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Color name
HEX #96AC2B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96AC2B it is the complementary color #6953D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96AC2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96AC2B shade: #9BAC26, #ACBE39, #BDD04C, #CEE25F and #DFF472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96AC2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96AC2B shade: #96AC2B, #859A18, #748805, #637600 and #526400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96AC2B shade: #95AB2A, #AB9E2A, #AB7B2A, #AB592A and #AB362A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96AC2B shade: #95AB2A, #72AB2A, #50AB2A, #2DAB2A and #2AAB4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96AC2B shade matches the following richer shades: #95AB2A, #A0BC19 and #ACCE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96AC2B shade: #95AB2A, #8A9A3C, #7E884D, #73775E and #676670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96AC2B shade: #AB7C2A, #AB9E2A, #95AB2A, #73AB2A and #51AB2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96AC2B shade: #5B691A, #788A22, #95AB2A, #B2CC33 and #BED454

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96AC2B shade: #96AC2B, #2AAB59 and #8D2AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96AC2B shade: #96AC2B, #2A95AB and #AB2A95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96AC2B shade: #96AC2B, #2AAB59, #402AAB and #AB2A7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96AC2B shade: #96AC2B, #2AAB80, #402AAB and #AB2A55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 75 / 33

HEX #96AC2B

RGB 150 172 43

HSL 70.23, 0.6%, 0.42%

LAB 66.64, -24.46, 59.42

 

Complementary color

CMYK 50 / 61 / 0 / 17

HEX #6953D4

RGB 105 83 212

HSL 250.23, 0.6%, 0.58%

LAB 44.15, 42.05, -63.72

 

CMYK 10 / 0 / 78 / 33

HEX #9BAC26

RGB 155 172 38

HSL 67.61, 0.64%, 0.41%

LAB 66.99, -22.57, 61.49

 

CMYK 9 / 0 / 70 / 25

HEX #ACBE39

RGB 172 190 57

HSL 68.12, 0.54%, 0.48%

LAB 73.48, -23.36, 61.62

 

CMYK 9 / 0 / 63 / 18

HEX #BDD04C

RGB 189 208 76

HSL 68.64, 0.58%, 0.56%

LAB 79.87, -23.98, 61.16

 

CMYK 9 / 0 / 58 / 11

HEX #CEE25F

RGB 206 226 95

HSL 69.16, 0.69%, 0.63%

LAB 86.18, -24.48, 60.37

 

CMYK 9 / 0 / 53 / 4

HEX #DFF472

RGB 223 244 114

HSL 69.69, 0.86%, 0.7%

LAB 92.4, -24.88, 59.41

 

CMYK 13 / 0 / 75 / 33

HEX #96AC2B

RGB 150 172 43

HSL 70.23, 0.6%, 0.42%

LAB 66.64, -24.46, 59.42

 

CMYK 14 / 0 / 84 / 40

HEX #859A18

RGB 133 154 24

HSL 69.69, 0.73%, 0.35%

LAB 60.04, -23.6, 58.66

 

CMYK 15 / 0 / 96 / 47

HEX #748805

RGB 116 136 5

HSL 69.16, 0.93%, 0.28%

LAB 53.31, -22.48, 56.42

 

CMYK 16 / 0 / 100 / 54

HEX #637600

RGB 99 118 0

HSL 69.66, 1%, 0.23%

LAB 46.46, -21.03, 51.61

 

CMYK 18 / 0 / 100 / 61

HEX #526400

RGB 82 100 0

HSL 70.8, 1%, 0.2%

LAB 39.43, -19.44, 45.75

 

CMYK 13 / 0 / 75 / 33

HEX #95AB2A

RGB 149 171 42

HSL 70.23, 0.61%, 0.42%

LAB 66.28, -24.44, 59.38

 

CMYK 0 / 8 / 75 / 33

HEX #AB9E2A

RGB 171 158 42

HSL 53.95, 0.61%, 0.42%

LAB 64.39, -8.19, 58.24

 

CMYK 0 / 28 / 75 / 33

HEX #AB7B2A

RGB 171 123 42

HSL 37.67, 0.61%, 0.42%

LAB 55.06, 11.01, 49.28

 

CMYK 0 / 48 / 75 / 33

HEX #AB592A

RGB 171 89 42

HSL 21.86, 0.61%, 0.42%

LAB 46.93, 29.96, 41.05

 

CMYK 0 / 68 / 75 / 33

HEX #AB362A

RGB 171 54 42

HSL 5.58, 0.61%, 0.42%

LAB 40.35, 47.04, 34.01

 

CMYK 13 / 0 / 75 / 33

HEX #95AB2A

RGB 149 171 42

HSL 70.23, 0.61%, 0.42%

LAB 66.28, -24.44, 59.38

 

CMYK 33 / 0 / 75 / 33

HEX #72AB2A

RGB 114 171 42

HSL 86.51, 0.61%, 0.42%

LAB 64.06, -38.44, 56.48

 

CMYK 53 / 0 / 75 / 33

HEX #50AB2A

RGB 80 171 42

HSL 102.33, 0.61%, 0.42%

LAB 62.51, -49.73, 54.44

 

CMYK 74 / 0 / 75 / 33

HEX #2DAB2A

RGB 45 171 42

HSL 118.6, 0.61%, 0.42%

LAB 61.53, -57.72, 53.14

 

CMYK 75 / 0 / 57 / 33

HEX #2AAB4A

RGB 42 171 74

HSL 134.88, 0.61%, 0.42%

LAB 61.75, -54.79, 39.77

 

CMYK 13 / 0 / 75 / 33

HEX #95AB2A

RGB 149 171 42

HSL 70.23, 0.61%, 0.42%

LAB 66.28, -24.44, 59.38

 

CMYK 15 / 0 / 87 / 26

HEX #A0BC19

RGB 160 188 25

HSL 70.31, 0.77%, 0.42%

LAB 71.9, -28.68, 69.22

 

CMYK 17 / 0 / 96 / 19

HEX #ACCE08

RGB 172 206 8

HSL 70.3, 0.93%, 0.42%

LAB 77.83, -32.5, 76.7

 

CMYK 13 / 0 / 75 / 33

HEX #95AB2A

RGB 149 171 42

HSL 70.23, 0.61%, 0.42%

LAB 66.28, -24.44, 59.38

 

CMYK 10 / 0 / 61 / 40

HEX #8A9A3C

RGB 138 154 60

HSL 70.21, 0.44%, 0.42%

LAB 60.64, -19.44, 46.2

 

CMYK 7 / 0 / 43 / 47

HEX #7E884D

RGB 126 136 77

HSL 70.17, 0.28%, 0.42%

LAB 54.64, -13.41, 30.39

 

CMYK 3 / 0 / 21 / 53

HEX #73775E

RGB 115 119 94

HSL 69.6, 0.12%, 0.42%

LAB 49.06, -6.18, 13.27

 

CMYK 8 / 9 / 0 / 56

HEX #676670

RGB 103 102 112

HSL 246, 0.05%, 0.42%

LAB 43.59, 2.53, -5.47

 

CMYK 0 / 27 / 75 / 33

HEX #AB7C2A

RGB 171 124 42

HSL 38.14, 0.61%, 0.42%

LAB 55.32, 10.45, 49.53

 

CMYK 0 / 8 / 75 / 33

HEX #AB9E2A

RGB 171 158 42

HSL 53.95, 0.61%, 0.42%

LAB 64.39, -8.19, 58.24

 

CMYK 13 / 0 / 75 / 33

HEX #95AB2A

RGB 149 171 42

HSL 70.23, 0.61%, 0.42%

LAB 66.28, -24.44, 59.38

 

CMYK 33 / 0 / 75 / 33

HEX #73AB2A

RGB 115 171 42

HSL 86.05, 0.61%, 0.42%

LAB 64.11, -38.07, 56.56

 

CMYK 53 / 0 / 75 / 33

HEX #51AB2A

RGB 81 171 42

HSL 101.86, 0.61%, 0.42%

LAB 62.54, -49.44, 54.49

 

CMYK 13 / 0 / 75 / 59

HEX #5B691A

RGB 91 105 26

HSL 70.63, 0.6%, 0.26%

LAB 41.85, -16.88, 40.23

 

CMYK 13 / 0 / 75 / 46

HEX #788A22

RGB 120 138 34

HSL 70.38, 0.6%, 0.34%

LAB 54.33, -20.75, 50.06

 

CMYK 13 / 0 / 75 / 33

HEX #95AB2A

RGB 149 171 42

HSL 70.23, 0.61%, 0.42%

LAB 66.28, -24.44, 59.38

 

CMYK 13 / 0 / 75 / 20

HEX #B2CC33

RGB 178 204 51

HSL 70.2, 0.6%, 0.5%

LAB 77.81, -27.95, 68.02

 

CMYK 10 / 0 / 60 / 17

HEX #BED454

RGB 190 212 84

HSL 70.31, 0.6%, 0.58%

LAB 81.11, -24.95, 59.18

 

CMYK 13 / 0 / 75 / 33

HEX #96AC2B

RGB 150 172 43

HSL 70.23, 0.6%, 0.42%

LAB 66.64, -24.46, 59.42

 

CMYK 75 / 0 / 48 / 33

HEX #2AAB59

RGB 42 171 89

HSL 141.86, 0.61%, 0.42%

LAB 61.95, -52.5, 32.51

 

CMYK 18 / 75 / 0 / 33

HEX #8D2AAB

RGB 141 42 171

HSL 286.05, 0.61%, 0.42%

LAB 38.3, 59.12, -49.01

 

CMYK 13 / 0 / 75 / 33

HEX #96AC2B

RGB 150 172 43

HSL 70.23, 0.6%, 0.42%

LAB 66.64, -24.46, 59.42

 

CMYK 75 / 13 / 0 / 33

HEX #2A95AB

RGB 42 149 171

HSL 190.23, 0.61%, 0.42%

LAB 57, -22.05, -20.1

 

CMYK 0 / 75 / 13 / 33

HEX #AB2A95

RGB 171 42 149

HSL 310.23, 0.61%, 0.42%

LAB 41.97, 61.9, -29.65

 

CMYK 13 / 0 / 75 / 33

HEX #96AC2B

RGB 150 172 43

HSL 70.23, 0.6%, 0.42%

LAB 66.64, -24.46, 59.42

 

CMYK 75 / 0 / 48 / 33

HEX #2AAB59

RGB 42 171 89

HSL 141.86, 0.61%, 0.42%

LAB 61.95, -52.5, 32.51

 

CMYK 63 / 75 / 0 / 33

HEX #402AAB

RGB 64 42 171

HSL 250.23, 0.61%, 0.42%

LAB 28.61, 46.06, -65.23

 

CMYK 0 / 75 / 27 / 33

HEX #AB2A7C

RGB 171 42 124

HSL 321.86, 0.61%, 0.42%

LAB 40.85, 58.49, -16.09

 

CMYK 13 / 0 / 75 / 33

HEX #96AC2B

RGB 150 172 43

HSL 70.23, 0.6%, 0.42%

LAB 66.64, -24.46, 59.42

 

CMYK 75 / 0 / 25 / 33

HEX #2AAB80

RGB 42 171 128

HSL 160, 0.61%, 0.42%

LAB 62.66, -44.57, 12.47

 

CMYK 63 / 75 / 0 / 33

HEX #402AAB

RGB 64 42 171

HSL 250.23, 0.61%, 0.42%

LAB 28.61, 46.06, -65.23

 

CMYK 0 / 75 / 50 / 33

HEX #AB2A55

RGB 171 42 85

HSL 340, 0.61%, 0.42%

LAB 39.53, 54.34, 6.43

 

Description

Color code: HEX #96AC2B | qconv.com Color code: HEX #96AC2B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 172 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 172 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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