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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978F67 it is the complementary color #687098. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978F67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978F67 shade: #9C8F62, #ADA175, #BEB388, #CFC59B and #E0D7AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978F67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978F67 shade: #978F67, #867D54, #756B41, #64592E and #53471B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978F67 shade: #978F67, #978267, #977567, #976867 and #976767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978F67 shade: #978F67, #929767, #859767, #789767 and #6B9767

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978F67 shade matches the following richer shades: #978F67, #AC9D52, #C0AB3E, #D5B829 and #EAC614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978F67 shade: #978F67, #83817B, #6E7490, #5966A5 and #4558B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978F67 shade: #977567, #978267, #978F67, #929767 and #859767

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978F67 shade: #666145, #7F7856, #978F67, #A8A17F and #B9B398

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978F67 shade: #978F67, #679768 and #7C6797

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978F67 shade: #978F67, #67978F and #8F6797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978F67 shade: #978F67, #679768, #676F97 and #976796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978F67 shade: #978F67, #679777, #676F97 and #976787

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

Complementary color

CMYK 32 / 26 / 0 / 40

HEX #687098

RGB 104 112 152

HSL 230, 0.19%, 0.5%

LAB 48.01, 6.77, -22.68

 

CMYK 0 / 8 / 37 / 39

HEX #9C8F62

RGB 156 143 98

HSL 46.55, 0.23%, 0.5%

LAB 59.52, -2.04, 25.72

 

CMYK 0 / 7 / 32 / 32

HEX #ADA175

RGB 173 161 117

HSL 47.14, 0.25%, 0.57%

LAB 66.26, -2.47, 24.53

 

CMYK 0 / 6 / 28 / 25

HEX #BEB388

RGB 190 179 136

HSL 47.78, 0.29%, 0.64%

LAB 72.87, -2.82, 23.42

 

CMYK 0 / 5 / 25 / 19

HEX #CFC59B

RGB 207 197 155

HSL 48.46, 0.35%, 0.71%

LAB 79.37, -3.13, 22.37

 

CMYK 0 / 4 / 22 / 12

HEX #E0D7AE

RGB 224 215 174

HSL 49.2, 0.45%, 0.78%

LAB 85.76, -3.4, 21.38

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 0 / 7 / 37 / 47

HEX #867D54

RGB 134 125 84

HSL 49.2, 0.23%, 0.43%

LAB 52.26, -3.08, 23.61

 

CMYK 0 / 9 / 44 / 54

HEX #756B41

RGB 117 107 65

HSL 48.46, 0.29%, 0.36%

LAB 45.19, -2.57, 24.93

 

CMYK 0 / 11 / 54 / 61

HEX #64592E

RGB 100 89 46

HSL 47.78, 0.37%, 0.29%

LAB 37.93, -1.9, 26.32

 

CMYK 0 / 14 / 67 / 67

HEX #53471B

RGB 83 71 27

HSL 47.14, 0.51%, 0.22%

LAB 30.46, -0.97, 27.69

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 0 / 14 / 32 / 41

HEX #978267

RGB 151 130 103

HSL 33.75, 0.19%, 0.5%

LAB 55.61, 3.79, 17.59

 

CMYK 0 / 23 / 32 / 41

HEX #977567

RGB 151 117 103

HSL 17.5, 0.19%, 0.5%

LAB 52.15, 11.23, 12.83

 

CMYK 0 / 31 / 32 / 41

HEX #976867

RGB 151 104 103

HSL 1.25, 0.19%, 0.5%

LAB 48.83, 18.74, 8.17

 

CMYK 0 / 32 / 32 / 41

HEX #976767

RGB 151 103 103

HSL 0, 0.19%, 0.5%

LAB 48.58, 19.31, 7.82

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 3 / 0 / 32 / 41

HEX #929767

RGB 146 151 103

HSL 66.25, 0.19%, 0.5%

LAB 60.98, -9.88, 24.74

 

CMYK 12 / 0 / 32 / 41

HEX #859767

RGB 133 151 103

HSL 82.5, 0.19%, 0.5%

LAB 59.98, -15.07, 23.23

 

CMYK 21 / 0 / 32 / 41

HEX #789767

RGB 120 151 103

HSL 98.75, 0.19%, 0.5%

LAB 59.07, -20.07, 21.86

 

CMYK 29 / 0 / 32 / 41

HEX #6B9767

RGB 107 151 103

HSL 115, 0.19%, 0.5%

LAB 58.26, -24.81, 20.63

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 0 / 9 / 52 / 33

HEX #AC9D52

RGB 172 157 82

HSL 50, 0.35%, 0.5%

LAB 64.56, -4.57, 40.83

 

CMYK 0 / 11 / 68 / 25

HEX #C0AB3E

RGB 192 171 62

HSL 50.31, 0.51%, 0.5%

LAB 69.95, -4.84, 56.62

 

CMYK 0 / 14 / 81 / 16

HEX #D5B829

RGB 213 184 41

HSL 49.88, 0.68%, 0.5%

LAB 75.19, -3.43, 69.77

 

CMYK 0 / 15 / 91 / 8

HEX #EAC614

RGB 234 198 20

HSL 49.91, 0.84%, 0.5%

LAB 80.7, -2.05, 79.65

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 0 / 2 / 6 / 49

HEX #83817B

RGB 131 129 123

HSL 45, 0.03%, 0.5%

LAB 53.98, -0.4, 3.51

 

CMYK 24 / 19 / 0 / 44

HEX #6E7490

RGB 110 116 144

HSL 229.41, 0.13%, 0.5%

LAB 49.28, 4.22, -15.97

 

CMYK 46 / 38 / 0 / 35

HEX #5966A5

RGB 89 102 165

HSL 229.74, 0.3%, 0.5%

LAB 44.72, 12.39, -35.55

 

CMYK 63 / 52 / 0 / 27

HEX #4558B9

RGB 69 88 185

HSL 230.17, 0.46%, 0.5%

LAB 40.81, 23.51, -53.62

 

CMYK 0 / 23 / 32 / 41

HEX #977567

RGB 151 117 103

HSL 17.5, 0.19%, 0.5%

LAB 52.15, 11.23, 12.83

 

CMYK 0 / 14 / 32 / 41

HEX #978267

RGB 151 130 103

HSL 33.75, 0.19%, 0.5%

LAB 55.61, 3.79, 17.59

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 3 / 0 / 32 / 41

HEX #929767

RGB 146 151 103

HSL 66.25, 0.19%, 0.5%

LAB 60.98, -9.88, 24.74

 

CMYK 12 / 0 / 32 / 41

HEX #859767

RGB 133 151 103

HSL 82.5, 0.19%, 0.5%

LAB 59.98, -15.07, 23.23

 

CMYK 0 / 5 / 32 / 60

HEX #666145

RGB 102 97 69

HSL 50.91, 0.19%, 0.34%

LAB 40.9, -2.88, 16.72

 

CMYK 0 / 6 / 32 / 50

HEX #7F7856

RGB 127 120 86

HSL 49.76, 0.19%, 0.42%

LAB 50.24, -2.97, 19.68

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 0 / 4 / 24 / 34

HEX #A8A17F

RGB 168 161 127

HSL 49.76, 0.19%, 0.58%

LAB 66.02, -3.09, 18.65

 

CMYK 0 / 3 / 18 / 27

HEX #B9B398

RGB 185 179 152

HSL 49.09, 0.19%, 0.66%

LAB 72.77, -2.43, 14.57

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 32 / 0 / 31 / 41

HEX #679768

RGB 103 151 104

HSL 121.25, 0.19%, 0.5%

LAB 58.05, -26.03, 19.75

 

CMYK 18 / 32 / 0 / 41

HEX #7C6797

RGB 124 103 151

HSL 266.25, 0.19%, 0.5%

LAB 47.26, 18.38, -23.09

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 32 / 0 / 5 / 41

HEX #67978F

RGB 103 151 143

HSL 170, 0.19%, 0.5%

LAB 58.97, -17.96, -0.96

 

CMYK 5 / 32 / 0 / 41

HEX #8F6797

RGB 143 103 151

HSL 290, 0.19%, 0.5%

LAB 49.22, 24.77, -19.91

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 32 / 0 / 31 / 41

HEX #679768

RGB 103 151 104

HSL 121.25, 0.19%, 0.5%

LAB 58.05, -26.03, 19.75

 

CMYK 32 / 26 / 0 / 41

HEX #676F97

RGB 103 111 151

HSL 230, 0.19%, 0.5%

LAB 47.61, 6.79, -22.71

 

CMYK 0 / 32 / 1 / 41

HEX #976796

RGB 151 103 150

HSL 301.25, 0.19%, 0.5%

LAB 50.08, 27.3, -17.94

 

CMYK 0 / 5 / 32 / 41

HEX #978F67

RGB 151 143 103

HSL 50, 0.19%, 0.5%

LAB 59.16, -3.47, 22.4

 

CMYK 32 / 0 / 21 / 41

HEX #679777

RGB 103 151 119

HSL 140, 0.19%, 0.5%

LAB 58.37, -23.2, 11.78

 

CMYK 32 / 26 / 0 / 41

HEX #676F97

RGB 103 111 151

HSL 230, 0.19%, 0.5%

LAB 47.61, 6.79, -22.71

 

CMYK 0 / 32 / 11 / 41

HEX #976787

RGB 151 103 135

HSL 320, 0.19%, 0.5%

LAB 49.53, 24.47, -9.88

 

Description

Color code: HEX #978F67 | qconv.com Color code: HEX #978F67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 143 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 143 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 32 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 32% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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