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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9792C2 it is the complementary color #686D3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9792C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9792C2 shade: #9C92BD, #ADA4D0, #BEB6E3, #CFC8F6 and #E0DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9792C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9792C2 shade: #9792C2, #8680AF, #756E9C, #645C89 and #534A76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9792C2 shade: #9893C2, #A493C2, #B193C2, #BE93C2 and #C293B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9792C2 shade: #9893C2 and #9393C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9792C2 shade matches the following richer shades: #9893C2, #8D85D0, #8278DD, #776AEB and #6D5CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9792C2 shade: #9893C2, #A2A0B4, #ADAEA7, #B8BC99 and #C3C98B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9792C2 shade: #93A7C2, #939BC2, #9893C2, #A493C2 and #B193C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9792C2 shade: #655EA4, #7E78B3, #9893C2, #B1ADD1 and #CAC8E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9792C2 shade: #9792C2, #C293B4 and #A1C293

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9792C2 shade: #9792C2, #C29893 and #93C298

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9792C2 shade: #9792C2, #C293B4, #BDC293 and #93C2A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9792C2 shade: #9792C2, #C293A6, #BDC293 and #93C2AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 25 / 0 / 24

HEX #9792C2

RGB 151 146 194

HSL 246.25, 0.28%, 0.67%

LAB 62.53, 12.12, -24.17

 

Complementary color

CMYK 5 / 0 / 44 / 57

HEX #686D3D

RGB 104 109 61

HSL 66.25, 0.28%, 0.33%

LAB 44.54, -9.99, 26.12

 

CMYK 17 / 23 / 0 / 26

HEX #9C92BD

RGB 156 146 189

HSL 253.95, 0.25%, 0.66%

LAB 62.76, 12.56, -20.97

 

CMYK 17 / 21 / 0 / 18

HEX #ADA4D0

RGB 173 164 208

HSL 252.27, 0.32%, 0.73%

LAB 69.46, 12.15, -21.21

 

CMYK 16 / 20 / 0 / 11

HEX #BEB6E3

RGB 190 182 227

HSL 250.67, 0.45%, 0.8%

LAB 76.04, 11.77, -21.47

 

CMYK 16 / 19 / 0 / 4

HEX #CFC8F6

RGB 207 200 246

HSL 249.13, 0.72%, 0.87%

LAB 82.5, 11.43, -21.74

 

CMYK 12 / 15 / 0 / 0

HEX #E0DAFF

RGB 224 218 255

HSL 249.73, 1%, 0.93%

LAB 88.55, 9.05, -17.24

 

CMYK 22 / 25 / 0 / 24

HEX #9792C2

RGB 151 146 194

HSL 246.25, 0.28%, 0.67%

LAB 62.53, 12.12, -24.17

 

CMYK 23 / 27 / 0 / 31

HEX #8680AF

RGB 134 128 175

HSL 247.66, 0.23%, 0.59%

LAB 55.69, 12.59, -24.02

 

CMYK 25 / 29 / 0 / 39

HEX #756E9C

RGB 117 110 156

HSL 249.13, 0.19%, 0.52%

LAB 48.68, 13.12, -23.91

 

CMYK 27 / 33 / 0 / 46

HEX #645C89

RGB 100 92 137

HSL 250.67, 0.2%, 0.45%

LAB 41.48, 13.73, -23.84

 

CMYK 30 / 37 / 0 / 54

HEX #534A76

RGB 83 74 118

HSL 252.27, 0.23%, 0.38%

LAB 34.08, 14.44, -23.84

 

CMYK 22 / 24 / 0 / 24

HEX #9893C2

RGB 152 147 194

HSL 246.38, 0.28%, 0.67%

LAB 62.88, 11.87, -23.64

 

CMYK 15 / 24 / 0 / 24

HEX #A493C2

RGB 164 147 194

HSL 261.7, 0.28%, 0.67%

LAB 63.88, 15.7, -22.01

 

CMYK 9 / 24 / 0 / 24

HEX #B193C2

RGB 177 147 194

HSL 278.3, 0.28%, 0.67%

LAB 65.05, 19.97, -20.12

 

CMYK 2 / 24 / 0 / 24

HEX #BE93C2

RGB 190 147 194

HSL 294.89, 0.28%, 0.67%

LAB 66.3, 24.31, -18.11

 

CMYK 0 / 24 / 5 / 24

HEX #C293B9

RGB 194 147 185

HSL 311.49, 0.28%, 0.67%

LAB 66.4, 23.97, -12.88

 

CMYK 22 / 24 / 0 / 24

HEX #9893C2

RGB 152 147 194

HSL 246.38, 0.28%, 0.67%

LAB 62.88, 11.87, -23.64

 

CMYK 24 / 24 / 0 / 24

HEX #9393C2

RGB 147 147 194

HSL 240, 0.28%, 0.67%

LAB 62.48, 10.3, -24.28

 

CMYK 22 / 24 / 0 / 24

HEX #9893C2

RGB 152 147 194

HSL 246.38, 0.28%, 0.67%

LAB 62.88, 11.87, -23.64

 

CMYK 32 / 36 / 0 / 18

HEX #8D85D0

RGB 141 133 208

HSL 246.4, 0.44%, 0.67%

LAB 58.97, 20.14, -37.64

 

CMYK 41 / 46 / 0 / 13

HEX #8278DD

RGB 130 120 221

HSL 245.94, 0.6%, 0.67%

LAB 55.48, 28.4, -50.51

 

CMYK 49 / 55 / 0 / 8

HEX #776AEB

RGB 119 106 235

HSL 246.05, 0.76%, 0.67%

LAB 52.09, 38.22, -63.84

 

CMYK 56 / 63 / 0 / 3

HEX #6D5CF8

RGB 109 92 248

HSL 246.54, 0.92%, 0.67%

LAB 49.11, 48.35, -75.99

 

CMYK 22 / 24 / 0 / 24

HEX #9893C2

RGB 152 147 194

HSL 246.38, 0.28%, 0.67%

LAB 62.88, 11.87, -23.64

 

CMYK 10 / 11 / 0 / 29

HEX #A2A0B4

RGB 162 160 180

HSL 246, 0.12%, 0.67%

LAB 66.61, 4.71, -10.07

 

CMYK 1 / 0 / 4 / 32

HEX #ADAEA7

RGB 173 174 167

HSL 68.57, 0.04%, 0.67%

LAB 70.83, -1.65, 3.46

 

CMYK 2 / 0 / 19 / 26

HEX #B8BC99

RGB 184 188 153

HSL 66.86, 0.21%, 0.67%

LAB 75.11, -7.41, 17.28

 

CMYK 3 / 0 / 31 / 21

HEX #C3C98B

RGB 195 201 139

HSL 65.81, 0.36%, 0.67%

LAB 79.18, -11.94, 30.36

 

CMYK 24 / 14 / 0 / 24

HEX #93A7C2

RGB 147 167 194

HSL 214.47, 0.28%, 0.67%

LAB 67.83, -0.93, -16.14

 

CMYK 24 / 20 / 0 / 24

HEX #939BC2

RGB 147 155 194

HSL 229.79, 0.28%, 0.67%

LAB 64.6, 5.76, -21.04

 

CMYK 22 / 24 / 0 / 24

HEX #9893C2

RGB 152 147 194

HSL 246.38, 0.28%, 0.67%

LAB 62.88, 11.87, -23.64

 

CMYK 15 / 24 / 0 / 24

HEX #A493C2

RGB 164 147 194

HSL 261.7, 0.28%, 0.67%

LAB 63.88, 15.7, -22.01

 

CMYK 9 / 24 / 0 / 24

HEX #B193C2

RGB 177 147 194

HSL 278.3, 0.28%, 0.67%

LAB 65.05, 19.97, -20.12

 

CMYK 38 / 43 / 0 / 36

HEX #655EA4

RGB 101 94 164

HSL 246, 0.28%, 0.51%

LAB 43.44, 20.29, -36.93

 

CMYK 30 / 33 / 0 / 30

HEX #7E78B3

RGB 126 120 179

HSL 246.1, 0.28%, 0.59%

LAB 53.08, 15.85, -30.4

 

CMYK 22 / 24 / 0 / 24

HEX #9893C2

RGB 152 147 194

HSL 246.38, 0.28%, 0.67%

LAB 62.88, 11.87, -23.64

 

CMYK 15 / 17 / 0 / 18

HEX #B1ADD1

RGB 177 173 209

HSL 246.67, 0.28%, 0.75%

LAB 72.12, 8.67, -17.7

 

CMYK 10 / 11 / 0 / 12

HEX #CAC8E0

RGB 202 200 224

HSL 245, 0.28%, 0.83%

LAB 81.43, 5.29, -11.64

 

CMYK 22 / 25 / 0 / 24

HEX #9792C2

RGB 151 146 194

HSL 246.25, 0.28%, 0.67%

LAB 62.53, 12.12, -24.17

 

CMYK 0 / 24 / 7 / 24

HEX #C293B4

RGB 194 147 180

HSL 317.87, 0.28%, 0.67%

LAB 66.24, 23.07, -10.32

 

CMYK 17 / 0 / 24 / 24

HEX #A1C293

RGB 161 194 147

HSL 102.13, 0.28%, 0.67%

LAB 74.99, -19.85, 20.08

 

CMYK 22 / 25 / 0 / 24

HEX #9792C2

RGB 151 146 194

HSL 246.25, 0.28%, 0.67%

LAB 62.53, 12.12, -24.17

 

CMYK 0 / 22 / 24 / 24

HEX #C29893

RGB 194 152 147

HSL 6.38, 0.28%, 0.67%

LAB 66.54, 14.93, 8.63

 

CMYK 24 / 0 / 22 / 24

HEX #93C298

RGB 147 194 152

HSL 126.38, 0.28%, 0.67%

LAB 74.22, -23.84, 16.2

 

CMYK 22 / 25 / 0 / 24

HEX #9792C2

RGB 151 146 194

HSL 246.25, 0.28%, 0.67%

LAB 62.53, 12.12, -24.17

 

CMYK 0 / 24 / 7 / 24

HEX #C293B4

RGB 194 147 180

HSL 317.87, 0.28%, 0.67%

LAB 66.24, 23.07, -10.32

 

CMYK 3 / 0 / 24 / 24

HEX #BDC293

RGB 189 194 147

HSL 66.38, 0.28%, 0.67%

LAB 76.99, -9.54, 23.13

 

CMYK 24 / 0 / 17 / 24

HEX #93C2A1

RGB 147 194 161

HSL 137.87, 0.28%, 0.67%

LAB 74.42, -22.18, 11.63

 

CMYK 22 / 25 / 0 / 24

HEX #9792C2

RGB 151 146 194

HSL 246.25, 0.28%, 0.67%

LAB 62.53, 12.12, -24.17

 

CMYK 0 / 24 / 14 / 24

HEX #C293A6

RGB 194 147 166

HSL 335.74, 0.28%, 0.67%

LAB 65.82, 20.66, -3.08

 

CMYK 3 / 0 / 24 / 24

HEX #BDC293

RGB 189 194 147

HSL 66.38, 0.28%, 0.67%

LAB 76.99, -9.54, 23.13

 

CMYK 24 / 0 / 10 / 24

HEX #93C2AF

RGB 147 194 175

HSL 155.74, 0.28%, 0.67%

LAB 74.75, -19.42, 4.53

 

Description

Color code: HEX #9792C2 | qconv.com Color code: HEX #9792C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 146 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 146 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 25 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 25% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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