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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9725DE it is the complementary color #68DA21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9725DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9725DE shade: #9C25D9, #AD37EC, #BE49FF, #CF5BFF and #E06DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9725DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9725DE shade: #9725DE, #8613CB, #7501B8, #6400A5 and #530092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9725DE shade: #9725DE, #C925DE, #DE25C1, #DE258F and #DE255E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9725DE shade: #9725DE, #6525DE, #3325DE and #2525DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9725DE shade matches the following richer shades: #9725DE and #9C11F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9725DE shade: #9725DE, #9239CA, #8E4EB6, #8962A1 and #84768D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9725DE shade: #3125DE, #6325DE, #9425DE, #C525DE and #DE25C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9725DE shade: #68179A, #801CBE, #9725DE, #A849E3 and #B96DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9725DE shade: #9725DE, #DE254A and #25DE4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9725DE shade: #9725DE, #DE9425 and #25DE94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9725DE shade: #9725DE, #DE254A, #6FDE25 and #25DEB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9725DE shade: #9725DE, #DE3825, #6FDE25 and #25CCDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

Complementary color

CMYK 52 / 0 / 85 / 15

HEX #68DA21

RGB 104 218 33

HSL 96.97, 0.74%, 0.49%

LAB 77.99, -60.75, 71.61

 

CMYK 28 / 83 / 0 / 15

HEX #9C25D9

RGB 156 37 217

HSL 279.67, 0.71%, 0.5%

LAB 43.36, 72.4, -67.61

 

CMYK 27 / 77 / 0 / 7

HEX #AD37EC

RGB 173 55 236

HSL 279.12, 0.83%, 0.57%

LAB 49.1, 73.44, -68.98

 

CMYK 25 / 71 / 0 / 0

HEX #BE49FF

RGB 190 73 255

HSL 278.57, 1%, 0.64%

LAB 55, 73.79, -69.92

 

CMYK 19 / 64 / 0 / 0

HEX #CF5BFF

RGB 207 91 255

HSL 282.44, 1%, 0.68%

LAB 59.86, 69.87, -61.98

 

CMYK 12 / 57 / 0 / 0

HEX #E06DFF

RGB 224 109 255

HSL 287.26, 1%, 0.71%

LAB 64.97, 65.78, -53.71

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 34 / 91 / 0 / 20

HEX #8613CB

RGB 134 19 203

HSL 277.5, 0.83%, 0.44%

LAB 37.56, 70.64, -69.12

 

CMYK 36 / 99 / 0 / 28

HEX #7501B8

RGB 117 1 184

HSL 278.03, 0.99%, 0.36%

LAB 32.4, 67.44, -66.52

 

CMYK 39 / 100 / 0 / 35

HEX #6400A5

RGB 100 0 165

HSL 276.36, 1%, 0.32%

LAB 27.92, 61.87, -62.59

 

CMYK 43 / 100 / 0 / 43

HEX #530092

RGB 83 0 146

HSL 274.11, 1%, 0.29%

LAB 23.39, 56.05, -58.5

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 9 / 83 / 0 / 13

HEX #C925DE

RGB 201 37 222

HSL 293.19, 0.74%, 0.51%

LAB 50.7, 80.61, -58.24

 

CMYK 0 / 83 / 13 / 13

HEX #DE25C1

RGB 222 37 193

HSL 309.41, 0.74%, 0.51%

LAB 52.62, 80.19, -38.33

 

CMYK 0 / 83 / 36 / 13

HEX #DE258F

RGB 222 37 143

HSL 325.62, 0.74%, 0.51%

LAB 50.49, 74.29, -12.14

 

CMYK 0 / 83 / 58 / 13

HEX #DE255E

RGB 222 37 94

HSL 341.51, 0.74%, 0.51%

LAB 49.08, 70.21, 15.61

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 55 / 83 / 0 / 13

HEX #6525DE

RGB 101 37 222

HSL 260.76, 0.74%, 0.51%

LAB 36.68, 66.39, -81.71

 

CMYK 77 / 83 / 0 / 13

HEX #3325DE

RGB 51 37 222

HSL 244.54, 0.74%, 0.51%

LAB 32.48, 62.49, -88.79

 

CMYK 83 / 83 / 0 / 13

HEX #2525DE

RGB 37 37 222

HSL 240, 0.74%, 0.51%

LAB 31.78, 61.87, -89.97

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 36 / 93 / 0 / 5

HEX #9C11F2

RGB 156 17 242

HSL 277.07, 0.9%, 0.51%

LAB 44.06, 81.32, -80.68

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 28 / 72 / 0 / 21

HEX #9239CA

RGB 146 57 202

HSL 276.83, 0.58%, 0.51%

LAB 43.21, 60.7, -59.27

 

CMYK 22 / 57 / 0 / 29

HEX #8E4EB6

RGB 142 78 182

HSL 276.92, 0.42%, 0.51%

LAB 45.05, 45.35, -44.7

 

CMYK 15 / 39 / 0 / 37

HEX #8962A1

RGB 137 98 161

HSL 277.14, 0.25%, 0.51%

LAB 47.79, 27.89, -28.08

 

CMYK 6 / 16 / 0 / 45

HEX #84768D

RGB 132 118 141

HSL 276.52, 0.09%, 0.51%

LAB 51.59, 9.97, -10.52

 

CMYK 78 / 83 / 0 / 13

HEX #3125DE

RGB 49 37 222

HSL 243.89, 0.74%, 0.51%

LAB 32.37, 62.39, -88.98

 

CMYK 55 / 83 / 0 / 13

HEX #6325DE

RGB 99 37 222

HSL 260.11, 0.74%, 0.51%

LAB 36.46, 66.19, -82.08

 

CMYK 33 / 83 / 0 / 13

HEX #9425DE

RGB 148 37 222

HSL 276, 0.74%, 0.51%

LAB 42.6, 72.23, -71.76

 

CMYK 11 / 83 / 0 / 13

HEX #C525DE

RGB 197 37 222

HSL 291.89, 0.74%, 0.51%

LAB 50.06, 79.93, -59.32

 

CMYK 0 / 83 / 11 / 13

HEX #DE25C5

RGB 222 37 197

HSL 308.11, 0.74%, 0.51%

LAB 52.82, 80.72, -40.33

 

CMYK 32 / 85 / 0 / 40

HEX #68179A

RGB 104 23 154

HSL 277.1, 0.74%, 0.35%

LAB 29.13, 55.24, -53.88

 

CMYK 33 / 85 / 0 / 25

HEX #801CBE

RGB 128 28 190

HSL 277.04, 0.74%, 0.43%

LAB 36.25, 65.14, -63.7

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 26 / 68 / 0 / 11

HEX #A849E3

RGB 168 73 227

HSL 277.01, 0.73%, 0.59%

LAB 50.26, 63.67, -62.05

 

CMYK 21 / 53 / 0 / 9

HEX #B96DE9

RGB 185 109 233

HSL 276.77, 0.74%, 0.67%

LAB 59.1, 51.57, -51.15

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 0 / 83 / 67 / 13

HEX #DE254A

RGB 222 37 74

HSL 348, 0.74%, 0.51%

LAB 48.69, 69.06, 27.29

 

CMYK 83 / 0 / 67 / 13

HEX #25DE4A

RGB 37 222 74

HSL 132, 0.74%, 0.51%

LAB 77.95, -71.8, 58.12

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 0 / 33 / 83 / 13

HEX #DE9425

RGB 222 148 37

HSL 36, 0.74%, 0.51%

LAB 67.16, 19.49, 64.43

 

CMYK 83 / 0 / 33 / 13

HEX #25DE94

RGB 37 222 148

HSL 156, 0.74%, 0.51%

LAB 78.91, -60.43, 24.21

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 0 / 83 / 67 / 13

HEX #DE254A

RGB 222 37 74

HSL 348, 0.74%, 0.51%

LAB 48.69, 69.06, 27.29

 

CMYK 50 / 0 / 83 / 13

HEX #6FDE25

RGB 111 222 37

HSL 96, 0.74%, 0.51%

LAB 79.47, -60.07, 72.11

 

CMYK 83 / 0 / 17 / 13

HEX #25DEB9

RGB 37 222 185

HSL 168, 0.74%, 0.51%

LAB 79.69, -51.91, 5.85

 

CMYK 32 / 83 / 0 / 13

HEX #9725DE

RGB 151 37 222

HSL 276.97, 0.74%, 0.51%

LAB 43.03, 72.66, -71.05

 

CMYK 0 / 75 / 83 / 13

HEX #DE3825

RGB 222 56 37

HSL 6.16, 0.74%, 0.51%

LAB 50.09, 62.51, 49.52

 

CMYK 50 / 0 / 83 / 13

HEX #6FDE25

RGB 111 222 37

HSL 96, 0.74%, 0.51%

LAB 79.47, -60.07, 72.11

 

CMYK 83 / 8 / 0 / 13

HEX #25CCDE

RGB 37 204 222

HSL 185.84, 0.74%, 0.51%

LAB 75.36, -33.57, -20.41

 

Description

Color code: HEX #9725DE | qconv.com Color code: HEX #9725DE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 37 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 37 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 83 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 83% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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