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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #974482 it is the complementary color #68BB7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #974482. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #974482 shade: #9C447D, #AD5690, #BE68A3, #CF7AB6 and #E08CC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #974482. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #974482 shade: #974482, #86326F, #75205C, #640E49 and #530036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #974482 shade: #974382, #97436B, #974355 and #974343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #974482 shade: #974382, #954397, #7F4397, #684397 and #524397

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #974482 shade matches the following richer shades: #974382, #A9328A, #BA2093 and #CC0E9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #974482 shade: #974382, #855579, #736770, #627967 and #508A5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #974482 shade: #7F4397, #954397, #974382, #97436C and #974356

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #974482 shade: #5E2A51, #7A3769, #974382, #B15299 and #BE6FAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #974482 shade: #974482, #976943 and #43978A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #974482 shade: #974482, #829743 and #438297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #974482 shade: #974482, #976943, #439758 and #437197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #974482 shade: #974482, #978243, #439758 and #435897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 14 / 41

HEX #974482

RGB 151 68 130

HSL 315.18, 0.38%, 0.43%

LAB 41.73, 42.8, -18.72

 

Complementary color

CMYK 44 / 0 / 33 / 27

HEX #68BB7D

RGB 104 187 125

HSL 135.18, 0.38%, 0.57%

LAB 69.44, -38.88, 23.74

 

CMYK 0 / 56 / 20 / 39

HEX #9C447D

RGB 156 68 125

HSL 321.14, 0.39%, 0.44%

LAB 42.28, 43.58, -14.74

 

CMYK 0 / 50 / 17 / 32

HEX #AD5690

RGB 173 86 144

HSL 320, 0.35%, 0.51%

LAB 48.95, 42.93, -15.84

 

CMYK 0 / 45 / 14 / 25

HEX #BE68A3

RGB 190 104 163

HSL 318.84, 0.4%, 0.58%

LAB 55.58, 42.18, -16.73

 

CMYK 0 / 41 / 12 / 19

HEX #CF7AB6

RGB 207 122 182

HSL 317.65, 0.47%, 0.65%

LAB 62.14, 41.41, -17.48

 

CMYK 0 / 38 / 10 / 12

HEX #E08CC9

RGB 224 140 201

HSL 316.43, 0.58%, 0.71%

LAB 68.62, 40.65, -18.14

 

CMYK 0 / 55 / 14 / 41

HEX #974482

RGB 151 68 130

HSL 315.18, 0.38%, 0.43%

LAB 41.73, 42.8, -18.72

 

CMYK 0 / 63 / 17 / 47

HEX #86326F

RGB 134 50 111

HSL 316.43, 0.46%, 0.36%

LAB 35, 43.24, -17.5

 

CMYK 0 / 73 / 21 / 54

HEX #75205C

RGB 117 32 92

HSL 317.65, 0.57%, 0.29%

LAB 28.35, 43.18, -15.8

 

CMYK 0 / 86 / 27 / 61

HEX #640E49

RGB 100 14 73

HSL 318.84, 0.75%, 0.22%

LAB 21.96, 42.05, -13.24

 

CMYK 0 / 100 / 35 / 67

HEX #530036

RGB 83 0 54

HSL 320.96, 1%, 0.16%

LAB 16.03, 39.17, -9.4

 

CMYK 0 / 56 / 14 / 41

HEX #974382

RGB 151 67 130

HSL 315, 0.39%, 0.43%

LAB 41.54, 43.3, -19.01

 

CMYK 0 / 56 / 29 / 41

HEX #97436B

RGB 151 67 107

HSL 331.43, 0.39%, 0.43%

LAB 40.66, 39.8, -6.15

 

CMYK 0 / 56 / 44 / 41

HEX #974355

RGB 151 67 85

HSL 347.14, 0.39%, 0.43%

LAB 40, 37.04, 6.61

 

CMYK 0 / 56 / 56 / 41

HEX #974343

RGB 151 67 67

HSL 0, 0.39%, 0.43%

LAB 39.58, 35.26, 17.26

 

CMYK 0 / 56 / 14 / 41

HEX #974382

RGB 151 67 130

HSL 315, 0.39%, 0.43%

LAB 41.54, 43.3, -19.01

 

CMYK 1 / 56 / 0 / 41

HEX #954397

RGB 149 67 151

HSL 298.57, 0.39%, 0.43%

LAB 42.21, 46.41, -30.73

 

CMYK 16 / 56 / 0 / 41

HEX #7F4397

RGB 127 67 151

HSL 282.86, 0.39%, 0.43%

LAB 39.17, 40.23, -35.72

 

CMYK 31 / 56 / 0 / 41

HEX #684397

RGB 104 67 151

HSL 266.43, 0.39%, 0.43%

LAB 36.35, 33.94, -40.39

 

CMYK 46 / 56 / 0 / 41

HEX #524397

RGB 82 67 151

HSL 250.71, 0.39%, 0.43%

LAB 34.07, 28.37, -44.17

 

CMYK 0 / 56 / 14 / 41

HEX #974382

RGB 151 67 130

HSL 315, 0.39%, 0.43%

LAB 41.54, 43.3, -19.01

 

CMYK 0 / 70 / 18 / 34

HEX #A9328A

RGB 169 50 138

HSL 315.63, 0.54%, 0.43%

LAB 42.08, 57.07, -22.82

 

CMYK 0 / 83 / 21 / 27

HEX #BA2093

RGB 186 32 147

HSL 315.19, 0.71%, 0.43%

LAB 43.62, 67.72, -25.66

 

CMYK 0 / 93 / 24 / 20

HEX #CC0E9C

RGB 204 14 156

HSL 315.16, 0.87%, 0.43%

LAB 46.38, 75.51, -26.54

 

CMYK 0 / 56 / 14 / 41

HEX #974382

RGB 151 67 130

HSL 315, 0.39%, 0.43%

LAB 41.54, 43.3, -19.01

 

CMYK 0 / 36 / 9 / 48

HEX #855579

RGB 133 85 121

HSL 315, 0.22%, 0.43%

LAB 42.56, 25.8, -12.17

 

CMYK 0 / 10 / 3 / 55

HEX #736770

RGB 115 103 112

HSL 315, 0.06%, 0.43%

LAB 44.96, 6.5, -3.32

 

CMYK 19 / 0 / 15 / 53

HEX #627967

RGB 98 121 103

HSL 133.04, 0.11%, 0.43%

LAB 48.57, -12.27, 7.12

 

CMYK 42 / 0 / 31 / 46

HEX #508A5F

RGB 80 138 95

HSL 135.52, 0.27%, 0.43%

LAB 52.63, -28.88, 17.23

 

CMYK 16 / 56 / 0 / 41

HEX #7F4397

RGB 127 67 151

HSL 282.86, 0.39%, 0.43%

LAB 39.17, 40.23, -35.72

 

CMYK 1 / 56 / 0 / 41

HEX #954397

RGB 149 67 151

HSL 298.57, 0.39%, 0.43%

LAB 42.21, 46.41, -30.73

 

CMYK 0 / 56 / 14 / 41

HEX #974382

RGB 151 67 130

HSL 315, 0.39%, 0.43%

LAB 41.54, 43.3, -19.01

 

CMYK 0 / 56 / 28 / 41

HEX #97436C

RGB 151 67 108

HSL 330.71, 0.39%, 0.43%

LAB 40.7, 39.94, -6.72

 

CMYK 0 / 56 / 43 / 41

HEX #974356

RGB 151 67 86

HSL 346.43, 0.39%, 0.43%

LAB 40.02, 37.15, 6.02

 

CMYK 0 / 55 / 14 / 63

HEX #5E2A51

RGB 94 42 81

HSL 315, 0.38%, 0.27%

LAB 25.65, 29.34, -13.03

 

CMYK 0 / 55 / 14 / 52

HEX #7A3769

RGB 122 55 105

HSL 315.22, 0.38%, 0.35%

LAB 33.75, 35.98, -15.78

 

CMYK 0 / 56 / 14 / 41

HEX #974382

RGB 151 67 130

HSL 315, 0.39%, 0.43%

LAB 41.54, 43.3, -19.01

 

CMYK 0 / 54 / 14 / 31

HEX #B15299

RGB 177 82 153

HSL 315.16, 0.38%, 0.51%

LAB 49.11, 47.64, -20.9

 

CMYK 0 / 42 / 11 / 25

HEX #BE6FAA

RGB 190 111 170

HSL 315.19, 0.38%, 0.59%

LAB 57.29, 39.65, -18.18

 

CMYK 0 / 55 / 14 / 41

HEX #974482

RGB 151 68 130

HSL 315.18, 0.38%, 0.43%

LAB 41.73, 42.8, -18.72

 

CMYK 0 / 30 / 56 / 41

HEX #976943

RGB 151 105 67

HSL 27.14, 0.39%, 0.43%

LAB 48.37, 14.01, 28.58

 

CMYK 56 / 0 / 9 / 41

HEX #43978A

RGB 67 151 138

HSL 170.71, 0.39%, 0.43%

LAB 57.23, -28.69, -0.85

 

CMYK 0 / 55 / 14 / 41

HEX #974482

RGB 151 68 130

HSL 315.18, 0.38%, 0.43%

LAB 41.73, 42.8, -18.72

 

CMYK 14 / 0 / 56 / 41

HEX #829743

RGB 130 151 67

HSL 75, 0.39%, 0.43%

LAB 59.24, -20.66, 41.15

 

CMYK 56 / 14 / 0 / 41

HEX #438297

RGB 67 130 151

HSL 195, 0.39%, 0.43%

LAB 51.14, -14.01, -17.46

 

CMYK 0 / 55 / 14 / 41

HEX #974482

RGB 151 68 130

HSL 315.18, 0.38%, 0.43%

LAB 41.73, 42.8, -18.72

 

CMYK 0 / 30 / 56 / 41

HEX #976943

RGB 151 105 67

HSL 27.14, 0.39%, 0.43%

LAB 48.37, 14.01, 28.58

 

CMYK 56 / 0 / 42 / 41

HEX #439758

RGB 67 151 88

HSL 135, 0.39%, 0.43%

LAB 56.12, -39.8, 25.68

 

CMYK 56 / 25 / 0 / 41

HEX #437197

RGB 67 113 151

HSL 207.14, 0.39%, 0.43%

LAB 45.96, -4.23, -25.44

 

CMYK 0 / 55 / 14 / 41

HEX #974482

RGB 151 68 130

HSL 315.18, 0.38%, 0.43%

LAB 41.73, 42.8, -18.72

 

CMYK 0 / 14 / 56 / 41

HEX #978243

RGB 151 130 67

HSL 45, 0.39%, 0.43%

LAB 55.02, -0.26, 36.66

 

CMYK 56 / 0 / 42 / 41

HEX #439758

RGB 67 151 88

HSL 135, 0.39%, 0.43%

LAB 56.12, -39.8, 25.68

 

CMYK 56 / 42 / 0 / 41

HEX #435897

RGB 67 88 151

HSL 225, 0.39%, 0.43%

LAB 38.56, 11.32, -37.05

 

Description

Color code: HEX #974482 | qconv.com Color code: HEX #974482 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 68 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 68 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 14 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 14% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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