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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97068B it is the complementary color #68F974. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97068B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97068B shade: #9C0686, #AD1899, #BE2AAC, #CF3CBF and #E04ED2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97068B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97068B shade: #97068B, #860078, #750065, #640052 and #53003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97068B shade: #97068B, #970664, #97063D, #970616 and #970606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97068B shade: #97068B, #7C0697, #550697, #2E0697 and #060697

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97068B shade matches the following richer shades: #97068B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97068B shade: #97068B, #8A1381, #7E1F76, #712C6B and #643961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97068B shade: #530697, #7A0697, #97068E, #970667 and #970640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97068B shade: #480342, #700467, #97068B, #BF07B0 and #E609D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97068B shade: #97068B, #972D06 and #069767

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97068B shade: #97068B, #8E9706 and #068E97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97068B shade: #97068B, #972D06, #069710 and #067097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97068B shade: #97068B, #975806, #069710 and #064597

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

Complementary color

CMYK 58 / 0 / 53 / 2

HEX #68F974

RGB 104 249 116

HSL 124.97, 0.92%, 0.69%

LAB 87.95, -65, 51.8

 

CMYK 0 / 96 / 14 / 39

HEX #9C0686

RGB 156 6 134

HSL 308.8, 0.93%, 0.32%

LAB 35.83, 64.15, -30.31

 

CMYK 0 / 86 / 12 / 32

HEX #AD1899

RGB 173 24 153

HSL 308.05, 0.76%, 0.39%

LAB 40.96, 67.47, -33.64

 

CMYK 0 / 78 / 9 / 25

HEX #BE2AAC

RGB 190 42 172

HSL 307.3, 0.64%, 0.45%

LAB 46.42, 69.51, -36.19

 

CMYK 0 / 71 / 8 / 19

HEX #CF3CBF

RGB 207 60 191

HSL 306.53, 0.6%, 0.52%

LAB 52.13, 70.61, -38.13

 

CMYK 0 / 65 / 6 / 12

HEX #E04ED2

RGB 224 78 210

HSL 305.75, 0.7%, 0.59%

LAB 57.99, 71.06, -39.62

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 0 / 100 / 10 / 47

HEX #860078

RGB 134 0 120

HSL 306.27, 1%, 0.26%

LAB 30.46, 58.82, -30.3

 

CMYK 0 / 100 / 14 / 54

HEX #750065

RGB 117 0 101

HSL 308.21, 1%, 0.23%

LAB 25.93, 52.82, -25.47

 

CMYK 0 / 100 / 18 / 61

HEX #640052

RGB 100 0 82

HSL 310.8, 1%, 0.2%

LAB 21.28, 46.67, -20.41

 

CMYK 0 / 100 / 24 / 67

HEX #53003F

RGB 83 0 63

HSL 314.46, 1%, 0.16%

LAB 16.49, 40.35, -15.08

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 0 / 96 / 34 / 41

HEX #970664

RGB 151 6 100

HSL 321.1, 0.92%, 0.31%

LAB 33.2, 58.9, -12.97

 

CMYK 0 / 96 / 60 / 41

HEX #97063D

RGB 151 6 61

HSL 337.24, 0.92%, 0.31%

LAB 31.91, 55.45, 10.73

 

CMYK 0 / 96 / 85 / 41

HEX #970616

RGB 151 6 22

HSL 353.38, 0.92%, 0.31%

LAB 31.27, 53.68, 34.85

 

CMYK 0 / 96 / 96 / 41

HEX #970606

RGB 151 6 6

HSL 0, 0.92%, 0.31%

LAB 31.17, 53.38, 42.41

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 18 / 96 / 0 / 41

HEX #7C0697

RGB 124 6 151

HSL 288.83, 0.92%, 0.31%

LAB 31, 61.26, -48.86

 

CMYK 44 / 96 / 0 / 41

HEX #550697

RGB 85 6 151

HSL 272.69, 0.92%, 0.31%

LAB 24.63, 56.09, -59.53

 

CMYK 70 / 96 / 0 / 41

HEX #2E0697

RGB 46 6 151

HSL 256.55, 0.92%, 0.31%

LAB 19.82, 52.93, -67.63

 

CMYK 96 / 96 / 0 / 41

HEX #060697

RGB 6 6 151

HSL 240, 0.92%, 0.31%

LAB 17.48, 51.72, -71.61

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 0 / 86 / 7 / 46

HEX #8A1381

RGB 138 19 129

HSL 304.54, 0.76%, 0.31%

LAB 32.82, 57.82, -32.17

 

CMYK 0 / 75 / 6 / 51

HEX #7E1F76

RGB 126 31 118

HSL 305.05, 0.61%, 0.31%

LAB 31.17, 50.03, -28

 

CMYK 0 / 61 / 5 / 56

HEX #712C6B

RGB 113 44 107

HSL 305.22, 0.44%, 0.31%

LAB 30.34, 39.15, -22.46

 

CMYK 0 / 43 / 3 / 61

HEX #643961

RGB 100 57 97

HSL 304.19, 0.27%, 0.31%

LAB 30.64, 25.83, -15.73

 

CMYK 45 / 96 / 0 / 41

HEX #530697

RGB 83 6 151

HSL 271.86, 0.92%, 0.31%

LAB 24.33, 55.87, -60.03

 

CMYK 19 / 96 / 0 / 41

HEX #7A0697

RGB 122 6 151

HSL 288, 0.92%, 0.31%

LAB 30.65, 60.95, -49.45

 

CMYK 0 / 96 / 6 / 41

HEX #97068E

RGB 151 6 142

HSL 303.72, 0.92%, 0.31%

LAB 35.33, 64.35, -36.11

 

CMYK 0 / 96 / 32 / 41

HEX #970667

RGB 151 6 103

HSL 319.86, 0.92%, 0.31%

LAB 33.33, 59.23, -14.71

 

CMYK 0 / 96 / 58 / 41

HEX #970640

RGB 151 6 64

HSL 336, 0.92%, 0.31%

LAB 31.99, 55.65, 8.84

 

CMYK 0 / 96 / 8 / 72

HEX #480342

RGB 72 3 66

HSL 305.22, 0.92%, 0.15%

LAB 14.6, 37.37, -20.33

 

CMYK 0 / 96 / 8 / 56

HEX #700467

RGB 112 4 103

HSL 305, 0.93%, 0.23%

LAB 25.29, 51.37, -27.84

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 0 / 96 / 8 / 25

HEX #BF07B0

RGB 191 7 176

HSL 304.89, 0.93%, 0.39%

LAB 44.75, 76.29, -41.19

 

CMYK 0 / 96 / 8 / 10

HEX #E609D4

RGB 230 9 212

HSL 304.89, 0.92%, 0.47%

LAB 53.78, 87.79, -47.34

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 0 / 70 / 96 / 41

HEX #972D06

RGB 151 45 6

HSL 16.14, 0.92%, 0.31%

LAB 34.94, 42.8, 44.82

 

CMYK 96 / 0 / 32 / 41

HEX #069767

RGB 6 151 103

HSL 160.14, 0.92%, 0.31%

LAB 55.23, -45.56, 16

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 6 / 0 / 96 / 41

HEX #8E9706

RGB 142 151 6

HSL 63.72, 0.92%, 0.31%

LAB 59.8, -18.53, 62.13

 

CMYK 96 / 6 / 0 / 41

HEX #068E97

RGB 6 142 151

HSL 183.72, 0.92%, 0.31%

LAB 53.62, -27.9, -13.82

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 0 / 70 / 96 / 41

HEX #972D06

RGB 151 45 6

HSL 16.14, 0.92%, 0.31%

LAB 34.94, 42.8, 44.82

 

CMYK 96 / 0 / 89 / 41

HEX #069710

RGB 6 151 16

HSL 124.14, 0.92%, 0.31%

LAB 54.25, -57.41, 53.62

 

CMYK 96 / 26 / 0 / 41

HEX #067097

RGB 6 112 151

HSL 196.14, 0.92%, 0.31%

LAB 44.03, -11.79, -28.56

 

CMYK 0 / 96 / 8 / 41

HEX #97068B

RGB 151 6 139

HSL 304.97, 0.92%, 0.31%

LAB 35.15, 63.91, -34.54

 

CMYK 0 / 42 / 96 / 41

HEX #975806

RGB 151 88 6

HSL 33.93, 0.92%, 0.31%

LAB 43.61, 20.76, 50.6

 

CMYK 96 / 0 / 89 / 41

HEX #069710

RGB 6 151 16

HSL 124.14, 0.92%, 0.31%

LAB 54.25, -57.41, 53.62

 

CMYK 96 / 54 / 0 / 41

HEX #064597

RGB 6 69 151

HSL 213.93, 0.92%, 0.31%

LAB 30.71, 15.84, -49.79

 

Description

Color code: HEX #97068B | qconv.com Color code: HEX #97068B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 6 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 6 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 8 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 8% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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