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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97294E it is the complementary color #68D6B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97294E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97294E shade: #9C2949, #AD3B5C, #BE4D6F, #CF5F82 and #E07195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97294E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97294E shade: #97294E, #86173B, #750528, #640015 and #530002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97294E shade: #98294E, #982931 and #982929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97294E shade: #98294E, #98296C, #98298A, #882998 and #6A2998

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97294E shade matches the following richer shades: #98294E, #A71949 and #B70A44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97294E shade: #98294E, #883953, #784959, #69585E and #596863

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97294E shade: #98298B, #98296D, #982950, #982932 and #983D29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97294E shade: #57172D, #77203E, #98294E, #B8325F and #CC4774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97294E shade: #97294E, #988729 and #297C98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97294E shade: #97294E, #509829 and #295098

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97294E shade: #97294E, #988729, #299871 and #293A98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97294E shade: #97294E, #879829, #299871 and #3A2998

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 48 / 41

HEX #97294E

RGB 151 41 78

HSL 339.82, 0.57%, 0.38%

LAB 35.43, 48.1, 4.55

 

Complementary color

CMYK 51 / 0 / 17 / 16

HEX #68D6B1

RGB 104 214 177

HSL 159.82, 0.57%, 0.62%

LAB 78.58, -40.35, 8.7

 

CMYK 0 / 74 / 53 / 39

HEX #9C2949

RGB 156 41 73

HSL 343.3, 0.58%, 0.39%

LAB 36.24, 49.19, 9.05

 

CMYK 0 / 66 / 47 / 32

HEX #AD3B5C

RGB 173 59 92

HSL 342.63, 0.49%, 0.45%

LAB 42.44, 49.08, 6.21

 

CMYK 0 / 59 / 42 / 25

HEX #BE4D6F

RGB 190 77 111

HSL 341.95, 0.47%, 0.52%

LAB 48.76, 48.55, 3.99

 

CMYK 0 / 54 / 37 / 19

HEX #CF5F82

RGB 207 95 130

HSL 341.25, 0.54%, 0.59%

LAB 55.14, 47.81, 2.19

 

CMYK 0 / 50 / 33 / 12

HEX #E07195

RGB 224 113 149

HSL 340.54, 0.64%, 0.66%

LAB 61.51, 46.98, 0.69

 

CMYK 0 / 73 / 48 / 41

HEX #97294E

RGB 151 41 78

HSL 339.82, 0.57%, 0.38%

LAB 35.43, 48.1, 4.55

 

CMYK 0 / 83 / 56 / 47

HEX #86173B

RGB 134 23 59

HSL 340.54, 0.71%, 0.31%

LAB 29.4, 47.41, 8.03

 

CMYK 0 / 96 / 66 / 54

HEX #750528

RGB 117 5 40

HSL 341.25, 0.92%, 0.24%

LAB 23.82, 45.42, 12.74

 

CMYK 0 / 100 / 79 / 61

HEX #640015

RGB 100 0 21

HSL 347.4, 1%, 0.2%

LAB 19.07, 40.94, 19.17

 

CMYK 0 / 100 / 98 / 67

HEX #530002

RGB 83 0 2

HSL 358.55, 1%, 0.16%

LAB 14.64, 35.5, 22.03

 

CMYK 0 / 73 / 49 / 40

HEX #98294E

RGB 152 41 78

HSL 340, 0.58%, 0.38%

LAB 35.62, 48.41, 4.84

 

CMYK 0 / 73 / 68 / 40

HEX #982931

RGB 152 41 49

HSL 355.68, 0.58%, 0.38%

LAB 34.97, 46.21, 22.58

 

CMYK 0 / 73 / 73 / 40

HEX #982929

RGB 152 41 41

HSL 0, 0.58%, 0.38%

LAB 34.85, 45.79, 27.41

 

CMYK 0 / 73 / 49 / 40

HEX #98294E

RGB 152 41 78

HSL 340, 0.58%, 0.38%

LAB 35.62, 48.41, 4.84

 

CMYK 0 / 73 / 29 / 40

HEX #98296C

RGB 152 41 108

HSL 323.78, 0.58%, 0.38%

LAB 36.64, 51.74, -12.82

 

CMYK 0 / 73 / 9 / 40

HEX #98298A

RGB 152 41 138

HSL 307.57, 0.58%, 0.38%

LAB 38.01, 56.05, -29.38

 

CMYK 11 / 73 / 0 / 40

HEX #882998

RGB 136 41 152

HSL 291.35, 0.58%, 0.38%

LAB 36.15, 54.77, -41.06

 

CMYK 30 / 73 / 0 / 40

HEX #6A2998

RGB 106 41 152

HSL 275.14, 0.58%, 0.38%

LAB 31.62, 48.37, -48.6

 

CMYK 0 / 73 / 49 / 40

HEX #98294E

RGB 152 41 78

HSL 340, 0.58%, 0.38%

LAB 35.62, 48.41, 4.84

 

CMYK 0 / 85 / 56 / 35

HEX #A71949

RGB 167 25 73

HSL 339.72, 0.74%, 0.38%

LAB 36.73, 57.1, 10.05

 

CMYK 0 / 95 / 63 / 28

HEX #B70A44

RGB 183 10 68

HSL 339.88, 0.9%, 0.38%

LAB 39.07, 63.34, 17.01

 

CMYK 0 / 73 / 49 / 40

HEX #98294E

RGB 152 41 78

HSL 340, 0.58%, 0.38%

LAB 35.62, 48.41, 4.84

 

CMYK 0 / 58 / 39 / 47

HEX #883953

RGB 136 57 83

HSL 340.25, 0.41%, 0.38%

LAB 35.57, 36.51, 1.2

 

CMYK 0 / 39 / 26 / 53

HEX #784959

RGB 120 73 89

HSL 339.57, 0.24%, 0.38%

LAB 36.89, 22.37, -0.96

 

CMYK 0 / 16 / 10 / 59

HEX #69585E

RGB 105 88 94

HSL 338.82, 0.09%, 0.38%

LAB 39.23, 8.07, -0.87

 

CMYK 14 / 0 / 5 / 59

HEX #596863

RGB 89 104 99

HSL 160, 0.08%, 0.38%

LAB 42.65, -6.79, 0.9

 

CMYK 0 / 73 / 9 / 40

HEX #98298B

RGB 152 41 139

HSL 307.03, 0.58%, 0.38%

LAB 38.07, 56.21, -29.92

 

CMYK 0 / 73 / 28 / 40

HEX #98296D

RGB 152 41 109

HSL 323.24, 0.58%, 0.38%

LAB 36.68, 51.87, -13.39

 

CMYK 0 / 73 / 47 / 40

HEX #982950

RGB 152 41 80

HSL 338.92, 0.58%, 0.38%

LAB 35.68, 48.6, 3.63

 

CMYK 0 / 73 / 67 / 40

HEX #982932

RGB 152 41 50

HSL 355.14, 0.58%, 0.38%

LAB 34.99, 46.27, 21.97

 

CMYK 0 / 60 / 73 / 40

HEX #983D29

RGB 152 61 41

HSL 10.81, 0.58%, 0.38%

LAB 38.15, 36.9, 31.2

 

CMYK 0 / 74 / 48 / 66

HEX #57172D

RGB 87 23 45

HSL 339.38, 0.58%, 0.22%

LAB 19.34, 31.32, 2.04

 

CMYK 0 / 73 / 48 / 53

HEX #77203E

RGB 119 32 62

HSL 339.31, 0.58%, 0.3%

LAB 27.58, 40, 3.01

 

CMYK 0 / 73 / 49 / 40

HEX #98294E

RGB 152 41 78

HSL 340, 0.58%, 0.38%

LAB 35.62, 48.41, 4.84

 

CMYK 0 / 73 / 48 / 28

HEX #B8325F

RGB 184 50 95

HSL 339.85, 0.57%, 0.46%

LAB 43.21, 56.25, 5.71

 

CMYK 0 / 65 / 43 / 20

HEX #CC4774

RGB 204 71 116

HSL 339.7, 0.57%, 0.54%

LAB 50.22, 56.15, 3.37

 

CMYK 0 / 73 / 48 / 41

HEX #97294E

RGB 151 41 78

HSL 339.82, 0.57%, 0.38%

LAB 35.43, 48.1, 4.55

 

CMYK 0 / 11 / 73 / 40

HEX #988729

RGB 152 135 41

HSL 50.81, 0.58%, 0.38%

LAB 56.25, -4.37, 50.19

 

CMYK 73 / 18 / 0 / 40

HEX #297C98

RGB 41 124 152

HSL 195.14, 0.58%, 0.38%

LAB 48.45, -15.09, -22.25

 

CMYK 0 / 73 / 48 / 41

HEX #97294E

RGB 151 41 78

HSL 339.82, 0.57%, 0.38%

LAB 35.43, 48.1, 4.55

 

CMYK 47 / 0 / 73 / 40

HEX #509829

RGB 80 152 41

HSL 98.92, 0.58%, 0.38%

LAB 56.41, -42.29, 48.71

 

CMYK 73 / 47 / 0 / 40

HEX #295098

RGB 41 80 152

HSL 218.92, 0.58%, 0.38%

LAB 34.95, 12.01, -43.5

 

CMYK 0 / 73 / 48 / 41

HEX #97294E

RGB 151 41 78

HSL 339.82, 0.57%, 0.38%

LAB 35.43, 48.1, 4.55

 

CMYK 0 / 11 / 73 / 40

HEX #988729

RGB 152 135 41

HSL 50.81, 0.58%, 0.38%

LAB 56.25, -4.37, 50.19

 

CMYK 73 / 0 / 26 / 40

HEX #299871

RGB 41 152 113

HSL 158.92, 0.58%, 0.38%

LAB 56.21, -40.3, 11.8

 

CMYK 73 / 62 / 0 / 40

HEX #293A98

RGB 41 58 152

HSL 230.81, 0.58%, 0.38%

LAB 28.81, 26.84, -53.45

 

CMYK 0 / 73 / 48 / 41

HEX #97294E

RGB 151 41 78

HSL 339.82, 0.57%, 0.38%

LAB 35.43, 48.1, 4.55

 

CMYK 11 / 0 / 73 / 40

HEX #879829

RGB 135 152 41

HSL 69.19, 0.58%, 0.38%

LAB 59.68, -20.98, 53.05

 

CMYK 73 / 0 / 26 / 40

HEX #299871

RGB 41 152 113

HSL 158.92, 0.58%, 0.38%

LAB 56.21, -40.3, 11.8

 

CMYK 62 / 73 / 0 / 40

HEX #3A2998

RGB 58 41 152

HSL 249.19, 0.58%, 0.38%

LAB 26.02, 39.87, -57.97

 

Description

Color code: HEX #97294E | qconv.com Color code: HEX #97294E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 41 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 41 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 48 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 48% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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