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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #971399 it is the complementary color #68EC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #971399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #971399 shade: #9C1394, #AD25A7, #BE37BA, #CF49CD and #E05BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #971399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #971399 shade: #971399, #860186, #750073, #640060 and #53004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #971399 shade: #98139A, #9A1377, #9A1353, #9A132E and #9A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #971399 shade: #98139A, #73139A, #4F139A, #2A139A and #13139A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #971399 shade matches the following richer shades: #98139A and #A505A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #971399 shade: #98139A, #8A218C, #7D2F7E, #6F3D70 and #614B62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #971399 shade: #4F139A, #74139A, #98139A, #9A1378 and #9A1354

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #971399 shade: #4F0950, #740E75, #98139A, #BC17BF and #E01CE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #971399 shade: #971399, #9A2B13 and #139A61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #971399 shade: #971399, #9A9813 and #139A98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #971399 shade: #971399, #9A2B13, #159A13 and #13819A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #971399 shade: #971399, #9A5413, #159A13 and #13589A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 88 / 0 / 40

HEX #971399

RGB 151 19 153

HSL 299.1, 0.78%, 0.34%

LAB 36.64, 64.14, -40.75

 

Complementary color

CMYK 56 / 0 / 57 / 7

HEX #68EC66

RGB 104 236 102

HSL 119.1, 0.78%, 0.66%

LAB 83.91, -61.97, 53.33

 

CMYK 0 / 88 / 5 / 39

HEX #9C1394

RGB 156 19 148

HSL 303.5, 0.78%, 0.34%

LAB 37.25, 64.31, -36.68

 

CMYK 0 / 79 / 3 / 32

HEX #AD25A7

RGB 173 37 167

HSL 302.65, 0.65%, 0.41%

LAB 42.76, 66.53, -39.2

 

CMYK 0 / 71 / 2 / 25

HEX #BE37BA

RGB 190 55 186

HSL 301.78, 0.55%, 0.48%

LAB 48.54, 67.69, -41.06

 

CMYK 0 / 65 / 1 / 19

HEX #CF49CD

RGB 207 73 205

HSL 300.9, 0.58%, 0.55%

LAB 54.49, 68.14, -42.46

 

CMYK 0 / 59 / 0 / 12

HEX #E05BE0

RGB 224 91 224

HSL 300, 0.68%, 0.62%

LAB 60.53, 68.14, -43.53

 

CMYK 1 / 88 / 0 / 40

HEX #971399

RGB 151 19 153

HSL 299.1, 0.78%, 0.34%

LAB 36.64, 64.14, -40.75

 

CMYK 0 / 99 / 0 / 47

HEX #860186

RGB 134 1 134

HSL 300, 0.99%, 0.26%

LAB 31.37, 60.77, -37.65

 

CMYK 0 / 100 / 2 / 54

HEX #750073

RGB 117 0 115

HSL 301.03, 1%, 0.23%

LAB 26.79, 54.94, -33.15

 

CMYK 0 / 100 / 4 / 61

HEX #640060

RGB 100 0 96

HSL 302.4, 1%, 0.2%

LAB 22.14, 48.79, -28.41

 

CMYK 0 / 100 / 7 / 67

HEX #53004D

RGB 83 0 77

HSL 304.34, 1%, 0.16%

LAB 17.34, 42.46, -23.47

 

CMYK 1 / 88 / 0 / 40

HEX #98139A

RGB 152 19 154

HSL 299.11, 0.78%, 0.34%

LAB 36.88, 64.49, -40.96

 

CMYK 0 / 88 / 23 / 40

HEX #9A1377

RGB 154 19 119

HSL 315.56, 0.78%, 0.34%

LAB 35.34, 59.82, -21.73

 

CMYK 0 / 88 / 46 / 40

HEX #9A1353

RGB 154 19 83

HSL 331.56, 0.78%, 0.34%

LAB 33.9, 55.84, -0.84

 

CMYK 0 / 88 / 70 / 40

HEX #9A132E

RGB 154 19 46

HSL 348, 0.78%, 0.34%

LAB 32.99, 53.22, 22.12

 

CMYK 0 / 88 / 88 / 40

HEX #9A1313

RGB 154 19 19

HSL 0, 0.78%, 0.34%

LAB 32.66, 52.26, 37.95

 

CMYK 1 / 88 / 0 / 40

HEX #98139A

RGB 152 19 154

HSL 299.11, 0.78%, 0.34%

LAB 36.88, 64.49, -40.96

 

CMYK 25 / 88 / 0 / 40

HEX #73139A

RGB 115 19 154

HSL 282.67, 0.78%, 0.34%

LAB 30.51, 58.06, -51.56

 

CMYK 49 / 88 / 0 / 40

HEX #4F139A

RGB 79 19 154

HSL 266.67, 0.78%, 0.34%

LAB 25.14, 52.99, -60.56

 

CMYK 73 / 88 / 0 / 40

HEX #2A139A

RGB 42 19 154

HSL 250.22, 0.78%, 0.34%

LAB 21.17, 49.56, -67.25

 

CMYK 88 / 88 / 0 / 40

HEX #13139A

RGB 19 19 154

HSL 240, 0.78%, 0.34%

LAB 19.79, 48.44, -69.59

 

CMYK 1 / 88 / 0 / 40

HEX #98139A

RGB 152 19 154

HSL 299.11, 0.78%, 0.34%

LAB 36.88, 64.49, -40.96

 

CMYK 2 / 97 / 0 / 34

HEX #A505A8

RGB 165 5 168

HSL 298.9, 0.94%, 0.34%

LAB 39.47, 70.84, -45.13

 

CMYK 1 / 88 / 0 / 40

HEX #98139A

RGB 152 19 154

HSL 299.11, 0.78%, 0.34%

LAB 36.88, 64.49, -40.96

 

CMYK 1 / 76 / 0 / 45

HEX #8A218C

RGB 138 33 140

HSL 298.88, 0.62%, 0.34%

LAB 34.77, 55.84, -35.9

 

CMYK 1 / 63 / 0 / 51

HEX #7D2F7E

RGB 125 47 126

HSL 299.24, 0.46%, 0.34%

LAB 33.77, 44.65, -28.94

 

CMYK 1 / 46 / 0 / 56

HEX #6F3D70

RGB 111 61 112

HSL 298.82, 0.29%, 0.34%

LAB 33.75, 30.33, -20.35

 

CMYK 1 / 23 / 0 / 62

HEX #614B62

RGB 97 75 98

HSL 297.39, 0.13%, 0.34%

LAB 34.91, 13.8, -9.88

 

CMYK 49 / 88 / 0 / 40

HEX #4F139A

RGB 79 19 154

HSL 266.67, 0.78%, 0.34%

LAB 25.14, 52.99, -60.56

 

CMYK 25 / 88 / 0 / 40

HEX #74139A

RGB 116 19 154

HSL 283.11, 0.78%, 0.34%

LAB 30.67, 58.22, -51.29

 

CMYK 1 / 88 / 0 / 40

HEX #98139A

RGB 152 19 154

HSL 299.11, 0.78%, 0.34%

LAB 36.88, 64.49, -40.96

 

CMYK 0 / 88 / 22 / 40

HEX #9A1378

RGB 154 19 120

HSL 315.11, 0.78%, 0.34%

LAB 35.38, 59.95, -22.29

 

CMYK 0 / 88 / 45 / 40

HEX #9A1354

RGB 154 19 84

HSL 331.11, 0.78%, 0.34%

LAB 33.93, 55.93, -1.44

 

CMYK 1 / 89 / 0 / 69

HEX #4F0950

RGB 79 9 80

HSL 299.15, 0.8%, 0.17%

LAB 17.63, 39.47, -25.11

 

CMYK 1 / 88 / 0 / 54

HEX #740E75

RGB 116 14 117

HSL 299.42, 0.79%, 0.26%

LAB 27.6, 52.5, -33.14

 

CMYK 1 / 88 / 0 / 40

HEX #98139A

RGB 152 19 154

HSL 299.11, 0.78%, 0.34%

LAB 36.88, 64.49, -40.96

 

CMYK 2 / 88 / 0 / 25

HEX #BC17BF

RGB 188 23 191

HSL 298.93, 0.79%, 0.42%

LAB 45.72, 76.07, -48.49

 

CMYK 1 / 88 / 0 / 11

HEX #E01CE3

RGB 224 28 227

HSL 299.1, 0.78%, 0.5%

LAB 54.26, 86.9, -55.16

 

CMYK 1 / 88 / 0 / 40

HEX #971399

RGB 151 19 153

HSL 299.1, 0.78%, 0.34%

LAB 36.64, 64.14, -40.75

 

CMYK 0 / 72 / 88 / 40

HEX #9A2B13

RGB 154 43 19

HSL 10.67, 0.78%, 0.34%

LAB 35.29, 44.9, 40.16

 

CMYK 88 / 0 / 37 / 40

HEX #139A61

RGB 19 154 97

HSL 154.67, 0.78%, 0.34%

LAB 56.2, -47.26, 20.67

 

CMYK 1 / 88 / 0 / 40

HEX #971399

RGB 151 19 153

HSL 299.1, 0.78%, 0.34%

LAB 36.64, 64.14, -40.75

 

CMYK 0 / 1 / 88 / 40

HEX #9A9813

RGB 154 152 19

HSL 59.11, 0.78%, 0.34%

LAB 61.11, -13.42, 61.4

 

CMYK 88 / 0 / 1 / 40

HEX #139A98

RGB 19 154 152

HSL 179.11, 0.78%, 0.34%

LAB 57.58, -32.73, -8.44

 

CMYK 1 / 88 / 0 / 40

HEX #971399

RGB 151 19 153

HSL 299.1, 0.78%, 0.34%

LAB 36.64, 64.14, -40.75

 

CMYK 0 / 72 / 88 / 40

HEX #9A2B13

RGB 154 43 19

HSL 10.67, 0.78%, 0.34%

LAB 35.29, 44.9, 40.16

 

CMYK 86 / 0 / 88 / 40

HEX #159A13

RGB 21 154 19

HSL 119.11, 0.78%, 0.34%

LAB 55.4, -57.04, 54.03

 

CMYK 88 / 16 / 0 / 40

HEX #13819A

RGB 19 129 154

HSL 191.11, 0.78%, 0.34%

LAB 49.7, -19.45, -21.53

 

CMYK 1 / 88 / 0 / 40

HEX #971399

RGB 151 19 153

HSL 299.1, 0.78%, 0.34%

LAB 36.64, 64.14, -40.75

 

CMYK 0 / 45 / 88 / 40

HEX #9A5413

RGB 154 84 19

HSL 28.89, 0.78%, 0.34%

LAB 43.15, 24.61, 46.7

 

CMYK 86 / 0 / 88 / 40

HEX #159A13

RGB 21 154 19

HSL 119.11, 0.78%, 0.34%

LAB 55.4, -57.04, 54.03

 

CMYK 88 / 43 / 0 / 40

HEX #13589A

RGB 19 88 154

HSL 209.33, 0.78%, 0.34%

LAB 36.84, 5.03, -41.72

 

Description

Color code: HEX #971399 | qconv.com Color code: HEX #971399 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 19 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 19 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 88 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 88% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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