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Color name
HEX #975B10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975B10 it is the complementary color #68A4EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975B10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975B10 shade: #9C5B0B, #AD6D1E, #BE7F31, #CF9144 and #E0A357

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975B10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975B10 shade: #975B10, #864900, #753700, #642500 and #531300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975B10 shade: #985B0F, #98360F, #98120F and #980F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975B10 shade: #985B0F, #98800F, #8B980F, #66980F and #41980F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975B10 shade matches the following richer shades: #985B0F and #A55D02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975B10 shade: #985B0F, #8A5A1D, #7D582B, #6F5738 and #615546

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975B10 shade: #98120F, #98360F, #985A0F, #987F0F and #8C980F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975B10 shade: #4D2E08, #72450C, #985B0F, #BD7213 and #E28817

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975B10 shade: #975B10, #32980F and #240F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975B10 shade: #975B10, #0F985A and #5A0F98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975B10 shade: #975B10, #32980F, #0F4D98 and #760F98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975B10 shade: #975B10, #0F9816, #0F4D98 and #980F91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 89 / 41

HEX #975B10

RGB 151 91 16

HSL 33.33, 0.81%, 0.33%

LAB 44.37, 19.24, 48.51

 

Complementary color

CMYK 56 / 31 / 0 / 6

HEX #68A4EF

RGB 104 164 239

HSL 213.33, 0.81%, 0.67%

LAB 66.31, 2.1, -43.49

 

CMYK 0 / 42 / 93 / 39

HEX #9C5B0B

RGB 156 91 11

HSL 33.1, 0.87%, 0.33%

LAB 45.05, 21.39, 50.72

 

CMYK 0 / 37 / 83 / 32

HEX #AD6D1E

RGB 173 109 30

HSL 33.15, 0.7%, 0.4%

LAB 51.74, 19.3, 51.07

 

CMYK 0 / 33 / 74 / 25

HEX #BE7F31

RGB 190 127 49

HSL 33.19, 0.59%, 0.47%

LAB 58.37, 17.53, 50.28

 

CMYK 0 / 30 / 67 / 19

HEX #CF9144

RGB 207 145 68

HSL 33.24, 0.59%, 0.54%

LAB 64.91, 16.01, 49.04

 

CMYK 0 / 27 / 61 / 12

HEX #E0A357

RGB 224 163 87

HSL 33.28, 0.69%, 0.61%

LAB 71.37, 14.7, 47.66

 

CMYK 0 / 40 / 89 / 41

HEX #975B10

RGB 151 91 16

HSL 33.33, 0.81%, 0.33%

LAB 44.37, 19.24, 48.51

 

CMYK 0 / 46 / 100 / 47

HEX #864900

RGB 134 73 0

HSL 32.69, 1%, 0.26%

LAB 37.54, 21.53, 47.14

 

CMYK 0 / 53 / 100 / 54

HEX #753700

RGB 117 55 0

HSL 28.21, 1%, 0.23%

LAB 30.67, 24.17, 41.46

 

CMYK 0 / 63 / 100 / 61

HEX #642500

RGB 100 37 0

HSL 22.2, 1%, 0.2%

LAB 23.78, 26.71, 34.33

 

CMYK 0 / 77 / 100 / 67

HEX #531300

RGB 83 19 0

HSL 13.73, 1%, 0.16%

LAB 17.01, 28.68, 25.83

 

CMYK 0 / 40 / 90 / 40

HEX #985B0F

RGB 152 91 15

HSL 33.28, 0.82%, 0.33%

LAB 44.51, 19.66, 48.98

 

CMYK 0 / 64 / 90 / 40

HEX #98360F

RGB 152 54 15

HSL 17.08, 0.82%, 0.33%

LAB 36.65, 39.34, 42.83

 

CMYK 0 / 88 / 90 / 40

HEX #98120F

RGB 152 18 15

HSL 1.31, 0.82%, 0.33%

LAB 32.13, 51.81, 39.33

 

CMYK 0 / 90 / 90 / 40

HEX #980F0F

RGB 152 15 15

HSL 0, 0.82%, 0.33%

LAB 31.92, 52.4, 39.17

 

CMYK 0 / 40 / 90 / 40

HEX #985B0F

RGB 152 91 15

HSL 33.28, 0.82%, 0.33%

LAB 44.51, 19.66, 48.98

 

CMYK 0 / 16 / 90 / 40

HEX #98800F

RGB 152 128 15

HSL 49.49, 0.82%, 0.33%

LAB 54.18, -1.43, 56.62

 

CMYK 9 / 0 / 90 / 40

HEX #8B980F

RGB 139 152 15

HSL 65.69, 0.82%, 0.33%

LAB 59.87, -20.21, 60.68

 

CMYK 33 / 0 / 90 / 40

HEX #66980F

RGB 102 152 15

HSL 81.9, 0.82%, 0.33%

LAB 57.38, -35.73, 57.61

 

CMYK 57 / 0 / 90 / 40

HEX #41980F

RGB 65 152 15

HSL 98.1, 0.82%, 0.33%

LAB 55.7, -48.21, 55.52

 

CMYK 0 / 40 / 90 / 40

HEX #985B0F

RGB 152 91 15

HSL 33.28, 0.82%, 0.33%

LAB 44.51, 19.66, 48.98

 

CMYK 0 / 44 / 99 / 35

HEX #A55D02

RGB 165 93 2

HSL 33.5, 0.98%, 0.33%

LAB 46.75, 24.11, 54.66

 

CMYK 0 / 40 / 90 / 40

HEX #985B0F

RGB 152 91 15

HSL 33.28, 0.82%, 0.33%

LAB 44.51, 19.66, 48.98

 

CMYK 0 / 35 / 79 / 46

HEX #8A5A1D

RGB 138 90 29

HSL 33.58, 0.65%, 0.33%

LAB 42.47, 14.28, 41.24

 

CMYK 0 / 30 / 66 / 51

HEX #7D582B

RGB 125 88 43

HSL 32.93, 0.49%, 0.33%

LAB 40.43, 10.23, 31.62

 

CMYK 0 / 22 / 50 / 56

HEX #6F5738

RGB 111 87 56

HSL 33.82, 0.33%, 0.33%

LAB 38.69, 5.51, 21.73

 

CMYK 0 / 12 / 28 / 62

HEX #615546

RGB 97 85 70

HSL 33.33, 0.16%, 0.33%

LAB 36.89, 2.28, 10.56

 

CMYK 0 / 88 / 90 / 40

HEX #98120F

RGB 152 18 15

HSL 1.31, 0.82%, 0.33%

LAB 32.13, 51.81, 39.33

 

CMYK 0 / 64 / 90 / 40

HEX #98360F

RGB 152 54 15

HSL 17.08, 0.82%, 0.33%

LAB 36.65, 39.34, 42.83

 

CMYK 0 / 41 / 90 / 40

HEX #985A0F

RGB 152 90 15

HSL 32.85, 0.82%, 0.33%

LAB 44.26, 20.24, 48.79

 

CMYK 0 / 16 / 90 / 40

HEX #987F0F

RGB 152 127 15

HSL 49.05, 0.82%, 0.33%

LAB 53.91, -0.87, 56.4

 

CMYK 8 / 0 / 90 / 40

HEX #8C980F

RGB 140 152 15

HSL 65.26, 0.82%, 0.33%

LAB 59.95, -19.77, 60.77

 

CMYK 0 / 40 / 90 / 70

HEX #4D2E08

RGB 77 46 8

HSL 33.04, 0.81%, 0.17%

LAB 22.12, 10.77, 28.13

 

CMYK 0 / 39 / 89 / 55

HEX #72450C

RGB 114 69 12

HSL 33.53, 0.81%, 0.25%

LAB 33.69, 14.84, 39

 

CMYK 0 / 40 / 90 / 40

HEX #985B0F

RGB 152 91 15

HSL 33.28, 0.82%, 0.33%

LAB 44.51, 19.66, 48.98

 

CMYK 0 / 40 / 90 / 26

HEX #BD7213

RGB 189 114 19

HSL 33.53, 0.82%, 0.41%

LAB 54.97, 23.27, 58.13

 

CMYK 0 / 40 / 90 / 11

HEX #E28817

RGB 226 136 23

HSL 33.4, 0.82%, 0.49%

LAB 64.83, 27.28, 66.73

 

CMYK 0 / 40 / 89 / 41

HEX #975B10

RGB 151 91 16

HSL 33.33, 0.81%, 0.33%

LAB 44.37, 19.24, 48.51

 

CMYK 67 / 0 / 90 / 40

HEX #32980F

RGB 50 152 15

HSL 104.67, 0.82%, 0.33%

LAB 55.25, -51.95, 54.95

 

CMYK 76 / 90 / 0 / 40

HEX #240F98

RGB 36 15 152

HSL 249.2, 0.82%, 0.33%

LAB 19.98, 50.08, -68.02

 

CMYK 0 / 40 / 89 / 41

HEX #975B10

RGB 151 91 16

HSL 33.33, 0.81%, 0.33%

LAB 44.37, 19.24, 48.51

 

CMYK 90 / 0 / 41 / 40

HEX #0F985A

RGB 15 152 90

HSL 152.85, 0.82%, 0.33%

LAB 55.38, -48.26, 23.41

 

CMYK 41 / 90 / 0 / 40

HEX #5A0F98

RGB 90 15 152

HSL 272.85, 0.82%, 0.33%

LAB 26.11, 54.98, -57.69

 

CMYK 0 / 40 / 89 / 41

HEX #975B10

RGB 151 91 16

HSL 33.33, 0.81%, 0.33%

LAB 44.37, 19.24, 48.51

 

CMYK 67 / 0 / 90 / 40

HEX #32980F

RGB 50 152 15

HSL 104.67, 0.82%, 0.33%

LAB 55.25, -51.95, 54.95

 

CMYK 90 / 49 / 0 / 40

HEX #0F4D98

RGB 15 77 152

HSL 212.85, 0.82%, 0.33%

LAB 33.3, 11.26, -46.2

 

CMYK 22 / 90 / 0 / 40

HEX #760F98

RGB 118 15 152

HSL 285.11, 0.82%, 0.33%

LAB 30.55, 59.02, -50.25

 

CMYK 0 / 40 / 89 / 41

HEX #975B10

RGB 151 91 16

HSL 33.33, 0.81%, 0.33%

LAB 44.37, 19.24, 48.51

 

CMYK 90 / 0 / 86 / 40

HEX #0F9816

RGB 15 152 22

HSL 123.07, 0.82%, 0.33%

LAB 54.67, -56.83, 52.63

 

CMYK 90 / 49 / 0 / 40

HEX #0F4D98

RGB 15 77 152

HSL 212.85, 0.82%, 0.33%

LAB 33.3, 11.26, -46.2

 

CMYK 0 / 90 / 5 / 40

HEX #980F91

RGB 152 15 145

HSL 303.07, 0.82%, 0.33%

LAB 36.1, 63.77, -36.71

 

Description

Color code: HEX #975B10 | qconv.com Color code: HEX #975B10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 91 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 91 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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