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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975BDB it is the complementary color #68A424. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975BDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975BDB shade: #9C5BD6, #AD6DE9, #BE7FFC, #CF91FF and #E0A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975BDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975BDB shade: #975BDB, #8649C8, #7537B5, #6425A2 and #53138F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975BDB shade: #975BDB, #B95BDB, #DB5BDA, #DB5BB7 and #DB5B95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975BDB shade: #975BDB, #755BDB and #5B5BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975BDB shade matches the following richer shades: #975BDB, #964BEB and #953BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975BDB shade: #975BDB, #986BCB, #997CBB, #9A8CAA and #9B9C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975BDB shade: #5B64DB, #755BDB, #975BDB, #B95BDB and #DB5BDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975BDB shade: #6D29BB, #823AD3, #975BDB, #AD7DE2 and #C29FEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975BDB shade: #975BDB, #DB5B86 and #5BDB64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975BDB shade: #975BDB, #DB975B and #5BDB97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975BDB shade: #975BDB, #DB5B86, #9FDB5B and #5BDBB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975BDB shade: #975BDB, #DB5B60, #9FDB5B and #5BDBD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

Complementary color

CMYK 37 / 0 / 78 / 36

HEX #68A424

RGB 104 164 36

HSL 88.13, 0.64%, 0.39%

LAB 61.33, -39.4, 55.68

 

CMYK 27 / 57 / 0 / 16

HEX #9C5BD6

RGB 156 91 214

HSL 271.71, 0.6%, 0.6%

LAB 51.16, 49.4, -53.3

 

CMYK 26 / 53 / 0 / 9

HEX #AD6DE9

RGB 173 109 233

HSL 270.97, 0.74%, 0.67%

LAB 57.76, 48.51, -53.37

 

CMYK 25 / 50 / 0 / 1

HEX #BE7FFC

RGB 190 127 252

HSL 270.24, 0.95%, 0.74%

LAB 64.29, 47.63, -53.39

 

CMYK 19 / 43 / 0 / 0

HEX #CF91FF

RGB 207 145 255

HSL 273.82, 1%, 0.78%

LAB 69.99, 43.23, -45.91

 

CMYK 12 / 36 / 0 / 0

HEX #E0A3FF

RGB 224 163 255

HSL 279.78, 1%, 0.82%

LAB 75.61, 38.48, -37

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 33 / 64 / 0 / 22

HEX #8649C8

RGB 134 73 200

HSL 268.82, 0.54%, 0.54%

LAB 44.24, 50.29, -56.53

 

CMYK 35 / 70 / 0 / 29

HEX #7537B5

RGB 117 55 181

HSL 269.52, 0.53%, 0.46%

LAB 37.57, 51.03, -56.3

 

CMYK 38 / 77 / 0 / 36

HEX #6425A2

RGB 100 37 162

HSL 270.24, 0.63%, 0.39%

LAB 30.98, 51.37, -55.76

 

CMYK 42 / 87 / 0 / 44

HEX #53138F

RGB 83 19 143

HSL 270.97, 0.77%, 0.32%

LAB 24.6, 50.83, -54.64

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 16 / 58 / 0 / 14

HEX #B95BDB

RGB 185 91 219

HSL 284.06, 0.64%, 0.61%

LAB 54.98, 57.6, -49.83

 

CMYK 0 / 58 / 0 / 14

HEX #DB5BDA

RGB 219 91 218

HSL 300.47, 0.64%, 0.61%

LAB 59.53, 65.89, -41.78

 

CMYK 0 / 58 / 16 / 14

HEX #DB5BB7

RGB 219 91 183

HSL 316.88, 0.64%, 0.61%

LAB 58, 60.36, -24.23

 

CMYK 0 / 58 / 32 / 14

HEX #DB5B95

RGB 219 91 149

HSL 332.81, 0.64%, 0.61%

LAB 56.79, 55.8, -6.32

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 47 / 58 / 0 / 14

HEX #755BDB

RGB 117 91 219

HSL 252.19, 0.64%, 0.61%

LAB 47.47, 41.86, -62.3

 

CMYK 58 / 58 / 0 / 14

HEX #5B5BDB

RGB 91 91 219

HSL 240, 0.64%, 0.61%

LAB 45.39, 36.91, -65.76

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 36 / 68 / 0 / 8

HEX #964BEB

RGB 150 75 235

HSL 268.13, 0.8%, 0.61%

LAB 48.9, 61.02, -68.87

 

CMYK 41 / 76 / 0 / 2

HEX #953BFB

RGB 149 59 251

HSL 268.13, 0.96%, 0.61%

LAB 47.6, 71.4, -79.96

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 25 / 47 / 0 / 20

HEX #986BCB

RGB 152 107 203

HSL 268.13, 0.48%, 0.61%

LAB 53.5, 37, -43.35

 

CMYK 18 / 34 / 0 / 27

HEX #997CBB

RGB 153 124 187

HSL 267.62, 0.32%, 0.61%

LAB 56.86, 23.78, -28.94

 

CMYK 9 / 18 / 0 / 33

HEX #9A8CAA

RGB 154 140 170

HSL 268, 0.15%, 0.61%

LAB 60.36, 11.13, -13.88

 

CMYK 1 / 0 / 1 / 39

HEX #9B9C9A

RGB 155 156 154

HSL 90, 0.01%, 0.61%

LAB 64.22, -0.74, 0.91

 

CMYK 58 / 54 / 0 / 14

HEX #5B64DB

RGB 91 100 219

HSL 235.78, 0.64%, 0.61%

LAB 47.56, 31.42, -62.24

 

CMYK 47 / 58 / 0 / 14

HEX #755BDB

RGB 117 91 219

HSL 252.19, 0.64%, 0.61%

LAB 47.47, 41.86, -62.3

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 16 / 58 / 0 / 14

HEX #B95BDB

RGB 185 91 219

HSL 284.06, 0.64%, 0.61%

LAB 54.98, 57.6, -49.83

 

CMYK 0 / 58 / 0 / 14

HEX #DB5BDB

RGB 219 91 219

HSL 300, 0.64%, 0.61%

LAB 59.58, 66.06, -42.26

 

CMYK 42 / 78 / 0 / 27

HEX #6D29BB

RGB 109 41 187

HSL 267.95, 0.64%, 0.45%

LAB 34.85, 57.28, -64.32

 

CMYK 38 / 73 / 0 / 17

HEX #823AD3

RGB 130 58 211

HSL 268.24, 0.63%, 0.53%

LAB 41.96, 59.36, -66.59

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 23 / 45 / 0 / 11

HEX #AD7DE2

RGB 173 125 226

HSL 268.51, 0.64%, 0.69%

LAB 60.82, 38.18, -44.61

 

CMYK 17 / 32 / 0 / 8

HEX #C29FEA

RGB 194 159 234

HSL 268, 0.64%, 0.77%

LAB 71.01, 27.22, -32.96

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 0 / 58 / 39 / 14

HEX #DB5B86

RGB 219 91 134

HSL 339.84, 0.64%, 0.61%

LAB 56.35, 54.07, 1.83

 

CMYK 58 / 0 / 54 / 14

HEX #5BDB64

RGB 91 219 100

HSL 124.22, 0.64%, 0.61%

LAB 78.35, -59.04, 47.56

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 0 / 31 / 58 / 14

HEX #DB975B

RGB 219 151 91

HSL 28.13, 0.64%, 0.61%

LAB 67.98, 19.35, 41.5

 

CMYK 58 / 0 / 31 / 14

HEX #5BDB97

RGB 91 219 151

HSL 148.13, 0.64%, 0.61%

LAB 79.11, -50.79, 23.1

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 0 / 58 / 39 / 14

HEX #DB5B86

RGB 219 91 134

HSL 339.84, 0.64%, 0.61%

LAB 56.35, 54.07, 1.83

 

CMYK 27 / 0 / 58 / 14

HEX #9FDB5B

RGB 159 219 91

HSL 88.13, 0.64%, 0.61%

LAB 81.18, -39.49, 55.67

 

CMYK 58 / 0 / 20 / 14

HEX #5BDBB0

RGB 91 219 176

HSL 159.84, 0.64%, 0.61%

LAB 79.63, -45.52, 10.66

 

CMYK 31 / 58 / 0 / 14

HEX #975BDB

RGB 151 91 219

HSL 268.13, 0.64%, 0.61%

LAB 50.89, 49.4, -56.6

 

CMYK 0 / 58 / 56 / 14

HEX #DB5B60

RGB 219 91 96

HSL 357.66, 0.64%, 0.61%

LAB 55.47, 50.55, 22.92

 

CMYK 27 / 0 / 58 / 14

HEX #9FDB5B

RGB 159 219 91

HSL 88.13, 0.64%, 0.61%

LAB 81.18, -39.49, 55.67

 

CMYK 58 / 0 / 2 / 14

HEX #5BDBD6

RGB 91 219 214

HSL 177.66, 0.64%, 0.61%

LAB 80.6, -36.18, -8.15

 

Description

Color code: HEX #975BDB | qconv.com Color code: HEX #975BDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 91 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 91 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 58 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 58% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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