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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #973BF3 it is the complementary color #68C40C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #973BF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #973BF3 shade: #9C3BEE, #AD4DFF, #BE5FFF, #CF71FF and #E083FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #973BF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #973BF3 shade: #973BF3, #8629E0, #7517CD, #6405BA and #5300A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #973BF3 shade: #963AF2, #C83AF2, #F23AEB, #F23AB9 and #F23A87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #973BF3 shade: #963AF2, #643AF2 and #3A3AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #973BF3 shade matches the following richer shades: #963AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #973BF3 shade: #963AF2, #964BE1, #965CD0, #966DBF and #967EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #973BF3 shade: #3A40F2, #653AF2, #963AF2, #C73AF2 and #F23AEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #973BF3 shade: #6D0DCD, #8113EF, #963AF2, #AB61F4 and #BF88F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #973BF3 shade: #973BF3, #F23A71 and #3AF24C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #973BF3 shade: #973BF3, #F2963A and #3AF296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #973BF3 shade: #973BF3, #F23A71, #96F23A and #3AF2BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #973BF3 shade: #973BF3, #F23A3A, #96F23A and #3AF2F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 76 / 0 / 5

HEX #973BF3

RGB 151 59 243

HSL 270, 0.88%, 0.59%

LAB 47.21, 69.88, -76.12

 

Complementary color

CMYK 47 / 0 / 94 / 23

HEX #68C40C

RGB 104 196 12

HSL 90, 0.88%, 0.41%

LAB 71.18, -53.23, 69.45

 

CMYK 34 / 75 / 0 / 7

HEX #9C3BEE

RGB 156 59 238

HSL 272.51, 0.84%, 0.58%

LAB 47.45, 69.57, -72.87

 

CMYK 32 / 70 / 0 / 0

HEX #AD4DFF

RGB 173 77 255

HSL 272.36, 1%, 0.65%

LAB 53.4, 69.01, -72.62

 

CMYK 25 / 63 / 0 / 0

HEX #BE5FFF

RGB 190 95 255

HSL 275.63, 1%, 0.69%

LAB 58.37, 64.4, -64.49

 

CMYK 19 / 56 / 0 / 0

HEX #CF71FF

RGB 207 113 255

HSL 279.72, 1%, 0.72%

LAB 63.59, 59.74, -56.03

 

CMYK 12 / 49 / 0 / 0

HEX #E083FF

RGB 224 131 255

HSL 285, 1%, 0.76%

LAB 68.97, 55.18, -47.39

 

CMYK 38 / 76 / 0 / 5

HEX #973BF3

RGB 151 59 243

HSL 270, 0.88%, 0.59%

LAB 47.21, 69.88, -76.12

 

CMYK 40 / 82 / 0 / 12

HEX #8629E0

RGB 134 41 224

HSL 270.49, 0.75%, 0.52%

LAB 41.27, 69.51, -75.15

 

CMYK 43 / 89 / 0 / 20

HEX #7517CD

RGB 117 23 205

HSL 270.99, 0.8%, 0.45%

LAB 35.6, 68.19, -73.6

 

CMYK 46 / 97 / 0 / 27

HEX #6405BA

RGB 100 5 186

HSL 271.49, 0.95%, 0.37%

LAB 30.31, 65.53, -71.24

 

CMYK 50 / 100 / 0 / 35

HEX #5300A7

RGB 83 0 167

HSL 269.82, 1%, 0.33%

LAB 25.65, 60.71, -67.62

 

CMYK 38 / 76 / 0 / 5

HEX #963AF2

RGB 150 58 242

HSL 270, 0.88%, 0.59%

LAB 46.87, 69.88, -76.11

 

CMYK 17 / 76 / 0 / 5

HEX #C83AF2

RGB 200 58 242

HSL 286.3, 0.88%, 0.59%

LAB 53.72, 78.35, -64.67

 

CMYK 0 / 76 / 3 / 5

HEX #F23AEB

RGB 242 58 235

HSL 302.28, 0.88%, 0.59%

LAB 59.8, 85.15, -50.67

 

CMYK 0 / 76 / 24 / 5

HEX #F23AB9

RGB 242 58 185

HSL 318.59, 0.88%, 0.59%

LAB 57.47, 78.4, -25.89

 

CMYK 0 / 76 / 44 / 5

HEX #F23A87

RGB 242 58 135

HSL 334.89, 0.88%, 0.59%

LAB 55.74, 73.14, 0.82

 

CMYK 38 / 76 / 0 / 5

HEX #963AF2

RGB 150 58 242

HSL 270, 0.88%, 0.59%

LAB 46.87, 69.88, -76.11

 

CMYK 59 / 76 / 0 / 5

HEX #643AF2

RGB 100 58 242

HSL 253.7, 0.88%, 0.59%

LAB 41.45, 63.03, -85.21

 

CMYK 76 / 76 / 0 / 5

HEX #3A3AF2

RGB 58 58 242

HSL 240, 0.88%, 0.59%

LAB 38.44, 59.15, -90.28

 

CMYK 38 / 76 / 0 / 5

HEX #963AF2

RGB 150 58 242

HSL 270, 0.88%, 0.59%

LAB 46.87, 69.88, -76.11

 

CMYK 38 / 76 / 0 / 5

HEX #963AF2

RGB 150 58 242

HSL 270, 0.88%, 0.59%

LAB 46.87, 69.88, -76.11

 

CMYK 33 / 67 / 0 / 12

HEX #964BE1

RGB 150 75 225

HSL 270, 0.71%, 0.59%

LAB 48.2, 58.66, -64.35

 

CMYK 28 / 56 / 0 / 18

HEX #965CD0

RGB 150 92 208

HSL 270, 0.55%, 0.59%

LAB 50.33, 45.97, -51.25

 

CMYK 21 / 43 / 0 / 25

HEX #966DBF

RGB 150 109 191

HSL 270, 0.39%, 0.59%

LAB 53.15, 32.44, -37.04

 

CMYK 14 / 28 / 0 / 32

HEX #967EAE

RGB 150 126 174

HSL 270, 0.23%, 0.59%

LAB 56.55, 18.71, -22

 

CMYK 76 / 74 / 0 / 5

HEX #3A40F2

RGB 58 64 242

HSL 238.04, 0.88%, 0.59%

LAB 39.54, 56.02, -88.46

 

CMYK 58 / 76 / 0 / 5

HEX #653AF2

RGB 101 58 242

HSL 254.02, 0.88%, 0.59%

LAB 41.54, 63.15, -85.06

 

CMYK 38 / 76 / 0 / 5

HEX #963AF2

RGB 150 58 242

HSL 270, 0.88%, 0.59%

LAB 46.87, 69.88, -76.11

 

CMYK 18 / 76 / 0 / 5

HEX #C73AF2

RGB 199 58 242

HSL 285.98, 0.88%, 0.59%

LAB 53.58, 78.17, -64.92

 

CMYK 0 / 76 / 2 / 5

HEX #F23AEC

RGB 242 58 236

HSL 301.96, 0.88%, 0.59%

LAB 59.85, 85.3, -51.14

 

CMYK 47 / 94 / 0 / 20

HEX #6D0DCD

RGB 109 13 205

HSL 270, 0.88%, 0.43%

LAB 33.87, 69.32, -76.48

 

CMYK 46 / 92 / 0 / 6

HEX #8113EF

RGB 129 19 239

HSL 270, 0.87%, 0.51%

LAB 40.19, 77.6, -85.49

 

CMYK 38 / 76 / 0 / 5

HEX #963AF2

RGB 150 58 242

HSL 270, 0.88%, 0.59%

LAB 46.87, 69.88, -76.11

 

CMYK 30 / 60 / 0 / 4

HEX #AB61F4

RGB 171 97 244

HSL 270.2, 0.87%, 0.67%

LAB 55.83, 56.8, -62.6

 

CMYK 23 / 45 / 0 / 3

HEX #BF88F7

RGB 191 136 247

HSL 269.73, 0.87%, 0.75%

LAB 66.06, 41.91, -47.83

 

CMYK 38 / 76 / 0 / 5

HEX #973BF3

RGB 151 59 243

HSL 270, 0.88%, 0.59%

LAB 47.21, 69.88, -76.12

 

CMYK 0 / 76 / 53 / 5

HEX #F23A71

RGB 242 58 113

HSL 342.07, 0.88%, 0.59%

LAB 55.17, 71.36, 13.12

 

CMYK 76 / 0 / 69 / 5

HEX #3AF24C

RGB 58 242 76

HSL 125.87, 0.88%, 0.59%

LAB 84.45, -75.25, 64.37

 

CMYK 38 / 76 / 0 / 5

HEX #973BF3

RGB 151 59 243

HSL 270, 0.88%, 0.59%

LAB 47.21, 69.88, -76.12

 

CMYK 0 / 38 / 76 / 5

HEX #F2963A

RGB 242 150 58

HSL 30, 0.88%, 0.59%

LAB 70.17, 27.53, 60.27

 

CMYK 76 / 0 / 38 / 5

HEX #3AF296

RGB 58 242 150

HSL 150, 0.88%, 0.59%

LAB 85.3, -65.11, 31.84

 

CMYK 38 / 76 / 0 / 5

HEX #973BF3

RGB 151 59 243

HSL 270, 0.88%, 0.59%

LAB 47.21, 69.88, -76.12

 

CMYK 0 / 76 / 53 / 5

HEX #F23A71

RGB 242 58 113

HSL 342.07, 0.88%, 0.59%

LAB 55.17, 71.36, 13.12

 

CMYK 38 / 0 / 76 / 5

HEX #96F23A

RGB 150 242 58

HSL 90, 0.88%, 0.59%

LAB 87.14, -54.6, 74.09

 

CMYK 76 / 0 / 23 / 5

HEX #3AF2BB

RGB 58 242 187

HSL 162.07, 0.88%, 0.59%

LAB 86, -57.42, 13.83

 

CMYK 38 / 76 / 0 / 5

HEX #973BF3

RGB 151 59 243

HSL 270, 0.88%, 0.59%

LAB 47.21, 69.88, -76.12

 

CMYK 0 / 76 / 76 / 5

HEX #F23A3A

RGB 242 58 58

HSL 0, 0.88%, 0.59%

LAB 54.25, 68.42, 44.01

 

CMYK 38 / 0 / 76 / 5

HEX #96F23A

RGB 150 242 58

HSL 90, 0.88%, 0.59%

LAB 87.14, -54.6, 74.09

 

CMYK 76 / 0 / 0 / 5

HEX #3AF2F2

RGB 58 242 242

HSL 180, 0.88%, 0.59%

LAB 87.39, -43.32, -12.89

 

Description

Color code: HEX #973BF3 | qconv.com Color code: HEX #973BF3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 59 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 59 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 76 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 76% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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