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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #976F3E it is the complementary color #6890C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #976F3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #976F3E shade: #9C6F39, #AD814C, #BE935F, #CFA572 and #E0B785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #976F3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #976F3E shade: #976F3E, #865D2B, #754B18, #643905 and #532700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #976F3E shade: #986F3E, #98573E, #983F3E and #983E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #976F3E shade: #986F3E, #98873E, #90983E, #77983E and #5F983E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #976F3E shade matches the following richer shades: #986F3E, #A9712C, #BA731B and #CC740A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #976F3E shade: #986F3E, #866D4F, #756C60, #646A72 and #526883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #976F3E shade: #983F3E, #98573E, #986F3E, #98873E and #90983E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #976F3E shade: #5D4426, #7A5A32, #986F3E, #B5854A and #C19867

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #976F3E shade: #976F3E, #54983E and #4B3E98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #976F3E shade: #976F3E, #3E986F and #6F3E98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #976F3E shade: #976F3E, #54983E, #3E6698 and #813E98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #976F3E shade: #976F3E, #3E9842, #3E6698 and #983E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 59 / 41

HEX #976F3E

RGB 151 111 62

HSL 33.03, 0.42%, 0.42%

LAB 49.85, 10.12, 33.15

 

Complementary color

CMYK 46 / 25 / 0 / 24

HEX #6890C1

RGB 104 144 193

HSL 213.03, 0.42%, 0.58%

LAB 58.73, -0.46, -29.73

 

CMYK 0 / 29 / 63 / 39

HEX #9C6F39

RGB 156 111 57

HSL 32.73, 0.46%, 0.42%

LAB 50.37, 11.97, 36.57

 

CMYK 0 / 25 / 56 / 32

HEX #AD814C

RGB 173 129 76

HSL 32.78, 0.39%, 0.49%

LAB 57.18, 10.76, 35.06

 

CMYK 0 / 23 / 50 / 25

HEX #BE935F

RGB 190 147 95

HSL 32.84, 0.42%, 0.56%

LAB 63.87, 9.75, 33.62

 

CMYK 0 / 20 / 45 / 19

HEX #CFA572

RGB 207 165 114

HSL 32.9, 0.49%, 0.63%

LAB 70.45, 8.89, 32.26

 

CMYK 0 / 18 / 41 / 12

HEX #E0B785

RGB 224 183 133

HSL 32.97, 0.59%, 0.7%

LAB 76.93, 8.16, 30.98

 

CMYK 0 / 26 / 59 / 41

HEX #976F3E

RGB 151 111 62

HSL 33.03, 0.42%, 0.42%

LAB 49.85, 10.12, 33.15

 

CMYK 0 / 31 / 68 / 47

HEX #865D2B

RGB 134 93 43

HSL 32.97, 0.51%, 0.35%

LAB 42.87, 11.44, 34.68

 

CMYK 0 / 36 / 79 / 54

HEX #754B18

RGB 117 75 24

HSL 32.9, 0.66%, 0.28%

LAB 35.75, 13.11, 36.02

 

CMYK 0 / 43 / 95 / 61

HEX #643905

RGB 100 57 5

HSL 32.84, 0.9%, 0.21%

LAB 28.5, 15.2, 36.59

 

CMYK 0 / 53 / 100 / 67

HEX #532700

RGB 83 39 0

HSL 28.19, 1%, 0.16%

LAB 21.17, 17.85, 30.65

 

CMYK 0 / 27 / 59 / 40

HEX #986F3E

RGB 152 111 62

HSL 32.67, 0.42%, 0.42%

LAB 49.97, 10.56, 33.32

 

CMYK 0 / 43 / 59 / 40

HEX #98573E

RGB 152 87 62

HSL 16.67, 0.42%, 0.42%

LAB 44, 24.33, 26.01

 

CMYK 0 / 59 / 59 / 40

HEX #983F3E

RGB 152 63 62

HSL 0.67, 0.42%, 0.42%

LAB 38.86, 37.26, 19.43

 

CMYK 0 / 59 / 59 / 40

HEX #983E3E

RGB 152 62 62

HSL 0, 0.42%, 0.42%

LAB 38.67, 37.76, 19.19

 

CMYK 0 / 27 / 59 / 40

HEX #986F3E

RGB 152 111 62

HSL 32.67, 0.42%, 0.42%

LAB 49.97, 10.56, 33.32

 

CMYK 0 / 11 / 59 / 40

HEX #98873E

RGB 152 135 62

HSL 48.67, 0.42%, 0.42%

LAB 56.44, -3.01, 40.87

 

CMYK 5 / 0 / 59 / 40

HEX #90983E

RGB 144 152 62

HSL 65.33, 0.42%, 0.42%

LAB 60.55, -15.68, 45.31

 

CMYK 22 / 0 / 59 / 40

HEX #77983E

RGB 119 152 62

HSL 82, 0.42%, 0.42%

LAB 58.72, -26.14, 42.76

 

CMYK 38 / 0 / 59 / 40

HEX #5F983E

RGB 95 152 62

HSL 98, 0.42%, 0.42%

LAB 57.31, -35.27, 40.77

 

CMYK 0 / 27 / 59 / 40

HEX #986F3E

RGB 152 111 62

HSL 32.67, 0.42%, 0.42%

LAB 49.97, 10.56, 33.32

 

CMYK 0 / 33 / 74 / 34

HEX #A9712C

RGB 169 113 44

HSL 33.12, 0.59%, 0.42%

LAB 52.32, 15.85, 45.56

 

CMYK 0 / 38 / 85 / 27

HEX #BA731B

RGB 186 115 27

HSL 33.21, 0.75%, 0.42%

LAB 54.84, 21.6, 55.48

 

CMYK 0 / 43 / 95 / 20

HEX #CC740A

RGB 204 116 10

HSL 32.78, 0.91%, 0.42%

LAB 57.41, 28.48, 62.77

 

CMYK 0 / 27 / 59 / 40

HEX #986F3E

RGB 152 111 62

HSL 32.67, 0.42%, 0.42%

LAB 49.97, 10.56, 33.32

 

CMYK 0 / 19 / 41 / 47

HEX #866D4F

RGB 134 109 79

HSL 32.73, 0.26%, 0.42%

LAB 47.71, 5.48, 20.48

 

CMYK 0 / 8 / 18 / 54

HEX #756C60

RGB 117 108 96

HSL 34.29, 0.1%, 0.42%

LAB 46.11, 1.33, 7.98

 

CMYK 12 / 7 / 0 / 55

HEX #646A72

RGB 100 106 114

HSL 214.29, 0.07%, 0.42%

LAB 44.56, -0.52, -5.26

 

CMYK 37 / 21 / 0 / 49

HEX #526883

RGB 82 104 131

HSL 213.06, 0.23%, 0.42%

LAB 43.26, -0.99, -17.6

 

CMYK 0 / 59 / 59 / 40

HEX #983F3E

RGB 152 63 62

HSL 0.67, 0.42%, 0.42%

LAB 38.86, 37.26, 19.43

 

CMYK 0 / 43 / 59 / 40

HEX #98573E

RGB 152 87 62

HSL 16.67, 0.42%, 0.42%

LAB 44, 24.33, 26.01

 

CMYK 0 / 27 / 59 / 40

HEX #986F3E

RGB 152 111 62

HSL 32.67, 0.42%, 0.42%

LAB 49.97, 10.56, 33.32

 

CMYK 0 / 11 / 59 / 40

HEX #98873E

RGB 152 135 62

HSL 48.67, 0.42%, 0.42%

LAB 56.44, -3.01, 40.87

 

CMYK 5 / 0 / 59 / 40

HEX #90983E

RGB 144 152 62

HSL 65.33, 0.42%, 0.42%

LAB 60.55, -15.68, 45.31

 

CMYK 0 / 27 / 59 / 64

HEX #5D4426

RGB 93 68 38

HSL 32.73, 0.42%, 0.26%

LAB 30.88, 6.82, 22.2

 

CMYK 0 / 26 / 59 / 52

HEX #7A5A32

RGB 122 90 50

HSL 33.33, 0.42%, 0.34%

LAB 40.7, 8.21, 27.98

 

CMYK 0 / 27 / 59 / 40

HEX #986F3E

RGB 152 111 62

HSL 32.67, 0.42%, 0.42%

LAB 49.97, 10.56, 33.32

 

CMYK 0 / 27 / 59 / 29

HEX #B5854A

RGB 181 133 74

HSL 33.08, 0.42%, 0.5%

LAB 59.06, 11.83, 38.59

 

CMYK 0 / 21 / 47 / 24

HEX #C19867

RGB 193 152 103

HSL 32.67, 0.42%, 0.58%

LAB 65.57, 9.05, 31.56

 

CMYK 0 / 26 / 59 / 41

HEX #976F3E

RGB 151 111 62

HSL 33.03, 0.42%, 0.42%

LAB 49.85, 10.12, 33.15

 

CMYK 45 / 0 / 59 / 40

HEX #54983E

RGB 84 152 62

HSL 105.33, 0.42%, 0.42%

LAB 56.77, -39.01, 40.02

 

CMYK 51 / 59 / 0 / 40

HEX #4B3E98

RGB 75 62 152

HSL 248.67, 0.42%, 0.42%

LAB 32.28, 30.23, -47.7

 

CMYK 0 / 26 / 59 / 41

HEX #976F3E

RGB 151 111 62

HSL 33.03, 0.42%, 0.42%

LAB 49.85, 10.12, 33.15

 

CMYK 59 / 0 / 27 / 40

HEX #3E986F

RGB 62 152 111

HSL 152.67, 0.42%, 0.42%

LAB 56.71, -36.85, 13.71

 

CMYK 27 / 59 / 0 / 40

HEX #6F3E98

RGB 111 62 152

HSL 272.67, 0.42%, 0.42%

LAB 36.16, 38.89, -41.25

 

CMYK 0 / 26 / 59 / 41

HEX #976F3E

RGB 151 111 62

HSL 33.03, 0.42%, 0.42%

LAB 49.85, 10.12, 33.15

 

CMYK 45 / 0 / 59 / 40

HEX #54983E

RGB 84 152 62

HSL 105.33, 0.42%, 0.42%

LAB 56.77, -39.01, 40.02

 

CMYK 59 / 33 / 0 / 40

HEX #3E6698

RGB 62 102 152

HSL 213.33, 0.42%, 0.42%

LAB 42.45, 1.68, -31.53

 

CMYK 15 / 59 / 0 / 40

HEX #813E98

RGB 129 62 152

HSL 284.67, 0.42%, 0.42%

LAB 38.51, 43.63, -37.36

 

CMYK 0 / 26 / 59 / 41

HEX #976F3E

RGB 151 111 62

HSL 33.03, 0.42%, 0.42%

LAB 49.85, 10.12, 33.15

 

CMYK 59 / 0 / 57 / 40

HEX #3E9842

RGB 62 152 66

HSL 122.67, 0.42%, 0.42%

LAB 55.96, -44.88, 36.9

 

CMYK 59 / 33 / 0 / 40

HEX #3E6698

RGB 62 102 152

HSL 213.33, 0.42%, 0.42%

LAB 42.45, 1.68, -31.53

 

CMYK 0 / 59 / 3 / 40

HEX #983E93

RGB 152 62 147

HSL 303.33, 0.42%, 0.42%

LAB 41.58, 48.92, -29.28

 

Description

Color code: HEX #976F3E | qconv.com Color code: HEX #976F3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 111 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 111 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 59 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 59% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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