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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96D673 it is the complementary color #69298C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96D673. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96D673 shade: #9BD66E, #ACE881, #BDFA94, #CEFFA7 and #DFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96D673. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96D673 shade: #96D673, #85C460, #74B24D, #63A03A and #528E27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96D673 shade: #97D674, #B1D674, #CCD674, #D6C674 and #D6AC74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96D673 shade: #97D674, #7CD674, #74D686, #74D6A1 and #74D6BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96D673 shade matches the following richer shades: #97D674, #93E566 and #8EF357

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96D673 shade: #97D674, #9BC883, #9FB991, #A4AB9F and #A89DAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96D673 shade: #CDD674, #B2D674, #98D674, #7ED674 and #74D685

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96D673 shade: #68C038, #7FCD54, #97D674, #AFE094 and #C7E9B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96D673 shade: #96D673, #74D6C6 and #D674BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96D673 shade: #96D673, #7498D6 and #D67498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96D673 shade: #96D673, #74D6C6, #B274D6 and #D67485

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96D673 shade: #96D673, #74C9D6, #B274D6 and #D68174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 46 / 16

HEX #96D673

RGB 150 214 115

HSL 98.79, 0.55%, 0.65%

LAB 79.51, -37.86, 42.37

 

Complementary color

CMYK 25 / 71 / 0 / 45

HEX #69298C

RGB 105 41 140

HSL 278.79, 0.55%, 0.35%

LAB 30.6, 45.38, -42.88

 

CMYK 28 / 0 / 49 / 16

HEX #9BD66E

RGB 155 214 110

HSL 94.04, 0.56%, 0.64%

LAB 79.72, -36.72, 45.12

 

CMYK 26 / 0 / 44 / 9

HEX #ACE881

RGB 172 232 129

HSL 94.95, 0.69%, 0.71%

LAB 86.04, -36.66, 43.96

 

CMYK 24 / 0 / 41 / 2

HEX #BDFA94

RGB 189 250 148

HSL 95.88, 0.91%, 0.78%

LAB 92.28, -36.57, 42.82

 

CMYK 19 / 0 / 35 / 0

HEX #CEFFA7

RGB 206 255 167

HSL 93.41, 1%, 0.83%

LAB 94.92, -30.5, 37.11

 

CMYK 13 / 0 / 27 / 0

HEX #DFFFBA

RGB 223 255 186

HSL 87.83, 1%, 0.86%

LAB 96.31, -21.94, 29.65

 

CMYK 30 / 0 / 46 / 16

HEX #96D673

RGB 150 214 115

HSL 98.79, 0.55%, 0.65%

LAB 79.51, -37.86, 42.37

 

CMYK 32 / 0 / 51 / 23

HEX #85C460

RGB 133 196 96

HSL 97.8, 0.46%, 0.57%

LAB 73.1, -37.93, 43.54

 

CMYK 35 / 0 / 57 / 30

HEX #74B24D

RGB 116 178 77

HSL 96.83, 0.4%, 0.5%

LAB 66.59, -37.94, 44.68

 

CMYK 38 / 0 / 64 / 37

HEX #63A03A

RGB 99 160 58

HSL 95.88, 0.47%, 0.43%

LAB 59.98, -37.83, 45.68

 

CMYK 42 / 0 / 73 / 44

HEX #528E27

RGB 82 142 39

HSL 94.95, 0.57%, 0.35%

LAB 53.26, -37.54, 46.32

 

CMYK 29 / 0 / 46 / 16

HEX #97D674

RGB 151 214 116

HSL 98.57, 0.54%, 0.65%

LAB 79.58, -37.39, 41.97

 

CMYK 17 / 0 / 46 / 16

HEX #B1D674

RGB 177 214 116

HSL 82.65, 0.54%, 0.65%

LAB 81.13, -28, 44.24

 

CMYK 5 / 0 / 46 / 16

HEX #CCD674

RGB 204 214 116

HSL 66.12, 0.54%, 0.65%

LAB 83.02, -17.59, 46.99

 

CMYK 0 / 7 / 46 / 16

HEX #D6C674

RGB 214 198 116

HSL 50.2, 0.54%, 0.65%

LAB 79.58, -5.49, 42.94

 

CMYK 0 / 20 / 46 / 16

HEX #D6AC74

RGB 214 172 116

HSL 34.29, 0.54%, 0.65%

LAB 72.93, 8.2, 34.54

 

CMYK 29 / 0 / 46 / 16

HEX #97D674

RGB 151 214 116

HSL 98.57, 0.54%, 0.65%

LAB 79.58, -37.39, 41.97

 

CMYK 42 / 0 / 46 / 16

HEX #7CD674

RGB 124 214 116

HSL 115.1, 0.54%, 0.65%

LAB 78.25, -46.14, 40.03

 

CMYK 46 / 0 / 37 / 16

HEX #74D686

RGB 116 214 134

HSL 131.02, 0.54%, 0.65%

LAB 78.19, -45.71, 30.8

 

CMYK 46 / 0 / 25 / 16

HEX #74D6A1

RGB 116 214 161

HSL 147.55, 0.54%, 0.65%

LAB 78.68, -40.8, 17.39

 

CMYK 46 / 0 / 13 / 16

HEX #74D6BB

RGB 116 214 187

HSL 163.47, 0.54%, 0.65%

LAB 79.27, -35.26, 4.41

 

CMYK 29 / 0 / 46 / 16

HEX #97D674

RGB 151 214 116

HSL 98.57, 0.54%, 0.65%

LAB 79.58, -37.39, 41.97

 

CMYK 36 / 0 / 55 / 10

HEX #93E566

RGB 147 229 102

HSL 98.74, 0.71%, 0.65%

LAB 83.55, -46.89, 53.34

 

CMYK 42 / 0 / 64 / 5

HEX #8EF357

RGB 142 243 87

HSL 98.85, 0.87%, 0.65%

LAB 87.26, -55.61, 63.85

 

CMYK 29 / 0 / 46 / 16

HEX #97D674

RGB 151 214 116

HSL 98.57, 0.54%, 0.65%

LAB 79.58, -37.39, 41.97

 

CMYK 23 / 0 / 35 / 22

HEX #9BC883

RGB 155 200 131

HSL 99.13, 0.39%, 0.65%

LAB 76.02, -27.42, 29.84

 

CMYK 14 / 0 / 22 / 27

HEX #9FB991

RGB 159 185 145

HSL 99, 0.22%, 0.65%

LAB 72.3, -16.34, 17.41

 

CMYK 4 / 0 / 7 / 33

HEX #A4AB9F

RGB 164 171 159

HSL 95, 0.07%, 0.65%

LAB 69.13, -4.73, 5.31

 

CMYK 3 / 10 / 0 / 32

HEX #A89DAE

RGB 168 157 174

HSL 278.82, 0.09%, 0.65%

LAB 66.13, 7.23, -7.38

 

CMYK 4 / 0 / 46 / 16

HEX #CDD674

RGB 205 214 116

HSL 65.51, 0.54%, 0.65%

LAB 83.09, -17.19, 47.09

 

CMYK 17 / 0 / 46 / 16

HEX #B2D674

RGB 178 214 116

HSL 82.04, 0.54%, 0.65%

LAB 81.19, -27.63, 44.33

 

CMYK 29 / 0 / 46 / 16

HEX #98D674

RGB 152 214 116

HSL 97.96, 0.54%, 0.65%

LAB 79.63, -37.05, 42.05

 

CMYK 41 / 0 / 46 / 16

HEX #7ED674

RGB 126 214 116

HSL 113.88, 0.54%, 0.65%

LAB 78.34, -45.53, 40.16

 

CMYK 46 / 0 / 38 / 16

HEX #74D685

RGB 116 214 133

HSL 130.41, 0.54%, 0.65%

LAB 78.17, -45.88, 31.29

 

CMYK 46 / 0 / 71 / 25

HEX #68C038

RGB 104 192 56

HSL 98.82, 0.55%, 0.49%

LAB 70.13, -49.71, 57.34

 

CMYK 38 / 0 / 59 / 20

HEX #7FCD54

RGB 127 205 84

HSL 98.68, 0.55%, 0.57%

LAB 75.34, -45.19, 51.69

 

CMYK 29 / 0 / 46 / 16

HEX #97D674

RGB 151 214 116

HSL 98.57, 0.54%, 0.65%

LAB 79.58, -37.39, 41.97

 

CMYK 22 / 0 / 34 / 12

HEX #AFE094

RGB 175 224 148

HSL 98.68, 0.55%, 0.73%

LAB 84.26, -29.38, 32.22

 

CMYK 15 / 0 / 23 / 9

HEX #C7E9B4

RGB 199 233 180

HSL 98.49, 0.55%, 0.81%

LAB 88.79, -20.55, 22.17

 

CMYK 30 / 0 / 46 / 16

HEX #96D673

RGB 150 214 115

HSL 98.79, 0.55%, 0.65%

LAB 79.51, -37.86, 42.37

 

CMYK 46 / 0 / 7 / 16

HEX #74D6C6

RGB 116 214 198

HSL 170.2, 0.54%, 0.65%

LAB 79.55, -32.7, -1.06

 

CMYK 0 / 46 / 11 / 16

HEX #D674BF

RGB 214 116 191

HSL 314.08, 0.54%, 0.65%

LAB 62.12, 48.22, -22.53

 

CMYK 30 / 0 / 46 / 16

HEX #96D673

RGB 150 214 115

HSL 98.79, 0.55%, 0.65%

LAB 79.51, -37.86, 42.37

 

CMYK 46 / 29 / 0 / 16

HEX #7498D6

RGB 116 152 214

HSL 217.96, 0.54%, 0.65%

LAB 62.53, 4.08, -35.56

 

CMYK 0 / 46 / 29 / 16

HEX #D67498

RGB 214 116 152

HSL 337.96, 0.54%, 0.65%

LAB 60.83, 42.42, -2.18

 

CMYK 30 / 0 / 46 / 16

HEX #96D673

RGB 150 214 115

HSL 98.79, 0.55%, 0.65%

LAB 79.51, -37.86, 42.37

 

CMYK 46 / 0 / 7 / 16

HEX #74D6C6

RGB 116 214 198

HSL 170.2, 0.54%, 0.65%

LAB 79.55, -32.7, -1.06

 

CMYK 17 / 46 / 0 / 16

HEX #B274D6

RGB 178 116 214

HSL 277.96, 0.54%, 0.65%

LAB 58.8, 41.83, -41.03

 

CMYK 0 / 46 / 38 / 16

HEX #D67485

RGB 214 116 133

HSL 349.59, 0.54%, 0.65%

LAB 60.32, 40.05, 8.03

 

CMYK 30 / 0 / 46 / 16

HEX #96D673

RGB 150 214 115

HSL 98.79, 0.55%, 0.65%

LAB 79.51, -37.86, 42.37

 

CMYK 46 / 6 / 0 / 16

HEX #74C9D6

RGB 116 201 214

HSL 187.96, 0.54%, 0.65%

LAB 76.28, -22.35, -14.51

 

CMYK 17 / 46 / 0 / 16

HEX #B274D6

RGB 178 116 214

HSL 277.96, 0.54%, 0.65%

LAB 58.8, 41.83, -41.03

 

CMYK 0 / 40 / 46 / 16

HEX #D68174

RGB 214 129 116

HSL 7.96, 0.54%, 0.65%

LAB 62.72, 31.37, 21.08

 

Description

Color code: HEX #96D673 | qconv.com Color code: HEX #96D673 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 214 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 214 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 46 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 46% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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