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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #980DE7 it is the complementary color #67F218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #980DE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #980DE7 shade: #9D0DE2, #AE1FF5, #BF31FF, #D043FF and #E155FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #980DE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #980DE7 shade: #980DE7, #8700D4, #7600C1, #6500AE and #54009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #980DE7 shade: #980DE7, #D30DE7, #E70DC0, #E70D86 and #E70D4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #980DE7 shade: #980DE7, #5D0DE7, #220DE7 and #0D0DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #980DE7 shade matches the following richer shades: #980DE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #980DE7 shade: #980DE7, #9221D3, #8D35BF, #8848AB and #825C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #980DE7 shade: #230DE7, #5D0DE7, #970DE7, #D10DE7 and #E70DC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #980DE7 shade: #650899, #7E0BC0, #980DE7, #AA2BF2 and #BA52F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #980DE7 shade: #980DE7, #E70D31 and #0DE740

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #980DE7 shade: #980DE7, #E7970D and #0DE797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #980DE7 shade: #980DE7, #E70D31, #5DE70D and #0DE7C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #980DE7 shade: #980DE7, #E72A0D, #5DE70D and #0DCAE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

Complementary color

CMYK 57 / 0 / 90 / 5

HEX #67F218

RGB 103 242 24

HSL 98.26, 0.89%, 0.52%

LAB 85.23, -69.57, 79.41

 

CMYK 31 / 94 / 0 / 11

HEX #9D0DE2

RGB 157 13 226

HSL 280.56, 0.89%, 0.47%

LAB 42.68, 78.86, -73.86

 

CMYK 29 / 87 / 0 / 4

HEX #AE1FF5

RGB 174 31 245

HSL 280.09, 0.91%, 0.54%

LAB 47.72, 81.78, -76.28

 

CMYK 25 / 81 / 0 / 0

HEX #BF31FF

RGB 191 49 255

HSL 281.36, 1%, 0.6%

LAB 52.39, 81.88, -74.15

 

CMYK 18 / 74 / 0 / 0

HEX #D043FF

RGB 208 67 255

HSL 285, 1%, 0.63%

LAB 56.73, 79.28, -67.01

 

CMYK 12 / 67 / 0 / 0

HEX #E155FF

RGB 225 85 255

HSL 289.41, 1%, 0.67%

LAB 61.42, 76.16, -59.35

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 36 / 100 / 0 / 17

HEX #8700D4

RGB 135 0 212

HSL 278.21, 1%, 0.42%

LAB 37.67, 75.08, -74.16

 

CMYK 39 / 100 / 0 / 24

HEX #7600C1

RGB 118 0 193

HSL 276.68, 1%, 0.38%

LAB 33.35, 69.51, -70.27

 

CMYK 42 / 100 / 0 / 32

HEX #6500AE

RGB 101 0 174

HSL 274.83, 1%, 0.34%

LAB 28.96, 63.86, -66.3

 

CMYK 46 / 100 / 0 / 39

HEX #54009B

RGB 84 0 155

HSL 272.52, 1%, 0.3%

LAB 24.49, 58.12, -62.23

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 9 / 94 / 0 / 9

HEX #D30DE7

RGB 211 13 231

HSL 294.5, 0.89%, 0.48%

LAB 51.73, 87.17, -61.61

 

CMYK 0 / 94 / 17 / 9

HEX #E70DC0

RGB 231 13 192

HSL 310.73, 0.89%, 0.48%

LAB 53.04, 85.1, -36.99

 

CMYK 0 / 94 / 42 / 9

HEX #E70D86

RGB 231 13 134

HSL 326.7, 0.89%, 0.48%

LAB 50.68, 78.97, -6.26

 

CMYK 0 / 94 / 68 / 9

HEX #E70D4B

RGB 231 13 75

HSL 342.94, 0.89%, 0.48%

LAB 49.23, 75.03, 27.75

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 60 / 94 / 0 / 9

HEX #5D0DE7

RGB 93 13 231

HSL 262.02, 0.89%, 0.48%

LAB 34.77, 73.93, -90.04

 

CMYK 85 / 94 / 0 / 9

HEX #220DE7

RGB 34 13 231

HSL 245.78, 0.89%, 0.48%

LAB 30.39, 71.59, -97.45

 

CMYK 94 / 94 / 0 / 9

HEX #0D0DE7

RGB 13 13 231

HSL 240, 0.89%, 0.48%

LAB 29.77, 71.31, -98.51

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 31 / 84 / 0 / 17

HEX #9221D3

RGB 146 33 211

HSL 278.09, 0.73%, 0.48%

LAB 41.06, 70.76, -67.97

 

CMYK 26 / 72 / 0 / 25

HEX #8D35BF

RGB 141 53 191

HSL 278.26, 0.57%, 0.48%

LAB 41.17, 58.99, -56.2

 

CMYK 20 / 58 / 0 / 33

HEX #8848AB

RGB 136 72 171

HSL 278.79, 0.41%, 0.48%

LAB 42.47, 44.46, -42.37

 

CMYK 14 / 39 / 0 / 40

HEX #825C98

RGB 130 92 152

HSL 278, 0.25%, 0.48%

LAB 45.17, 27.12, -26.87

 

CMYK 85 / 94 / 0 / 9

HEX #230DE7

RGB 35 13 231

HSL 246.06, 0.89%, 0.48%

LAB 30.44, 71.61, -97.38

 

CMYK 60 / 94 / 0 / 9

HEX #5D0DE7

RGB 93 13 231

HSL 262.02, 0.89%, 0.48%

LAB 34.77, 73.93, -90.04

 

CMYK 35 / 94 / 0 / 9

HEX #970DE7

RGB 151 13 231

HSL 277.98, 0.89%, 0.48%

LAB 42.21, 79.11, -77.51

 

CMYK 10 / 94 / 0 / 9

HEX #D10DE7

RGB 209 13 231

HSL 293.94, 0.89%, 0.48%

LAB 51.4, 86.87, -62.16

 

CMYK 0 / 94 / 16 / 9

HEX #E70DC3

RGB 231 13 195

HSL 309.91, 0.89%, 0.48%

LAB 53.19, 85.47, -38.5

 

CMYK 34 / 95 / 0 / 40

HEX #650899

RGB 101 8 153

HSL 278.48, 0.9%, 0.32%

LAB 27.41, 58.05, -56.1

 

CMYK 34 / 94 / 0 / 25

HEX #7E0BC0

RGB 126 11 192

HSL 278.12, 0.89%, 0.4%

LAB 34.96, 68.72, -66.99

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 30 / 82 / 0 / 5

HEX #AA2BF2

RGB 170 43 242

HSL 278.29, 0.88%, 0.56%

LAB 47.86, 77.82, -74.38

 

CMYK 24 / 66 / 0 / 4

HEX #BA52F4

RGB 186 82 244

HSL 278.52, 0.88%, 0.64%

LAB 55.08, 67.06, -63.71

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 0 / 94 / 79 / 9

HEX #E70D31

RGB 231 13 49

HSL 350.09, 0.89%, 0.48%

LAB 48.88, 74.06, 42.67

 

CMYK 94 / 0 / 72 / 9

HEX #0DE740

RGB 13 231 64

HSL 134.04, 0.89%, 0.48%

LAB 80.52, -76.87, 64.5

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 0 / 35 / 94 / 9

HEX #E7970D

RGB 231 151 13

HSL 37.98, 0.89%, 0.48%

LAB 68.86, 21.29, 71.87

 

CMYK 94 / 0 / 35 / 9

HEX #0DE797

RGB 13 231 151

HSL 157.98, 0.89%, 0.48%

LAB 81.55, -64.4, 26.22

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 0 / 94 / 79 / 9

HEX #E70D31

RGB 231 13 49

HSL 350.09, 0.89%, 0.48%

LAB 48.88, 74.06, 42.67

 

CMYK 60 / 0 / 94 / 9

HEX #5DE70D

RGB 93 231 13

HSL 97.98, 0.89%, 0.48%

LAB 81.57, -68.56, 77.63

 

CMYK 94 / 0 / 16 / 9

HEX #0DE7C3

RGB 13 231 195

HSL 170.09, 0.89%, 0.48%

LAB 82.47, -54.21, 4.55

 

CMYK 34 / 94 / 0 / 9

HEX #980DE7

RGB 152 13 231

HSL 278.26, 0.89%, 0.48%

LAB 42.36, 79.22, -77.27

 

CMYK 0 / 82 / 94 / 9

HEX #E72A0D

RGB 231 42 13

HSL 7.98, 0.89%, 0.48%

LAB 50.3, 68.64, 59.84

 

CMYK 60 / 0 / 94 / 9

HEX #5DE70D

RGB 93 231 13

HSL 97.98, 0.89%, 0.48%

LAB 81.57, -68.56, 77.63

 

CMYK 94 / 13 / 0 / 9

HEX #0DCAE7

RGB 13 202 231

HSL 187.98, 0.89%, 0.48%

LAB 74.89, -30.96, -26

 

Description

Color code: HEX #980DE7 | qconv.com Color code: HEX #980DE7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 13 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 13 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 94 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 94% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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