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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96EB6F it is the complementary color #691490. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96EB6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96EB6F shade: #9BEB6A, #ACFD7D, #BDFF90, #CEFFA3 and #DFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96EB6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96EB6F shade: #96EB6F, #85D95C, #74C749, #63B536 and #52A323

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96EB6F shade: #96EB6F, #B7EB6F, #D9EB6F, #EBDC6F and #EBBA6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96EB6F shade: #96EB6F, #74EB6F, #6FEB8B, #6FEBAC and #6FEBCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96EB6F shade matches the following richer shades: #96EB6F and #91F862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96EB6F shade: #96EB6F, #9BDE7C, #A0D189, #A5C396 and #A9B6A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96EB6F shade: #D8EB6F, #B7EB6F, #96EB6F, #75EB6F and #6FEB8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96EB6F shade: #61E126, #7BE64B, #96EB6F, #B0F093 and #CBF5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96EB6F shade: #96EB6F, #6FEBDC and #EB6FC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96EB6F shade: #96EB6F, #6F96EB and #EB6F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96EB6F shade: #96EB6F, #6FEBDC, #C46FEB and #EB6F7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96EB6F shade: #96EB6F, #6FD4EB, #C46FEB and #EB866F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

Complementary color

CMYK 27 / 86 / 0 / 44

HEX #691490

RGB 105 20 144

HSL 281.13, 0.76%, 0.32%

LAB 28.16, 54.13, -49.3

 

CMYK 34 / 0 / 55 / 8

HEX #9BEB6A

RGB 155 235 106

HSL 97.21, 0.76%, 0.67%

LAB 85.72, -46.37, 54.17

 

CMYK 32 / 0 / 51 / 1

HEX #ACFD7D

RGB 172 253 125

HSL 97.97, 0.97%, 0.74%

LAB 91.91, -46.36, 53.08

 

CMYK 26 / 0 / 44 / 0

HEX #BDFF90

RGB 189 255 144

HSL 95.68, 1%, 0.78%

LAB 93.6, -39.31, 46.44

 

CMYK 19 / 0 / 36 / 0

HEX #CEFFA3

RGB 206 255 163

HSL 91.96, 1%, 0.82%

LAB 94.86, -31.04, 39

 

CMYK 13 / 0 / 29 / 0

HEX #DFFFB6

RGB 223 255 182

HSL 86.3, 1%, 0.86%

LAB 96.24, -22.5, 31.57

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 39 / 0 / 58 / 15

HEX #85D95C

RGB 133 217 92

HSL 100.32, 0.62%, 0.61%

LAB 79.26, -47.46, 52.69

 

CMYK 42 / 0 / 63 / 22

HEX #74C749

RGB 116 199 73

HSL 99.52, 0.53%, 0.53%

LAB 72.92, -47.33, 53.63

 

CMYK 45 / 0 / 70 / 29

HEX #63B536

RGB 99 181 54

HSL 98.74, 0.54%, 0.46%

LAB 66.49, -47.03, 54.3

 

CMYK 50 / 0 / 79 / 36

HEX #52A323

RGB 82 163 35

HSL 97.97, 0.65%, 0.39%

LAB 59.99, -46.48, 54.38

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 22 / 0 / 53 / 8

HEX #B7EB6F

RGB 183 235 111

HSL 85.16, 0.76%, 0.68%

LAB 87.31, -36.07, 54.15

 

CMYK 8 / 0 / 53 / 8

HEX #D9EB6F

RGB 217 235 111

HSL 68.71, 0.76%, 0.68%

LAB 89.54, -23.18, 57.33

 

CMYK 0 / 6 / 53 / 8

HEX #EBDC6F

RGB 235 220 111

HSL 52.74, 0.76%, 0.68%

LAB 87, -8.63, 54.71

 

CMYK 0 / 21 / 53 / 8

HEX #EBBA6F

RGB 235 186 111

HSL 36.29, 0.76%, 0.68%

LAB 78.42, 8.89, 44.44

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 51 / 0 / 53 / 8

HEX #74EB6F

RGB 116 235 111

HSL 117.58, 0.76%, 0.68%

LAB 84.11, -57.5, 49.57

 

CMYK 53 / 0 / 41 / 8

HEX #6FEB8B

RGB 111 235 139

HSL 133.55, 0.76%, 0.68%

LAB 84.31, -54.81, 36.27

 

CMYK 53 / 0 / 27 / 8

HEX #6FEBAC

RGB 111 235 172

HSL 149.52, 0.76%, 0.68%

LAB 84.88, -48.89, 20.23

 

CMYK 53 / 0 / 12 / 8

HEX #6FEBCE

RGB 111 235 206

HSL 165.97, 0.76%, 0.68%

LAB 85.63, -41.55, 3.54

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 42 / 0 / 60 / 3

HEX #91F862

RGB 145 248 98

HSL 101.2, 0.91%, 0.68%

LAB 88.94, -55.68, 61.23

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 30 / 0 / 44 / 13

HEX #9BDE7C

RGB 155 222 124

HSL 101.02, 0.6%, 0.68%

LAB 82.2, -38.61, 41.38

 

CMYK 23 / 0 / 34 / 18

HEX #A0D189

RGB 160 209 137

HSL 100.83, 0.44%, 0.68%

LAB 78.97, -29.09, 30.7

 

CMYK 15 / 0 / 23 / 24

HEX #A5C396

RGB 165 195 150

HSL 100, 0.27%, 0.68%

LAB 75.6, -18.44, 19.34

 

CMYK 7 / 0 / 10 / 29

HEX #A9B6A4

RGB 169 182 164

HSL 103.33, 0.11%, 0.68%

LAB 72.61, -7.89, 7.62

 

CMYK 8 / 0 / 53 / 8

HEX #D8EB6F

RGB 216 235 111

HSL 69.19, 0.76%, 0.68%

LAB 89.47, -23.57, 57.23

 

CMYK 22 / 0 / 53 / 8

HEX #B7EB6F

RGB 183 235 111

HSL 85.16, 0.76%, 0.68%

LAB 87.31, -36.07, 54.15

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 50 / 0 / 53 / 8

HEX #75EB6F

RGB 117 235 111

HSL 117.1, 0.76%, 0.68%

LAB 84.15, -57.24, 49.62

 

CMYK 53 / 0 / 41 / 8

HEX #6FEB8A

RGB 111 235 138

HSL 133.06, 0.76%, 0.68%

LAB 84.29, -54.96, 36.75

 

CMYK 57 / 0 / 83 / 12

HEX #61E126

RGB 97 225 38

HSL 101.07, 0.76%, 0.52%

LAB 79.92, -64.85, 72.09

 

CMYK 47 / 0 / 67 / 10

HEX #7BE64B

RGB 123 230 75

HSL 101.42, 0.76%, 0.6%

LAB 82.55, -57.28, 63.27

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 27 / 0 / 39 / 6

HEX #B0F093

RGB 176 240 147

HSL 101.29, 0.76%, 0.76%

LAB 88.76, -36.59, 38.64

 

CMYK 17 / 0 / 25 / 4

HEX #CBF5B7

RGB 203 245 183

HSL 100.65, 0.76%, 0.84%

LAB 92.32, -24.51, 25.52

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 53 / 0 / 6 / 8

HEX #6FEBDC

RGB 111 235 220

HSL 172.74, 0.76%, 0.68%

LAB 85.99, -38.19, -3.29

 

CMYK 0 / 53 / 15 / 8

HEX #EB6FC8

RGB 235 111 200

HSL 316.94, 0.76%, 0.68%

LAB 64.32, 58.4, -24.01

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 53 / 36 / 0 / 8

HEX #6F96EB

RGB 111 150 235

HSL 221.13, 0.76%, 0.68%

LAB 62.67, 10.4, -47

 

CMYK 0 / 53 / 36 / 8

HEX #EB6F96

RGB 235 111 150

HSL 341.13, 0.76%, 0.68%

LAB 62.7, 51.75, 2.05

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 53 / 0 / 6 / 8

HEX #6FEBDC

RGB 111 235 220

HSL 172.74, 0.76%, 0.68%

LAB 85.99, -38.19, -3.29

 

CMYK 17 / 53 / 0 / 8

HEX #C46FEB

RGB 196 111 235

HSL 281.13, 0.76%, 0.68%

LAB 60.87, 53.81, -49.37

 

CMYK 0 / 53 / 47 / 8

HEX #EB6F7D

RGB 235 111 125

HSL 353.23, 0.76%, 0.68%

LAB 62.09, 49.14, 15.55

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6F

RGB 150 235 111

HSL 101.13, 0.76%, 0.68%

LAB 85.53, -47.48, 51.61

 

CMYK 53 / 10 / 0 / 8

HEX #6FD4EB

RGB 111 212 235

HSL 191.13, 0.76%, 0.68%

LAB 79.88, -23.29, -20.37

 

CMYK 17 / 53 / 0 / 8

HEX #C46FEB

RGB 196 111 235

HSL 281.13, 0.76%, 0.68%

LAB 60.87, 53.81, -49.37

 

CMYK 0 / 43 / 53 / 8

HEX #EB866F

RGB 235 134 111

HSL 11.13, 0.76%, 0.68%

LAB 66.41, 36.35, 29.25

 

Description

Color code: HEX #96EB6F | qconv.com Color code: HEX #96EB6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 235 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 235 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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