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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9793A8 it is the complementary color #686C57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9793A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9793A8 shade: #9C93A3, #ADA5B6, #BEB7C9, #CFC9DC and #E0DBEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9793A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9793A8 shade: #9793A8, #868195, #756F82, #645D6F and #534B5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9793A8 shade: #9793A8, #9D93A8, #A293A8, #A893A8 and #A893A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9793A8 shade: #9793A8 and #9393A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9793A8 shade matches the following richer shades: #9793A8, #8D83B8, #8474C8, #7A64D7 and #7054E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9793A8 shade: #9793A8, #A1A399, #AAB289, #B4C279 and #BED26A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9793A8 shade: #939AA8, #9395A8, #9793A8, #9D93A8 and #A293A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9793A8 shade: #6C6781, #817C96, #9793A8, #ADAABB and #C3C1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9793A8 shade: #9793A8, #A893A0 and #98A893

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9793A8 shade: #9793A8, #A89793 and #93A897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9793A8 shade: #9793A8, #A893A0, #A4A893 and #93A89B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9793A8 shade: #9793A8, #A8939A, #A4A893 and #93A8A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

Complementary color

CMYK 4 / 0 / 19 / 58

HEX #686C57

RGB 104 108 87

HSL 71.43, 0.11%, 0.38%

LAB 44.74, -5.58, 11.26

 

CMYK 4 / 10 / 0 / 36

HEX #9C93A3

RGB 156 147 163

HSL 273.75, 0.08%, 0.61%

LAB 62.15, 6.41, -7.21

 

CMYK 5 / 9 / 0 / 29

HEX #ADA5B6

RGB 173 165 182

HSL 268.24, 0.1%, 0.68%

LAB 68.88, 6.12, -7.71

 

CMYK 5 / 9 / 0 / 21

HEX #BEB7C9

RGB 190 183 201

HSL 263.33, 0.14%, 0.75%

LAB 75.47, 5.86, -8.2

 

CMYK 6 / 9 / 0 / 14

HEX #CFC9DC

RGB 207 201 220

HSL 258.95, 0.21%, 0.83%

LAB 81.95, 5.61, -8.68

 

CMYK 6 / 8 / 0 / 6

HEX #E0DBEF

RGB 224 219 239

HSL 255, 0.38%, 0.9%

LAB 88.32, 5.38, -9.16

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 10 / 13 / 0 / 42

HEX #868195

RGB 134 129 149

HSL 255, 0.09%, 0.55%

LAB 55.01, 5.98, -10.05

 

CMYK 10 / 15 / 0 / 49

HEX #756F82

RGB 117 111 130

HSL 258.95, 0.08%, 0.47%

LAB 47.96, 6.3, -9.62

 

CMYK 10 / 16 / 0 / 56

HEX #645D6F

RGB 100 93 111

HSL 263.33, 0.09%, 0.4%

LAB 40.71, 6.66, -9.19

 

CMYK 10 / 18 / 0 / 64

HEX #534B5C

RGB 83 75 92

HSL 268.24, 0.1%, 0.33%

LAB 33.23, 7.06, -8.77

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 7 / 13 / 0 / 34

HEX #9D93A8

RGB 157 147 168

HSL 268.57, 0.11%, 0.62%

LAB 62.39, 7.78, -9.67

 

CMYK 4 / 13 / 0 / 34

HEX #A293A8

RGB 162 147 168

HSL 282.86, 0.11%, 0.62%

LAB 62.82, 9.53, -8.98

 

CMYK 0 / 13 / 0 / 34

HEX #A893A8

RGB 168 147 168

HSL 300, 0.11%, 0.62%

LAB 63.36, 11.65, -8.13

 

CMYK 0 / 13 / 3 / 34

HEX #A893A3

RGB 168 147 163

HSL 314.29, 0.11%, 0.62%

LAB 63.21, 10.69, -5.53

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 13 / 13 / 0 / 34

HEX #9393A8

RGB 147 147 168

HSL 240, 0.11%, 0.62%

LAB 61.57, 4.33, -10.99

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 23 / 29 / 0 / 28

HEX #8D83B8

RGB 141 131 184

HSL 251.32, 0.27%, 0.62%

LAB 57.42, 15.24, -26.45

 

CMYK 34 / 42 / 0 / 22

HEX #8474C8

RGB 132 116 200

HSL 251.43, 0.43%, 0.62%

LAB 53.56, 25.5, -41.65

 

CMYK 43 / 53 / 0 / 16

HEX #7A64D7

RGB 122 100 215

HSL 251.48, 0.59%, 0.62%

LAB 49.69, 36.58, -56.42

 

CMYK 52 / 64 / 0 / 9

HEX #7054E7

RGB 112 84 231

HSL 251.43, 0.75%, 0.62%

LAB 46.39, 48.34, -70.88

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 1 / 0 / 6 / 36

HEX #A1A399

RGB 161 163 153

HSL 72, 0.05%, 0.62%

LAB 66.57, -2.58, 4.93

 

CMYK 4 / 0 / 23 / 30

HEX #AAB289

RGB 170 178 137

HSL 71.71, 0.21%, 0.62%

LAB 71, -9.89, 20.07

 

CMYK 7 / 0 / 38 / 24

HEX #B4C279

RGB 180 194 121

HSL 71.51, 0.37%, 0.62%

LAB 75.86, -16.45, 35.13

 

CMYK 10 / 0 / 50 / 18

HEX #BED26A

RGB 190 210 106

HSL 71.54, 0.54%, 0.62%

LAB 80.78, -22.11, 48.85

 

CMYK 13 / 8 / 0 / 34

HEX #939AA8

RGB 147 154 168

HSL 220, 0.11%, 0.62%

LAB 63.46, 0.4, -8.16

 

CMYK 13 / 11 / 0 / 34

HEX #9395A8

RGB 147 149 168

HSL 234.29, 0.11%, 0.62%

LAB 62.1, 3.2, -10.19

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 7 / 13 / 0 / 34

HEX #9D93A8

RGB 157 147 168

HSL 268.57, 0.11%, 0.62%

LAB 62.39, 7.78, -9.67

 

CMYK 4 / 13 / 0 / 34

HEX #A293A8

RGB 162 147 168

HSL 282.86, 0.11%, 0.62%

LAB 62.82, 9.53, -8.98

 

CMYK 16 / 20 / 0 / 49

HEX #6C6781

RGB 108 103 129

HSL 251.54, 0.11%, 0.45%

LAB 44.9, 7.66, -13.71

 

CMYK 14 / 17 / 0 / 41

HEX #817C96

RGB 129 124 150

HSL 251.54, 0.11%, 0.54%

LAB 53.26, 7.37, -13.3

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 7 / 9 / 0 / 27

HEX #ADAABB

RGB 173 170 187

HSL 250.59, 0.11%, 0.7%

LAB 70.33, 4.37, -8.31

 

CMYK 5 / 6 / 0 / 20

HEX #C3C1CD

RGB 195 193 205

HSL 250, 0.11%, 0.78%

LAB 78.55, 2.95, -5.76

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 0 / 13 / 5 / 34

HEX #A893A0

RGB 168 147 160

HSL 322.86, 0.11%, 0.62%

LAB 63.12, 10.13, -3.96

 

CMYK 10 / 0 / 13 / 34

HEX #98A893

RGB 152 168 147

HSL 105.71, 0.11%, 0.62%

LAB 67.12, -9.64, 8.95

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 0 / 10 / 13 / 34

HEX #A89793

RGB 168 151 147

HSL 11.43, 0.11%, 0.62%

LAB 63.81, 5.58, 4.38

 

CMYK 13 / 0 / 10 / 34

HEX #93A897

RGB 147 168 151

HSL 131.43, 0.11%, 0.62%

LAB 66.86, -10.68, 6.32

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 0 / 13 / 5 / 34

HEX #A893A0

RGB 168 147 160

HSL 322.86, 0.11%, 0.62%

LAB 63.12, 10.13, -3.96

 

CMYK 2 / 0 / 13 / 34

HEX #A4A893

RGB 164 168 147

HSL 71.43, 0.11%, 0.62%

LAB 68.02, -5.23, 10.37

 

CMYK 13 / 0 / 8 / 34

HEX #93A89B

RGB 147 168 155

HSL 142.86, 0.11%, 0.62%

LAB 66.96, -9.91, 4.24

 

CMYK 10 / 13 / 0 / 34

HEX #9793A8

RGB 151 147 168

HSL 251.43, 0.11%, 0.62%

LAB 61.89, 5.7, -10.48

 

CMYK 0 / 13 / 8 / 34

HEX #A8939A

RGB 168 147 154

HSL 340, 0.11%, 0.62%

LAB 62.95, 9.04, -0.82

 

CMYK 2 / 0 / 13 / 34

HEX #A4A893

RGB 164 168 147

HSL 71.43, 0.11%, 0.62%

LAB 68.02, -5.23, 10.37

 

CMYK 13 / 0 / 4 / 34

HEX #93A8A2

RGB 147 168 162

HSL 162.86, 0.11%, 0.62%

LAB 67.14, -8.52, 0.62

 

Description

Color code: HEX #9793A8 | qconv.com Color code: HEX #9793A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 147 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 147 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 13 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 13% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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