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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97919D it is the complementary color #686E62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97919D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97919D shade: #9C9198, #ADA3AB, #BEB5BE, #CFC7D1 and #E0D9E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97919D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97919D shade: #97919D, #867F8A, #756D77, #645B64 and #534951

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97919D shade: #96909C, #99909C, #9C909C, #9C9098 and #9C9095

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97919D shade: #96909C, #93909C and #90909C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97919D shade matches the following richer shades: #96909C, #967FAD, #966EBE, #965DCF and #964CE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97919D shade: #96909C, #96A18B, #96B27A, #96C269 and #96D359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97919D shade: #90909C, #93909C, #96909C, #99909C and #9C909C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97919D shade: #6D6673, #817A89, #96909C, #ABA6B0 and #BFBBC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97919D shade: #97919D, #9C9093 and #909C91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97919D shade: #97919D, #9C9690 and #909C96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97919D shade: #97919D, #9C9093, #969C90 and #909C98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97919D shade: #97919D, #9C9090, #969C90 and #909C9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 8 / 0 / 38

HEX #97919D

RGB 151 145 157

HSL 270, 0.06%, 0.59%

LAB 61.01, 4.55, -5.54

 

Complementary color

CMYK 5 / 0 / 11 / 57

HEX #686E62

RGB 104 110 98

HSL 90, 0.06%, 0.41%

LAB 45.6, -4.72, 5.91

 

CMYK 0 / 7 / 3 / 39

HEX #9C9198

RGB 156 145 152

HSL 321.82, 0.05%, 0.59%

LAB 61.3, 5.37, -2.23

 

CMYK 0 / 6 / 1 / 32

HEX #ADA3AB

RGB 173 163 171

HSL 312, 0.06%, 0.66%

LAB 68.03, 5.09, -2.84

 

CMYK 0 / 5 / 0 / 25

HEX #BEB5BE

RGB 190 181 190

HSL 300, 0.06%, 0.73%

LAB 74.64, 4.83, -3.43

 

CMYK 1 / 5 / 0 / 18

HEX #CFC7D1

RGB 207 199 209

HSL 288, 0.1%, 0.8%

LAB 81.14, 4.59, -3.99

 

CMYK 2 / 5 / 0 / 11

HEX #E0D9E4

RGB 224 217 228

HSL 278.18, 0.17%, 0.87%

LAB 87.52, 4.37, -4.54

 

CMYK 4 / 8 / 0 / 38

HEX #97919D

RGB 151 145 157

HSL 270, 0.06%, 0.59%

LAB 61.01, 4.55, -5.54

 

CMYK 3 / 8 / 0 / 46

HEX #867F8A

RGB 134 127 138

HSL 278.18, 0.04%, 0.52%

LAB 54.11, 4.82, -4.99

 

CMYK 2 / 8 / 0 / 53

HEX #756D77

RGB 117 109 119

HSL 288, 0.04%, 0.45%

LAB 47.04, 5.12, -4.43

 

CMYK 0 / 9 / 0 / 61

HEX #645B64

RGB 100 91 100

HSL 300, 0.05%, 0.37%

LAB 39.77, 5.46, -3.84

 

CMYK 0 / 12 / 2 / 67

HEX #534951

RGB 83 73 81

HSL 312, 0.06%, 0.31%

LAB 32.25, 5.85, -3.22

 

CMYK 4 / 8 / 0 / 39

HEX #96909C

RGB 150 144 156

HSL 270, 0.06%, 0.59%

LAB 60.63, 4.55, -5.55

 

CMYK 2 / 8 / 0 / 39

HEX #99909C

RGB 153 144 156

HSL 285, 0.06%, 0.59%

LAB 60.89, 5.63, -5.14

 

CMYK 0 / 8 / 0 / 39

HEX #9C909C

RGB 156 144 156

HSL 300, 0.06%, 0.59%

LAB 61.15, 6.71, -4.73

 

CMYK 0 / 8 / 3 / 39

HEX #9C9098

RGB 156 144 152

HSL 320, 0.06%, 0.59%

LAB 61.03, 5.94, -2.63

 

CMYK 0 / 8 / 4 / 39

HEX #9C9095

RGB 156 144 149

HSL 335, 0.06%, 0.59%

LAB 60.94, 5.37, -1.04

 

CMYK 4 / 8 / 0 / 39

HEX #96909C

RGB 150 144 156

HSL 270, 0.06%, 0.59%

LAB 60.63, 4.55, -5.55

 

CMYK 6 / 8 / 0 / 39

HEX #93909C

RGB 147 144 156

HSL 255, 0.06%, 0.59%

LAB 60.38, 3.48, -5.94

 

CMYK 8 / 8 / 0 / 39

HEX #90909C

RGB 144 144 156

HSL 240, 0.06%, 0.59%

LAB 60.14, 2.42, -6.33

 

CMYK 4 / 8 / 0 / 39

HEX #96909C

RGB 150 144 156

HSL 270, 0.06%, 0.59%

LAB 60.63, 4.55, -5.55

 

CMYK 13 / 27 / 0 / 32

HEX #967FAD

RGB 150 127 173

HSL 270, 0.22%, 0.59%

LAB 56.76, 17.91, -21.1

 

CMYK 21 / 42 / 0 / 25

HEX #966EBE

RGB 150 110 190

HSL 270, 0.38%, 0.59%

LAB 53.33, 31.64, -36.18

 

CMYK 28 / 55 / 0 / 19

HEX #965DCF

RGB 150 93 207

HSL 270, 0.54%, 0.59%

LAB 50.47, 45.19, -50.45

 

CMYK 33 / 66 / 0 / 12

HEX #964CE0

RGB 150 76 224

HSL 270, 0.7%, 0.59%

LAB 48.3, 57.95, -63.62

 

CMYK 4 / 8 / 0 / 39

HEX #96909C

RGB 150 144 156

HSL 270, 0.06%, 0.59%

LAB 60.63, 4.55, -5.55

 

CMYK 7 / 0 / 14 / 37

HEX #96A18B

RGB 150 161 139

HSL 90, 0.1%, 0.59%

LAB 64.83, -8.05, 10.13

 

CMYK 16 / 0 / 31 / 30

HEX #96B27A

RGB 150 178 122

HSL 90, 0.27%, 0.59%

LAB 69.28, -19.7, 25.56

 

CMYK 23 / 0 / 46 / 24

HEX #96C269

RGB 150 194 105

HSL 89.66, 0.42%, 0.59%

LAB 73.6, -29.83, 39.96

 

CMYK 29 / 0 / 58 / 17

HEX #96D359

RGB 150 211 89

HSL 90, 0.58%, 0.59%

LAB 78.34, -39.35, 53.2

 

CMYK 8 / 8 / 0 / 39

HEX #90909C

RGB 144 144 156

HSL 240, 0.06%, 0.59%

LAB 60.14, 2.42, -6.33

 

CMYK 6 / 8 / 0 / 39

HEX #93909C

RGB 147 144 156

HSL 255, 0.06%, 0.59%

LAB 60.38, 3.48, -5.94

 

CMYK 4 / 8 / 0 / 39

HEX #96909C

RGB 150 144 156

HSL 270, 0.06%, 0.59%

LAB 60.63, 4.55, -5.55

 

CMYK 2 / 8 / 0 / 39

HEX #99909C

RGB 153 144 156

HSL 285, 0.06%, 0.59%

LAB 60.89, 5.63, -5.14

 

CMYK 0 / 8 / 0 / 39

HEX #9C909C

RGB 156 144 156

HSL 300, 0.06%, 0.59%

LAB 61.15, 6.71, -4.73

 

CMYK 5 / 11 / 0 / 55

HEX #6D6673

RGB 109 102 115

HSL 272.31, 0.06%, 0.43%

LAB 44.22, 5.44, -6.29

 

CMYK 6 / 11 / 0 / 46

HEX #817A89

RGB 129 122 137

HSL 268, 0.06%, 0.51%

LAB 52.28, 5.69, -7.18

 

CMYK 4 / 8 / 0 / 39

HEX #96909C

RGB 150 144 156

HSL 270, 0.06%, 0.59%

LAB 60.63, 4.55, -5.55

 

CMYK 3 / 6 / 0 / 31

HEX #ABA6B0

RGB 171 166 176

HSL 270, 0.06%, 0.67%

LAB 68.8, 3.69, -4.51

 

CMYK 2 / 4 / 0 / 24

HEX #BFBBC3

RGB 191 187 195

HSL 270, 0.06%, 0.75%

LAB 76.41, 2.89, -3.54

 

CMYK 4 / 8 / 0 / 38

HEX #97919D

RGB 151 145 157

HSL 270, 0.06%, 0.59%

LAB 61.01, 4.55, -5.54

 

CMYK 0 / 8 / 6 / 39

HEX #9C9093

RGB 156 144 147

HSL 345, 0.06%, 0.59%

LAB 60.89, 5, 0.01

 

CMYK 8 / 0 / 7 / 39

HEX #909C91

RGB 144 156 145

HSL 125, 0.06%, 0.59%

LAB 63.14, -6.44, 4.29

 

CMYK 4 / 8 / 0 / 38

HEX #97919D

RGB 151 145 157

HSL 270, 0.06%, 0.59%

LAB 61.01, 4.55, -5.54

 

CMYK 0 / 4 / 8 / 39

HEX #9C9690

RGB 156 150 144

HSL 30, 0.06%, 0.59%

LAB 62.42, 1.1, 3.94

 

CMYK 8 / 0 / 4 / 39

HEX #909C96

RGB 144 156 150

HSL 150, 0.06%, 0.59%

LAB 63.27, -5.47, 1.66

 

CMYK 4 / 8 / 0 / 38

HEX #97919D

RGB 151 145 157

HSL 270, 0.06%, 0.59%

LAB 61.01, 4.55, -5.54

 

CMYK 0 / 8 / 6 / 39

HEX #9C9093

RGB 156 144 147

HSL 345, 0.06%, 0.59%

LAB 60.89, 5, 0.01

 

CMYK 4 / 0 / 8 / 39

HEX #969C90

RGB 150 156 144

HSL 90, 0.06%, 0.59%

LAB 63.57, -4.44, 5.53

 

CMYK 8 / 0 / 3 / 39

HEX #909C98

RGB 144 156 152

HSL 160, 0.06%, 0.59%

LAB 63.32, -5.07, 0.62

 

CMYK 4 / 8 / 0 / 38

HEX #97919D

RGB 151 145 157

HSL 270, 0.06%, 0.59%

LAB 61.01, 4.55, -5.54

 

CMYK 0 / 8 / 8 / 39

HEX #9C9090

RGB 156 144 144

HSL 0, 0.06%, 0.59%

LAB 60.81, 4.45, 1.6

 

CMYK 4 / 0 / 8 / 39

HEX #969C90

RGB 150 156 144

HSL 90, 0.06%, 0.59%

LAB 63.57, -4.44, 5.53

 

CMYK 8 / 0 / 0 / 39

HEX #909C9C

RGB 144 156 156

HSL 180, 0.06%, 0.59%

LAB 63.43, -4.26, -1.48

 

Description

Color code: HEX #97919D | qconv.com Color code: HEX #97919D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 145 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 145 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 8 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 8% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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