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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96C718 it is the complementary color #6938E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96C718. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96C718 shade: #9BC713, #ACD926, #BDEB39, #CEFD4C and #DFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96C718. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96C718 shade: #96C718, #85B505, #74A300, #639100 and #527F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96C718 shade: #96C718, #C5C718, #C79A18, #C76B18 and #C73B18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96C718 shade: #96C718, #67C718, #38C718, #18C728 and #18C757

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96C718 shade matches the following richer shades: #96C718 and #9ED906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96C718 shade: #96C718, #8EB52A, #86A33C, #7E914F and #767F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96C718 shade: #C79918, #C7C718, #99C718, #6AC718 and #3BC718

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96C718 shade: #5F7E0F, #7AA214, #96C718, #AEE425 and #BCE84A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96C718 shade: #96C718, #18C76A and #B018C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96C718 shade: #96C718, #1899C7 and #C71899

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96C718 shade: #96C718, #18C76A, #4718C7 and #C71876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96C718 shade: #96C718, #18C79E, #4718C7 and #C71841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

Complementary color

CMYK 55 / 76 / 0 / 9

HEX #6938E7

RGB 105 56 231

HSL 256.8, 0.78%, 0.56%

LAB 40.58, 61.56, -80.41

 

CMYK 22 / 0 / 90 / 22

HEX #9BC713

RGB 155 199 19

HSL 74.67, 0.83%, 0.43%

LAB 74.74, -35.97, 72.47

 

CMYK 21 / 0 / 82 / 15

HEX #ACD926

RGB 172 217 38

HSL 75.08, 0.7%, 0.5%

LAB 81.04, -36.89, 74.41

 

CMYK 20 / 0 / 76 / 8

HEX #BDEB39

RGB 189 235 57

HSL 75.51, 0.82%, 0.57%

LAB 87.26, -37.62, 75.26

 

CMYK 19 / 0 / 70 / 1

HEX #CEFD4C

RGB 206 253 76

HSL 75.93, 0.98%, 0.65%

LAB 93.4, -38.21, 75.38

 

CMYK 13 / 0 / 63 / 0

HEX #DFFF5F

RGB 223 255 95

HSL 72, 1%, 0.69%

LAB 95.18, -31.45, 70.5

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 27 / 0 / 97 / 29

HEX #85B505

RGB 133 181 5

HSL 76.36, 0.95%, 0.36%

LAB 68.05, -36.8, 68.37

 

CMYK 29 / 0 / 100 / 36

HEX #74A300

RGB 116 163 0

HSL 77.3, 1%, 0.32%

LAB 61.57, -35.5, 63.58

 

CMYK 32 / 0 / 100 / 43

HEX #639100

RGB 99 145 0

HSL 79.03, 1%, 0.28%

LAB 54.97, -34.1, 58.08

 

CMYK 35 / 0 / 100 / 50

HEX #527F00

RGB 82 127 0

HSL 81.26, 1%, 0.25%

LAB 48.23, -32.66, 52.46

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 1 / 0 / 88 / 22

HEX #C5C718

RGB 197 199 24

HSL 60.69, 0.78%, 0.44%

LAB 77.75, -18.42, 75.31

 

CMYK 0 / 23 / 88 / 22

HEX #C79A18

RGB 199 154 24

HSL 44.57, 0.78%, 0.44%

LAB 66, 5.88, 66.02

 

CMYK 0 / 46 / 88 / 22

HEX #C76B18

RGB 199 107 24

HSL 28.46, 0.78%, 0.44%

LAB 54.79, 31.4, 57.13

 

CMYK 0 / 70 / 88 / 22

HEX #C73B18

RGB 199 59 24

HSL 12, 0.78%, 0.44%

LAB 46.09, 53.93, 50.27

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 48 / 0 / 88 / 22

HEX #67C718

RGB 103 199 24

HSL 92.91, 0.78%, 0.44%

LAB 72.09, -54.38, 68.33

 

CMYK 72 / 0 / 88 / 22

HEX #38C718

RGB 56 199 24

HSL 109.03, 0.78%, 0.44%

LAB 70.7, -65.7, 66.59

 

CMYK 88 / 0 / 80 / 22

HEX #18C728

RGB 24 199 40

HSL 125.49, 0.78%, 0.44%

LAB 70.31, -68.89, 62.2

 

CMYK 88 / 0 / 56 / 22

HEX #18C757

RGB 24 199 87

HSL 141.6, 0.78%, 0.44%

LAB 70.68, -64.24, 44.17

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 27 / 0 / 97 / 15

HEX #9ED906

RGB 158 217 6

HSL 76.78, 0.95%, 0.44%

LAB 80.13, -42.97, 78.28

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 22 / 0 / 77 / 29

HEX #8EB52A

RGB 142 181 42

HSL 76.83, 0.62%, 0.44%

LAB 68.73, -32.12, 61.52

 

CMYK 18 / 0 / 63 / 36

HEX #86A33C

RGB 134 163 60

HSL 76.89, 0.46%, 0.44%

LAB 63, -25.62, 48.7

 

CMYK 13 / 0 / 46 / 43

HEX #7E914F

RGB 126 145 79

HSL 77.27, 0.29%, 0.44%

LAB 57.32, -17.94, 32.68

 

CMYK 7 / 0 / 24 / 50

HEX #767F61

RGB 118 127 97

HSL 78, 0.13%, 0.44%

LAB 51.72, -8.97, 15.23

 

CMYK 0 / 23 / 88 / 22

HEX #C79918

RGB 199 153 24

HSL 44.23, 0.78%, 0.44%

LAB 65.74, 6.42, 65.82

 

CMYK 0 / 0 / 88 / 22

HEX #C7C718

RGB 199 199 24

HSL 60, 0.78%, 0.44%

LAB 77.91, -17.57, 75.51

 

CMYK 23 / 0 / 88 / 22

HEX #99C718

RGB 153 199 24

HSL 75.77, 0.78%, 0.44%

LAB 74.63, -36.65, 71.48

 

CMYK 47 / 0 / 88 / 22

HEX #6AC718

RGB 106 199 24

HSL 91.89, 0.78%, 0.44%

LAB 72.21, -53.45, 68.48

 

CMYK 70 / 0 / 88 / 22

HEX #3BC718

RGB 59 199 24

HSL 108, 0.78%, 0.44%

LAB 70.76, -65.17, 66.67

 

CMYK 25 / 0 / 88 / 51

HEX #5F7E0F

RGB 95 126 15

HSL 76.76, 0.79%, 0.28%

LAB 48.75, -26.4, 50.16

 

CMYK 25 / 0 / 88 / 36

HEX #7AA214

RGB 122 162 20

HSL 76.9, 0.78%, 0.36%

LAB 61.68, -32.2, 60.69

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 24 / 0 / 84 / 11

HEX #AEE425

RGB 174 228 37

HSL 76.96, 0.78%, 0.52%

LAB 84.29, -41.04, 77.49

 

CMYK 19 / 0 / 68 / 9

HEX #BCE84A

RGB 188 232 74

HSL 76.71, 0.77%, 0.6%

LAB 86.45, -35.76, 68.74

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 88 / 0 / 47 / 22

HEX #18C76A

RGB 24 199 106

HSL 148.11, 0.78%, 0.44%

LAB 70.93, -61.31, 35.2

 

CMYK 12 / 88 / 0 / 22

HEX #B018C7

RGB 176 24 199

HSL 292.11, 0.78%, 0.44%

LAB 44.24, 75.15, -55.64

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 88 / 23 / 0 / 22

HEX #1899C7

RGB 24 153 199

HSL 195.77, 0.78%, 0.44%

LAB 59.07, -16.21, -32.79

 

CMYK 0 / 88 / 23 / 22

HEX #C71899

RGB 199 24 153

HSL 315.77, 0.78%, 0.44%

LAB 45.76, 72.8, -25.77

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 88 / 0 / 47 / 22

HEX #18C76A

RGB 24 199 106

HSL 148.11, 0.78%, 0.44%

LAB 70.93, -61.31, 35.2

 

CMYK 64 / 88 / 0 / 22

HEX #4718C7

RGB 71 24 199

HSL 256.11, 0.78%, 0.44%

LAB 29.7, 62.15, -80.01

 

CMYK 0 / 88 / 41 / 22

HEX #C71876

RGB 199 24 118

HSL 327.77, 0.78%, 0.44%

LAB 44.38, 69.03, -6.53

 

CMYK 25 / 0 / 88 / 22

HEX #96C718

RGB 150 199 24

HSL 76.8, 0.78%, 0.44%

LAB 74.44, -37.83, 71.26

 

CMYK 88 / 0 / 21 / 22

HEX #18C79E

RGB 24 199 158

HSL 165.94, 0.78%, 0.44%

LAB 71.9, -50.31, 9.12

 

CMYK 64 / 88 / 0 / 22

HEX #4718C7

RGB 71 24 199

HSL 256.11, 0.78%, 0.44%

LAB 29.7, 62.15, -80.01

 

CMYK 0 / 88 / 67 / 22

HEX #C71841

RGB 199 24 65

HSL 345.94, 0.78%, 0.44%

LAB 43.03, 65.21, 24.68

 

Description

Color code: HEX #96C718 | qconv.com Color code: HEX #96C718 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 199 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 199 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 88 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 88% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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