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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A949 it is the complementary color #6956B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A949. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A949 shade: #9BA944, #ACBB57, #BDCD6A, #CEDF7D and #DFF190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A949. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A949 shade: #96A949, #859736, #748523, #637310 and #526100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A949 shade: #94A747, #A7A047, #A78747, #A76D47 and #A75347

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A949 shade: #94A747, #7AA747, #61A747, #47A748 and #47A762

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A949 shade matches the following richer shades: #94A747, #A0BB34, #ACCE21 and #B7E10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A949 shade: #94A747, #89945B, #7D816E, #716D82 and #655A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A949 shade: #A78647, #A79F47, #96A747, #7CA747 and #63A747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A949 shade: #616E2F, #7B8A3B, #94A747, #A8BA5E and #B7C67B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A949 shade: #96A949, #47A76C and #9347A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A949 shade: #96A949, #4796A7 and #A74796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A949 shade: #96A949, #47A76C, #5947A7 and #A74783

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A949 shade: #96A949, #47A789, #5947A7 and #A74766

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 57 / 34

HEX #96A949

RGB 150 169 73

HSL 71.88, 0.4%, 0.47%

LAB 66.01, -20.94, 46.45

 

Complementary color

CMYK 42 / 53 / 0 / 29

HEX #6956B6

RGB 105 86 182

HSL 251.88, 0.4%, 0.53%

LAB 42.82, 31.45, -48.49

 

CMYK 8 / 0 / 60 / 34

HEX #9BA944

RGB 155 169 68

HSL 68.32, 0.43%, 0.46%

LAB 66.34, -19.27, 49.22

 

CMYK 8 / 0 / 53 / 27

HEX #ACBB57

RGB 172 187 87

HSL 69, 0.42%, 0.54%

LAB 72.89, -19.71, 48.21

 

CMYK 8 / 0 / 48 / 20

HEX #BDCD6A

RGB 189 205 106

HSL 69.7, 0.5%, 0.61%

LAB 79.34, -20.05, 47.1

 

CMYK 8 / 0 / 44 / 13

HEX #CEDF7D

RGB 206 223 125

HSL 70.41, 0.6%, 0.68%

LAB 85.69, -20.31, 45.95

 

CMYK 7 / 0 / 40 / 5

HEX #DFF190

RGB 223 241 144

HSL 71.13, 0.78%, 0.75%

LAB 91.96, -20.53, 44.81

 

CMYK 11 / 0 / 57 / 34

HEX #96A949

RGB 150 169 73

HSL 71.88, 0.4%, 0.47%

LAB 66.01, -20.94, 46.45

 

CMYK 12 / 0 / 64 / 41

HEX #859736

RGB 133 151 54

HSL 71.13, 0.47%, 0.4%

LAB 59.33, -20.49, 47.36

 

CMYK 13 / 0 / 74 / 48

HEX #748523

RGB 116 133 35

HSL 70.41, 0.58%, 0.33%

LAB 52.52, -19.88, 47.83

 

CMYK 14 / 0 / 86 / 55

HEX #637310

RGB 99 115 16

HSL 69.7, 0.76%, 0.26%

LAB 45.57, -19.02, 47.28

 

CMYK 15 / 0 / 100 / 62

HEX #526100

RGB 82 97 0

HSL 69.28, 1%, 0.19%

LAB 38.45, -17.85, 45.02

 

CMYK 11 / 0 / 57 / 35

HEX #94A747

RGB 148 167 71

HSL 71.88, 0.4%, 0.47%

LAB 65.27, -20.93, 46.5

 

CMYK 0 / 4 / 57 / 35

HEX #A7A047

RGB 167 160 71

HSL 55.63, 0.4%, 0.47%

LAB 64.81, -9.25, 46.4

 

CMYK 0 / 19 / 57 / 35

HEX #A78747

RGB 167 135 71

HSL 40, 0.4%, 0.47%

LAB 58.04, 4.36, 38.56

 

CMYK 0 / 35 / 57 / 35

HEX #A76D47

RGB 167 109 71

HSL 23.75, 0.4%, 0.47%

LAB 51.39, 19.02, 30.52

 

CMYK 0 / 50 / 57 / 35

HEX #A75347

RGB 167 83 71

HSL 7.5, 0.4%, 0.47%

LAB 45.44, 33.4, 22.98

 

CMYK 11 / 0 / 57 / 35

HEX #94A747

RGB 148 167 71

HSL 71.88, 0.4%, 0.47%

LAB 65.27, -20.93, 46.5

 

CMYK 27 / 0 / 57 / 35

HEX #7AA747

RGB 122 167 71

HSL 88.13, 0.4%, 0.47%

LAB 63.53, -31.32, 44.06

 

CMYK 42 / 0 / 57 / 35

HEX #61A747

RGB 97 167 71

HSL 103.75, 0.4%, 0.47%

LAB 62.2, -40.23, 42.17

 

CMYK 57 / 0 / 57 / 35

HEX #47A748

RGB 71 167 72

HSL 120.63, 0.4%, 0.47%

LAB 61.17, -47.72, 40.23

 

CMYK 57 / 0 / 41 / 35

HEX #47A762

RGB 71 167 98

HSL 136.88, 0.4%, 0.47%

LAB 61.53, -43.79, 27.4

 

CMYK 11 / 0 / 57 / 35

HEX #94A747

RGB 148 167 71

HSL 71.88, 0.4%, 0.47%

LAB 65.27, -20.93, 46.5

 

CMYK 14 / 0 / 72 / 27

HEX #A0BB34

RGB 160 187 52

HSL 72, 0.56%, 0.47%

LAB 71.73, -27.14, 61.43

 

CMYK 17 / 0 / 84 / 19

HEX #ACCE21

RGB 172 206 33

HSL 71.79, 0.72%, 0.47%

LAB 77.89, -32.01, 72.86

 

CMYK 19 / 0 / 94 / 12

HEX #B7E10D

RGB 183 225 13

HSL 71.89, 0.89%, 0.47%

LAB 83.94, -36.71, 81.26

 

CMYK 11 / 0 / 57 / 35

HEX #94A747

RGB 148 167 71

HSL 71.88, 0.4%, 0.47%

LAB 65.27, -20.93, 46.5

 

CMYK 7 / 0 / 39 / 42

HEX #89945B

RGB 137 148 91

HSL 71.58, 0.24%, 0.47%

LAB 59.21, -13.53, 28.83

 

CMYK 3 / 0 / 15 / 49

HEX #7D816E

RGB 125 129 110

HSL 72.63, 0.08%, 0.47%

LAB 53.15, -5.09, 9.8

 

CMYK 13 / 16 / 0 / 49

HEX #716D82

RGB 113 109 130

HSL 251.43, 0.09%, 0.47%

LAB 47.05, 6.06, -11.02

 

CMYK 32 / 40 / 0 / 42

HEX #655A95

RGB 101 90 149

HSL 251.19, 0.25%, 0.47%

LAB 41.61, 18.53, -30.87

 

CMYK 0 / 20 / 57 / 35

HEX #A78647

RGB 167 134 71

HSL 39.38, 0.4%, 0.47%

LAB 57.77, 4.92, 38.25

 

CMYK 0 / 5 / 57 / 35

HEX #A79F47

RGB 167 159 71

HSL 55, 0.4%, 0.47%

LAB 64.54, -8.72, 46.08

 

CMYK 10 / 0 / 57 / 35

HEX #96A747

RGB 150 167 71

HSL 70.63, 0.4%, 0.47%

LAB 65.42, -20.1, 46.71

 

CMYK 26 / 0 / 57 / 35

HEX #7CA747

RGB 124 167 71

HSL 86.88, 0.4%, 0.47%

LAB 63.65, -30.55, 44.23

 

CMYK 41 / 0 / 57 / 35

HEX #63A747

RGB 99 167 71

HSL 102.5, 0.4%, 0.47%

LAB 62.29, -39.57, 42.3

 

CMYK 12 / 0 / 57 / 57

HEX #616E2F

RGB 97 110 47

HSL 72.38, 0.4%, 0.31%

LAB 44.09, -15.19, 32.99

 

CMYK 11 / 0 / 57 / 46

HEX #7B8A3B

RGB 123 138 59

HSL 71.39, 0.4%, 0.39%

LAB 54.77, -17.65, 39.78

 

CMYK 11 / 0 / 57 / 35

HEX #94A747

RGB 148 167 71

HSL 71.88, 0.4%, 0.47%

LAB 65.27, -20.93, 46.5

 

CMYK 10 / 0 / 49 / 27

HEX #A8BA5E

RGB 168 186 94

HSL 71.74, 0.4%, 0.55%

LAB 72.4, -20.17, 44.19

 

CMYK 8 / 0 / 38 / 22

HEX #B7C67B

RGB 183 198 123

HSL 72, 0.4%, 0.63%

LAB 77.21, -17.06, 35.89

 

CMYK 11 / 0 / 57 / 34

HEX #96A949

RGB 150 169 73

HSL 71.88, 0.4%, 0.47%

LAB 66.01, -20.94, 46.45

 

CMYK 57 / 0 / 35 / 35

HEX #47A76C

RGB 71 167 108

HSL 143.13, 0.4%, 0.47%

LAB 61.71, -41.95, 22.25

 

CMYK 12 / 57 / 0 / 35

HEX #9347A7

RGB 147 71 167

HSL 287.5, 0.4%, 0.47%

LAB 43.51, 47.02, -38.27

 

CMYK 11 / 0 / 57 / 34

HEX #96A949

RGB 150 169 73

HSL 71.88, 0.4%, 0.47%

LAB 66.01, -20.94, 46.45

 

CMYK 57 / 10 / 0 / 35

HEX #4796A7

RGB 71 150 167

HSL 190.63, 0.4%, 0.47%

LAB 57.98, -19.13, -16.26

 

CMYK 0 / 57 / 10 / 35

HEX #A74796

RGB 167 71 150

HSL 310.63, 0.4%, 0.47%

LAB 45.53, 49.47, -24.75

 

CMYK 11 / 0 / 57 / 34

HEX #96A949

RGB 150 169 73

HSL 71.88, 0.4%, 0.47%

LAB 66.01, -20.94, 46.45

 

CMYK 57 / 0 / 35 / 35

HEX #47A76C

RGB 71 167 108

HSL 143.13, 0.4%, 0.47%

LAB 61.71, -41.95, 22.25

 

CMYK 47 / 57 / 0 / 35

HEX #5947A7

RGB 89 71 167

HSL 251.25, 0.4%, 0.47%

LAB 36.78, 32.39, -49.41

 

CMYK 0 / 57 / 22 / 35

HEX #A74783

RGB 167 71 131

HSL 322.5, 0.4%, 0.47%

LAB 44.75, 46.49, -14.5

 

CMYK 11 / 0 / 57 / 34

HEX #96A949

RGB 150 169 73

HSL 71.88, 0.4%, 0.47%

LAB 66.01, -20.94, 46.45

 

CMYK 57 / 0 / 18 / 35

HEX #47A789

RGB 71 167 137

HSL 161.25, 0.4%, 0.47%

LAB 62.32, -35.66, 7.1

 

CMYK 47 / 57 / 0 / 35

HEX #5947A7

RGB 89 71 167

HSL 251.25, 0.4%, 0.47%

LAB 36.78, 32.39, -49.41

 

CMYK 0 / 57 / 39 / 35

HEX #A74766

RGB 167 71 102

HSL 340.63, 0.4%, 0.47%

LAB 43.77, 42.64, 1.81

 

Description

Color code: HEX #96A949 | qconv.com Color code: HEX #96A949 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 169 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 169 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 57 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 57% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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