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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A3D9 it is the complementary color #695C26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A3D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A3D9 shade: #9BA3D4, #ACB5E7, #BDC7FA, #CED9FF and #DFEBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A3D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A3D9 shade: #96A3D9, #8591C6, #747FB3, #636DA0 and #525B8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A3D9 shade: #96A3D9, #9B96D9, #AD96D9, #BF96D9 and #D196D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A3D9 shade: #96A3D9 and #9696D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A3D9 shade matches the following richer shades: #96A3D9, #8A9BE4, #7E94F0 and #738DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A3D9 shade: #96A3D9, #A1AACD, #ADB1C2, #B8B8B6 and #C4BFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A3D9 shade: #96C7D9, #96B5D9, #96A3D9, #9A96D9 and #AC96D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A3D9 shade: #596DC3, #7788CE, #96A3D9, #B4BDE4 and #D2D8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A3D9 shade: #96A3D9, #D996D9 and #BED996

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A3D9 shade: #96A3D9, #D996A3 and #A3D996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A3D9 shade: #96A3D9, #D996D9, #D9CB96 and #96D996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A3D9 shade: #96A3D9, #D996C5, #D9CB96 and #96D9AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

Complementary color

CMYK 0 / 12 / 64 / 59

HEX #695C26

RGB 105 92 38

HSL 48.36, 0.47%, 0.28%

LAB 39.24, -2.03, 32.31

 

CMYK 27 / 23 / 0 / 17

HEX #9BA3D4

RGB 155 163 212

HSL 231.58, 0.4%, 0.72%

LAB 67.96, 8.05, -25.84

 

CMYK 26 / 22 / 0 / 9

HEX #ACB5E7

RGB 172 181 231

HSL 230.85, 0.55%, 0.79%

LAB 74.56, 7.7, -26.01

 

CMYK 24 / 20 / 0 / 2

HEX #BDC7FA

RGB 189 199 250

HSL 230.16, 0.86%, 0.86%

LAB 81.05, 7.38, -26.2

 

CMYK 19 / 15 / 0 / 0

HEX #CED9FF

RGB 206 217 255

HSL 226.53, 1%, 0.9%

LAB 86.98, 4, -19.73

 

CMYK 13 / 8 / 0 / 0

HEX #DFEBFF

RGB 223 235 255

HSL 217.5, 1%, 0.94%

LAB 92.72, -0.11, -11.01

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 33 / 27 / 0 / 22

HEX #8591C6

RGB 133 145 198

HSL 228.92, 0.36%, 0.65%

LAB 61.06, 8.25, -28.8

 

CMYK 35 / 29 / 0 / 30

HEX #747FB3

RGB 116 127 179

HSL 229.52, 0.29%, 0.58%

LAB 54.18, 8.75, -28.76

 

CMYK 38 / 32 / 0 / 37

HEX #636DA0

RGB 99 109 160

HSL 230.16, 0.24%, 0.51%

LAB 47.14, 9.32, -28.76

 

CMYK 42 / 35 / 0 / 45

HEX #525B8D

RGB 82 91 141

HSL 230.85, 0.26%, 0.44%

LAB 39.91, 10.02, -28.82

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 29 / 31 / 0 / 15

HEX #9B96D9

RGB 155 150 217

HSL 244.48, 0.47%, 0.72%

LAB 64.8, 16.65, -33.49

 

CMYK 20 / 31 / 0 / 15

HEX #AD96D9

RGB 173 150 217

HSL 260.6, 0.47%, 0.72%

LAB 66.3, 22.04, -31.05

 

CMYK 12 / 31 / 0 / 15

HEX #BF96D9

RGB 191 150 217

HSL 276.72, 0.47%, 0.72%

LAB 67.95, 27.62, -28.37

 

CMYK 4 / 31 / 0 / 15

HEX #D196D9

RGB 209 150 217

HSL 292.84, 0.47%, 0.72%

LAB 69.74, 33.33, -25.46

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 31 / 31 / 0 / 15

HEX #9696D9

RGB 150 150 217

HSL 240, 0.47%, 0.72%

LAB 64.41, 15.2, -34.12

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 39 / 32 / 0 / 11

HEX #8A9BE4

RGB 138 155 228

HSL 228.67, 0.63%, 0.72%

LAB 65.32, 11.95, -38.86

 

CMYK 48 / 38 / 0 / 6

HEX #7E94F0

RGB 126 148 240

HSL 228.42, 0.79%, 0.72%

LAB 63.27, 16.45, -48.75

 

CMYK 54 / 44 / 0 / 2

HEX #738DFB

RGB 115 141 251

HSL 228.53, 0.94%, 0.72%

LAB 61.36, 21.52, -57.87

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 21 / 17 / 0 / 20

HEX #A1AACD

RGB 161 170 205

HSL 227.73, 0.31%, 0.72%

LAB 69.99, 4.34, -18.85

 

CMYK 11 / 9 / 0 / 24

HEX #ADB1C2

RGB 173 177 194

HSL 228.57, 0.15%, 0.72%

LAB 72.38, 1.98, -9.12

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B6

RGB 184 184 182

HSL 60, 0.01%, 0.72%

LAB 74.73, -0.37, 1

HEX #B8B8B6

CMYK 0 / 3 / 13 / 23

HEX #C4BFAA

RGB 196 191 170

HSL 48.46, 0.18%, 0.72%

LAB 77.22, -1.85, 11.22

HEX #C4BFAA

CMYK 31 / 8 / 0 / 15

HEX #96C7D9

RGB 150 199 217

HSL 196.12, 0.47%, 0.72%

LAB 77.48, -11.74, -14.14

 

CMYK 31 / 17 / 0 / 15

HEX #96B5D9

RGB 150 181 217

HSL 212.24, 0.47%, 0.72%

LAB 72.59, -2.15, -21.54

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 29 / 31 / 0 / 15

HEX #9A96D9

RGB 154 150 217

HSL 243.58, 0.47%, 0.72%

LAB 64.72, 16.36, -33.62

 

CMYK 21 / 31 / 0 / 15

HEX #AC96D9

RGB 172 150 217

HSL 259.7, 0.47%, 0.72%

LAB 66.21, 21.73, -31.19

 

CMYK 54 / 44 / 0 / 24

HEX #596DC3

RGB 89 109 195

HSL 228.68, 0.47%, 0.56%

LAB 48.26, 17.6, -47.4

 

CMYK 42 / 34 / 0 / 19

HEX #7788CE

RGB 119 136 206

HSL 228.28, 0.47%, 0.64%

LAB 58.02, 11.84, -38.1

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 21 / 17 / 0 / 11

HEX #B4BDE4

RGB 180 189 228

HSL 228.75, 0.47%, 0.8%

LAB 77.1, 5.07, -20.47

 

CMYK 12 / 10 / 0 / 6

HEX #D2D8EF

RGB 210 216 239

HSL 227.59, 0.48%, 0.88%

LAB 86.53, 2.43, -11.95

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 0 / 31 / 0 / 15

HEX #D996D9

RGB 217 150 217

HSL 300, 0.47%, 0.72%

LAB 70.58, 35.89, -24.1

 

CMYK 12 / 0 / 31 / 15

HEX #BED996

RGB 190 217 150

HSL 84.18, 0.47%, 0.72%

LAB 83.32, -20.36, 30.12

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 0 / 31 / 25 / 15

HEX #D996A3

RGB 217 150 163

HSL 348.36, 0.47%, 0.72%

LAB 68.9, 26.98, 3.4

 

CMYK 25 / 0 / 31 / 15

HEX #A3D996

RGB 163 217 150

HSL 108.36, 0.47%, 0.72%

LAB 81.63, -29.9, 27.55

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 0 / 31 / 0 / 15

HEX #D996D9

RGB 217 150 217

HSL 300, 0.47%, 0.72%

LAB 70.58, 35.89, -24.1

 

CMYK 0 / 6 / 31 / 15

HEX #D9CB96

RGB 217 203 150

HSL 47.46, 0.47%, 0.72%

LAB 81.66, -3.08, 28.25

 

CMYK 31 / 0 / 31 / 15

HEX #96D996

RGB 150 217 150

HSL 120, 0.47%, 0.72%

LAB 80.91, -34.2, 26.47

 

CMYK 31 / 25 / 0 / 15

HEX #96A3D9

RGB 150 163 217

HSL 228.36, 0.47%, 0.72%

LAB 67.79, 7.82, -28.89

 

CMYK 0 / 31 / 9 / 15

HEX #D996C5

RGB 217 150 197

HSL 317.91, 0.47%, 0.72%

LAB 69.89, 32.32, -14.08

 

CMYK 0 / 6 / 31 / 15

HEX #D9CB96

RGB 217 203 150

HSL 47.46, 0.47%, 0.72%

LAB 81.66, -3.08, 28.25

 

CMYK 31 / 0 / 22 / 15

HEX #96D9AA

RGB 150 217 170

HSL 137.91, 0.47%, 0.72%

LAB 81.3, -30.71, 16.53

 

Description

Color code: HEX #96A3D9 | qconv.com Color code: HEX #96A3D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 163 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 163 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 25 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 25% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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