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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #969FAA it is the complementary color #696055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #969FAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #969FAA shade: #9B9FA5, #ACB1B8, #BDC3CB, #CED5DE and #DFE7F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #969FAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #969FAA shade: #969FAA, #858D97, #747B84, #636971 and #52575E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #969FAA shade: #969FAB, #969AAB, #9896AB, #9D96AB and #A396AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #969FAA shade: #969FAB, #969AAB and #9696AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #969FAA shade matches the following richer shades: #969FAB, #879EBA, #779CC9, #689BD8 and #5999E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #969FAA shade: #969FAB, #A5A19B, #B4A28C, #C4A47D and #D3A56D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #969FAA shade: #96AAAB, #96A5AB, #969FAB, #969AAB and #9896AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #969FAA shade: #6A7684, #7F8A98, #969FAB, #ADB4BD and #C4C9CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #969FAA shade: #969FAA, #A596AB and #A7AB96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #969FAA shade: #969FAA, #AB969F and #9FAB96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #969FAA shade: #969FAA, #A596AB, #ABA196 and #9BAB96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #969FAA shade: #969FAA, #AB96A9, #ABA196 and #96AB97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 6 / 0 / 33

HEX #969FAA

RGB 150 159 170

HSL 213, 0.11%, 0.63%

LAB 65.11, -0.93, -6.81

 

Complementary color

CMYK 0 / 9 / 19 / 59

HEX #696055

RGB 105 96 85

HSL 33, 0.11%, 0.37%

LAB 41.26, 1.57, 7.58

 

CMYK 6 / 4 / 0 / 35

HEX #9B9FA5

RGB 155 159 165

HSL 216, 0.05%, 0.63%

LAB 65.34, -0.24, -3.62

 

CMYK 7 / 4 / 0 / 28

HEX #ACB1B8

RGB 172 177 184

HSL 215, 0.08%, 0.7%

LAB 72.01, -0.38, -4.18

 

CMYK 7 / 4 / 0 / 20

HEX #BDC3CB

RGB 189 195 203

HSL 214.29, 0.12%, 0.77%

LAB 78.56, -0.52, -4.73

 

CMYK 7 / 4 / 0 / 13

HEX #CED5DE

RGB 206 213 222

HSL 213.75, 0.2%, 0.84%

LAB 84.99, -0.66, -5.26

 

CMYK 7 / 4 / 0 / 5

HEX #DFE7F1

RGB 223 231 241

HSL 213.33, 0.39%, 0.91%

LAB 91.32, -0.79, -5.78

 

CMYK 12 / 6 / 0 / 33

HEX #969FAA

RGB 150 159 170

HSL 213, 0.11%, 0.63%

LAB 65.11, -0.93, -6.81

 

CMYK 12 / 7 / 0 / 41

HEX #858D97

RGB 133 141 151

HSL 213.33, 0.08%, 0.56%

LAB 58.29, -0.8, -6.31

 

CMYK 12 / 7 / 0 / 48

HEX #747B84

RGB 116 123 132

HSL 213.75, 0.06%, 0.49%

LAB 51.32, -0.66, -5.79

 

CMYK 12 / 7 / 0 / 56

HEX #636971

RGB 99 105 113

HSL 214.29, 0.07%, 0.42%

LAB 44.16, -0.52, -5.27

 

CMYK 13 / 7 / 0 / 63

HEX #52575E

RGB 82 87 94

HSL 215, 0.07%, 0.35%

LAB 36.78, -0.37, -4.73

 

CMYK 12 / 7 / 0 / 33

HEX #969FAB

RGB 150 159 171

HSL 214.29, 0.11%, 0.63%

LAB 65.14, -0.72, -7.33

 

CMYK 12 / 10 / 0 / 33

HEX #969AAB

RGB 150 154 171

HSL 228.57, 0.11%, 0.63%

LAB 63.78, 2.06, -9.35

 

CMYK 11 / 12 / 0 / 33

HEX #9896AB

RGB 152 150 171

HSL 245.71, 0.11%, 0.63%

LAB 62.87, 4.99, -10.7

 

CMYK 8 / 12 / 0 / 33

HEX #9D96AB

RGB 157 150 171

HSL 260, 0.11%, 0.63%

LAB 63.28, 6.71, -10.04

 

CMYK 5 / 12 / 0 / 33

HEX #A396AB

RGB 163 150 171

HSL 277.14, 0.11%, 0.63%

LAB 63.79, 8.79, -9.23

 

CMYK 12 / 7 / 0 / 33

HEX #969FAB

RGB 150 159 171

HSL 214.29, 0.11%, 0.63%

LAB 65.14, -0.72, -7.33

 

CMYK 12 / 10 / 0 / 33

HEX #969AAB

RGB 150 154 171

HSL 228.57, 0.11%, 0.63%

LAB 63.78, 2.06, -9.35

 

CMYK 12 / 12 / 0 / 33

HEX #9696AB

RGB 150 150 171

HSL 240, 0.11%, 0.63%

LAB 62.71, 4.31, -10.96

 

CMYK 12 / 7 / 0 / 33

HEX #969FAB

RGB 150 159 171

HSL 214.29, 0.11%, 0.63%

LAB 65.14, -0.72, -7.33

 

CMYK 27 / 15 / 0 / 27

HEX #879EBA

RGB 135 158 186

HSL 212.94, 0.27%, 0.63%

LAB 64.28, -1.57, -17.12

 

CMYK 41 / 22 / 0 / 21

HEX #779CC9

RGB 119 156 201

HSL 212.93, 0.43%, 0.63%

LAB 63.27, -1.12, -27.14

 

CMYK 52 / 28 / 0 / 15

HEX #689BD8

RGB 104 155 216

HSL 212.68, 0.59%, 0.63%

LAB 62.8, 0.13, -36.3

 

CMYK 62 / 34 / 0 / 9

HEX #5999E8

RGB 89 153 232

HSL 213.15, 0.76%, 0.63%

LAB 62.28, 3.3, -46.02

 

CMYK 12 / 7 / 0 / 33

HEX #969FAB

RGB 150 159 171

HSL 214.29, 0.11%, 0.63%

LAB 65.14, -0.72, -7.33

 

CMYK 0 / 2 / 6 / 35

HEX #A5A19B

RGB 165 161 155

HSL 36, 0.05%, 0.63%

LAB 66.41, 0.34, 3.62

 

CMYK 0 / 10 / 22 / 29

HEX #B4A28C

RGB 180 162 140

HSL 33, 0.21%, 0.63%

LAB 67.6, 2.99, 13.84

 

CMYK 0 / 16 / 36 / 23

HEX #C4A47D

RGB 196 164 125

HSL 32.96, 0.38%, 0.63%

LAB 69.3, 6.2, 24.63

 

CMYK 0 / 22 / 48 / 17

HEX #D3A56D

RGB 211 165 109

HSL 32.94, 0.54%, 0.63%

LAB 70.78, 10.04, 35.4

 

CMYK 12 / 1 / 0 / 33

HEX #96AAAB

RGB 150 170 171

HSL 182.86, 0.11%, 0.63%

LAB 68.15, -6.72, -2.88

 

CMYK 12 / 4 / 0 / 33

HEX #96A5AB

RGB 150 165 171

HSL 197.14, 0.11%, 0.63%

LAB 66.77, -4.01, -4.9

 

CMYK 12 / 7 / 0 / 33

HEX #969FAB

RGB 150 159 171

HSL 214.29, 0.11%, 0.63%

LAB 65.14, -0.72, -7.33

 

CMYK 12 / 10 / 0 / 33

HEX #969AAB

RGB 150 154 171

HSL 228.57, 0.11%, 0.63%

LAB 63.78, 2.06, -9.35

 

CMYK 11 / 12 / 0 / 33

HEX #9896AB

RGB 152 150 171

HSL 245.71, 0.11%, 0.63%

LAB 62.87, 4.99, -10.7

 

CMYK 20 / 11 / 0 / 48

HEX #6A7684

RGB 106 118 132

HSL 212.31, 0.11%, 0.47%

LAB 49.11, -1.25, -9.16

 

CMYK 16 / 9 / 0 / 40

HEX #7F8A98

RGB 127 138 152

HSL 213.6, 0.11%, 0.55%

LAB 57.03, -0.94, -8.81

 

CMYK 12 / 7 / 0 / 33

HEX #969FAB

RGB 150 159 171

HSL 214.29, 0.11%, 0.63%

LAB 65.14, -0.72, -7.33

 

CMYK 8 / 5 / 0 / 26

HEX #ADB4BD

RGB 173 180 189

HSL 213.75, 0.11%, 0.71%

LAB 73.02, -0.66, -5.42

 

CMYK 5 / 3 / 0 / 19

HEX #C4C9CF

RGB 196 201 207

HSL 212.73, 0.1%, 0.79%

LAB 80.75, -0.57, -3.59

 

CMYK 12 / 6 / 0 / 33

HEX #969FAA

RGB 150 159 170

HSL 213, 0.11%, 0.63%

LAB 65.11, -0.93, -6.81

 

CMYK 4 / 12 / 0 / 33

HEX #A596AB

RGB 165 150 171

HSL 282.86, 0.11%, 0.63%

LAB 63.96, 9.49, -8.95

 

CMYK 2 / 0 / 12 / 33

HEX #A7AB96

RGB 167 171 150

HSL 71.43, 0.11%, 0.63%

LAB 69.14, -5.22, 10.33

 

CMYK 12 / 6 / 0 / 33

HEX #969FAA

RGB 150 159 170

HSL 213, 0.11%, 0.63%

LAB 65.11, -0.93, -6.81

 

CMYK 0 / 12 / 7 / 33

HEX #AB969F

RGB 171 150 159

HSL 334.29, 0.11%, 0.63%

LAB 64.14, 9.36, -1.86

 

CMYK 7 / 0 / 12 / 33

HEX #9FAB96

RGB 159 171 150

HSL 94.29, 0.11%, 0.63%

LAB 68.53, -8.16, 9.38

 

CMYK 12 / 6 / 0 / 33

HEX #969FAA

RGB 150 159 170

HSL 213, 0.11%, 0.63%

LAB 65.11, -0.93, -6.81

 

CMYK 4 / 12 / 0 / 33

HEX #A596AB

RGB 165 150 171

HSL 282.86, 0.11%, 0.63%

LAB 63.96, 9.49, -8.95

 

CMYK 0 / 6 / 12 / 33

HEX #ABA196

RGB 171 161 150

HSL 31.43, 0.11%, 0.63%

LAB 66.79, 1.7, 7.02

 

CMYK 9 / 0 / 12 / 33

HEX #9BAB96

RGB 155 171 150

HSL 105.71, 0.11%, 0.63%

LAB 68.24, -9.61, 8.92

 

CMYK 12 / 6 / 0 / 33

HEX #969FAA

RGB 150 159 170

HSL 213, 0.11%, 0.63%

LAB 65.11, -0.93, -6.81

 

CMYK 0 / 12 / 1 / 33

HEX #AB96A9

RGB 171 150 169

HSL 305.71, 0.11%, 0.63%

LAB 64.43, 11.22, -7.07

 

CMYK 0 / 6 / 12 / 33

HEX #ABA196

RGB 171 161 150

HSL 31.43, 0.11%, 0.63%

LAB 66.79, 1.7, 7.02

 

CMYK 12 / 0 / 12 / 33

HEX #96AB97

RGB 150 171 151

HSL 122.86, 0.11%, 0.63%

LAB 67.91, -11.21, 7.85

 

Description

Color code: HEX #969FAA | qconv.com Color code: HEX #969FAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 159 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 159 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 6 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 6% 0% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

53% - Web Dizajn Agencija ...
Link: http://bikt.ba

18% - 先傑電腦股份有限公司
Link: http://eoffice.alltop.com.tw

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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