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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9713E0 it is the complementary color #68EC1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9713E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9713E0 shade: #9C13DB, #AD25EE, #BE37FF, #CF49FF and #E05BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9713E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9713E0 shade: #9713E0, #8601CD, #7500BA, #6400A7 and #530094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9713E0 shade: #9713E1, #CF13E1, #E113BB, #E11384 and #E1134C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9713E0 shade: #9713E1, #6013E1, #2913E1 and #1313E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9713E0 shade matches the following richer shades: #9713E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9713E0 shade: #9713E1, #9227CD, #8C3BB9, #864EA5 and #816291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9713E0 shade: #2813E1, #5E13E1, #9513E1, #CC13E1 and #E113BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9713E0 shade: #640C95, #7E10BB, #9713E1, #AA30ED and #B956F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9713E0 shade: #9713E0, #E11335 and #13E143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9713E0 shade: #9713E0, #E19513 and #13E195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9713E0 shade: #9713E0, #E11335, #5EE113 and #13E1BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9713E0 shade: #9713E0, #E12F13, #5EE113 and #13C5E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 92 / 0 / 12

HEX #9713E0

RGB 151 19 224

HSL 278.63, 0.84%, 0.48%

LAB 41.89, 76.92, -74.05

 

Complementary color

CMYK 56 / 0 / 87 / 7

HEX #68EC1F

RGB 104 236 31

HSL 98.63, 0.84%, 0.52%

LAB 83.46, -67.1, 76.76

 

CMYK 29 / 91 / 0 / 14

HEX #9C13DB

RGB 156 19 219

HSL 281.1, 0.84%, 0.47%

LAB 42.23, 76.6, -70.6

 

CMYK 27 / 84 / 0 / 7

HEX #AD25EE

RGB 173 37 238

HSL 280.6, 0.86%, 0.54%

LAB 47.47, 79.01, -72.75

 

CMYK 25 / 78 / 0 / 0

HEX #BE37FF

RGB 190 55 255

HSL 280.5, 1%, 0.61%

LAB 52.84, 80, -73.42

 

CMYK 19 / 71 / 0 / 0

HEX #CF49FF

RGB 207 73 255

HSL 284.18, 1%, 0.64%

LAB 57.32, 77, -66.06

 

CMYK 12 / 64 / 0 / 0

HEX #E05BFF

RGB 224 91 255

HSL 288.66, 1%, 0.68%

LAB 62.13, 73.58, -58.23

 

CMYK 33 / 92 / 0 / 12

HEX #9713E0

RGB 151 19 224

HSL 278.63, 0.84%, 0.48%

LAB 41.89, 76.92, -74.05

 

CMYK 35 / 100 / 0 / 20

HEX #8601CD

RGB 134 1 205

HSL 279.12, 0.99%, 0.4%

LAB 36.93, 73.48, -71.33

 

CMYK 37 / 100 / 0 / 27

HEX #7500BA

RGB 117 0 186

HSL 277.74, 1%, 0.36%

LAB 32.54, 67.99, -67.48

 

CMYK 40 / 100 / 0 / 35

HEX #6400A7

RGB 100 0 167

HSL 275.93, 1%, 0.33%

LAB 28.11, 62.29, -63.48

 

CMYK 44 / 100 / 0 / 42

HEX #530094

RGB 83 0 148

HSL 273.65, 1%, 0.29%

LAB 23.6, 56.49, -59.39

 

CMYK 33 / 92 / 0 / 12

HEX #9713E1

RGB 151 19 225

HSL 278.45, 0.84%, 0.48%

LAB 41.97, 77.12, -74.49

 

CMYK 8 / 92 / 0 / 12

HEX #CF13E1

RGB 207 19 225

HSL 294.76, 0.84%, 0.48%

LAB 50.88, 85.02, -59.61

 

CMYK 0 / 92 / 17 / 12

HEX #E113BB

RGB 225 19 187

HSL 311.07, 0.84%, 0.48%

LAB 51.91, 82.79, -35.94

 

CMYK 0 / 92 / 41 / 12

HEX #E11384

RGB 225 19 132

HSL 327.09, 0.84%, 0.48%

LAB 49.66, 76.87, -6.69

 

CMYK 0 / 92 / 66 / 12

HEX #E1134C

RGB 225 19 76

HSL 343.4, 0.84%, 0.48%

LAB 48.25, 73, 25.64

 

CMYK 33 / 92 / 0 / 12

HEX #9713E1

RGB 151 19 225

HSL 278.45, 0.84%, 0.48%

LAB 41.97, 77.12, -74.49

 

CMYK 57 / 92 / 0 / 12

HEX #6013E1

RGB 96 19 225

HSL 262.43, 0.84%, 0.48%

LAB 34.78, 71.66, -86.59

 

CMYK 82 / 92 / 0 / 12

HEX #2913E1

RGB 41 19 225

HSL 246.41, 0.84%, 0.48%

LAB 30.34, 68.9, -94.1

 

CMYK 92 / 92 / 0 / 12

HEX #1313E1

RGB 19 19 225

HSL 240, 0.84%, 0.48%

LAB 29.51, 68.45, -95.49

 

CMYK 33 / 92 / 0 / 12

HEX #9713E1

RGB 151 19 225

HSL 278.45, 0.84%, 0.48%

LAB 41.97, 77.12, -74.49

 

CMYK 33 / 92 / 0 / 12

HEX #9713E1

RGB 151 19 225

HSL 278.45, 0.84%, 0.48%

LAB 41.97, 77.12, -74.49

 

CMYK 29 / 81 / 0 / 20

HEX #9227CD

RGB 146 39 205

HSL 278.67, 0.68%, 0.48%

LAB 41.17, 67.85, -64.32

 

CMYK 24 / 68 / 0 / 27

HEX #8C3BB9

RGB 140 59 185

HSL 278.57, 0.52%, 0.48%

LAB 41.54, 54.9, -52.09

 

CMYK 19 / 53 / 0 / 35

HEX #864EA5

RGB 134 78 165

HSL 278.62, 0.36%, 0.48%

LAB 43.11, 39.33, -37.81

 

CMYK 11 / 32 / 0 / 43

HEX #816291

RGB 129 98 145

HSL 279.57, 0.19%, 0.48%

LAB 46.24, 21.66, -21.06

 

CMYK 82 / 92 / 0 / 12

HEX #2813E1

RGB 40 19 225

HSL 246.12, 0.84%, 0.48%

LAB 30.29, 68.87, -94.18

 

CMYK 58 / 92 / 0 / 12

HEX #5E13E1

RGB 94 19 225

HSL 261.84, 0.84%, 0.48%

LAB 34.56, 71.51, -86.95

 

CMYK 34 / 92 / 0 / 12

HEX #9513E1

RGB 149 19 225

HSL 277.86, 0.84%, 0.48%

LAB 41.68, 76.88, -74.98

 

CMYK 9 / 92 / 0 / 12

HEX #CC13E1

RGB 204 19 225

HSL 293.88, 0.84%, 0.48%

LAB 50.38, 84.55, -60.44

 

CMYK 0 / 92 / 16 / 12

HEX #E113BE

RGB 225 19 190

HSL 310.19, 0.84%, 0.48%

LAB 52.05, 83.16, -37.45

 

CMYK 33 / 92 / 0 / 42

HEX #640C95

RGB 100 12 149

HSL 278.54, 0.85%, 0.32%

LAB 27.14, 56.33, -54.09

 

CMYK 33 / 91 / 0 / 27

HEX #7E10BB

RGB 126 16 187

HSL 278.6, 0.84%, 0.4%

LAB 34.79, 66.92, -64.33

 

CMYK 33 / 92 / 0 / 12

HEX #9713E1

RGB 151 19 225

HSL 278.45, 0.84%, 0.48%

LAB 41.97, 77.12, -74.49

 

CMYK 28 / 80 / 0 / 7

HEX #AA30ED

RGB 170 48 237

HSL 278.73, 0.84%, 0.56%

LAB 47.97, 75.39, -71.38

 

CMYK 23 / 64 / 0 / 6

HEX #B956F0

RGB 185 86 240

HSL 278.57, 0.84%, 0.64%

LAB 55.34, 64.25, -61.06

 

CMYK 33 / 92 / 0 / 12

HEX #9713E0

RGB 151 19 224

HSL 278.63, 0.84%, 0.48%

LAB 41.89, 76.92, -74.05

 

CMYK 0 / 92 / 76 / 12

HEX #E11335

RGB 225 19 53

HSL 350.1, 0.84%, 0.48%

LAB 47.92, 72.06, 38.99

 

CMYK 92 / 0 / 70 / 12

HEX #13E143

RGB 19 225 67

HSL 133.98, 0.84%, 0.48%

LAB 78.69, -74.64, 61.55

 

CMYK 33 / 92 / 0 / 12

HEX #9713E0

RGB 151 19 224

HSL 278.63, 0.84%, 0.48%

LAB 41.89, 76.92, -74.05

 

CMYK 0 / 34 / 92 / 12

HEX #E19513

RGB 225 149 19

HSL 37.86, 0.84%, 0.48%

LAB 67.69, 19.86, 69.67

 

CMYK 92 / 0 / 34 / 12

HEX #13E195

RGB 19 225 149

HSL 157.86, 0.84%, 0.48%

LAB 79.7, -62.46, 24.75

 

CMYK 33 / 92 / 0 / 12

HEX #9713E0

RGB 151 19 224

HSL 278.63, 0.84%, 0.48%

LAB 41.89, 76.92, -74.05

 

CMYK 0 / 92 / 76 / 12

HEX #E11335

RGB 225 19 53

HSL 350.1, 0.84%, 0.48%

LAB 47.92, 72.06, 38.99

 

CMYK 58 / 0 / 92 / 12

HEX #5EE113

RGB 94 225 19

HSL 98.16, 0.84%, 0.48%

LAB 79.77, -66.21, 75.46

 

CMYK 92 / 0 / 16 / 12

HEX #13E1BE

RGB 19 225 190

HSL 169.81, 0.84%, 0.48%

LAB 80.58, -52.88, 4.45

 

CMYK 33 / 92 / 0 / 12

HEX #9713E0

RGB 151 19 224

HSL 278.63, 0.84%, 0.48%

LAB 41.89, 76.92, -74.05

 

CMYK 0 / 79 / 92 / 12

HEX #E12F13

RGB 225 47 19

HSL 8.16, 0.84%, 0.48%

LAB 49.6, 65.74, 56.95

 

CMYK 58 / 0 / 92 / 12

HEX #5EE113

RGB 94 225 19

HSL 98.16, 0.84%, 0.48%

LAB 79.77, -66.21, 75.46

 

CMYK 92 / 12 / 0 / 12

HEX #13C5E1

RGB 19 197 225

HSL 188.16, 0.84%, 0.48%

LAB 73.22, -30.26, -25.3

 

Description

Color code: HEX #9713E0 | qconv.com Color code: HEX #9713E0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 19 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 19 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 92 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 92% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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