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Color name
HEX #975E4D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975E4D it is the complementary color #68A1B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975E4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975E4D shade: #9C5E48, #AD705B, #BE826E, #CF9481 and #E0A694

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975E4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975E4D shade: #975E4D, #864C3A, #753A27, #642814 and #531601

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975E4D shade: #975E4E and #974E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975E4D shade: #975E4E, #97724E, #97864E, #94974E and #80974E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975E4D shade matches the following richer shades: #975E4E, #AA543B, #BC4A28, #CF4016 and #E13603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975E4D shade: #975E4E, #846860, #727273, #5F7D85 and #4D8798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975E4D shade: #974E65, #974E51, #975D4E, #97714E and #97854E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975E4D shade: #613C31, #7C4D40, #975E4E, #AD7261 and #BB8A7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975E4D shade: #975E4D, #78974E and #4E5B97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975E4D shade: #975E4D, #4E975D and #5D4E97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975E4D shade: #975E4D, #78974E, #4E8797 and #6C4E97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975E4D shade: #975E4D, #62974E, #4E8797 and #824E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 49 / 41

HEX #975E4D

RGB 151 94 77

HSL 13.78, 0.32%, 0.45%

LAB 45.8, 21.31, 19.48

 

Complementary color

CMYK 42 / 10 / 0 / 30

HEX #68A1B2

RGB 104 161 178

HSL 193.78, 0.32%, 0.55%

LAB 63.05, -14.13, -14.68

 

CMYK 0 / 40 / 54 / 39

HEX #9C5E48

RGB 156 94 72

HSL 15.71, 0.37%, 0.45%

LAB 46.37, 22.93, 23.29

 

CMYK 0 / 35 / 47 / 32

HEX #AD705B

RGB 173 112 91

HSL 15.37, 0.33%, 0.52%

LAB 53.2, 21.73, 21.64

 

CMYK 0 / 32 / 42 / 25

HEX #BE826E

RGB 190 130 110

HSL 15, 0.38%, 0.59%

LAB 59.92, 20.7, 20.18

 

CMYK 0 / 29 / 38 / 19

HEX #CF9481

RGB 207 148 129

HSL 14.62, 0.45%, 0.66%

LAB 66.54, 19.79, 18.88

 

CMYK 0 / 26 / 34 / 12

HEX #E0A694

RGB 224 166 148

HSL 14.21, 0.55%, 0.73%

LAB 73.06, 18.99, 17.69

 

CMYK 0 / 38 / 49 / 41

HEX #975E4D

RGB 151 94 77

HSL 13.78, 0.32%, 0.45%

LAB 45.8, 21.31, 19.48

 

CMYK 0 / 43 / 57 / 47

HEX #864C3A

RGB 134 76 58

HSL 14.21, 0.4%, 0.38%

LAB 38.8, 22.59, 21.26

 

CMYK 0 / 50 / 67 / 54

HEX #753A27

RGB 117 58 39

HSL 14.62, 0.5%, 0.31%

LAB 31.7, 24.08, 23.38

 

CMYK 0 / 60 / 80 / 61

HEX #642814

RGB 100 40 20

HSL 15, 0.67%, 0.24%

LAB 24.57, 25.77, 25.89

 

CMYK 0 / 73 / 99 / 67

HEX #531601

RGB 83 22 1

HSL 15.37, 0.98%, 0.16%

LAB 17.53, 27.33, 26.06

 

CMYK 0 / 38 / 48 / 41

HEX #975E4E

RGB 151 94 78

HSL 13.15, 0.32%, 0.45%

LAB 45.82, 21.42, 18.91

 

CMYK 0 / 48 / 48 / 41

HEX #974E4E

RGB 151 78 78

HSL 0, 0.32%, 0.45%

LAB 42.12, 30.43, 13.91

 

CMYK 0 / 38 / 48 / 41

HEX #975E4E

RGB 151 94 78

HSL 13.15, 0.32%, 0.45%

LAB 45.82, 21.42, 18.91

 

CMYK 0 / 25 / 48 / 41

HEX #97724E

RGB 151 114 78

HSL 29.59, 0.32%, 0.45%

LAB 50.88, 9.89, 25.54

 

CMYK 0 / 11 / 48 / 41

HEX #97864E

RGB 151 134 78

HSL 46.03, 0.32%, 0.45%

LAB 56.27, -1.45, 32.36

 

CMYK 2 / 0 / 48 / 41

HEX #94974E

RGB 148 151 78

HSL 62.47, 0.32%, 0.45%

LAB 60.76, -12, 37.81

 

CMYK 15 / 0 / 48 / 41

HEX #80974E

RGB 128 151 78

HSL 78.9, 0.32%, 0.45%

LAB 59.23, -20.34, 35.58

 

CMYK 0 / 38 / 48 / 41

HEX #975E4E

RGB 151 94 78

HSL 13.15, 0.32%, 0.45%

LAB 45.82, 21.42, 18.91

 

CMYK 0 / 51 / 65 / 33

HEX #AA543B

RGB 170 84 59

HSL 13.51, 0.48%, 0.45%

LAB 45.91, 33.18, 30.68

 

CMYK 0 / 61 / 79 / 26

HEX #BC4A28

RGB 188 74 40

HSL 13.78, 0.65%, 0.45%

LAB 46.63, 44.16, 42.61

 

CMYK 0 / 69 / 89 / 19

HEX #CF4016

RGB 207 64 22

HSL 13.62, 0.81%, 0.45%

LAB 48.25, 54.61, 53.34

 

CMYK 0 / 76 / 99 / 12

HEX #E13603

RGB 225 54 3

HSL 13.78, 0.97%, 0.45%

LAB 50.28, 63.55, 61.68

 

CMYK 0 / 38 / 48 / 41

HEX #975E4E

RGB 151 94 78

HSL 13.15, 0.32%, 0.45%

LAB 45.82, 21.42, 18.91

 

CMYK 0 / 21 / 27 / 48

HEX #846860

RGB 132 104 96

HSL 13.33, 0.16%, 0.45%

LAB 46.51, 9.91, 8.76

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 29 / 6 / 0 / 48

HEX #5F7D85

RGB 95 125 133

HSL 192.63, 0.17%, 0.45%

LAB 50.44, -8.68, -7.84

 

CMYK 49 / 11 / 0 / 40

HEX #4D8798

RGB 77 135 152

HSL 193.6, 0.33%, 0.45%

LAB 53.14, -14.15, -14.97

 

CMYK 0 / 48 / 33 / 41

HEX #974E65

RGB 151 78 101

HSL 341.1, 0.32%, 0.45%

LAB 42.71, 33.18, 0.59

 

CMYK 0 / 48 / 46 / 41

HEX #974E51

RGB 151 78 81

HSL 357.53, 0.32%, 0.45%

LAB 42.19, 30.75, 12.16

 

CMYK 0 / 38 / 48 / 41

HEX #975D4E

RGB 151 93 78

HSL 12.33, 0.32%, 0.45%

LAB 45.58, 21.99, 18.58

 

CMYK 0 / 25 / 48 / 41

HEX #97714E

RGB 151 113 78

HSL 28.77, 0.32%, 0.45%

LAB 50.62, 10.47, 25.2

 

CMYK 0 / 12 / 48 / 41

HEX #97854E

RGB 151 133 78

HSL 45.21, 0.32%, 0.45%

LAB 55.99, -0.89, 32.02

 

CMYK 0 / 38 / 49 / 62

HEX #613C31

RGB 97 60 49

HSL 13.75, 0.33%, 0.29%

LAB 29.4, 14.89, 13.56

 

CMYK 0 / 38 / 48 / 51

HEX #7C4D40

RGB 124 77 64

HSL 13, 0.32%, 0.37%

LAB 37.78, 18.28, 15.99

 

CMYK 0 / 38 / 48 / 41

HEX #975E4E

RGB 151 94 78

HSL 13.15, 0.32%, 0.45%

LAB 45.82, 21.42, 18.91

 

CMYK 0 / 34 / 44 / 32

HEX #AD7261

RGB 173 114 97

HSL 13.42, 0.32%, 0.53%

LAB 53.79, 21.26, 18.97

 

CMYK 0 / 26 / 34 / 27

HEX #BB8A7C

RGB 187 138 124

HSL 13.33, 0.32%, 0.61%

LAB 61.82, 16.75, 14.82

 

CMYK 0 / 38 / 49 / 41

HEX #975E4D

RGB 151 94 77

HSL 13.78, 0.32%, 0.45%

LAB 45.8, 21.31, 19.48

 

CMYK 21 / 0 / 48 / 41

HEX #78974E

RGB 120 151 78

HSL 85.48, 0.32%, 0.45%

LAB 58.67, -23.55, 34.78

 

CMYK 48 / 40 / 0 / 41

HEX #4E5B97

RGB 78 91 151

HSL 229.32, 0.32%, 0.45%

LAB 40.14, 12.07, -34.51

 

CMYK 0 / 38 / 49 / 41

HEX #975E4D

RGB 151 94 77

HSL 13.78, 0.32%, 0.45%

LAB 45.8, 21.31, 19.48

 

CMYK 48 / 0 / 38 / 41

HEX #4E975D

RGB 78 151 93

HSL 132.33, 0.32%, 0.45%

LAB 56.63, -35.92, 23.7

 

CMYK 38 / 48 / 0 / 41

HEX #5D4E97

RGB 93 78 151

HSL 252.33, 0.32%, 0.45%

LAB 37.86, 24.29, -38.05

 

CMYK 0 / 38 / 49 / 41

HEX #975E4D

RGB 151 94 77

HSL 13.78, 0.32%, 0.45%

LAB 45.8, 21.31, 19.48

 

CMYK 21 / 0 / 48 / 41

HEX #78974E

RGB 120 151 78

HSL 85.48, 0.32%, 0.45%

LAB 58.67, -23.55, 34.78

 

CMYK 48 / 11 / 0 / 41

HEX #4E8797

RGB 78 135 151

HSL 193.15, 0.32%, 0.45%

LAB 53.15, -14.19, -14.37

 

CMYK 28 / 48 / 0 / 41

HEX #6C4E97

RGB 108 78 151

HSL 264.66, 0.32%, 0.45%

LAB 39.36, 28.5, -35.57

 

CMYK 0 / 38 / 49 / 41

HEX #975E4D

RGB 151 94 77

HSL 13.78, 0.32%, 0.45%

LAB 45.8, 21.31, 19.48

 

CMYK 35 / 0 / 48 / 41

HEX #62974E

RGB 98 151 78

HSL 103.56, 0.32%, 0.45%

LAB 57.35, -31.82, 32.85

 

CMYK 48 / 11 / 0 / 41

HEX #4E8797

RGB 78 135 151

HSL 193.15, 0.32%, 0.45%

LAB 53.15, -14.19, -14.37

 

CMYK 14 / 48 / 0 / 41

HEX #824E97

RGB 130 78 151

HSL 282.74, 0.32%, 0.45%

LAB 41.89, 35.01, -31.41

 

Description

Color code: HEX #975E4D | qconv.com Color code: HEX #975E4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 94 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 94 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 49 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 49% 41% C M Y K

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