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Color name
HEX #970F1A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #970F1A it is the complementary color #68F0E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #970F1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #970F1A shade: #9C0F15, #AD2128, #BE333B, #CF454E and #E05761

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #970F1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #970F1A shade: #970F1A, #860007, #750000, #640000 and #530000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #970F1A shade: #990F1A and #990F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #970F1A shade: #990F1A, #990F3F, #990F64, #990F89 and #830F99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #970F1A shade matches the following richer shades: #990F1A and #A6010E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #970F1A shade: #990F1A, #8B1C25, #7D2A31, #70373C and #624547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #970F1A shade: #990F64, #990F3F, #990F1A, #99280F and #994D0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #970F1A shade: #4E070D, #730B13, #990F1A, #BE1220 and #E41627

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #970F1A shade: #970F1A, #89990F and #0F5199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #970F1A shade: #970F1A, #1A990F and #0F1A99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #970F1A shade: #970F1A, #89990F, #0F998D and #1F0F99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #970F1A shade: #970F1A, #5F990F, #0F998D and #480F99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 83 / 41

HEX #970F1A

RGB 151 15 26

HSL 355.15, 0.82%, 0.33%

LAB 31.8, 52.38, 33.06

 

Complementary color

CMYK 57 / 0 / 5 / 6

HEX #68F0E5

RGB 104 240 229

HSL 175.15, 0.82%, 0.67%

LAB 87.45, -39.56, -5.89

 

CMYK 0 / 90 / 87 / 39

HEX #9C0F15

RGB 156 15 21

HSL 357.45, 0.82%, 0.34%

LAB 32.84, 53.64, 37.23

 

CMYK 0 / 81 / 77 / 32

HEX #AD2128

RGB 173 33 40

HSL 357, 0.68%, 0.4%

LAB 38.07, 54.94, 32.78

 

CMYK 0 / 73 / 69 / 25

HEX #BE333B

RGB 190 51 59

HSL 356.55, 0.58%, 0.47%

LAB 43.7, 55.2, 28.79

 

CMYK 0 / 67 / 62 / 19

HEX #CF454E

RGB 207 69 78

HSL 356.09, 0.59%, 0.54%

LAB 49.58, 54.83, 25.46

 

CMYK 0 / 61 / 57 / 12

HEX #E05761

RGB 224 87 97

HSL 355.62, 0.69%, 0.61%

LAB 55.61, 54.12, 22.67

 

CMYK 0 / 90 / 83 / 41

HEX #970F1A

RGB 151 15 26

HSL 355.15, 0.82%, 0.33%

LAB 31.8, 52.38, 33.06

 

CMYK 0 / 100 / 95 / 47

HEX #860007

RGB 134 0 7

HSL 356.87, 1%, 0.26%

LAB 26.97, 49.79, 37.03

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 100 / 100 / 67

HEX #530000

RGB 83 0 0

HSL 0, 1%, 0.16%

LAB 14.62, 35.43, 22.82

 

CMYK 0 / 90 / 83 / 40

HEX #990F1A

RGB 153 15 26

HSL 355.22, 0.82%, 0.33%

LAB 32.23, 52.94, 33.63

 

CMYK 0 / 90 / 90 / 40

HEX #990F0F

RGB 153 15 15

HSL 0, 0.82%, 0.33%

LAB 32.14, 52.68, 39.43

 

CMYK 0 / 90 / 83 / 40

HEX #990F1A

RGB 153 15 26

HSL 355.22, 0.82%, 0.33%

LAB 32.23, 52.94, 33.63

 

CMYK 0 / 90 / 59 / 40

HEX #990F3F

RGB 153 15 63

HSL 339.13, 0.82%, 0.33%

LAB 32.86, 54.74, 10.78

 

CMYK 0 / 90 / 35 / 40

HEX #990F64

RGB 153 15 100

HSL 323.04, 0.82%, 0.33%

LAB 34.05, 58.05, -11.64

 

CMYK 0 / 90 / 10 / 40

HEX #990F89

RGB 153 15 137

HSL 306.96, 0.82%, 0.33%

LAB 35.83, 62.78, -32.2

 

CMYK 14 / 90 / 0 / 40

HEX #830F99

RGB 131 15 153

HSL 290.43, 0.82%, 0.33%

LAB 32.85, 61.33, -47.03

 

CMYK 0 / 90 / 83 / 40

HEX #990F1A

RGB 153 15 26

HSL 355.22, 0.82%, 0.33%

LAB 32.23, 52.94, 33.63

 

CMYK 0 / 99 / 92 / 35

HEX #A6010E

RGB 166 1 14

HSL 355.27, 0.99%, 0.33%

LAB 34.31, 58.14, 42.78

 

CMYK 0 / 90 / 83 / 40

HEX #990F1A

RGB 153 15 26

HSL 355.22, 0.82%, 0.33%

LAB 32.23, 52.94, 33.63

 

CMYK 0 / 80 / 73 / 45

HEX #8B1C25

RGB 139 28 37

HSL 355.14, 0.66%, 0.33%

LAB 30.53, 46.01, 24.18

 

CMYK 0 / 66 / 61 / 51

HEX #7D2A31

RGB 125 42 49

HSL 354.94, 0.5%, 0.33%

LAB 30, 36.48, 15.18

 

CMYK 0 / 51 / 46 / 56

HEX #70373C

RGB 112 55 60

HSL 354.74, 0.34%, 0.33%

LAB 30.65, 25.67, 8.51

 

CMYK 0 / 30 / 28 / 62

HEX #624547

RGB 98 69 71

HSL 355.86, 0.17%, 0.33%

LAB 32.5, 12.81, 3.75

 

CMYK 0 / 90 / 35 / 40

HEX #990F64

RGB 153 15 100

HSL 323.04, 0.82%, 0.33%

LAB 34.05, 58.05, -11.64

 

CMYK 0 / 90 / 59 / 40

HEX #990F3F

RGB 153 15 63

HSL 339.13, 0.82%, 0.33%

LAB 32.86, 54.74, 10.78

 

CMYK 0 / 90 / 83 / 40

HEX #990F1A

RGB 153 15 26

HSL 355.22, 0.82%, 0.33%

LAB 32.23, 52.94, 33.63

 

CMYK 0 / 74 / 90 / 40

HEX #99280F

RGB 153 40 15

HSL 10.87, 0.82%, 0.33%

LAB 34.65, 45.63, 41.36

 

CMYK 0 / 50 / 90 / 40

HEX #994D0F

RGB 153 77 15

HSL 26.96, 0.82%, 0.33%

LAB 41.4, 27.96, 46.6

 

CMYK 0 / 91 / 83 / 69

HEX #4E070D

RGB 78 7 13

HSL 354.93, 0.84%, 0.17%

LAB 14.4, 31.9, 16.9

 

CMYK 0 / 90 / 83 / 55

HEX #730B13

RGB 115 11 19

HSL 355.38, 0.83%, 0.25%

LAB 23.44, 42.6, 26.26

 

CMYK 0 / 90 / 83 / 40

HEX #990F1A

RGB 153 15 26

HSL 355.22, 0.82%, 0.33%

LAB 32.23, 52.94, 33.63

 

CMYK 0 / 91 / 83 / 25

HEX #BE1220

RGB 190 18 32

HSL 355.12, 0.83%, 0.41%

LAB 40.38, 62.62, 40.84

 

CMYK 0 / 90 / 83 / 11

HEX #E41627

RGB 228 22 39

HSL 355.05, 0.82%, 0.49%

LAB 48.53, 72.03, 47.54

 

CMYK 0 / 90 / 83 / 41

HEX #970F1A

RGB 151 15 26

HSL 355.15, 0.82%, 0.33%

LAB 31.8, 52.38, 33.06

 

CMYK 10 / 0 / 90 / 40

HEX #89990F

RGB 137 153 15

HSL 66.96, 0.82%, 0.33%

LAB 60.01, -21.6, 60.73

 

CMYK 90 / 47 / 0 / 40

HEX #0F5199

RGB 15 81 153

HSL 211.3, 0.82%, 0.33%

LAB 34.57, 8.97, -44.76

 

CMYK 0 / 90 / 83 / 41

HEX #970F1A

RGB 151 15 26

HSL 355.15, 0.82%, 0.33%

LAB 31.8, 52.38, 33.06

 

CMYK 83 / 0 / 90 / 40

HEX #1A990F

RGB 26 153 15

HSL 115.22, 0.82%, 0.33%

LAB 55.11, -56.35, 54.65

 

CMYK 90 / 83 / 0 / 40

HEX #0F1A99

RGB 15 26 153

HSL 235.22, 0.82%, 0.33%

LAB 20.6, 44.78, -67.63

 

CMYK 0 / 90 / 83 / 41

HEX #970F1A

RGB 151 15 26

HSL 355.15, 0.82%, 0.33%

LAB 31.8, 52.38, 33.06

 

CMYK 10 / 0 / 90 / 40

HEX #89990F

RGB 137 153 15

HSL 66.96, 0.82%, 0.33%

LAB 60.01, -21.6, 60.73

 

CMYK 90 / 0 / 8 / 40

HEX #0F998D

RGB 15 153 141

HSL 174.78, 0.82%, 0.33%

LAB 56.89, -35.83, -3.19

 

CMYK 80 / 90 / 0 / 40

HEX #1F0F99

RGB 31 15 153

HSL 246.96, 0.82%, 0.33%

LAB 19.77, 50.13, -68.98

 

CMYK 0 / 90 / 83 / 41

HEX #970F1A

RGB 151 15 26

HSL 355.15, 0.82%, 0.33%

LAB 31.8, 52.38, 33.06

 

CMYK 38 / 0 / 90 / 40

HEX #5F990F

RGB 95 153 15

HSL 85.22, 0.82%, 0.33%

LAB 57.32, -38.82, 57.41

 

CMYK 90 / 0 / 8 / 40

HEX #0F998D

RGB 15 153 141

HSL 174.78, 0.82%, 0.33%

LAB 56.89, -35.83, -3.19

 

CMYK 53 / 90 / 0 / 40

HEX #480F99

RGB 72 15 153

HSL 264.78, 0.82%, 0.33%

LAB 23.74, 53.14, -62.29

 

Description

Color code: HEX #970F1A | qconv.com Color code: HEX #970F1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 15 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 15 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 83 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 83% 41% C M Y K

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Provide designers and agencies with accurate color values.

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