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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9793EC it is the complementary color #686C13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9793EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9793EC shade: #9C93E7, #ADA5FA, #BEB7FF, #CFC9FF and #E0DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9793EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9793EC shade: #9793EC, #8681D9, #756FC6, #645DB3 and #534BA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9793EC shade: #9692EB, #AE92EB, #C692EB, #DE92EB and #EB92E0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9793EC shade: #9692EB and #9292EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9793EC shade matches the following richer shades: #9692EB and #8D88F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9793EC shade: #9692EB, #A09CE1, #A9A7D7, #B2B1CC and #BCBBC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9793EC shade: #92BFEB, #92A7EB, #9592EB, #AD92EB and #C592EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9793EC shade: #534CDF, #746FE5, #9692EB, #B8B5F2 and #DAD8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9793EC shade: #9793EC, #EB92D7 and #B3EB92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9793EC shade: #9793EC, #EB9592 and #92EB95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9793EC shade: #9793EC, #EB92D7, #E8EB92 and #92EBA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9793EC shade: #9793EC, #EB92BC, #E8EB92 and #92EBC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 38 / 0 / 7

HEX #9793EC

RGB 151 147 236

HSL 242.7, 0.7%, 0.75%

LAB 64.57, 22.16, -44.38

 

Complementary color

CMYK 4 / 0 / 82 / 58

HEX #686C13

RGB 104 108 19

HSL 62.7, 0.7%, 0.25%

LAB 43.82, -12.8, 45.01

 

CMYK 32 / 36 / 0 / 9

HEX #9C93E7

RGB 156 147 231

HSL 246.43, 0.64%, 0.74%

LAB 64.73, 22.2, -41.34

 

CMYK 31 / 34 / 0 / 2

HEX #ADA5FA

RGB 173 165 250

HSL 245.65, 0.89%, 0.81%

LAB 71.35, 21.51, -41.28

 

CMYK 25 / 28 / 0 / 0

HEX #BEB7FF

RGB 190 183 255

HSL 245.83, 1%, 0.86%

LAB 77.3, 17.55, -34.63

 

CMYK 19 / 21 / 0 / 0

HEX #CFC9FF

RGB 207 201 255

HSL 246.67, 1%, 0.89%

LAB 83.05, 12.82, -25.69

 

CMYK 12 / 14 / 0 / 0

HEX #E0DBFF

RGB 224 219 255

HSL 248.33, 1%, 0.93%

LAB 88.79, 8.53, -16.87

 

CMYK 36 / 38 / 0 / 7

HEX #9793EC

RGB 151 147 236

HSL 242.7, 0.7%, 0.75%

LAB 64.57, 22.16, -44.38

 

CMYK 38 / 41 / 0 / 15

HEX #8681D9

RGB 134 129 217

HSL 243.41, 0.54%, 0.68%

LAB 57.83, 22.99, -44.53

 

CMYK 41 / 44 / 0 / 22

HEX #756FC6

RGB 117 111 198

HSL 244.14, 0.43%, 0.61%

LAB 50.95, 23.95, -44.72

 

CMYK 44 / 48 / 0 / 30

HEX #645DB3

RGB 100 93 179

HSL 244.88, 0.36%, 0.53%

LAB 43.93, 25.06, -44.97

 

CMYK 48 / 53 / 0 / 37

HEX #534BA0

RGB 83 75 160

HSL 245.65, 0.36%, 0.46%

LAB 36.76, 26.37, -45.27

 

CMYK 36 / 38 / 0 / 8

HEX #9692EB

RGB 150 146 235

HSL 242.7, 0.69%, 0.75%

LAB 64.19, 22.2, -44.42

 

CMYK 26 / 38 / 0 / 8

HEX #AE92EB

RGB 174 146 235

HSL 258.88, 0.69%, 0.75%

LAB 66.18, 28.81, -41.16

 

CMYK 16 / 38 / 0 / 8

HEX #C692EB

RGB 198 146 235

HSL 275.06, 0.69%, 0.75%

LAB 68.43, 35.79, -37.48

 

CMYK 6 / 38 / 0 / 8

HEX #DE92EB

RGB 222 146 235

HSL 291.24, 0.69%, 0.75%

LAB 70.93, 42.96, -33.41

 

CMYK 0 / 38 / 5 / 8

HEX #EB92E0

RGB 235 146 224

HSL 307.42, 0.69%, 0.75%

LAB 71.96, 44.94, -25.66

 

CMYK 36 / 38 / 0 / 8

HEX #9692EB

RGB 150 146 235

HSL 242.7, 0.69%, 0.75%

LAB 64.19, 22.2, -44.42

 

CMYK 38 / 38 / 0 / 8

HEX #9292EB

RGB 146 146 235

HSL 240, 0.69%, 0.75%

LAB 63.89, 21.15, -44.92

 

CMYK 36 / 38 / 0 / 8

HEX #9692EB

RGB 150 146 235

HSL 242.7, 0.69%, 0.75%

LAB 64.19, 22.2, -44.42

 

CMYK 43 / 45 / 0 / 4

HEX #8D88F6

RGB 141 136 246

HSL 242.73, 0.86%, 0.75%

LAB 61.59, 28.74, -54.65

 

CMYK 36 / 38 / 0 / 8

HEX #9692EB

RGB 150 146 235

HSL 242.7, 0.69%, 0.75%

LAB 64.19, 22.2, -44.42

 

CMYK 29 / 31 / 0 / 12

HEX #A09CE1

RGB 160 156 225

HSL 243.48, 0.53%, 0.75%

LAB 67.04, 16.68, -34.4

 

CMYK 21 / 22 / 0 / 16

HEX #A9A7D7

RGB 169 167 215

HSL 242.5, 0.38%, 0.75%

LAB 70.16, 10.8, -24.03

 

CMYK 13 / 13 / 0 / 20

HEX #B2B1CC

RGB 178 177 204

HSL 242.22, 0.21%, 0.75%

LAB 73.07, 5.73, -13.52

 

CMYK 3 / 4 / 0 / 24

HEX #BCBBC2

RGB 188 187 194

HSL 248.57, 0.05%, 0.75%

LAB 76.15, 1.67, -3.41

 

CMYK 38 / 19 / 0 / 8

HEX #92BFEB

RGB 146 191 235

HSL 209.66, 0.69%, 0.75%

LAB 75.68, -4.1, -26.61

 

CMYK 38 / 29 / 0 / 8

HEX #92A7EB

RGB 146 167 235

HSL 225.84, 0.69%, 0.75%

LAB 69.29, 9.15, -36.47

 

CMYK 37 / 38 / 0 / 8

HEX #9592EB

RGB 149 146 235

HSL 242.02, 0.69%, 0.75%

LAB 64.12, 21.94, -44.55

 

CMYK 26 / 38 / 0 / 8

HEX #AD92EB

RGB 173 146 235

HSL 258.2, 0.69%, 0.75%

LAB 66.09, 28.53, -41.31

 

CMYK 16 / 38 / 0 / 8

HEX #C592EB

RGB 197 146 235

HSL 274.38, 0.69%, 0.75%

LAB 68.33, 35.49, -37.64

 

CMYK 63 / 66 / 0 / 13

HEX #534CDF

RGB 83 76 223

HSL 242.86, 0.7%, 0.59%

LAB 41.74, 45.85, -74.01

 

CMYK 49 / 52 / 0 / 10

HEX #746FE5

RGB 116 111 229

HSL 242.54, 0.69%, 0.67%

LAB 52.66, 32.84, -59.58

 

CMYK 36 / 38 / 0 / 8

HEX #9692EB

RGB 150 146 235

HSL 242.7, 0.69%, 0.75%

LAB 64.19, 22.2, -44.42

 

CMYK 24 / 25 / 0 / 5

HEX #B8B5F2

RGB 184 181 242

HSL 242.95, 0.7%, 0.83%

LAB 75.85, 13.85, -29.9

 

CMYK 12 / 13 / 0 / 3

HEX #DAD8F8

RGB 218 216 248

HSL 243.75, 0.7%, 0.91%

LAB 87.39, 6.79, -15.35

 

CMYK 36 / 38 / 0 / 7

HEX #9793EC

RGB 151 147 236

HSL 242.7, 0.7%, 0.75%

LAB 64.57, 22.16, -44.38

 

CMYK 0 / 38 / 9 / 8

HEX #EB92D7

RGB 235 146 215

HSL 313.48, 0.69%, 0.75%

LAB 71.64, 43.41, -21.2

 

CMYK 24 / 0 / 38 / 8

HEX #B3EB92

RGB 179 235 146

HSL 97.75, 0.69%, 0.75%

LAB 87.52, -33.41, 37.56

 

CMYK 36 / 38 / 0 / 7

HEX #9793EC

RGB 151 147 236

HSL 242.7, 0.7%, 0.75%

LAB 64.57, 22.16, -44.38

 

CMYK 0 / 37 / 38 / 8

HEX #EB9592

RGB 235 149 146

HSL 2.02, 0.69%, 0.75%

LAB 70.34, 32.01, 15.19

 

CMYK 38 / 0 / 37 / 8

HEX #92EB95

RGB 146 235 149

HSL 122.02, 0.69%, 0.75%

LAB 85.86, -43.68, 33.55

 

CMYK 36 / 38 / 0 / 7

HEX #9793EC

RGB 151 147 236

HSL 242.7, 0.7%, 0.75%

LAB 64.57, 22.16, -44.38

 

CMYK 0 / 38 / 9 / 8

HEX #EB92D7

RGB 235 146 215

HSL 313.48, 0.69%, 0.75%

LAB 71.64, 43.41, -21.2

 

CMYK 1 / 0 / 38 / 8

HEX #E8EB92

RGB 232 235 146

HSL 62.02, 0.69%, 0.75%

LAB 91.07, -13.95, 42.84

 

CMYK 38 / 0 / 29 / 8

HEX #92EBA7

RGB 146 235 167

HSL 134.16, 0.69%, 0.75%

LAB 86.17, -40.71, 24.8

 

CMYK 36 / 38 / 0 / 7

HEX #9793EC

RGB 151 147 236

HSL 242.7, 0.7%, 0.75%

LAB 64.57, 22.16, -44.38

 

CMYK 0 / 38 / 20 / 8

HEX #EB92BC

RGB 235 146 188

HSL 331.69, 0.69%, 0.75%

LAB 70.77, 39.13, -7.56

 

CMYK 1 / 0 / 38 / 8

HEX #E8EB92

RGB 232 235 146

HSL 62.02, 0.69%, 0.75%

LAB 91.07, -13.95, 42.84

 

CMYK 38 / 0 / 17 / 8

HEX #92EBC2

RGB 146 235 194

HSL 152.36, 0.69%, 0.75%

LAB 86.71, -35.63, 11.56

 

Description

Color code: HEX #9793EC | qconv.com Color code: HEX #9793EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 147 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 147 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 38 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 38% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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