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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9702B5 it is the complementary color #68FD4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9702B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9702B5 shade: #9C02B0, #AD14C3, #BE26D6, #CF38E9 and #E04AFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9702B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9702B5 shade: #9702B5, #8600A2, #75008F, #64007C and #530069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9702B5 shade: #9701B5, #B501A3, #B50172, #B50142 and #B50111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9702B5 shade: #9701B5, #6701B5, #3601B5, #0601B5 and #0101B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9702B5 shade matches the following richer shades: #9701B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9702B5 shade: #9701B5, #8D10A6, #831F98, #792E89 and #703D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9702B5 shade: #3401B5, #6401B5, #9401B5, #B501A6 and #B50176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9702B5 shade: #530164, #75018C, #9701B5, #B902DE and #D40DFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9702B5 shade: #9702B5, #B50401 and #01B54C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9702B5 shade: #9702B5, #B59401 and #01B594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9702B5 shade: #9702B5, #B50401, #22B501 and #01B2B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9702B5 shade: #9702B5, #B53A01, #22B501 and #017CB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 99 / 0 / 29

HEX #9702B5

RGB 151 2 181

HSL 289.94, 0.98%, 0.36%

LAB 37.77, 71.11, -55.74

 

Complementary color

CMYK 59 / 0 / 71 / 1

HEX #68FD4A

RGB 104 253 74

HSL 109.94, 0.98%, 0.64%

LAB 88.77, -70.57, 69.9

 

CMYK 11 / 99 / 0 / 31

HEX #9C02B0

RGB 156 2 176

HSL 293.1, 0.98%, 0.35%

LAB 38.28, 71.01, -51.9

 

CMYK 11 / 90 / 0 / 24

HEX #AD14C3

RGB 173 20 195

HSL 292.46, 0.81%, 0.42%

LAB 43.25, 74.65, -54.94

 

CMYK 11 / 82 / 0 / 16

HEX #BE26D6

RGB 190 38 214

HSL 291.82, 0.7%, 0.49%

LAB 48.5, 77.16, -57.32

 

CMYK 11 / 76 / 0 / 9

HEX #CF38E9

RGB 207 56 233

HSL 291.19, 0.8%, 0.57%

LAB 54, 78.66, -59.12

 

CMYK 11 / 71 / 0 / 1

HEX #E04AFC

RGB 224 74 252

HSL 290.56, 0.97%, 0.64%

LAB 59.68, 79.44, -60.48

 

CMYK 17 / 99 / 0 / 29

HEX #9702B5

RGB 151 2 181

HSL 289.94, 0.98%, 0.36%

LAB 37.77, 71.11, -55.74

 

CMYK 17 / 100 / 0 / 36

HEX #8600A2

RGB 134 0 162

HSL 289.63, 1%, 0.32%

LAB 33.3, 65.59, -51.74

 

CMYK 18 / 100 / 0 / 44

HEX #75008F

RGB 117 0 143

HSL 289.09, 1%, 0.28%

LAB 28.81, 59.71, -47.53

 

CMYK 19 / 100 / 0 / 51

HEX #64007C

RGB 100 0 124

HSL 288.39, 1%, 0.24%

LAB 24.21, 53.68, -43.22

 

CMYK 21 / 100 / 0 / 59

HEX #530069

RGB 83 0 105

HSL 287.43, 1%, 0.21%

LAB 19.47, 47.49, -38.81

 

CMYK 17 / 99 / 0 / 29

HEX #9701B5

RGB 151 1 181

HSL 290, 0.99%, 0.36%

LAB 37.73, 71.22, -55.81

 

CMYK 0 / 99 / 10 / 29

HEX #B501A3

RGB 181 1 163

HSL 306, 0.99%, 0.36%

LAB 41.98, 73.3, -37.95

 

CMYK 0 / 99 / 37 / 29

HEX #B50172

RGB 181 1 114

HSL 322.33, 0.99%, 0.36%

LAB 39.68, 67.47, -11.46

 

CMYK 0 / 99 / 64 / 29

HEX #B50142

RGB 181 1 66

HSL 338.33, 0.99%, 0.36%

LAB 38.27, 63.73, 17.15

 

CMYK 0 / 99 / 91 / 29

HEX #B50111

RGB 181 1 17

HSL 354.67, 0.99%, 0.36%

LAB 37.64, 62.02, 45.31

 

CMYK 17 / 99 / 0 / 29

HEX #9701B5

RGB 151 1 181

HSL 290, 0.99%, 0.36%

LAB 37.73, 71.22, -55.81

 

CMYK 43 / 99 / 0 / 29

HEX #6701B5

RGB 103 1 181

HSL 274, 0.99%, 0.36%

LAB 30.01, 65.38, -68.74

 

CMYK 70 / 99 / 0 / 29

HEX #3601B5

RGB 54 1 181

HSL 257.67, 0.99%, 0.36%

LAB 24.14, 62.04, -78.66

 

CMYK 97 / 99 / 0 / 29

HEX #0601B5

RGB 6 1 181

HSL 241.67, 0.99%, 0.36%

LAB 21.57, 61.02, -83.01

 

CMYK 99 / 99 / 0 / 29

HEX #0101B5

RGB 1 1 181

HSL 240, 0.99%, 0.36%

LAB 21.45, 60.98, -83.21

 

CMYK 17 / 99 / 0 / 29

HEX #9701B5

RGB 151 1 181

HSL 290, 0.99%, 0.36%

LAB 37.73, 71.22, -55.81

 

CMYK 17 / 99 / 0 / 29

HEX #9701B5

RGB 151 1 181

HSL 290, 0.99%, 0.36%

LAB 37.73, 71.22, -55.81

 

CMYK 15 / 90 / 0 / 35

HEX #8D10A6

RGB 141 16 166

HSL 290, 0.82%, 0.36%

LAB 35.57, 65.13, -50.43

 

CMYK 14 / 80 / 0 / 40

HEX #831F98

RGB 131 31 152

HSL 289.59, 0.66%, 0.36%

LAB 34.13, 57.18, -44.35

 

CMYK 12 / 66 / 0 / 46

HEX #792E89

RGB 121 46 137

HSL 289.45, 0.5%, 0.36%

LAB 33.62, 46.22, -36.06

 

CMYK 8 / 50 / 0 / 52

HEX #703D7A

RGB 112 61 122

HSL 290.16, 0.33%, 0.36%

LAB 34.37, 32.77, -25.63

 

CMYK 71 / 99 / 0 / 29

HEX #3401B5

RGB 52 1 181

HSL 257, 0.99%, 0.36%

LAB 23.96, 61.96, -78.96

 

CMYK 45 / 99 / 0 / 29

HEX #6401B5

RGB 100 1 181

HSL 273, 0.99%, 0.36%

LAB 29.58, 65.09, -69.46

 

CMYK 18 / 99 / 0 / 29

HEX #9401B5

RGB 148 1 181

HSL 289, 0.99%, 0.36%

LAB 37.21, 70.8, -56.67

 

CMYK 0 / 99 / 8 / 29

HEX #B501A6

RGB 181 1 166

HSL 305, 0.99%, 0.36%

LAB 42.15, 73.71, -39.48

 

CMYK 0 / 99 / 35 / 29

HEX #B50176

RGB 181 1 118

HSL 321, 0.99%, 0.36%

LAB 39.84, 67.87, -13.73

 

CMYK 17 / 99 / 0 / 61

HEX #530164

RGB 83 1 100

HSL 289.7, 0.98%, 0.2%

LAB 19.14, 46.25, -36.05

 

CMYK 16 / 99 / 0 / 45

HEX #75018C

RGB 117 1 140

HSL 290.07, 0.99%, 0.28%

LAB 28.63, 59, -45.96

 

CMYK 17 / 99 / 0 / 29

HEX #9701B5

RGB 151 1 181

HSL 290, 0.99%, 0.36%

LAB 37.73, 71.22, -55.81

 

CMYK 17 / 99 / 0 / 13

HEX #B902DE

RGB 185 2 222

HSL 289.91, 0.98%, 0.44%

LAB 46.49, 82.84, -65.18

 

CMYK 16 / 95 / 0 / 1

HEX #D40DFC

RGB 212 13 252

HSL 289.96, 0.98%, 0.52%

LAB 53.29, 90.64, -70.87

 

CMYK 17 / 99 / 0 / 29

HEX #9702B5

RGB 151 2 181

HSL 289.94, 0.98%, 0.36%

LAB 37.77, 71.11, -55.74

 

CMYK 0 / 98 / 99 / 29

HEX #B50401

RGB 181 4 1

HSL 1, 0.99%, 0.36%

LAB 37.69, 61.49, 51.6

 

CMYK 99 / 0 / 58 / 29

HEX #01B54C

RGB 1 181 76

HSL 145, 0.99%, 0.36%

LAB 64.62, -61.24, 42.12

 

CMYK 17 / 99 / 0 / 29

HEX #9702B5

RGB 151 2 181

HSL 289.94, 0.98%, 0.36%

LAB 37.77, 71.11, -55.74

 

CMYK 0 / 18 / 99 / 29

HEX #B59401

RGB 181 148 1

HSL 49, 0.99%, 0.36%

LAB 62.51, 0.69, 66.47

 

CMYK 99 / 0 / 18 / 29

HEX #01B594

RGB 1 181 148

HSL 169, 0.99%, 0.36%

LAB 65.9, -46.57, 5.98

 

CMYK 17 / 99 / 0 / 29

HEX #9702B5

RGB 151 2 181

HSL 289.94, 0.98%, 0.36%

LAB 37.77, 71.11, -55.74

 

CMYK 0 / 98 / 99 / 29

HEX #B50401

RGB 181 4 1

HSL 1, 0.99%, 0.36%

LAB 37.69, 61.49, 51.6

 

CMYK 81 / 0 / 99 / 29

HEX #22B501

RGB 34 181 1

HSL 109, 0.99%, 0.36%

LAB 64.48, -64.12, 64.52

 

CMYK 99 / 2 / 0 / 29

HEX #01B2B5

RGB 1 178 181

HSL 181, 0.99%, 0.36%

LAB 65.89, -35.75, -12.31

 

CMYK 17 / 99 / 0 / 29

HEX #9702B5

RGB 151 2 181

HSL 289.94, 0.98%, 0.36%

LAB 37.77, 71.11, -55.74

 

CMYK 0 / 68 / 99 / 29

HEX #B53A01

RGB 181 58 1

HSL 19, 0.99%, 0.36%

LAB 42.54, 47.89, 53.8

 

CMYK 81 / 0 / 99 / 29

HEX #22B501

RGB 34 181 1

HSL 109, 0.99%, 0.36%

LAB 64.48, -64.12, 64.52

 

CMYK 99 / 31 / 0 / 29

HEX #017CB5

RGB 1 124 181

HSL 199, 0.99%, 0.36%

LAB 49.2, -7.51, -38.01

 

Description

Color code: HEX #9702B5 | qconv.com Color code: HEX #9702B5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 2 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 2 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 99 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 99% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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