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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A81A it is the complementary color #6957E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A81A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A81A shade: #9BA815, #ACBA28, #BDCC3B, #CEDE4E and #DFF061

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A81A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A81A shade: #96A81A, #859607, #748400, #637200 and #526000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A81A shade: #95A71A, #A7931A, #A76D1A, #A7471A and #A7201A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A81A shade: #95A71A, #6FA71A, #49A71A, #23A71A and #1AA737

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A81A shade matches the following richer shades: #95A71A and #A1B70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A81A shade: #95A71A, #899729, #7E8839, #727849 and #666858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A81A shade: #A76C1A, #A7921A, #97A71A, #71A71A and #4BA71A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A81A shade: #55600F, #758314, #95A71A, #B5CB1F and #C9DF34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A81A shade: #96A81A, #1AA746 and #7F1AA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A81A shade: #96A81A, #1A97A7 and #A71A97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A81A shade: #96A81A, #1AA746, #2A1AA7 and #A71A7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A81A shade: #96A81A, #1AA771, #2A1AA7 and #A71A50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 85 / 34

HEX #96A81A

RGB 150 168 26

HSL 67.61, 0.73%, 0.38%

LAB 65.41, -23.16, 63.26

 

Complementary color

CMYK 54 / 62 / 0 / 10

HEX #6957E5

RGB 105 87 229

HSL 247.61, 0.73%, 0.62%

LAB 46.28, 44.82, -69.94

 

CMYK 8 / 0 / 88 / 34

HEX #9BA815

RGB 155 168 21

HSL 65.31, 0.78%, 0.37%

LAB 65.77, -21.14, 64.82

 

CMYK 8 / 0 / 78 / 27

HEX #ACBA28

RGB 172 186 40

HSL 65.75, 0.65%, 0.44%

LAB 72.26, -22.19, 66.14

 

CMYK 7 / 0 / 71 / 20

HEX #BDCC3B

RGB 189 204 59

HSL 66.21, 0.59%, 0.52%

LAB 78.65, -23.04, 66.41

 

CMYK 7 / 0 / 65 / 13

HEX #CEDE4E

RGB 206 222 78

HSL 66.67, 0.69%, 0.59%

LAB 84.95, -23.73, 66.07

 

CMYK 7 / 0 / 60 / 6

HEX #DFF061

RGB 223 240 97

HSL 67.13, 0.83%, 0.66%

LAB 91.18, -24.29, 65.38

 

CMYK 11 / 0 / 85 / 34

HEX #96A81A

RGB 150 168 26

HSL 67.61, 0.73%, 0.38%

LAB 65.41, -23.16, 63.26

 

CMYK 11 / 0 / 95 / 41

HEX #859607

RGB 133 150 7

HSL 67.13, 0.91%, 0.31%

LAB 58.8, -22, 60.91

 

CMYK 12 / 0 / 100 / 48

HEX #748400

RGB 116 132 0

HSL 67.27, 1%, 0.26%

LAB 52.08, -20.55, 56.39

 

CMYK 13 / 0 / 100 / 55

HEX #637200

RGB 99 114 0

HSL 67.89, 1%, 0.22%

LAB 45.2, -18.95, 50.67

 

CMYK 15 / 0 / 100 / 62

HEX #526000

RGB 82 96 0

HSL 68.75, 1%, 0.19%

LAB 38.13, -17.31, 44.78

 

CMYK 11 / 0 / 84 / 35

HEX #95A71A

RGB 149 167 26

HSL 67.66, 0.73%, 0.38%

LAB 65.04, -23.09, 62.92

 

CMYK 0 / 12 / 84 / 35

HEX #A7931A

RGB 167 147 26

HSL 51.49, 0.73%, 0.38%

LAB 60.92, -4.68, 60.03

 

CMYK 0 / 35 / 84 / 35

HEX #A76D1A

RGB 167 109 26

HSL 35.32, 0.73%, 0.38%

LAB 50.95, 16.5, 51.54

 

CMYK 0 / 57 / 84 / 35

HEX #A7471A

RGB 167 71 26

HSL 19.15, 0.73%, 0.38%

LAB 42.46, 37.16, 44.1

 

CMYK 0 / 81 / 84 / 35

HEX #A7201A

RGB 167 32 26

HSL 2.55, 0.73%, 0.38%

LAB 36.6, 52.99, 38.81

 

CMYK 11 / 0 / 84 / 35

HEX #95A71A

RGB 149 167 26

HSL 67.66, 0.73%, 0.38%

LAB 65.04, -23.09, 62.92

 

CMYK 34 / 0 / 84 / 35

HEX #6FA71A

RGB 111 167 26

HSL 83.83, 0.73%, 0.38%

LAB 62.58, -38.58, 59.83

 

CMYK 56 / 0 / 84 / 35

HEX #49A71A

RGB 73 167 26

HSL 100, 0.73%, 0.38%

LAB 60.89, -51.1, 57.69

 

CMYK 79 / 0 / 84 / 35

HEX #23A71A

RGB 35 167 26

HSL 116.17, 0.73%, 0.38%

LAB 59.95, -59, 56.48

 

CMYK 84 / 0 / 67 / 35

HEX #1AA737

RGB 26 167 55

HSL 132.34, 0.73%, 0.38%

LAB 60.01, -57.82, 46.39

 

CMYK 11 / 0 / 84 / 35

HEX #95A71A

RGB 149 167 26

HSL 67.66, 0.73%, 0.38%

LAB 65.04, -23.09, 62.92

 

CMYK 12 / 0 / 95 / 28

HEX #A1B70A

RGB 161 183 10

HSL 67.63, 0.9%, 0.38%

LAB 70.5, -26.15, 70.49

 

CMYK 11 / 0 / 84 / 35

HEX #95A71A

RGB 149 167 26

HSL 67.66, 0.73%, 0.38%

LAB 65.04, -23.09, 62.92

 

CMYK 9 / 0 / 73 / 41

HEX #899729

RGB 137 151 41

HSL 67.64, 0.57%, 0.38%

LAB 59.54, -19.6, 52.96

 

CMYK 7 / 0 / 58 / 47

HEX #7E8839

RGB 126 136 57

HSL 67.59, 0.41%, 0.38%

LAB 54.39, -15.47, 40.38

 

CMYK 5 / 0 / 39 / 53

HEX #727849

RGB 114 120 73

HSL 67.66, 0.24%, 0.38%

LAB 48.87, -10.28, 25.06

 

CMYK 2 / 0 / 15 / 59

HEX #666858

RGB 102 104 88

HSL 67.5, 0.08%, 0.38%

LAB 43.4, -3.89, 8.76

 

CMYK 0 / 35 / 84 / 35

HEX #A76C1A

RGB 167 108 26

HSL 34.89, 0.73%, 0.38%

LAB 50.7, 17.06, 51.33

 

CMYK 0 / 13 / 84 / 35

HEX #A7921A

RGB 167 146 26

HSL 51.06, 0.73%, 0.38%

LAB 60.65, -4.14, 59.8

 

CMYK 10 / 0 / 84 / 35

HEX #97A71A

RGB 151 167 26

HSL 66.81, 0.73%, 0.38%

LAB 65.19, -22.23, 63.1

 

CMYK 32 / 0 / 84 / 35

HEX #71A71A

RGB 113 167 26

HSL 82.98, 0.73%, 0.38%

LAB 62.7, -37.82, 59.97

 

CMYK 55 / 0 / 84 / 35

HEX #4BA71A

RGB 75 167 26

HSL 99.15, 0.73%, 0.38%

LAB 60.96, -50.55, 57.78

 

CMYK 11 / 0 / 84 / 62

HEX #55600F

RGB 85 96 15

HSL 68.15, 0.73%, 0.22%

LAB 38.43, -15.35, 40.87

 

CMYK 11 / 0 / 85 / 49

HEX #758314

RGB 117 131 20

HSL 67.57, 0.74%, 0.3%

LAB 51.91, -19.09, 52.23

 

CMYK 11 / 0 / 84 / 35

HEX #95A71A

RGB 149 167 26

HSL 67.66, 0.73%, 0.38%

LAB 65.04, -23.09, 62.92

 

CMYK 11 / 0 / 85 / 20

HEX #B5CB1F

RGB 181 203 31

HSL 67.67, 0.74%, 0.46%

LAB 77.66, -26.96, 73.36

 

CMYK 10 / 0 / 77 / 13

HEX #C9DF34

RGB 201 223 52

HSL 67.72, 0.73%, 0.54%

LAB 84.71, -27.54, 74.69

 

CMYK 11 / 0 / 85 / 34

HEX #96A81A

RGB 150 168 26

HSL 67.61, 0.73%, 0.38%

LAB 65.41, -23.16, 63.26

 

CMYK 84 / 0 / 58 / 35

HEX #1AA746

RGB 26 167 70

HSL 138.72, 0.73%, 0.38%

LAB 60.16, -55.98, 39.75

 

CMYK 24 / 84 / 0 / 35

HEX #7F1AA7

RGB 127 26 167

HSL 282.98, 0.73%, 0.38%

LAB 34.07, 60.82, -53.57

 

CMYK 11 / 0 / 85 / 34

HEX #96A81A

RGB 150 168 26

HSL 67.61, 0.73%, 0.38%

LAB 65.41, -23.16, 63.26

 

CMYK 84 / 10 / 0 / 35

HEX #1A97A7

RGB 26 151 167

HSL 186.81, 0.73%, 0.38%

LAB 57.21, -25.98, -17.53

 

CMYK 0 / 84 / 10 / 35

HEX #A71A97

RGB 167 26 151

HSL 306.81, 0.73%, 0.38%

LAB 39.9, 65.56, -34.18

 

CMYK 11 / 0 / 85 / 34

HEX #96A81A

RGB 150 168 26

HSL 67.61, 0.73%, 0.38%

LAB 65.41, -23.16, 63.26

 

CMYK 84 / 0 / 58 / 35

HEX #1AA746

RGB 26 167 70

HSL 138.72, 0.73%, 0.38%

LAB 60.16, -55.98, 39.75

 

CMYK 75 / 84 / 0 / 35

HEX #2A1AA7

RGB 42 26 167

HSL 246.81, 0.73%, 0.38%

LAB 23.74, 50.52, -70.92

 

CMYK 0 / 84 / 27 / 35

HEX #A71A7A

RGB 167 26 122

HSL 319.15, 0.73%, 0.38%

LAB 38.48, 61.67, -18.55

 

CMYK 11 / 0 / 85 / 34

HEX #96A81A

RGB 150 168 26

HSL 67.61, 0.73%, 0.38%

LAB 65.41, -23.16, 63.26

 

CMYK 84 / 0 / 32 / 35

HEX #1AA771

RGB 26 167 113

HSL 157.02, 0.73%, 0.38%

LAB 60.83, -48.19, 18.16

 

CMYK 75 / 84 / 0 / 35

HEX #2A1AA7

RGB 42 26 167

HSL 246.81, 0.73%, 0.38%

LAB 23.74, 50.52, -70.92

 

CMYK 0 / 84 / 52 / 35

HEX #A71A50

RGB 167 26 80

HSL 337.02, 0.73%, 0.38%

LAB 36.99, 57.4, 5.91

 

Description

Color code: HEX #96A81A | qconv.com Color code: HEX #96A81A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 168 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 168 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 85 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 85% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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