

 

CMYK 19 / 9 / 0 / 27

HEX #96A8B9

RGB 150 168 185

HSL 209.14, 0.2%, 0.66%

LAB 68.01, -2.6, -10.84

 

CMYK 19 / 14 / 0 / 27

HEX #969FB9

RGB 150 159 185

HSL 224.57, 0.2%, 0.66%

LAB 65.58, 2.37, -14.5

 

CMYK 18 / 19 / 0 / 27

HEX #9896B9

RGB 152 150 185

HSL 243.43, 0.2%, 0.66%

LAB 63.34, 8.08, -17.88

 

CMYK 13 / 19 / 0 / 27

HEX #A196B9

RGB 161 150 185

HSL 258.86, 0.2%, 0.66%

LAB 64.07, 11.04, -16.69

 

CMYK 34 / 26 / 0 / 40

HEX #657198

RGB 101 113 152

HSL 225.88, 0.2%, 0.5%

LAB 48.06, 5.25, -22.61

 

CMYK 25 / 20 / 0 / 34

HEX #7E88A9

RGB 126 136 169

HSL 226.05, 0.2%, 0.58%

LAB 56.99, 3.92, -18.64

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 13 / 10 / 0 / 21

HEX #AFB5CA

RGB 175 181 202

HSL 226.67, 0.2%, 0.74%

LAB 73.82, 2.14, -11.33

 

CMYK 8 / 6 / 0 / 15

HEX #C8CCDA

RGB 200 204 218

HSL 226.67, 0.2%, 0.82%

LAB 82.12, 1.31, -7.41

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 1 / 19 / 0 / 27

HEX #B896B9

RGB 184 150 185

HSL 298.29, 0.2%, 0.66%

LAB 66.14, 18.85, -13.37

 

CMYK 7 / 0 / 19 / 27

HEX #ACB996

RGB 172 185 150

HSL 82.29, 0.2%, 0.66%

LAB 73.33, -10.77, 16.28

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 0 / 19 / 14 / 27

HEX #B9969F

RGB 185 150 159

HSL 344.57, 0.2%, 0.66%

LAB 65.46, 14.53, 0.22

 

CMYK 14 / 0 / 19 / 27

HEX #9FB996

RGB 159 185 150

HSL 104.57, 0.2%, 0.66%

LAB 72.41, -15.49, 14.85

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 1 / 19 / 0 / 27

HEX #B896B9

RGB 184 150 185

HSL 298.29, 0.2%, 0.66%

LAB 66.14, 18.85, -13.37

 

CMYK 0 / 4 / 19 / 27

HEX #B9B196

RGB 185 177 150

HSL 46.29, 0.2%, 0.66%

LAB 72.2, -1.67, 14.85

 

CMYK 18 / 0 / 19 / 27

HEX #98B996

RGB 152 185 150

HSL 116.57, 0.2%, 0.66%

LAB 71.94, -17.97, 14.13

 

CMYK 19 / 15 / 0 / 27

HEX #969EB9

RGB 150 158 185

HSL 226.29, 0.2%, 0.66%

LAB 65.31, 2.93, -14.91

 

CMYK 0 / 19 / 5 / 27

HEX #B996B0

RGB 185 150 176

HSL 315.43, 0.2%, 0.66%

LAB 65.95, 17.51, -8.6

 

CMYK 0 / 4 / 19 / 27

HEX #B9B196

RGB 185 177 150

HSL 46.29, 0.2%, 0.66%

LAB 72.2, -1.67, 14.85

 

CMYK 19 / 0 / 14 / 27

HEX #96B9A0

RGB 150 185 160

HSL 137.14, 0.2%, 0.66%

LAB 72.04, -16.82, 8.81

 

Description

Color code: HEX #969EB9 | qconv.com Color code: HEX #969EB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 158 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 158 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 15 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 15% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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