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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97627D it is the complementary color #689D82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97627D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97627D shade: #9C6278, #AD748B, #BE869E, #CF98B1 and #E0AAC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97627D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97627D shade: #97627D, #86506A, #753E57, #642C44 and #531A31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97627D shade: #97627D, #97626F and #976262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97627D shade: #97627D, #97628B, #946297, #866297 and #786297

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97627D shade matches the following richer shades: #97627D, #AB4E7D, #BF3A7E, #D3267E and #E8117E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97627D shade: #97627D, #82767D, #6E8B7C, #5A9F7C and #46B37B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97627D shade: #946297, #97628B, #97627D, #97626F and #976362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97627D shade: #654254, #7E5268, #97627D, #A87A92 and #B893A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97627D shade: #97627D, #978662 and #629297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97627D shade: #97627D, #7D9762 and #627D97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97627D shade: #97627D, #978662, #62977C and #627397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97627D shade: #97627D, #979662, #62977C and #626397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

Complementary color

CMYK 34 / 0 / 17 / 38

HEX #689D82

RGB 104 157 130

HSL 149.43, 0.21%, 0.51%

LAB 60.49, -23.65, 8.59

 

CMYK 0 / 37 / 23 / 39

HEX #9C6278

RGB 156 98 120

HSL 337.24, 0.23%, 0.5%

LAB 48.46, 26.66, -2.46

 

CMYK 0 / 33 / 20 / 32

HEX #AD748B

RGB 173 116 139

HSL 335.79, 0.26%, 0.57%

LAB 55.32, 25.84, -3.35

 

CMYK 0 / 29 / 17 / 25

HEX #BE869E

RGB 190 134 158

HSL 334.29, 0.3%, 0.64%

LAB 62.05, 25.09, -4.15

 

CMYK 0 / 27 / 14 / 19

HEX #CF98B1

RGB 207 152 177

HSL 332.73, 0.36%, 0.7%

LAB 68.68, 24.42, -4.87

 

CMYK 0 / 24 / 13 / 12

HEX #E0AAC4

RGB 224 170 196

HSL 331.11, 0.47%, 0.77%

LAB 75.19, 23.79, -5.55

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 40 / 21 / 47

HEX #86506A

RGB 134 80 106

HSL 331.11, 0.25%, 0.42%

LAB 40.97, 26.44, -5.33

 

CMYK 0 / 47 / 26 / 54

HEX #753E57

RGB 117 62 87

HSL 332.73, 0.31%, 0.35%

LAB 33.81, 27.34, -4.29

 

CMYK 0 / 56 / 32 / 61

HEX #642C44

RGB 100 44 68

HSL 334.29, 0.39%, 0.28%

LAB 26.53, 28.24, -2.95

 

CMYK 0 / 69 / 41 / 67

HEX #531A31

RGB 83 26 49

HSL 335.79, 0.52%, 0.21%

LAB 19.22, 28.94, -1.05

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 35 / 26 / 41

HEX #97626F

RGB 151 98 111

HSL 345.28, 0.21%, 0.49%

LAB 47.58, 23.36, 1.58

 

CMYK 0 / 35 / 35 / 41

HEX #976262

RGB 151 98 98

HSL 0, 0.21%, 0.49%

LAB 47.23, 21.51, 8.89

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 35 / 8 / 41

HEX #97628B

RGB 151 98 139

HSL 313.58, 0.21%, 0.49%

LAB 48.48, 28.07, -13.84

 

CMYK 2 / 35 / 0 / 41

HEX #946297

RGB 148 98 151

HSL 296.6, 0.21%, 0.49%

LAB 48.59, 29.35, -20.83

 

CMYK 11 / 35 / 0 / 41

HEX #866297

RGB 134 98 151

HSL 280.75, 0.21%, 0.49%

LAB 47.02, 24.67, -23.38

 

CMYK 21 / 35 / 0 / 41

HEX #786297

RGB 120 98 151

HSL 264.91, 0.21%, 0.49%

LAB 45.58, 20.08, -25.72

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 54 / 27 / 33

HEX #AB4E7D

RGB 171 78 125

HSL 329.68, 0.37%, 0.49%

LAB 46.43, 43.48, -8.26

 

CMYK 0 / 70 / 34 / 25

HEX #BF3A7E

RGB 191 58 126

HSL 329.32, 0.53%, 0.49%

LAB 46.46, 58.52, -8.49

 

CMYK 0 / 82 / 40 / 17

HEX #D3267E

RGB 211 38 126

HSL 329.48, 0.69%, 0.49%

LAB 47.93, 69.79, -5.91

 

CMYK 0 / 93 / 46 / 9

HEX #E8117E

RGB 232 17 126

HSL 329.58, 0.86%, 0.49%

LAB 50.76, 78.12, -1.28

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 9 / 4 / 49

HEX #82767D

RGB 130 118 125

HSL 325, 0.05%, 0.49%

LAB 50.9, 5.95, -2.16

 

CMYK 21 / 0 / 11 / 45

HEX #6E8B7C

RGB 110 139 124

HSL 148.97, 0.12%, 0.49%

LAB 55.31, -13.5, 4.65

 

CMYK 43 / 0 / 22 / 38

HEX #5A9F7C

RGB 90 159 124

HSL 149.57, 0.28%, 0.49%

LAB 60.27, -30.11, 11.55

 

CMYK 61 / 0 / 31 / 30

HEX #46B37B

RGB 70 179 123

HSL 149.17, 0.44%, 0.49%

LAB 65.73, -44.25, 19.56

 

CMYK 2 / 35 / 0 / 41

HEX #946297

RGB 148 98 151

HSL 296.6, 0.21%, 0.49%

LAB 48.59, 29.35, -20.83

 

CMYK 0 / 35 / 8 / 41

HEX #97628B

RGB 151 98 139

HSL 313.58, 0.21%, 0.49%

LAB 48.48, 28.07, -13.84

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 35 / 26 / 41

HEX #97626F

RGB 151 98 111

HSL 345.28, 0.21%, 0.49%

LAB 47.58, 23.36, 1.58

 

CMYK 0 / 34 / 35 / 41

HEX #976362

RGB 151 99 98

HSL 1.13, 0.21%, 0.49%

LAB 47.48, 20.94, 9.24

 

CMYK 0 / 35 / 17 / 60

HEX #654254

RGB 101 66 84

HSL 329.14, 0.21%, 0.33%

LAB 32.49, 18.18, -4.57

 

CMYK 0 / 35 / 17 / 51

HEX #7E5268

RGB 126 82 104

HSL 330, 0.21%, 0.41%

LAB 40.36, 21.88, -5.12

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 27 / 13 / 34

HEX #A87A92

RGB 168 122 146

HSL 328.7, 0.21%, 0.57%

LAB 56.41, 21.77, -5.88

 

CMYK 0 / 20 / 10 / 28

HEX #B893A6

RGB 184 147 166

HSL 329.19, 0.21%, 0.65%

LAB 64.81, 17.03, -4.68

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 11 / 35 / 41

HEX #978662

RGB 151 134 98

HSL 40.75, 0.21%, 0.49%

LAB 56.6, 0.87, 21.76

 

CMYK 35 / 3 / 0 / 41

HEX #629297

RGB 98 146 151

HSL 185.66, 0.21%, 0.49%

LAB 57.45, -14.81, -7.81

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 17 / 0 / 35 / 41

HEX #7D9762

RGB 125 151 98

HSL 89.43, 0.21%, 0.49%

LAB 59.32, -18.93, 25

 

CMYK 35 / 17 / 0 / 41

HEX #627D97

RGB 98 125 151

HSL 209.43, 0.21%, 0.49%

LAB 51.27, -3.04, -17.13

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 11 / 35 / 41

HEX #978662

RGB 151 134 98

HSL 40.75, 0.21%, 0.49%

LAB 56.6, 0.87, 21.76

 

CMYK 35 / 0 / 18 / 41

HEX #62977C

RGB 98 151 124

HSL 149.43, 0.21%, 0.49%

LAB 58.21, -23.77, 8.7

 

CMYK 35 / 24 / 0 / 41

HEX #627397

RGB 98 115 151

HSL 220.75, 0.21%, 0.49%

LAB 48.38, 2.86, -21.55

 

CMYK 0 / 35 / 17 / 41

HEX #97627D

RGB 151 98 125

HSL 329.43, 0.21%, 0.49%

LAB 48, 25.6, -6.2

 

CMYK 0 / 1 / 35 / 41

HEX #979662

RGB 151 150 98

HSL 58.87, 0.21%, 0.49%

LAB 61.02, -7.95, 27.61

 

CMYK 35 / 0 / 18 / 41

HEX #62977C

RGB 98 151 124

HSL 149.43, 0.21%, 0.49%

LAB 58.21, -23.77, 8.7

 

CMYK 35 / 34 / 0 / 41

HEX #626397

RGB 98 99 151

HSL 238.87, 0.21%, 0.49%

LAB 43.88, 12.61, -28.53

 

Description

Color code: HEX #97627D | qconv.com Color code: HEX #97627D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 98 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 98 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 17 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 17% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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