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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #969F31 it is the complementary color #6960CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #969F31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #969F31 shade: #9B9F2C, #ACB13F, #BDC352, #CED565 and #DFE778

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #969F31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #969F31 shade: #969F31, #858D1E, #747B0B, #636900 and #525700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #969F31 shade: #969F31, #9F8B31, #9F6D31, #9F4F31 and #9F3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #969F31 shade: #969F31, #799F31, #5B9F31, #3D9F31 and #319F42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #969F31 shade matches the following richer shades: #969F31, #A5B020 and #B3C10F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #969F31 shade: #969F31, #888F42, #7A7E52, #6C6D63 and #5E5C74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #969F31 shade: #9F6C31, #9F8931, #989F31, #7B9F31 and #5D9F31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #969F31 shade: #5B601D, #798027, #969F31, #B4BF3A and #C2CB57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #969F31 shade: #969F31, #319F4E and #7B319F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #969F31 shade: #969F31, #31989F and #9F3198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #969F31 shade: #969F31, #319F4E, #38319F and #9F3182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #969F31 shade: #969F31, #319F6F, #38319F and #9F3161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

Complementary color

CMYK 49 / 53 / 0 / 19

HEX #6960CE

RGB 105 96 206

HSL 244.91, 0.53%, 0.59%

LAB 46.74, 32.54, -56.09

 

CMYK 3 / 0 / 72 / 38

HEX #9B9F2C

RGB 155 159 44

HSL 62.09, 0.57%, 0.4%

LAB 63.3, -15.7, 56

 

CMYK 3 / 0 / 64 / 31

HEX #ACB13F

RGB 172 177 63

HSL 62.63, 0.48%, 0.47%

LAB 69.88, -16.5, 55.59

 

CMYK 3 / 0 / 58 / 24

HEX #BDC352

RGB 189 195 82

HSL 63.19, 0.48%, 0.54%

LAB 76.35, -17.15, 54.78

 

CMYK 3 / 0 / 53 / 16

HEX #CED565

RGB 206 213 101

HSL 63.75, 0.57%, 0.62%

LAB 82.73, -17.67, 53.77

 

CMYK 3 / 0 / 48 / 9

HEX #DFE778

RGB 223 231 120

HSL 64.32, 0.7%, 0.69%

LAB 89.01, -18.09, 52.67

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 6 / 0 / 79 / 45

HEX #858D1E

RGB 133 141 30

HSL 64.32, 0.65%, 0.34%

LAB 56.22, -16.73, 53.56

 

CMYK 6 / 0 / 91 / 52

HEX #747B0B

RGB 116 123 11

HSL 63.75, 0.84%, 0.26%

LAB 49.38, -15.59, 52.21

 

CMYK 6 / 0 / 100 / 59

HEX #636900

RGB 99 105 0

HSL 63.43, 1%, 0.21%

LAB 42.39, -14.11, 48.58

 

CMYK 6 / 0 / 100 / 66

HEX #525700

RGB 82 87 0

HSL 63.45, 1%, 0.17%

LAB 35.22, -12.33, 42.62

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 0 / 13 / 69 / 38

HEX #9F8B31

RGB 159 139 49

HSL 49.09, 0.53%, 0.41%

LAB 58.09, -2.96, 48.92

 

CMYK 0 / 31 / 69 / 38

HEX #9F6D31

RGB 159 109 49

HSL 32.73, 0.53%, 0.41%

LAB 50.13, 13.92, 40.49

 

CMYK 0 / 50 / 69 / 38

HEX #9F4F31

RGB 159 79 49

HSL 16.36, 0.53%, 0.41%

LAB 43.04, 30.77, 32.54

 

CMYK 0 / 69 / 69 / 38

HEX #9F3131

RGB 159 49 49

HSL 0, 0.53%, 0.41%

LAB 37.46, 45.36, 25.94

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 24 / 0 / 69 / 38

HEX #799F31

RGB 121 159 49

HSL 80.73, 0.53%, 0.41%

LAB 60.85, -29.78, 50.81

 

CMYK 43 / 0 / 69 / 38

HEX #5B9F31

RGB 91 159 49

HSL 97.09, 0.53%, 0.41%

LAB 59.2, -40.95, 48.57

 

CMYK 62 / 0 / 69 / 38

HEX #3D9F31

RGB 61 159 49

HSL 113.45, 0.53%, 0.41%

LAB 58.05, -49.71, 47.01

 

CMYK 69 / 0 / 58 / 38

HEX #319F42

RGB 49 159 66

HSL 129.27, 0.53%, 0.41%

LAB 57.89, -50.41, 39.09

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 6 / 0 / 82 / 31

HEX #A5B020

RGB 165 176 32

HSL 64.58, 0.69%, 0.41%

LAB 68.86, -20.5, 65.16

 

CMYK 7 / 0 / 92 / 24

HEX #B3C10F

RGB 179 193 15

HSL 64.72, 0.86%, 0.41%

LAB 74.67, -23.31, 73.69

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 5 / 0 / 54 / 44

HEX #888F42

RGB 136 143 66

HSL 65.45, 0.37%, 0.41%

LAB 57.34, -14.05, 39.56

 

CMYK 3 / 0 / 35 / 51

HEX #7A7E52

RGB 122 126 82

HSL 65.45, 0.21%, 0.41%

LAB 51.46, -9.01, 23.5

 

CMYK 1 / 0 / 9 / 57

HEX #6C6D63

RGB 108 109 99

HSL 66, 0.05%, 0.41%

LAB 45.67, -2.36, 5.45

 

CMYK 19 / 21 / 0 / 55

HEX #5E5C74

RGB 94 92 116

HSL 245, 0.12%, 0.41%

LAB 40.07, 6.29, -13.28

 

CMYK 0 / 32 / 69 / 38

HEX #9F6C31

RGB 159 108 49

HSL 32.18, 0.53%, 0.41%

LAB 49.88, 14.49, 40.21

 

CMYK 0 / 14 / 69 / 38

HEX #9F8931

RGB 159 137 49

HSL 48, 0.53%, 0.41%

LAB 57.54, -1.86, 48.35

 

CMYK 4 / 0 / 69 / 38

HEX #989F31

RGB 152 159 49

HSL 63.82, 0.53%, 0.41%

LAB 63.09, -16.74, 53.8

 

CMYK 23 / 0 / 69 / 38

HEX #7B9F31

RGB 123 159 49

HSL 79.64, 0.53%, 0.41%

LAB 60.98, -28.97, 50.99

 

CMYK 42 / 0 / 69 / 38

HEX #5D9F31

RGB 93 159 49

HSL 96, 0.53%, 0.41%

LAB 59.29, -40.27, 48.7

 

CMYK 5 / 0 / 70 / 62

HEX #5B601D

RGB 91 96 29

HSL 64.48, 0.54%, 0.25%

LAB 39.03, -11.71, 36.11

 

CMYK 5 / 0 / 70 / 50

HEX #798027

RGB 121 128 39

HSL 64.72, 0.53%, 0.33%

LAB 51.44, -14.78, 45.28

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 6 / 0 / 70 / 25

HEX #B4BF3A

RGB 180 191 58

HSL 64.96, 0.53%, 0.49%

LAB 74.36, -20.45, 62.33

 

CMYK 4 / 0 / 57 / 20

HEX #C2CB57

RGB 194 203 87

HSL 64.66, 0.53%, 0.57%

LAB 78.97, -18.7, 55.58

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 69 / 0 / 51 / 38

HEX #319F4E

RGB 49 159 78

HSL 135.82, 0.53%, 0.41%

LAB 58.04, -48.68, 33.29

 

CMYK 23 / 69 / 0 / 38

HEX #7B319F

RGB 123 49 159

HSL 280.36, 0.53%, 0.41%

LAB 35.81, 49.99, -45.96

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 69 / 4 / 0 / 38

HEX #31989F

RGB 49 152 159

HSL 183.82, 0.53%, 0.41%

LAB 57.67, -26.45, -12.25

 

CMYK 0 / 69 / 4 / 38

HEX #9F3198

RGB 159 49 152

HSL 303.82, 0.53%, 0.41%

LAB 40.95, 57.09, -33.21

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 69 / 0 / 51 / 38

HEX #319F4E

RGB 49 159 78

HSL 135.82, 0.53%, 0.41%

LAB 58.04, -48.68, 33.29

 

CMYK 65 / 69 / 0 / 38

HEX #38319F

RGB 56 49 159

HSL 243.82, 0.53%, 0.41%

LAB 28.22, 37.17, -58.63

 

CMYK 0 / 69 / 18 / 38

HEX #9F3182

RGB 159 49 130

HSL 315.82, 0.53%, 0.41%

LAB 39.88, 53.66, -21.46

 

CMYK 6 / 0 / 69 / 38

HEX #969F31

RGB 150 159 49

HSL 64.91, 0.53%, 0.41%

LAB 62.93, -17.6, 53.59

 

CMYK 69 / 0 / 30 / 38

HEX #319F6F

RGB 49 159 111

HSL 153.82, 0.53%, 0.41%

LAB 58.6, -42.43, 16.27

 

CMYK 65 / 69 / 0 / 38

HEX #38319F

RGB 56 49 159

HSL 243.82, 0.53%, 0.41%

LAB 28.22, 37.17, -58.63

 

CMYK 0 / 69 / 39 / 38

HEX #9F3161

RGB 159 49 97

HSL 333.82, 0.53%, 0.41%

LAB 38.6, 49.38, -2.79

 

Description

Color code: HEX #969F31 | qconv.com Color code: HEX #969F31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 159 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 159 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 69 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 69% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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