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Color name
HEX #96EA47

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96EA47 it is the complementary color #6915B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96EA47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96EA47 shade: #9BEA42, #ACFC55, #BDFF68, #CEFF7B and #DFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96EA47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96EA47 shade: #96EA47, #85D834, #74C621, #63B40E and #52A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96EA47 shade: #96EA47, #C2EA47, #EAE647, #EABA47 and #EA8E47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96EA47 shade: #96EA47, #6AEA47, #47EA50, #47EA7C and #47EAA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96EA47 shade matches the following richer shades: #96EA47 and #95FB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96EA47 shade: #96EA47, #97DA57, #97C968, #98B978 and #98A889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96EA47 shade: #EAE547, #C4EA47, #99EA47, #6DEA47 and #47EA4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96EA47 shade: #6CC916, #81E622, #96EA47, #ABEE6C and #C0F291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96EA47 shade: #96EA47, #47EAB9 and #EA47DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96EA47 shade: #96EA47, #4799EA and #EA4799

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96EA47 shade: #96EA47, #47EAB9, #9947EA and #EA4778

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96EA47 shade: #96EA47, #47EAEA, #9947EA and #EA4747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

Complementary color

CMYK 43 / 89 / 0 / 28

HEX #6915B8

RGB 105 21 184

HSL 270.92, 0.8%, 0.4%

LAB 31.81, 62.6, -67.56

 

CMYK 34 / 0 / 72 / 8

HEX #9BEA42

RGB 155 234 66

HSL 88.21, 0.8%, 0.59%

LAB 85.1, -49.22, 69.62

 

CMYK 32 / 0 / 66 / 1

HEX #ACFC55

RGB 172 252 85

HSL 88.74, 0.97%, 0.66%

LAB 91.26, -49.57, 69.31

 

CMYK 26 / 0 / 59 / 0

HEX #BDFF68

RGB 189 255 104

HSL 86.23, 1%, 0.7%

LAB 93.16, -43.42, 64.04

 

CMYK 19 / 0 / 52 / 0

HEX #CEFF7B

RGB 206 255 123

HSL 82.27, 1%, 0.74%

LAB 94.34, -35.58, 57.36

 

CMYK 13 / 0 / 44 / 0

HEX #DFFF8E

RGB 223 255 142

HSL 76.99, 1%, 0.78%

LAB 95.65, -27.41, 50.39

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 38 / 0 / 76 / 15

HEX #85D834

RGB 133 216 52

HSL 90.37, 0.68%, 0.53%

LAB 78.66, -50.17, 67.58

 

CMYK 41 / 0 / 83 / 22

HEX #74C621

RGB 116 198 33

HSL 89.82, 0.71%, 0.45%

LAB 72.37, -49.52, 66.84

 

CMYK 45 / 0 / 92 / 29

HEX #63B40E

RGB 99 180 14

HSL 89.28, 0.86%, 0.38%

LAB 66, -48.59, 64.86

 

CMYK 49 / 0 / 100 / 36

HEX #52A200

RGB 82 162 0

HSL 89.63, 1%, 0.32%

LAB 59.56, -47.32, 61.28

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 17 / 0 / 70 / 8

HEX #C2EA47

RGB 194 234 71

HSL 74.72, 0.8%, 0.6%

LAB 87.37, -34.53, 70.88

 

CMYK 0 / 2 / 70 / 8

HEX #EAE647

RGB 234 230 71

HSL 58.53, 0.8%, 0.6%

LAB 89.18, -16.56, 73.63

 

CMYK 0 / 21 / 70 / 8

HEX #EABA47

RGB 234 186 71

HSL 42.33, 0.8%, 0.6%

LAB 77.91, 5.78, 62.36

 

CMYK 0 / 39 / 70 / 8

HEX #EA8E47

RGB 234 142 71

HSL 26.13, 0.8%, 0.6%

LAB 67.5, 29.05, 51.38

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 55 / 0 / 70 / 8

HEX #6AEA47

RGB 106 234 71

HSL 107.12, 0.8%, 0.6%

LAB 83.11, -63.74, 65.17

 

CMYK 70 / 0 / 66 / 8

HEX #47EA50

RGB 71 234 80

HSL 123.31, 0.8%, 0.6%

LAB 82.25, -70.42, 60.55

 

CMYK 70 / 0 / 47 / 8

HEX #47EA7C

RGB 71 234 124

HSL 139.51, 0.8%, 0.6%

LAB 82.72, -64.91, 41.4

 

CMYK 70 / 0 / 28 / 8

HEX #47EAA8

RGB 71 234 168

HSL 155.71, 0.8%, 0.6%

LAB 83.45, -56.83, 20.15

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 41 / 0 / 78 / 2

HEX #95FB36

RGB 149 251 54

HSL 91.07, 0.96%, 0.6%

LAB 89.7, -58.64, 77.62

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 31 / 0 / 60 / 15

HEX #97DA57

RGB 151 218 87

HSL 90.69, 0.64%, 0.6%

LAB 80.41, -42.26, 56.43

 

CMYK 25 / 0 / 48 / 21

HEX #97C968

RGB 151 201 104

HSL 90.93, 0.47%, 0.6%

LAB 75.67, -32.87, 43.02

 

CMYK 18 / 0 / 35 / 27

HEX #98B978

RGB 152 185 120

HSL 90.46, 0.32%, 0.6%

LAB 71.37, -22.75, 29.42

 

CMYK 10 / 0 / 18 / 34

HEX #98A889

RGB 152 168 137

HSL 90.97, 0.15%, 0.6%

LAB 66.89, -11.39, 14.16

 

CMYK 0 / 2 / 70 / 8

HEX #EAE547

RGB 234 229 71

HSL 58.16, 0.8%, 0.6%

LAB 88.92, -16.07, 73.37

 

CMYK 16 / 0 / 70 / 8

HEX #C4EA47

RGB 196 234 71

HSL 73.99, 0.8%, 0.6%

LAB 87.5, -33.75, 71.05

 

CMYK 35 / 0 / 70 / 8

HEX #99EA47

RGB 153 234 71

HSL 89.82, 0.8%, 0.6%

LAB 85.03, -49.59, 67.76

 

CMYK 53 / 0 / 70 / 8

HEX #6DEA47

RGB 109 234 71

HSL 106.01, 0.8%, 0.6%

LAB 83.21, -62.97, 65.3

 

CMYK 70 / 0 / 68 / 8

HEX #47EA4C

RGB 71 234 76

HSL 121.84, 0.8%, 0.6%

LAB 82.22, -70.79, 62.08

 

CMYK 46 / 0 / 89 / 21

HEX #6CC916

RGB 108 201 22

HSL 91.17, 0.8%, 0.44%

LAB 72.9, -53.65, 69.47

 

CMYK 44 / 0 / 85 / 10

HEX #81E622

RGB 129 230 34

HSL 90.92, 0.8%, 0.52%

LAB 82.58, -57.74, 75.77

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 28 / 0 / 55 / 7

HEX #ABEE6C

RGB 171 238 108

HSL 90.92, 0.79%, 0.68%

LAB 87.43, -41.99, 55.49

 

CMYK 21 / 0 / 40 / 5

HEX #C0F291

RGB 192 242 145

HSL 90.93, 0.79%, 0.76%

LAB 90.21, -32.24, 41.67

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 70 / 0 / 21 / 8

HEX #47EAB9

RGB 71 234 185

HSL 161.96, 0.8%, 0.6%

LAB 83.8, -53.08, 11.79

 

CMYK 0 / 70 / 7 / 8

HEX #EA47DA

RGB 234 71 218

HSL 305.89, 0.8%, 0.6%

LAB 59.03, 77.07, -42.41

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 70 / 35 / 0 / 8

HEX #4799EA

RGB 71 153 234

HSL 209.82, 0.8%, 0.6%

LAB 61.71, 1.04, -48.07

 

CMYK 0 / 70 / 35 / 8

HEX #EA4799

RGB 234 71 153

HSL 329.82, 0.8%, 0.6%

LAB 56.39, 68.63, -9.02

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 70 / 0 / 21 / 8

HEX #47EAB9

RGB 71 234 185

HSL 161.96, 0.8%, 0.6%

LAB 83.8, -53.08, 11.79

 

CMYK 35 / 70 / 0 / 8

HEX #9947EA

RGB 153 71 234

HSL 270.18, 0.8%, 0.6%

LAB 48.54, 63.17, -68.88

 

CMYK 0 / 70 / 49 / 8

HEX #EA4778

RGB 234 71 120

HSL 341.96, 0.8%, 0.6%

LAB 55.44, 65.45, 9.11

 

CMYK 36 / 0 / 70 / 8

HEX #96EA47

RGB 150 234 71

HSL 90.92, 0.8%, 0.6%

LAB 84.89, -50.61, 67.56

 

CMYK 70 / 0 / 0 / 8

HEX #47EAEA

RGB 71 234 234

HSL 180, 0.8%, 0.6%

LAB 85.06, -40.58, -12.15

 

CMYK 35 / 70 / 0 / 8

HEX #9947EA

RGB 153 71 234

HSL 270.18, 0.8%, 0.6%

LAB 48.54, 63.17, -68.88

 

CMYK 0 / 70 / 70 / 8

HEX #EA4747

RGB 234 71 71

HSL 0, 0.8%, 0.6%

LAB 54.51, 62.24, 36.66

 

Description

Color code: HEX #96EA47 | qconv.com Color code: HEX #96EA47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 234 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 234 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 70 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 70% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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