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Color name
HEX #975A10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975A10 it is the complementary color #68A5EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975A10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975A10 shade: #9C5A0B, #AD6C1E, #BE7E31, #CF9044 and #E0A257

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975A10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975A10 shade: #975A10, #864800, #753600, #642400 and #531200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975A10 shade: #985A0F, #98350F, #98110F and #980F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975A10 shade: #985A0F, #987F0F, #8C980F, #67980F and #42980F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975A10 shade matches the following richer shades: #985A0F and #A55C02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975A10 shade: #985A0F, #8A591D, #7D582B, #6F5638 and #615546

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975A10 shade: #980F0F, #98340F, #98580F, #987D0F and #8F980F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975A10 shade: #4D2E08, #72440C, #985A0F, #BD7013 and #E28717

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975A10 shade: #975A10, #34980F and #220F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975A10 shade: #975A10, #0F9858 and #580F98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975A10 shade: #975A10, #34980F, #0F4F98 and #730F98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975A10 shade: #975A10, #0F9814, #0F4F98 and #980F93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 89 / 41

HEX #975A10

RGB 151 90 16

HSL 32.89, 0.81%, 0.33%

LAB 44.13, 19.81, 48.32

 

Complementary color

CMYK 56 / 31 / 0 / 6

HEX #68A5EF

RGB 104 165 239

HSL 212.89, 0.81%, 0.67%

LAB 66.59, 1.54, -43.05

 

CMYK 0 / 42 / 93 / 39

HEX #9C5A0B

RGB 156 90 11

HSL 32.69, 0.87%, 0.33%

LAB 44.81, 21.95, 50.55

 

CMYK 0 / 38 / 83 / 32

HEX #AD6C1E

RGB 173 108 30

HSL 32.73, 0.7%, 0.4%

LAB 51.5, 19.86, 50.86

 

CMYK 0 / 34 / 74 / 25

HEX #BE7E31

RGB 190 126 49

HSL 32.77, 0.59%, 0.47%

LAB 58.12, 18.08, 50.04

 

CMYK 0 / 30 / 67 / 19

HEX #CF9044

RGB 207 144 68

HSL 32.81, 0.59%, 0.54%

LAB 64.67, 16.55, 48.78

 

CMYK 0 / 28 / 61 / 12

HEX #E0A257

RGB 224 162 87

HSL 32.85, 0.69%, 0.61%

LAB 71.13, 15.24, 47.38

 

CMYK 0 / 40 / 89 / 41

HEX #975A10

RGB 151 90 16

HSL 32.89, 0.81%, 0.33%

LAB 44.13, 19.81, 48.32

 

CMYK 0 / 46 / 100 / 47

HEX #864800

RGB 134 72 0

HSL 32.24, 1%, 0.26%

LAB 37.3, 22.11, 47

 

CMYK 0 / 54 / 100 / 54

HEX #753600

RGB 117 54 0

HSL 27.69, 1%, 0.23%

LAB 30.45, 24.74, 41.3

 

CMYK 0 / 64 / 100 / 61

HEX #642400

RGB 100 36 0

HSL 21.6, 1%, 0.2%

LAB 23.58, 27.24, 34.12

 

CMYK 0 / 78 / 100 / 67

HEX #531200

RGB 83 18 0

HSL 13.01, 1%, 0.16%

LAB 16.85, 29.12, 25.64

 

CMYK 0 / 41 / 90 / 40

HEX #985A0F

RGB 152 90 15

HSL 32.85, 0.82%, 0.33%

LAB 44.26, 20.24, 48.79

 

CMYK 0 / 65 / 90 / 40

HEX #98350F

RGB 152 53 15

HSL 16.64, 0.82%, 0.33%

LAB 36.47, 39.81, 42.69

 

CMYK 0 / 89 / 90 / 40

HEX #98110F

RGB 152 17 15

HSL 0.88, 0.82%, 0.33%

LAB 32.06, 52.02, 39.27

 

CMYK 0 / 90 / 90 / 40

HEX #980F0F

RGB 152 15 15

HSL 0, 0.82%, 0.33%

LAB 31.92, 52.4, 39.17

 

CMYK 0 / 41 / 90 / 40

HEX #985A0F

RGB 152 90 15

HSL 32.85, 0.82%, 0.33%

LAB 44.26, 20.24, 48.79

 

CMYK 0 / 16 / 90 / 40

HEX #987F0F

RGB 152 127 15

HSL 49.05, 0.82%, 0.33%

LAB 53.91, -0.87, 56.4

 

CMYK 8 / 0 / 90 / 40

HEX #8C980F

RGB 140 152 15

HSL 65.26, 0.82%, 0.33%

LAB 59.95, -19.77, 60.77

 

CMYK 32 / 0 / 90 / 40

HEX #67980F

RGB 103 152 15

HSL 81.46, 0.82%, 0.33%

LAB 57.44, -35.34, 57.68

 

CMYK 57 / 0 / 90 / 40

HEX #42980F

RGB 66 152 15

HSL 97.66, 0.82%, 0.33%

LAB 55.73, -47.93, 55.56

 

CMYK 0 / 41 / 90 / 40

HEX #985A0F

RGB 152 90 15

HSL 32.85, 0.82%, 0.33%

LAB 44.26, 20.24, 48.79

 

CMYK 0 / 44 / 99 / 35

HEX #A55C02

RGB 165 92 2

HSL 33.13, 0.98%, 0.33%

LAB 46.52, 24.67, 54.51

 

CMYK 0 / 41 / 90 / 40

HEX #985A0F

RGB 152 90 15

HSL 32.85, 0.82%, 0.33%

LAB 44.26, 20.24, 48.79

 

CMYK 0 / 36 / 79 / 46

HEX #8A591D

RGB 138 89 29

HSL 33.03, 0.65%, 0.33%

LAB 42.21, 14.87, 40.99

 

CMYK 0 / 30 / 66 / 51

HEX #7D582B

RGB 125 88 43

HSL 32.93, 0.49%, 0.33%

LAB 40.43, 10.23, 31.62

 

CMYK 0 / 23 / 50 / 56

HEX #6F5638

RGB 111 86 56

HSL 32.73, 0.33%, 0.33%

LAB 38.41, 6.12, 21.37

 

CMYK 0 / 12 / 28 / 62

HEX #615546

RGB 97 85 70

HSL 33.33, 0.16%, 0.33%

LAB 36.89, 2.28, 10.56

 

CMYK 0 / 90 / 90 / 40

HEX #980F0F

RGB 152 15 15

HSL 0, 0.82%, 0.33%

LAB 31.92, 52.4, 39.17

 

CMYK 0 / 66 / 90 / 40

HEX #98340F

RGB 152 52 15

HSL 16.2, 0.82%, 0.33%

LAB 36.3, 40.26, 42.56

 

CMYK 0 / 42 / 90 / 40

HEX #98580F

RGB 152 88 15

HSL 31.97, 0.82%, 0.33%

LAB 43.78, 21.37, 48.41

 

CMYK 0 / 18 / 90 / 40

HEX #987D0F

RGB 152 125 15

HSL 48.18, 0.82%, 0.33%

LAB 53.36, 0.25, 55.97

 

CMYK 6 / 0 / 90 / 40

HEX #8F980F

RGB 143 152 15

HSL 63.94, 0.82%, 0.33%

LAB 60.19, -18.44, 61.06

 

CMYK 0 / 40 / 90 / 70

HEX #4D2E08

RGB 77 46 8

HSL 33.04, 0.81%, 0.17%

LAB 22.12, 10.77, 28.13

 

CMYK 0 / 40 / 89 / 55

HEX #72440C

RGB 114 68 12

HSL 32.94, 0.81%, 0.25%

LAB 33.43, 15.44, 38.79

 

CMYK 0 / 41 / 90 / 40

HEX #985A0F

RGB 152 90 15

HSL 32.85, 0.82%, 0.33%

LAB 44.26, 20.24, 48.79

 

CMYK 0 / 41 / 90 / 26

HEX #BD7013

RGB 189 112 19

HSL 32.82, 0.82%, 0.41%

LAB 54.51, 24.37, 57.77

 

CMYK 0 / 40 / 90 / 11

HEX #E28717

RGB 226 135 23

HSL 33.1, 0.82%, 0.49%

LAB 64.61, 27.8, 66.56

 

CMYK 0 / 40 / 89 / 41

HEX #975A10

RGB 151 90 16

HSL 32.89, 0.81%, 0.33%

LAB 44.13, 19.81, 48.32

 

CMYK 66 / 0 / 90 / 40

HEX #34980F

RGB 52 152 15

HSL 103.8, 0.82%, 0.33%

LAB 55.3, -51.5, 55.02

 

CMYK 78 / 90 / 0 / 40

HEX #220F98

RGB 34 15 152

HSL 248.32, 0.82%, 0.33%

LAB 19.84, 49.98, -68.26

 

CMYK 0 / 40 / 89 / 41

HEX #975A10

RGB 151 90 16

HSL 32.89, 0.81%, 0.33%

LAB 44.13, 19.81, 48.32

 

CMYK 90 / 0 / 42 / 40

HEX #0F9858

RGB 15 152 88

HSL 151.97, 0.82%, 0.33%

LAB 55.34, -48.67, 24.45

 

CMYK 42 / 90 / 0 / 40

HEX #580F98

RGB 88 15 152

HSL 271.97, 0.82%, 0.33%

LAB 25.81, 54.73, -58.18

 

CMYK 0 / 40 / 89 / 41

HEX #975A10

RGB 151 90 16

HSL 32.89, 0.81%, 0.33%

LAB 44.13, 19.81, 48.32

 

CMYK 66 / 0 / 90 / 40

HEX #34980F

RGB 52 152 15

HSL 103.8, 0.82%, 0.33%

LAB 55.3, -51.5, 55.02

 

CMYK 90 / 48 / 0 / 40

HEX #0F4F98

RGB 15 79 152

HSL 211.97, 0.82%, 0.33%

LAB 33.9, 9.91, -45.23

 

CMYK 24 / 90 / 0 / 40

HEX #730F98

RGB 115 15 152

HSL 283.8, 0.82%, 0.33%

LAB 30.04, 58.55, -51.09

 

CMYK 0 / 40 / 89 / 41

HEX #975A10

RGB 151 90 16

HSL 32.89, 0.81%, 0.33%

LAB 44.13, 19.81, 48.32

 

CMYK 90 / 0 / 87 / 40

HEX #0F9814

RGB 15 152 20

HSL 122.19, 0.82%, 0.33%

LAB 54.67, -56.93, 53.12

 

CMYK 90 / 48 / 0 / 40

HEX #0F4F98

RGB 15 79 152

HSL 211.97, 0.82%, 0.33%

LAB 33.9, 9.91, -45.23

 

CMYK 0 / 90 / 3 / 40

HEX #980F93

RGB 152 15 147

HSL 302.19, 0.82%, 0.33%

LAB 36.22, 64.08, -37.74

 

Description

Color code: HEX #975A10 | qconv.com Color code: HEX #975A10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 90 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 90 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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