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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #972FCA it is the complementary color #68D035. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #972FCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #972FCA shade: #9C2FC5, #AD41D8, #BE53EB, #CF65FE and #E077FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #972FCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #972FCA shade: #972FCA, #861DB7, #750BA4, #640091 and #53007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #972FCA shade: #972FCA, #C12FCA, #CA2FA9, #CA2F80 and #CA2F56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #972FCA shade: #972FCA, #6D2FCA, #432FCA and #2F2FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #972FCA shade matches the following richer shades: #972FCA, #9E1BDE and #A507F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #972FCA shade: #972FCA, #9043B6, #8957A1, #826C8D and #7B8079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #972FCA shade: #442FCA, #6D2FCA, #962FCA, #C02FCA and #CA2FAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #972FCA shade: #651F87, #7E27A8, #972FCA, #A84DD5 and #B96FDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #972FCA shade: #972FCA, #CA2F44 and #2FCA58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #972FCA shade: #972FCA, #CA962F and #2FCA96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #972FCA shade: #972FCA, #CA2F44, #63CA2F and #2FCAB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #972FCA shade: #972FCA, #CA492F, #63CA2F and #2FB0CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

Complementary color

CMYK 50 / 0 / 75 / 18

HEX #68D035

RGB 104 208 53

HSL 100.26, 0.62%, 0.51%

LAB 75.02, -56.08, 63.31

 

CMYK 21 / 76 / 0 / 23

HEX #9C2FC5

RGB 156 47 197

HSL 283.6, 0.61%, 0.48%

LAB 42.96, 65.38, -56.7

 

CMYK 20 / 70 / 0 / 15

HEX #AD41D8

RGB 173 65 216

HSL 282.91, 0.66%, 0.55%

LAB 49.04, 65.76, -57.73

 

CMYK 19 / 65 / 0 / 8

HEX #BE53EB

RGB 190 83 235

HSL 282.24, 0.79%, 0.62%

LAB 55.21, 65.64, -58.44

 

CMYK 19 / 60 / 0 / 0

HEX #CF65FE

RGB 207 101 254

HSL 281.57, 0.99%, 0.7%

LAB 61.42, 65.23, -58.93

 

CMYK 12 / 53 / 0 / 0

HEX #E077FF

RGB 224 119 255

HSL 286.32, 1%, 0.73%

LAB 66.72, 61.09, -50.93

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 27 / 84 / 0 / 28

HEX #861DB7

RGB 134 29 183

HSL 280.91, 0.73%, 0.42%

LAB 36.68, 64.35, -58.82

 

CMYK 29 / 93 / 0 / 36

HEX #750BA4

RGB 117 11 164

HSL 281.57, 0.87%, 0.34%

LAB 31.12, 61.95, -56.63

 

CMYK 31 / 100 / 0 / 43

HEX #640091

RGB 100 0 145

HSL 281.38, 1%, 0.28%

LAB 26.02, 57.77, -53.45

 

CMYK 34 / 100 / 0 / 51

HEX #53007E

RGB 83 0 126

HSL 279.52, 1%, 0.25%

LAB 21.38, 51.75, -49.24

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 4 / 77 / 0 / 21

HEX #C12FCA

RGB 193 47 202

HSL 296.52, 0.62%, 0.49%

LAB 49.05, 73.39, -49.51

 

CMYK 0 / 77 / 16 / 21

HEX #CA2FA9

RGB 202 47 169

HSL 312.77, 0.62%, 0.49%

LAB 48.83, 70.34, -30.5

 

CMYK 0 / 77 / 37 / 21

HEX #CA2F80

RGB 202 47 128

HSL 328.65, 0.62%, 0.49%

LAB 47.17, 65.37, -8.44

 

CMYK 0 / 77 / 57 / 21

HEX #CA2F56

RGB 202 47 86

HSL 344.9, 0.62%, 0.49%

LAB 45.99, 61.7, 15.68

HEX #CA2F56

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 46 / 77 / 0 / 21

HEX #6D2FCA

RGB 109 47 202

HSL 264, 0.62%, 0.49%

LAB 37.02, 58.51, -69.56

 

CMYK 67 / 77 / 0 / 21

HEX #432FCA

RGB 67 47 202

HSL 247.74, 0.62%, 0.49%

LAB 32.9, 53.24, -76.49

 

CMYK 77 / 77 / 0 / 21

HEX #2F2FCA

RGB 47 47 202

HSL 240, 0.62%, 0.49%

LAB 31.58, 51.52, -78.71

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 29 / 88 / 0 / 13

HEX #9E1BDE

RGB 158 27 222

HSL 280.31, 0.78%, 0.49%

LAB 43.25, 76.01, -70.64

 

CMYK 32 / 97 / 0 / 5

HEX #A507F2

RGB 165 7 242

HSL 280.34, 0.94%, 0.49%

LAB 45.03, 83.4, -79.04

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 21 / 63 / 0 / 29

HEX #9043B6

RGB 144 67 182

HSL 280.17, 0.46%, 0.49%

LAB 43.24, 51.42, -47.57

 

CMYK 15 / 46 / 0 / 37

HEX #8957A1

RGB 137 87 161

HSL 280.54, 0.3%, 0.49%

LAB 45.23, 34.25, -32.07

 

CMYK 8 / 23 / 0 / 45

HEX #826C8D

RGB 130 108 141

HSL 280, 0.13%, 0.49%

LAB 48.75, 15.16, -14.83

 

CMYK 4 / 0 / 5 / 50

HEX #7B8079

RGB 123 128 121

HSL 102.86, 0.03%, 0.49%

LAB 52.98, -3.26, 3.14

 

CMYK 66 / 77 / 0 / 21

HEX #442FCA

RGB 68 47 202

HSL 248.13, 0.62%, 0.49%

LAB 32.98, 53.34, -76.36

 

CMYK 46 / 77 / 0 / 21

HEX #6D2FCA

RGB 109 47 202

HSL 264, 0.62%, 0.49%

LAB 37.02, 58.51, -69.56

 

CMYK 26 / 77 / 0 / 21

HEX #962FCA

RGB 150 47 202

HSL 279.87, 0.62%, 0.49%

LAB 42.43, 65.28, -60.51

 

CMYK 5 / 77 / 0 / 21

HEX #C02FCA

RGB 192 47 202

HSL 296.13, 0.62%, 0.49%

LAB 48.89, 73.2, -49.78

 

CMYK 0 / 77 / 15 / 21

HEX #CA2FAB

RGB 202 47 171

HSL 312, 0.62%, 0.49%

LAB 48.92, 70.61, -31.53

 

CMYK 25 / 77 / 0 / 47

HEX #651F87

RGB 101 31 135

HSL 280.38, 0.63%, 0.33%

LAB 28.1, 47.74, -43.83

 

CMYK 25 / 77 / 0 / 34

HEX #7E27A8

RGB 126 39 168

HSL 280.47, 0.62%, 0.41%

LAB 35.43, 56.68, -51.97

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 21 / 64 / 0 / 16

HEX #A84DD5

RGB 168 77 213

HSL 280.15, 0.62%, 0.57%

LAB 50.02, 58.9, -54.47

 

CMYK 16 / 50 / 0 / 13

HEX #B96FDD

RGB 185 111 221

HSL 280.36, 0.62%, 0.65%

LAB 58.89, 47.95, -44.77

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 0 / 77 / 66 / 21

HEX #CA2F44

RGB 202 47 68

HSL 351.87, 0.62%, 0.49%

LAB 45.64, 60.6, 26.26

 

CMYK 77 / 0 / 56 / 21

HEX #2FCA58

RGB 47 202 88

HSL 135.87, 0.62%, 0.49%

LAB 71.93, -62.73, 45.25

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 0 / 26 / 77 / 21

HEX #CA962F

RGB 202 150 47

HSL 39.87, 0.62%, 0.49%

LAB 65.42, 10.08, 58.47

 

CMYK 77 / 0 / 26 / 21

HEX #2FCA96

RGB 47 202 150

HSL 159.87, 0.62%, 0.49%

LAB 72.92, -51.4, 14.91

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 0 / 77 / 66 / 21

HEX #CA2F44

RGB 202 47 68

HSL 351.87, 0.62%, 0.49%

LAB 45.64, 60.6, 26.26

 

CMYK 51 / 0 / 77 / 21

HEX #63CA2F

RGB 99 202 47

HSL 99.87, 0.62%, 0.49%

LAB 72.96, -55.65, 63.19

 

CMYK 77 / 0 / 10 / 21

HEX #2FCAB5

RGB 47 202 181

HSL 171.87, 0.62%, 0.49%

LAB 73.66, -43.67, -0.75

 

CMYK 25 / 77 / 0 / 21

HEX #972FCA

RGB 151 47 202

HSL 280.26, 0.62%, 0.49%

LAB 42.58, 65.46, -60.26

 

CMYK 0 / 64 / 77 / 21

HEX #CA492F

RGB 202 73 47

HSL 10.06, 0.62%, 0.49%

LAB 48.92, 49.89, 42.09

 

CMYK 51 / 0 / 77 / 21

HEX #63CA2F

RGB 99 202 47

HSL 99.87, 0.62%, 0.49%

LAB 72.96, -55.65, 63.19

 

CMYK 77 / 13 / 0 / 21

HEX #2FB0CA

RGB 47 176 202

HSL 190.06, 0.62%, 0.49%

LAB 66.46, -25.29, -23.04

 

Description

Color code: HEX #972FCA | qconv.com Color code: HEX #972FCA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 47 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 47 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 77 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 77% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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