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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #976872 it is the complementary color #68978D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #976872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #976872 shade: #9C686D, #AD7A80, #BE8C93, #CF9EA6 and #E0B0B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #976872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #976872 shade: #976872, #86565F, #75444C, #643239 and #532026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #976872 shade: #966872 and #966868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #976872 shade: #966872, #96687E, #96688B, #956896 and #896896

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #976872 shade matches the following richer shades: #966872, #AB5366, #BF3F5A, #D42A4E and #E81642

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #976872 shade: #966872, #817D7E, #6D918A, #58A695 and #43BBA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #976872 shade: #96688A, #96687E, #966872, #966A68 and #967768

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #976872 shade: #65464D, #7E575F, #966872, #A78089 and #B8999F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #976872 shade: #976872, #969568 and #688496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #976872 shade: #976872, #729668 and #687296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #976872 shade: #976872, #969568, #68968C and #686996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #976872 shade: #976872, #899668, #68968C and #756896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 25 / 41

HEX #976872

RGB 151 104 114

HSL 347.23, 0.18%, 0.5%

LAB 49.12, 20.36, 2.03

 

Complementary color

CMYK 31 / 0 / 7 / 41

HEX #68978D

RGB 104 151 141

HSL 167.23, 0.18%, 0.5%

LAB 58.97, -18.12, 0.18

 

CMYK 0 / 33 / 30 / 39

HEX #9C686D

RGB 156 104 109

HSL 354.23, 0.21%, 0.51%

LAB 49.58, 21.59, 5.75

 

CMYK 0 / 29 / 26 / 32

HEX #AD7A80

RGB 173 122 128

HSL 352.94, 0.24%, 0.58%

LAB 56.45, 20.77, 4.7

 

CMYK 0 / 26 / 23 / 25

HEX #BE8C93

RGB 190 140 147

HSL 351.6, 0.28%, 0.65%

LAB 63.19, 20.04, 3.76

 

CMYK 0 / 24 / 20 / 19

HEX #CF9EA6

RGB 207 158 166

HSL 350.2, 0.34%, 0.72%

LAB 69.8, 19.39, 2.9

 

CMYK 0 / 21 / 17 / 12

HEX #E0B0B9

RGB 224 176 185

HSL 348.75, 0.44%, 0.78%

LAB 76.31, 18.81, 2.11

 

CMYK 0 / 31 / 25 / 41

HEX #976872

RGB 151 104 114

HSL 347.23, 0.18%, 0.5%

LAB 49.12, 20.36, 2.03

 

CMYK 0 / 36 / 29 / 47

HEX #86565F

RGB 134 86 95

HSL 348.75, 0.22%, 0.43%

LAB 42.08, 21.21, 3.07

 

CMYK 0 / 42 / 35 / 54

HEX #75444C

RGB 117 68 76

HSL 350.2, 0.26%, 0.36%

LAB 34.88, 22.18, 4.3

 

CMYK 0 / 50 / 43 / 61

HEX #643239

RGB 100 50 57

HSL 351.6, 0.33%, 0.29%

LAB 27.53, 23.27, 5.83

 

CMYK 0 / 61 / 54 / 67

HEX #532026

RGB 83 32 38

HSL 352.94, 0.44%, 0.23%

LAB 20.09, 24.42, 7.91

 

CMYK 0 / 31 / 24 / 41

HEX #966872

RGB 150 104 114

HSL 346.96, 0.18%, 0.5%

LAB 49.01, 19.97, 1.84

 

CMYK 0 / 31 / 31 / 41

HEX #966868

RGB 150 104 104

HSL 0, 0.18%, 0.5%

LAB 48.74, 18.47, 7.43

 

CMYK 0 / 31 / 24 / 41

HEX #966872

RGB 150 104 114

HSL 346.96, 0.18%, 0.5%

LAB 49.01, 19.97, 1.84

 

CMYK 0 / 31 / 16 / 41

HEX #96687E

RGB 150 104 126

HSL 331.3, 0.18%, 0.5%

LAB 49.36, 21.93, -4.79

 

CMYK 0 / 31 / 7 / 41

HEX #96688B

RGB 150 104 139

HSL 314.35, 0.18%, 0.5%

LAB 49.8, 24.26, -11.86

 

CMYK 1 / 31 / 0 / 41

HEX #956896

RGB 149 104 150

HSL 298.7, 0.18%, 0.5%

LAB 50.09, 26.04, -17.94

 

CMYK 9 / 31 / 0 / 41

HEX #896896

RGB 137 104 150

HSL 283.04, 0.18%, 0.5%

LAB 48.79, 21.92, -20.04

 

CMYK 0 / 31 / 24 / 41

HEX #966872

RGB 150 104 114

HSL 346.96, 0.18%, 0.5%

LAB 49.01, 19.97, 1.84

 

CMYK 0 / 51 / 40 / 33

HEX #AB5366

RGB 171 83 102

HSL 347.05, 0.35%, 0.5%

LAB 46.72, 37.99, 6.12

 

CMYK 0 / 67 / 53 / 25

HEX #BF3F5A

RGB 191 63 90

HSL 347.34, 0.5%, 0.5%

LAB 46.14, 52.99, 13.1

 

CMYK 0 / 80 / 63 / 17

HEX #D42A4E

RGB 212 42 78

HSL 347.29, 0.67%, 0.5%

LAB 47.24, 65.39, 22.6

 

CMYK 0 / 91 / 72 / 9

HEX #E81642

RGB 232 22 66

HSL 347.43, 0.83%, 0.5%

LAB 49.64, 73.88, 33.71

 

CMYK 0 / 31 / 24 / 41

HEX #966872

RGB 150 104 114

HSL 346.96, 0.18%, 0.5%

LAB 49.01, 19.97, 1.84

 

CMYK 0 / 3 / 2 / 49

HEX #817D7E

RGB 129 125 126

HSL 345, 0.02%, 0.5%

LAB 52.77, 1.71, -0.01

 

CMYK 25 / 0 / 5 / 43

HEX #6D918A

RGB 109 145 138

HSL 168.33, 0.14%, 0.5%

LAB 57.4, -14.02, -0.37

 

CMYK 47 / 0 / 10 / 35

HEX #58A695

RGB 88 166 149

HSL 166.92, 0.31%, 0.5%

LAB 62.94, -28.3, 1.36

 

CMYK 64 / 0 / 14 / 27

HEX #43BBA1

RGB 67 187 161

HSL 167, 0.47%, 0.5%

LAB 68.97, -39.55, 3.38

 

CMYK 0 / 31 / 8 / 41

HEX #96688A

RGB 150 104 138

HSL 315.65, 0.18%, 0.5%

LAB 49.76, 24.08, -11.32

 

CMYK 0 / 31 / 16 / 41

HEX #96687E

RGB 150 104 126

HSL 331.3, 0.18%, 0.5%

LAB 49.36, 21.93, -4.79

 

CMYK 0 / 31 / 24 / 41

HEX #966872

RGB 150 104 114

HSL 346.96, 0.18%, 0.5%

LAB 49.01, 19.97, 1.84

 

CMYK 0 / 29 / 31 / 41

HEX #966A68

RGB 150 106 104

HSL 2.61, 0.18%, 0.5%

LAB 49.24, 17.32, 8.14

 

CMYK 0 / 21 / 31 / 41

HEX #967768

RGB 150 119 104

HSL 19.57, 0.18%, 0.5%

LAB 52.59, 9.8, 12.85

 

CMYK 0 / 31 / 24 / 60

HEX #65464D

RGB 101 70 77

HSL 346.45, 0.18%, 0.34%

LAB 33.31, 14.46, 1.13

 

CMYK 0 / 31 / 25 / 51

HEX #7E575F

RGB 126 87 95

HSL 347.69, 0.18%, 0.42%

LAB 41.34, 17.39, 1.88

 

CMYK 0 / 31 / 24 / 41

HEX #966872

RGB 150 104 114

HSL 346.96, 0.18%, 0.5%

LAB 49.01, 19.97, 1.84

 

CMYK 0 / 23 / 18 / 35

HEX #A78089

RGB 167 128 137

HSL 346.15, 0.18%, 0.58%

LAB 57.52, 16.47, 0.96

 

CMYK 0 / 17 / 14 / 28

HEX #B8999F

RGB 184 153 159

HSL 348.39, 0.18%, 0.66%

LAB 66.12, 12.49, 1.17

 

CMYK 0 / 31 / 25 / 41

HEX #976872

RGB 151 104 114

HSL 347.23, 0.18%, 0.5%

LAB 49.12, 20.36, 2.03

 

CMYK 0 / 1 / 31 / 41

HEX #969568

RGB 150 149 104

HSL 58.7, 0.18%, 0.5%

LAB 60.76, -7.03, 23.96

 

CMYK 31 / 12 / 0 / 41

HEX #688496

RGB 104 132 150

HSL 203.48, 0.18%, 0.5%

LAB 53.65, -5.5, -12.89

 

CMYK 0 / 31 / 25 / 41

HEX #976872

RGB 151 104 114

HSL 347.23, 0.18%, 0.5%

LAB 49.12, 20.36, 2.03

 

CMYK 24 / 0 / 31 / 41

HEX #729668

RGB 114 150 104

HSL 106.96, 0.18%, 0.5%

LAB 58.41, -21.62, 20.34

 

CMYK 31 / 24 / 0 / 41

HEX #687296

RGB 104 114 150

HSL 226.96, 0.18%, 0.5%

LAB 48.49, 5.03, -20.76

 

CMYK 0 / 31 / 25 / 41

HEX #976872

RGB 151 104 114

HSL 347.23, 0.18%, 0.5%

LAB 49.12, 20.36, 2.03

 

CMYK 0 / 1 / 31 / 41

HEX #969568

RGB 150 149 104

HSL 58.7, 0.18%, 0.5%

LAB 60.76, -7.03, 23.96

 

CMYK 31 / 0 / 7 / 41

HEX #68968C

RGB 104 150 140

HSL 166.96, 0.18%, 0.5%

LAB 58.65, -17.82, 0.28

 

CMYK 31 / 30 / 0 / 41

HEX #686996

RGB 104 105 150

HSL 238.7, 0.18%, 0.5%

LAB 45.97, 10.47, -24.64

 

CMYK 0 / 31 / 25 / 41

HEX #976872

RGB 151 104 114

HSL 347.23, 0.18%, 0.5%

LAB 49.12, 20.36, 2.03

 

CMYK 9 / 0 / 31 / 41

HEX #899668

RGB 137 150 104

HSL 76.96, 0.18%, 0.5%

LAB 60.01, -12.81, 22.77

 

CMYK 31 / 0 / 7 / 41

HEX #68968C

RGB 104 150 140

HSL 166.96, 0.18%, 0.5%

LAB 58.65, -17.82, 0.28

 

CMYK 22 / 31 / 0 / 41

HEX #756896

RGB 117 104 150

HSL 256.96, 0.18%, 0.5%

LAB 46.82, 15.23, -23.23

 

Description

Color code: HEX #976872 | qconv.com Color code: HEX #976872 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 104 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 104 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 25 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 25% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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