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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #980B94 it is the complementary color #67F46B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #980B94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #980B94 shade: #9D0B8F, #AE1DA2, #BF2FB5, #D041C8 and #E153DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #980B94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #980B94 shade: #980B94, #870081, #76006E, #65005B and #540048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #980B94 shade: #980A94, #980A6E, #980A47, #980A21 and #980A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #980B94 shade: #980A94, #760A98, #500A98, #290A98 and #0A0A98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #980B94 shade matches the following richer shades: #980A94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #980B94 shade: #980A94, #8B1788, #7E257B, #70326F and #633F62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #980B94 shade: #4F0A98, #750A98, #980A96, #980A70 and #980A4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #980B94 shade: #4B0549, #72076F, #980A94, #BF0DBA and #E50FDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #980B94 shade: #980B94, #98290A and #0A9862

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #980B94 shade: #980B94, #96980A and #0A9698

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #980B94 shade: #980B94, #98290A, #0A980C and #0A7998

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #980B94 shade: #980B94, #98530A, #0A980C and #0A4F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 3 / 40

HEX #980B94

RGB 152 11 148

HSL 301.7, 0.87%, 0.32%

LAB 36.09, 64.81, -38.57

 

Complementary color

CMYK 58 / 0 / 56 / 4

HEX #67F46B

RGB 103 244 107

HSL 121.7, 0.87%, 0.68%

LAB 86.33, -64.52, 53.93

 

CMYK 0 / 93 / 9 / 38

HEX #9D0B8F

RGB 157 11 143

HSL 305.75, 0.87%, 0.33%

LAB 36.73, 65, -34.43

 

CMYK 0 / 83 / 7 / 32

HEX #AE1DA2

RGB 174 29 162

HSL 304.97, 0.71%, 0.4%

LAB 41.98, 67.94, -37.44

 

CMYK 0 / 75 / 5 / 25

HEX #BF2FB5

RGB 191 47 181

HSL 304.17, 0.61%, 0.47%

LAB 47.55, 69.65, -39.69

 

CMYK 0 / 69 / 4 / 18

HEX #D041C8

RGB 208 65 200

HSL 303.36, 0.6%, 0.54%

LAB 53.34, 70.51, -41.39

 

CMYK 0 / 63 / 3 / 12

HEX #E153DB

RGB 225 83 219

HSL 302.54, 0.7%, 0.6%

LAB 59.26, 70.8, -42.71

 

CMYK 0 / 93 / 3 / 40

HEX #980B94

RGB 152 11 148

HSL 301.7, 0.87%, 0.32%

LAB 36.09, 64.81, -38.57

 

CMYK 0 / 100 / 4 / 47

HEX #870081

RGB 135 0 129

HSL 302.67, 1%, 0.26%

LAB 31.2, 60.33, -34.79

 

CMYK 0 / 100 / 7 / 54

HEX #76006E

RGB 118 0 110

HSL 304.07, 1%, 0.23%

LAB 26.67, 54.35, -30.11

 

CMYK 0 / 100 / 10 / 60

HEX #65005B

RGB 101 0 91

HSL 305.94, 1%, 0.2%

LAB 22.02, 48.2, -25.26

 

CMYK 0 / 100 / 14 / 67

HEX #540048

RGB 84 0 72

HSL 308.57, 1%, 0.16%

LAB 17.24, 41.88, -20.17

 

CMYK 0 / 93 / 3 / 40

HEX #980A94

RGB 152 10 148

HSL 301.69, 0.88%, 0.32%

LAB 36.04, 64.93, -38.64

 

CMYK 0 / 93 / 28 / 40

HEX #980A6E

RGB 152 10 110

HSL 317.75, 0.88%, 0.32%

LAB 34.02, 59.73, -18.1

 

CMYK 0 / 93 / 53 / 40

HEX #980A47

RGB 152 10 71

HSL 334.23, 0.88%, 0.32%

LAB 32.59, 55.86, 5.08

 

CMYK 0 / 93 / 78 / 40

HEX #980A21

RGB 152 10 33

HSL 350.28, 0.88%, 0.32%

LAB 31.81, 53.7, 28.9

 

CMYK 0 / 93 / 93 / 40

HEX #980A0A

RGB 152 10 10

HSL 0, 0.88%, 0.32%

LAB 31.61, 53.13, 41.19

 

CMYK 0 / 93 / 3 / 40

HEX #980A94

RGB 152 10 148

HSL 301.69, 0.88%, 0.32%

LAB 36.04, 64.93, -38.64

 

CMYK 22 / 93 / 0 / 40

HEX #760A98

RGB 118 10 152

HSL 285.63, 0.88%, 0.32%

LAB 30.24, 59.91, -50.74

 

CMYK 47 / 93 / 0 / 40

HEX #500A98

RGB 80 10 152

HSL 269.58, 0.88%, 0.32%

LAB 24.29, 54.95, -60.73

 

CMYK 73 / 93 / 0 / 40

HEX #290A98

RGB 41 10 152

HSL 253.1, 0.88%, 0.32%

LAB 19.86, 51.86, -68.2

 

CMYK 93 / 93 / 0 / 40

HEX #0A0A98

RGB 10 10 152

HSL 240, 0.88%, 0.32%

LAB 18.14, 50.85, -71.12

 

CMYK 0 / 93 / 3 / 40

HEX #980A94

RGB 152 10 148

HSL 301.69, 0.88%, 0.32%

LAB 36.04, 64.93, -38.64

 

CMYK 0 / 93 / 3 / 40

HEX #980A94

RGB 152 10 148

HSL 301.69, 0.88%, 0.32%

LAB 36.04, 64.93, -38.64

 

CMYK 0 / 83 / 2 / 45

HEX #8B1788

RGB 139 23 136

HSL 301.55, 0.72%, 0.32%

LAB 33.73, 58.21, -35.07

 

CMYK 0 / 71 / 2 / 51

HEX #7E257B

RGB 126 37 123

HSL 302.02, 0.55%, 0.32%

LAB 32.23, 48.66, -29.48

 

CMYK 0 / 55 / 1 / 56

HEX #70326F

RGB 112 50 111

HSL 300.97, 0.38%, 0.32%

LAB 31.52, 36.55, -23.18

 

CMYK 0 / 36 / 1 / 61

HEX #633F62

RGB 99 63 98

HSL 301.67, 0.22%, 0.32%

LAB 32.01, 22.03, -14.28

 

CMYK 48 / 93 / 0 / 40

HEX #4F0A98

RGB 79 10 152

HSL 269.15, 0.88%, 0.32%

LAB 24.15, 54.84, -60.96

 

CMYK 23 / 93 / 0 / 40

HEX #750A98

RGB 117 10 152

HSL 285.21, 0.88%, 0.32%

LAB 30.07, 59.76, -51.03

 

CMYK 0 / 93 / 1 / 40

HEX #980A96

RGB 152 10 150

HSL 300.85, 0.88%, 0.32%

LAB 36.17, 65.24, -39.67

 

CMYK 0 / 93 / 26 / 40

HEX #980A70

RGB 152 10 112

HSL 316.9, 0.88%, 0.32%

LAB 34.11, 59.97, -19.23

 

CMYK 0 / 93 / 51 / 40

HEX #980A4A

RGB 152 10 74

HSL 332.96, 0.88%, 0.32%

LAB 32.67, 56.1, 3.22

 

CMYK 0 / 93 / 3 / 71

HEX #4B0549

RGB 75 5 73

HSL 301.71, 0.88%, 0.16%

LAB 15.93, 38.56, -23.06

 

CMYK 0 / 94 / 3 / 55

HEX #72076F

RGB 114 7 111

HSL 301.68, 0.88%, 0.24%

LAB 26.38, 52.45, -31.27

 

CMYK 0 / 93 / 3 / 40

HEX #980A94

RGB 152 10 148

HSL 301.69, 0.88%, 0.32%

LAB 36.04, 64.93, -38.64

 

CMYK 0 / 93 / 3 / 25

HEX #BF0DBA

RGB 191 13 186

HSL 301.69, 0.87%, 0.4%

LAB 45.51, 77.16, -45.87

 

CMYK 0 / 93 / 3 / 10

HEX #E50FDF

RGB 229 15 223

HSL 301.68, 0.88%, 0.48%

LAB 54.37, 88.67, -52.67

 

CMYK 0 / 93 / 3 / 40

HEX #980B94

RGB 152 11 148

HSL 301.7, 0.87%, 0.32%

LAB 36.09, 64.81, -38.57

 

CMYK 0 / 73 / 93 / 40

HEX #98290A

RGB 152 41 10

HSL 13.1, 0.88%, 0.32%

LAB 34.57, 44.82, 43.19

 

CMYK 93 / 0 / 36 / 40

HEX #0A9862

RGB 10 152 98

HSL 157.18, 0.88%, 0.32%

LAB 55.48, -46.87, 19.14

 

CMYK 0 / 93 / 3 / 40

HEX #980B94

RGB 152 11 148

HSL 301.7, 0.87%, 0.32%

LAB 36.09, 64.81, -38.57

 

CMYK 1 / 0 / 93 / 40

HEX #96980A

RGB 150 152 10

HSL 60.85, 0.88%, 0.32%

LAB 60.75, -15.4, 62.57

 

CMYK 93 / 1 / 0 / 40

HEX #0A9698

RGB 10 150 152

HSL 180.85, 0.88%, 0.32%

LAB 56.23, -31.3, -10.46

 

CMYK 0 / 93 / 3 / 40

HEX #980B94

RGB 152 11 148

HSL 301.7, 0.87%, 0.32%

LAB 36.09, 64.81, -38.57

 

CMYK 0 / 73 / 93 / 40

HEX #98290A

RGB 152 41 10

HSL 13.1, 0.88%, 0.32%

LAB 34.57, 44.82, 43.19

 

CMYK 93 / 0 / 92 / 40

HEX #0A980C

RGB 10 152 12

HSL 120.85, 0.88%, 0.32%

LAB 54.6, -57.6, 54.7

 

CMYK 93 / 20 / 0 / 40

HEX #0A7998

RGB 10 121 152

HSL 193.1, 0.88%, 0.32%

LAB 46.98, -16.33, -24.56

 

CMYK 0 / 93 / 3 / 40

HEX #980B94

RGB 152 11 148

HSL 301.7, 0.87%, 0.32%

LAB 36.09, 64.81, -38.57

 

CMYK 0 / 45 / 93 / 40

HEX #98530A

RGB 152 83 10

HSL 30.85, 0.88%, 0.32%

LAB 42.59, 24.1, 48.91

 

CMYK 93 / 0 / 92 / 40

HEX #0A980C

RGB 10 152 12

HSL 120.85, 0.88%, 0.32%

LAB 54.6, -57.6, 54.7

 

CMYK 93 / 48 / 0 / 40

HEX #0A4F98

RGB 10 79 152

HSL 210.85, 0.88%, 0.32%

LAB 33.82, 9.62, -45.36

 

Description

Color code: HEX #980B94 | qconv.com Color code: HEX #980B94 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 11 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 11 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 3 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 3% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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