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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9768C7 it is the complementary color #689738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9768C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9768C7 shade: #9C68C2, #AD7AD5, #BE8CE8, #CF9EFB and #E0B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9768C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9768C7 shade: #9768C7, #8656B4, #7544A1, #64328E and #53207B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9768C7 shade: #9566C6, #AF66C6, #C666C3, #C666A9 and #C6668F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9768C7 shade: #9566C6, #7B66C6 and #6666C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9768C7 shade matches the following richer shades: #9566C6, #9555D7, #9544E8 and #9533F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9768C7 shade: #9566C6, #9677B5, #9688A4, #969993 and #96AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9768C7 shade: #666BC6, #7B66C6, #9466C6, #AE66C6 and #C666C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9768C7 shade: #6C3A9F, #8148BB, #9566C6, #AA84D1 and #BFA2DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9768C7 shade: #9768C7, #C66684 and #66C66E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9768C7 shade: #9768C7, #C69466 and #66C694

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9768C7 shade: #9768C7, #C66684, #98C666 and #66C6A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9768C7 shade: #9768C7, #C66667, #98C666 and #66C6C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 48 / 0 / 22

HEX #9768C7

RGB 151 104 199

HSL 269.68, 0.46%, 0.59%

LAB 52.51, 37.46, -42.62

 

Complementary color

CMYK 31 / 0 / 63 / 41

HEX #689738

RGB 104 151 56

HSL 89.68, 0.46%, 0.41%

LAB 57.43, -32.1, 43.84

 

CMYK 20 / 46 / 0 / 24

HEX #9C68C2

RGB 156 104 194

HSL 274.67, 0.42%, 0.58%

LAB 52.8, 37.71, -39.27

 

CMYK 19 / 43 / 0 / 16

HEX #AD7AD5

RGB 173 122 213

HSL 273.63, 0.52%, 0.66%

LAB 59.53, 36.87, -39.35

 

CMYK 18 / 40 / 0 / 9

HEX #BE8CE8

RGB 190 140 232

HSL 272.61, 0.67%, 0.73%

LAB 66.16, 36.08, -39.43

 

CMYK 18 / 37 / 0 / 2

HEX #CF9EFB

RGB 207 158 251

HSL 271.61, 0.92%, 0.8%

LAB 72.68, 35.34, -39.52

 

CMYK 12 / 31 / 0 / 0

HEX #E0B0FF

RGB 224 176 255

HSL 276.46, 1%, 0.85%

LAB 78.53, 31.51, -32.49

 

CMYK 24 / 48 / 0 / 22

HEX #9768C7

RGB 151 104 199

HSL 269.68, 0.46%, 0.59%

LAB 52.51, 37.46, -42.62

 

CMYK 26 / 52 / 0 / 29

HEX #8656B4

RGB 134 86 180

HSL 270.64, 0.39%, 0.52%

LAB 45.66, 38.39, -42.61

 

CMYK 27 / 58 / 0 / 37

HEX #7544A1

RGB 117 68 161

HSL 271.61, 0.41%, 0.45%

LAB 38.71, 39.33, -42.56

 

CMYK 30 / 65 / 0 / 44

HEX #64328E

RGB 100 50 142

HSL 272.61, 0.48%, 0.38%

LAB 31.68, 40.19, -42.41

 

CMYK 33 / 74 / 0 / 52

HEX #53207B

RGB 83 32 123

HSL 273.63, 0.59%, 0.3%

LAB 24.65, 40.77, -42.01

 

CMYK 25 / 48 / 0 / 22

HEX #9566C6

RGB 149 102 198

HSL 269.38, 0.46%, 0.59%

LAB 51.8, 37.8, -43.19

 

CMYK 12 / 48 / 0 / 22

HEX #AF66C6

RGB 175 102 198

HSL 285.63, 0.46%, 0.59%

LAB 54.76, 45.1, -38.33

 

CMYK 0 / 48 / 2 / 22

HEX #C666C3

RGB 198 102 195

HSL 301.88, 0.46%, 0.59%

LAB 57.51, 51.13, -32.1

 

CMYK 0 / 48 / 15 / 22

HEX #C666A9

RGB 198 102 169

HSL 318.13, 0.46%, 0.59%

LAB 56.46, 46.74, -18.77

 

CMYK 0 / 48 / 28 / 22

HEX #C6668F

RGB 198 102 143

HSL 334.38, 0.46%, 0.59%

LAB 55.58, 42.9, -4.95

 

CMYK 25 / 48 / 0 / 22

HEX #9566C6

RGB 149 102 198

HSL 269.38, 0.46%, 0.59%

LAB 51.8, 37.8, -43.19

 

CMYK 38 / 48 / 0 / 22

HEX #7B66C6

RGB 123 102 198

HSL 253.13, 0.46%, 0.59%

LAB 49.24, 30.87, -47.41

 

CMYK 48 / 48 / 0 / 22

HEX #6666C6

RGB 102 102 198

HSL 240, 0.46%, 0.59%

LAB 47.5, 25.77, -50.29

 

CMYK 25 / 48 / 0 / 22

HEX #9566C6

RGB 149 102 198

HSL 269.38, 0.46%, 0.59%

LAB 51.8, 37.8, -43.19

 

CMYK 31 / 60 / 0 / 16

HEX #9555D7

RGB 149 85 215

HSL 269.54, 0.62%, 0.59%

LAB 49.24, 51.11, -56.99

 

CMYK 36 / 71 / 0 / 9

HEX #9544E8

RGB 149 68 232

HSL 269.63, 0.78%, 0.59%

LAB 47.43, 63.3, -69.57

 

CMYK 40 / 80 / 0 / 2

HEX #9533F9

RGB 149 51 249

HSL 269.7, 0.94%, 0.59%

LAB 46.44, 73.83, -80.74

 

CMYK 25 / 48 / 0 / 22

HEX #9566C6

RGB 149 102 198

HSL 269.38, 0.46%, 0.59%

LAB 51.8, 37.8, -43.19

 

CMYK 17 / 34 / 0 / 29

HEX #9677B5

RGB 150 119 181

HSL 270, 0.3%, 0.59%

LAB 55.09, 24.35, -28.27

 

CMYK 9 / 17 / 0 / 36

HEX #9688A4

RGB 150 136 164

HSL 270, 0.13%, 0.59%

LAB 58.76, 10.76, -12.9

 

CMYK 2 / 0 / 4 / 40

HEX #969993

RGB 150 153 147

HSL 90, 0.03%, 0.59%

LAB 62.82, -2.23, 2.76

 

CMYK 12 / 0 / 24 / 33

HEX #96AA82

RGB 150 170 130

HSL 90, 0.19%, 0.59%

LAB 67.16, -14.35, 18.36

 

CMYK 48 / 46 / 0 / 22

HEX #666BC6

RGB 102 107 198

HSL 236.88, 0.46%, 0.59%

LAB 48.78, 22.7, -48.25

 

CMYK 38 / 48 / 0 / 22

HEX #7B66C6

RGB 123 102 198

HSL 253.13, 0.46%, 0.59%

LAB 49.24, 30.87, -47.41

 

CMYK 25 / 48 / 0 / 22

HEX #9466C6

RGB 148 102 198

HSL 268.75, 0.46%, 0.59%

LAB 51.7, 37.52, -43.36

 

CMYK 12 / 48 / 0 / 22

HEX #AE66C6

RGB 174 102 198

HSL 285, 0.46%, 0.59%

LAB 54.64, 44.81, -38.53

 

CMYK 0 / 48 / 1 / 22

HEX #C666C4

RGB 198 102 196

HSL 301.25, 0.46%, 0.59%

LAB 57.55, 51.31, -32.6

 

CMYK 32 / 64 / 0 / 38

HEX #6C3A9F

RGB 108 58 159

HSL 269.7, 0.47%, 0.43%

LAB 35.43, 42.08, -46.67

 

CMYK 31 / 61 / 0 / 27

HEX #8148BB

RGB 129 72 187

HSL 269.74, 0.46%, 0.51%

LAB 42.6, 46.5, -51.64

 

CMYK 25 / 48 / 0 / 22

HEX #9566C6

RGB 149 102 198

HSL 269.38, 0.46%, 0.59%

LAB 51.8, 37.8, -43.19

 

CMYK 19 / 37 / 0 / 18

HEX #AA84D1

RGB 170 132 209

HSL 269.61, 0.46%, 0.67%

LAB 61.35, 29.47, -34.28

 

CMYK 13 / 26 / 0 / 14

HEX #BFA2DC

RGB 191 162 220

HSL 270, 0.45%, 0.75%

LAB 70.93, 21.6, -25.44

 

CMYK 24 / 48 / 0 / 22

HEX #9768C7

RGB 151 104 199

HSL 269.68, 0.46%, 0.59%

LAB 52.51, 37.46, -42.62

 

CMYK 0 / 48 / 33 / 22

HEX #C66684

RGB 198 102 132

HSL 341.25, 0.46%, 0.59%

LAB 55.25, 41.46, 1.03

 

CMYK 48 / 0 / 44 / 22

HEX #66C66E

RGB 102 198 110

HSL 125, 0.46%, 0.59%

LAB 72.45, -46.65, 35.49

 

CMYK 24 / 48 / 0 / 22

HEX #9768C7

RGB 151 104 199

HSL 269.68, 0.46%, 0.59%

LAB 52.51, 37.46, -42.62

 

CMYK 0 / 25 / 48 / 22

HEX #C69466

RGB 198 148 102

HSL 28.75, 0.46%, 0.59%

LAB 65.08, 13.22, 31.57

 

CMYK 48 / 0 / 25 / 22

HEX #66C694

RGB 102 198 148

HSL 148.75, 0.46%, 0.59%

LAB 73.12, -39.9, 16.48

 

CMYK 24 / 48 / 0 / 22

HEX #9768C7

RGB 151 104 199

HSL 269.68, 0.46%, 0.59%

LAB 52.51, 37.46, -42.62

 

CMYK 0 / 48 / 33 / 22

HEX #C66684

RGB 198 102 132

HSL 341.25, 0.46%, 0.59%

LAB 55.25, 41.46, 1.03

 

CMYK 23 / 0 / 48 / 22

HEX #98C666

RGB 152 198 102

HSL 88.75, 0.46%, 0.59%

LAB 74.84, -31.33, 42.99

 

CMYK 48 / 0 / 15 / 22

HEX #66C6A8

RGB 102 198 168

HSL 161.25, 0.46%, 0.59%

LAB 73.57, -35.58, 6.34

 

CMYK 24 / 48 / 0 / 22

HEX #9768C7

RGB 151 104 199

HSL 269.68, 0.46%, 0.59%

LAB 52.51, 37.46, -42.62

 

CMYK 0 / 48 / 48 / 22

HEX #C66667

RGB 198 102 103

HSL 359.38, 0.46%, 0.59%

LAB 54.54, 38.21, 17.05

 

CMYK 23 / 0 / 48 / 22

HEX #98C666

RGB 152 198 102

HSL 88.75, 0.46%, 0.59%

LAB 74.84, -31.33, 42.99

 

CMYK 48 / 0 / 1 / 22

HEX #66C6C4

RGB 102 198 196

HSL 178.75, 0.46%, 0.59%

LAB 74.32, -28.75, -7.75

 

Description

Color code: HEX #9768C7 | qconv.com Color code: HEX #9768C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 104 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 104 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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