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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97784D it is the complementary color #6887B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97784D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97784D shade: #9C7848, #AD8A5B, #BE9C6E, #CFAE81 and #E0C094

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97784D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97784D shade: #97784D, #86663A, #755427, #644214 and #533001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97784D shade: #97784E, #97644E, #97514E and #974E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97784D shade: #97784E, #978C4E, #8E974E, #7A974E and #67974E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97784D shade matches the following richer shades: #97784E, #AA7B3B, #BC7E28, #CF8116 and #E18403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97784D shade: #97784E, #847560, #727273, #5F6F85 and #4D6C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97784D shade: #97504E, #97644E, #97774E, #978B4E and #90974E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97784D shade: #614D31, #7C6240, #97784E, #AD8D61 and #BBA17C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97784D shade: #97784D, #5F974E and #5A4E97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97784D shade: #97784D, #4E9777 and #774E97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97784D shade: #97784D, #5F974E, #4E6D97 and #864E97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97784D shade: #97784D, #4E9752, #4E6D97 and #974E92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 49 / 41

HEX #97784D

RGB 151 120 77

HSL 34.86, 0.32%, 0.45%

LAB 52.45, 6.35, 28.12

 

Complementary color

CMYK 42 / 24 / 0 / 30

HEX #6887B2

RGB 104 135 178

HSL 214.86, 0.32%, 0.55%

LAB 55.57, 0.4, -26.1

 

CMYK 0 / 23 / 54 / 39

HEX #9C7848

RGB 156 120 72

HSL 34.29, 0.37%, 0.45%

LAB 52.92, 8.06, 31.57

 

CMYK 0 / 20 / 47 / 32

HEX #AD8A5B

RGB 173 138 91

HSL 34.39, 0.33%, 0.52%

LAB 59.72, 7.13, 30.14

 

CMYK 0 / 18 / 42 / 25

HEX #BE9C6E

RGB 190 156 110

HSL 34.5, 0.38%, 0.59%

LAB 66.41, 6.36, 28.81

 

CMYK 0 / 16 / 38 / 19

HEX #CFAE81

RGB 207 174 129

HSL 34.62, 0.45%, 0.66%

LAB 72.97, 5.71, 27.57

 

CMYK 0 / 14 / 34 / 12

HEX #E0C094

RGB 224 192 148

HSL 34.74, 0.55%, 0.73%

LAB 79.43, 5.14, 26.41

 

CMYK 0 / 21 / 49 / 41

HEX #97784D

RGB 151 120 77

HSL 34.86, 0.32%, 0.45%

LAB 52.45, 6.35, 28.12

 

CMYK 0 / 24 / 57 / 47

HEX #86663A

RGB 134 102 58

HSL 34.74, 0.4%, 0.38%

LAB 45.46, 7.33, 29.59

 

CMYK 0 / 28 / 67 / 54

HEX #755427

RGB 117 84 39

HSL 34.62, 0.5%, 0.31%

LAB 38.32, 8.58, 31.12

 

CMYK 0 / 34 / 80 / 61

HEX #644214

RGB 100 66 20

HSL 34.5, 0.67%, 0.24%

LAB 31.01, 10.19, 32.48

 

CMYK 0 / 42 / 99 / 67

HEX #533001

RGB 83 48 1

HSL 34.39, 0.98%, 0.16%

LAB 23.52, 12.25, 32.72

 

CMYK 0 / 21 / 48 / 41

HEX #97784E

RGB 151 120 78

HSL 34.52, 0.32%, 0.45%

LAB 52.47, 6.45, 27.58

 

CMYK 0 / 34 / 48 / 41

HEX #97644E

RGB 151 100 78

HSL 18.08, 0.32%, 0.45%

LAB 47.29, 17.97, 20.86

 

CMYK 0 / 46 / 48 / 41

HEX #97514E

RGB 151 81 78

HSL 2.47, 0.32%, 0.45%

LAB 42.78, 28.77, 14.82

 

CMYK 0 / 48 / 48 / 41

HEX #974E4E

RGB 151 78 78

HSL 0, 0.32%, 0.45%

LAB 42.12, 30.43, 13.91

 

CMYK 0 / 21 / 48 / 41

HEX #97784E

RGB 151 120 78

HSL 34.52, 0.32%, 0.45%

LAB 52.47, 6.45, 27.58

 

CMYK 0 / 7 / 48 / 41

HEX #978C4E

RGB 151 140 78

HSL 50.96, 0.32%, 0.45%

LAB 57.93, -4.77, 34.41

 

CMYK 6 / 0 / 48 / 41

HEX #8E974E

RGB 142 151 78

HSL 67.4, 0.32%, 0.45%

LAB 60.28, -14.54, 37.11

 

CMYK 19 / 0 / 48 / 41

HEX #7A974E

RGB 122 151 78

HSL 83.84, 0.32%, 0.45%

LAB 58.81, -22.75, 34.98

 

CMYK 32 / 0 / 48 / 41

HEX #67974E

RGB 103 151 78

HSL 99.45, 0.32%, 0.45%

LAB 57.62, -30.02, 33.25

 

CMYK 0 / 21 / 48 / 41

HEX #97784E

RGB 151 120 78

HSL 34.52, 0.32%, 0.45%

LAB 52.47, 6.45, 27.58

 

CMYK 0 / 28 / 65 / 33

HEX #AA7B3B

RGB 170 123 59

HSL 34.59, 0.48%, 0.45%

LAB 55.1, 11.52, 41.36

 

CMYK 0 / 33 / 79 / 26

HEX #BC7E28

RGB 188 126 40

HSL 34.86, 0.65%, 0.45%

LAB 57.81, 16.82, 53.45

 

CMYK 0 / 38 / 89 / 19

HEX #CF8116

RGB 207 129 22

HSL 34.7, 0.81%, 0.45%

LAB 60.8, 22.94, 62.84

 

CMYK 0 / 41 / 99 / 12

HEX #E18403

RGB 225 132 3

HSL 34.86, 0.97%, 0.45%

LAB 63.77, 28.73, 69.47

 

CMYK 0 / 21 / 48 / 41

HEX #97784E

RGB 151 120 78

HSL 34.52, 0.32%, 0.45%

LAB 52.47, 6.45, 27.58

 

CMYK 0 / 11 / 27 / 48

HEX #847560

RGB 132 117 96

HSL 35, 0.16%, 0.45%

LAB 50.06, 2.31, 13.72

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 29 / 17 / 0 / 48

HEX #5F6F85

RGB 95 111 133

HSL 214.74, 0.17%, 0.45%

LAB 46.31, -0.55, -14.07

 

CMYK 49 / 29 / 0 / 40

HEX #4D6C98

RGB 77 108 152

HSL 215.2, 0.33%, 0.45%

LAB 45.04, 1.53, -27.42

 

CMYK 0 / 47 / 48 / 41

HEX #97504E

RGB 151 80 78

HSL 1.64, 0.32%, 0.45%

LAB 42.56, 29.33, 14.51

 

CMYK 0 / 34 / 48 / 41

HEX #97644E

RGB 151 100 78

HSL 18.08, 0.32%, 0.45%

LAB 47.29, 17.97, 20.86

 

CMYK 0 / 21 / 48 / 41

HEX #97774E

RGB 151 119 78

HSL 33.7, 0.32%, 0.45%

LAB 52.2, 7.02, 27.24

 

CMYK 0 / 8 / 48 / 41

HEX #978B4E

RGB 151 139 78

HSL 50.14, 0.32%, 0.45%

LAB 57.65, -4.22, 34.07

 

CMYK 5 / 0 / 48 / 41

HEX #90974E

RGB 144 151 78

HSL 65.75, 0.32%, 0.45%

LAB 60.44, -13.69, 37.34

 

CMYK 0 / 21 / 49 / 62

HEX #614D31

RGB 97 77 49

HSL 35, 0.33%, 0.29%

LAB 34.13, 4.3, 19.75

 

CMYK 0 / 21 / 48 / 51

HEX #7C6240

RGB 124 98 64

HSL 34, 0.32%, 0.37%

LAB 43.35, 5.75, 23.29

 

CMYK 0 / 21 / 48 / 41

HEX #97784E

RGB 151 120 78

HSL 34.52, 0.32%, 0.45%

LAB 52.47, 6.45, 27.58

 

CMYK 0 / 18 / 44 / 32

HEX #AD8D61

RGB 173 141 97

HSL 34.74, 0.32%, 0.53%

LAB 60.6, 6.1, 28

 

CMYK 0 / 14 / 34 / 27

HEX #BBA17C

RGB 187 161 124

HSL 35.24, 0.32%, 0.61%

LAB 67.66, 4.08, 22.81

 

CMYK 0 / 21 / 49 / 41

HEX #97784D

RGB 151 120 77

HSL 34.86, 0.32%, 0.45%

LAB 52.45, 6.35, 28.12

 

CMYK 37 / 0 / 48 / 41

HEX #5F974E

RGB 95 151 78

HSL 106.03, 0.32%, 0.45%

LAB 57.19, -32.87, 32.61

 

CMYK 40 / 48 / 0 / 41

HEX #5A4E97

RGB 90 78 151

HSL 249.86, 0.32%, 0.45%

LAB 37.58, 23.48, -38.5

 

CMYK 0 / 21 / 49 / 41

HEX #97784D

RGB 151 120 77

HSL 34.86, 0.32%, 0.45%

LAB 52.45, 6.35, 28.12

 

CMYK 48 / 0 / 21 / 41

HEX #4E9777

RGB 78 151 119

HSL 153.7, 0.32%, 0.45%

LAB 57.16, -30.68, 9.91

 

CMYK 21 / 48 / 0 / 41

HEX #774E97

RGB 119 78 151

HSL 273.7, 0.32%, 0.45%

LAB 40.58, 31.72, -33.56

 

CMYK 0 / 21 / 49 / 41

HEX #97784D

RGB 151 120 77

HSL 34.86, 0.32%, 0.45%

LAB 52.45, 6.35, 28.12

 

CMYK 37 / 0 / 48 / 41

HEX #5F974E

RGB 95 151 78

HSL 106.03, 0.32%, 0.45%

LAB 57.19, -32.87, 32.61

 

CMYK 48 / 28 / 0 / 41

HEX #4E6D97

RGB 78 109 151

HSL 214.52, 0.32%, 0.45%

LAB 45.35, 0.86, -26.34

 

CMYK 11 / 48 / 0 / 41

HEX #864E97

RGB 134 78 151

HSL 286.03, 0.32%, 0.45%

LAB 42.39, 36.22, -30.6

 

CMYK 0 / 21 / 49 / 41

HEX #97784D

RGB 151 120 77

HSL 34.86, 0.32%, 0.45%

LAB 52.45, 6.35, 28.12

 

CMYK 48 / 0 / 46 / 41

HEX #4E9752

RGB 78 151 82

HSL 123.29, 0.32%, 0.45%

LAB 56.45, -37.75, 29.41

 

CMYK 48 / 28 / 0 / 41

HEX #4E6D97

RGB 78 109 151

HSL 214.52, 0.32%, 0.45%

LAB 45.35, 0.86, -26.34

 

CMYK 0 / 48 / 3 / 41

HEX #974E92

RGB 151 78 146

HSL 304.11, 0.32%, 0.45%

LAB 44.38, 40.44, -24.32

 

Description

Color code: HEX #97784D | qconv.com Color code: HEX #97784D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 120 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 120 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 49 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 49% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Da Vinci - Escuela d...
Link: http://www.escueladavinci.net

12% - Bis Bouche
Link: http://www.bisbouche.be

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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