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Color name
HEX #96D729

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96D729 it is the complementary color #6928D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96D729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96D729 shade: #9BD724, #ACE937, #BDFB4A, #CEFF5D and #DFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96D729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96D729 shade: #96D729, #85C516, #74B303, #63A100 and #528F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96D729 shade: #95D727, #C5D727, #D7BA27, #D78A27 and #D75B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96D729 shade: #95D727, #66D727, #36D727, #27D747 and #27D777

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96D729 shade matches the following richer shades: #95D727 and #9AEC12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96D729 shade: #95D727, #90C23C, #8BAE50, #869965 and #80847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96D729 shade: #D7BA27, #C5D727, #96D727, #68D727 and #39D727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96D729 shade: #65911A, #7DB421, #95D727, #A6DD4A and #B7E46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96D729 shade: #96D729, #27D78B and #D127D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96D729 shade: #96D729, #2796D7 and #D72796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96D729 shade: #96D729, #27D78B, #6827D7 and #D72773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96D729 shade: #96D729, #27D7C0, #6827D7 and #D7273E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 81 / 16

HEX #96D729

RGB 150 215 41

HSL 82.41, 0.69%, 0.5%

LAB 79.18, -44.27, 71.54

 

Complementary color

CMYK 51 / 81 / 0 / 16

HEX #6928D6

RGB 105 40 214

HSL 262.41, 0.69%, 0.5%

LAB 36.7, 63.77, -77.06

 

CMYK 28 / 0 / 83 / 16

HEX #9BD724

RGB 155 215 36

HSL 80.11, 0.71%, 0.49%

LAB 79.44, -42.6, 73.1

 

CMYK 26 / 0 / 76 / 9

HEX #ACE937

RGB 172 233 55

HSL 80.56, 0.8%, 0.56%

LAB 85.67, -43.28, 74.01

 

CMYK 25 / 0 / 71 / 2

HEX #BDFB4A

RGB 189 251 74

HSL 81.02, 0.96%, 0.64%

LAB 91.82, -43.8, 74.16

 

CMYK 19 / 0 / 64 / 0

HEX #CEFF5D

RGB 206 255 93

HSL 78.15, 1%, 0.68%

LAB 94.07, -38.05, 69.78

 

CMYK 13 / 0 / 56 / 0

HEX #DFFF70

RGB 223 255 112

HSL 73.43, 1%, 0.72%

LAB 95.32, -30.2, 63.63

 

CMYK 30 / 0 / 81 / 16

HEX #96D729

RGB 150 215 41

HSL 82.41, 0.69%, 0.5%

LAB 79.18, -44.27, 71.54

 

CMYK 32 / 0 / 89 / 23

HEX #85C516

RGB 133 197 22

HSL 81.94, 0.8%, 0.43%

LAB 72.88, -43.48, 69.92

 

CMYK 35 / 0 / 98 / 30

HEX #74B303

RGB 116 179 3

HSL 81.48, 0.97%, 0.36%

LAB 66.49, -42.46, 66.98

 

CMYK 39 / 0 / 100 / 37

HEX #63A100

RGB 99 161 0

HSL 83.11, 1%, 0.32%

LAB 60.02, -41.11, 61.97

 

CMYK 43 / 0 / 100 / 44

HEX #528F00

RGB 82 143 0

HSL 85.59, 1%, 0.28%

LAB 53.43, -39.66, 56.49

 

CMYK 31 / 0 / 82 / 16

HEX #95D727

RGB 149 215 39

HSL 82.5, 0.69%, 0.5%

LAB 79.12, -44.72, 71.97

 

CMYK 8 / 0 / 82 / 16

HEX #C5D727

RGB 197 215 39

HSL 66.14, 0.69%, 0.5%

LAB 82.17, -25.84, 75.82

 

CMYK 0 / 13 / 82 / 16

HEX #D7BA27

RGB 215 186 39

HSL 50.11, 0.69%, 0.5%

LAB 75.89, -3.67, 71.01

 

CMYK 0 / 36 / 82 / 16

HEX #D78A27

RGB 215 138 39

HSL 33.75, 0.69%, 0.5%

LAB 63.97, 21.93, 60.66

 

CMYK 0 / 58 / 82 / 16

HEX #D75B27

RGB 215 91 39

HSL 17.73, 0.69%, 0.5%

LAB 54.11, 46.13, 51.79

 

CMYK 31 / 0 / 82 / 16

HEX #95D727

RGB 149 215 39

HSL 82.5, 0.69%, 0.5%

LAB 79.12, -44.72, 71.97

 

CMYK 53 / 0 / 82 / 16

HEX #66D727

RGB 102 215 39

HSL 98.52, 0.69%, 0.5%

LAB 77.02, -59.98, 69.3

 

CMYK 75 / 0 / 82 / 16

HEX #36D727

RGB 54 215 39

HSL 114.89, 0.69%, 0.5%

LAB 75.78, -70.25, 67.71

 

CMYK 82 / 0 / 67 / 16

HEX #27D747

RGB 39 215 71

HSL 130.91, 0.69%, 0.5%

LAB 75.75, -69.78, 56.94

 

CMYK 82 / 0 / 45 / 16

HEX #27D777

RGB 39 215 119

HSL 147.27, 0.69%, 0.5%

LAB 76.29, -63.28, 35.57

 

CMYK 31 / 0 / 82 / 16

HEX #95D727

RGB 149 215 39

HSL 82.5, 0.69%, 0.5%

LAB 79.12, -44.72, 71.97

 

CMYK 35 / 0 / 92 / 7

HEX #9AEC12

RGB 154 236 18

HSL 82.57, 0.86%, 0.5%

LAB 85.46, -52.19, 81.22

 

CMYK 31 / 0 / 82 / 16

HEX #95D727

RGB 149 215 39

HSL 82.5, 0.69%, 0.5%

LAB 79.12, -44.72, 71.97

 

CMYK 26 / 0 / 69 / 24

HEX #90C23C

RGB 144 194 60

HSL 82.39, 0.53%, 0.5%

LAB 72.79, -36.28, 59.19

 

CMYK 20 / 0 / 54 / 32

HEX #8BAE50

RGB 139 174 80

HSL 82.34, 0.37%, 0.5%

LAB 66.78, -27.19, 43.82

 

CMYK 12 / 0 / 34 / 40

HEX #869965

RGB 134 153 101

HSL 81.92, 0.2%, 0.5%

LAB 60.6, -16.02, 25.16

 

CMYK 3 / 0 / 8 / 48

HEX #80847A

RGB 128 132 122

HSL 84, 0.04%, 0.5%

LAB 54.55, -3.43, 4.88

 

CMYK 0 / 13 / 82 / 16

HEX #D7BA27

RGB 215 186 39

HSL 50.11, 0.69%, 0.5%

LAB 75.89, -3.67, 71.01

 

CMYK 8 / 0 / 82 / 16

HEX #C5D727

RGB 197 215 39

HSL 66.14, 0.69%, 0.5%

LAB 82.17, -25.84, 75.82

 

CMYK 30 / 0 / 82 / 16

HEX #96D727

RGB 150 215 39

HSL 82.16, 0.69%, 0.5%

LAB 79.17, -44.35, 72.04

 

CMYK 52 / 0 / 82 / 16

HEX #68D727

RGB 104 215 39

HSL 97.84, 0.69%, 0.5%

LAB 77.1, -59.43, 69.39

 

CMYK 73 / 0 / 82 / 16

HEX #39D727

RGB 57 215 39

HSL 113.86, 0.69%, 0.5%

LAB 75.83, -69.79, 67.78

 

CMYK 30 / 0 / 82 / 43

HEX #65911A

RGB 101 145 26

HSL 82.18, 0.7%, 0.34%

LAB 55.17, -32.54, 53

 

CMYK 31 / 0 / 82 / 29

HEX #7DB421

RGB 125 180 33

HSL 82.45, 0.69%, 0.42%

LAB 67.36, -38.73, 62.54

 

CMYK 31 / 0 / 82 / 16

HEX #95D727

RGB 149 215 39

HSL 82.5, 0.69%, 0.5%

LAB 79.12, -44.72, 71.97

 

CMYK 25 / 0 / 67 / 13

HEX #A6DD4A

RGB 166 221 74

HSL 82.45, 0.68%, 0.58%

LAB 82.01, -39.16, 63.74

 

CMYK 20 / 0 / 52 / 11

HEX #B7E46D

RGB 183 228 109

HSL 82.69, 0.69%, 0.66%

LAB 85.33, -33.06, 52.74

 

CMYK 30 / 0 / 81 / 16

HEX #96D729

RGB 150 215 41

HSL 82.41, 0.69%, 0.5%

LAB 79.18, -44.27, 71.54

 

CMYK 82 / 0 / 35 / 16

HEX #27D78B

RGB 39 215 139

HSL 154.09, 0.69%, 0.5%

LAB 76.62, -59.54, 25.78

 

CMYK 3 / 82 / 0 / 16

HEX #D127D7

RGB 209 39 215

HSL 297.95, 0.69%, 0.5%

LAB 51.74, 80.48, -52.52

 

CMYK 30 / 0 / 81 / 16

HEX #96D729

RGB 150 215 41

HSL 82.41, 0.69%, 0.5%

LAB 79.18, -44.27, 71.54

 

CMYK 82 / 30 / 0 / 16

HEX #2796D7

RGB 39 150 215

HSL 202.16, 0.69%, 0.5%

LAB 59.11, -7.7, -41.67

 

CMYK 0 / 82 / 30 / 16

HEX #D72796

RGB 215 39 150

HSL 322.16, 0.69%, 0.5%

LAB 49.62, 72.99, -17.79

 

CMYK 30 / 0 / 81 / 16

HEX #96D729

RGB 150 215 41

HSL 82.41, 0.69%, 0.5%

LAB 79.18, -44.27, 71.54

 

CMYK 82 / 0 / 35 / 16

HEX #27D78B

RGB 39 215 139

HSL 154.09, 0.69%, 0.5%

LAB 76.62, -59.54, 25.78

 

CMYK 52 / 82 / 0 / 16

HEX #6827D7

RGB 104 39 215

HSL 262.16, 0.69%, 0.5%

LAB 36.56, 64.27, -77.87

 

CMYK 0 / 82 / 47 / 16

HEX #D72773

RGB 215 39 115

HSL 334.09, 0.69%, 0.5%

LAB 48.43, 69.55, 1.63

 

CMYK 30 / 0 / 81 / 16

HEX #96D729

RGB 150 215 41

HSL 82.41, 0.69%, 0.5%

LAB 79.18, -44.27, 71.54

 

CMYK 82 / 0 / 11 / 16

HEX #27D7C0

RGB 39 215 192

HSL 172.16, 0.69%, 0.5%

LAB 77.78, -47.03, -0.66

 

CMYK 52 / 82 / 0 / 16

HEX #6827D7

RGB 104 39 215

HSL 262.16, 0.69%, 0.5%

LAB 36.56, 64.27, -77.87

 

CMYK 0 / 82 / 71 / 16

HEX #D7273E

RGB 215 39 62

HSL 352.16, 0.69%, 0.5%

LAB 47.3, 66.16, 32.47

 

Description

Color code: HEX #96D729 | qconv.com Color code: HEX #96D729 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 215 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 215 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 81% 16% C M Y K

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Provide designers and agencies with accurate color values.

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