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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #980EA4 it is the complementary color #67F15B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #980EA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #980EA4 shade: #9D0E9F, #AE20B2, #BF32C5, #D044D8 and #E156EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #980EA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #980EA4 shade: #980EA4, #870091, #76007E, #65006B and #540058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #980EA4 shade: #980EA4, #A40E87, #A40E5F, #A40E36 and #A40E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #980EA4 shade: #980EA4, #6F0EA4, #470EA4, #1E0EA4 and #0E0EA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #980EA4 shade matches the following richer shades: #980EA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #980EA4 shade: #980EA4, #8C1C95, #7F2B87, #733978 and #67486A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #980EA4 shade: #470EA4, #6F0EA4, #970EA4, #A40E88 and #A40E60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #980EA4 shade: #510758, #750A7E, #980EA4, #BB11CA and #DA19EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #980EA4 shade: #980EA4, #A41F0E and #0EA45B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #980EA4 shade: #980EA4, #A4970E and #0EA497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #980EA4 shade: #980EA4, #A41F0E, #1AA40E and #0E92A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #980EA4 shade: #980EA4, #A44C0E, #1AA40E and #0E65A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

Complementary color

CMYK 57 / 0 / 62 / 5

HEX #67F15B

RGB 103 241 91

HSL 115.2, 0.84%, 0.65%

LAB 85.28, -65.19, 59.63

 

CMYK 1 / 91 / 0 / 38

HEX #9D0E9F

RGB 157 14 159

HSL 299.17, 0.84%, 0.34%

LAB 37.82, 67, -42.44

 

CMYK 2 / 82 / 0 / 30

HEX #AE20B2

RGB 174 32 178

HSL 298.36, 0.7%, 0.41%

LAB 43.13, 69.73, -45.13

 

CMYK 3 / 75 / 0 / 23

HEX #BF32C5

RGB 191 50 197

HSL 297.55, 0.6%, 0.48%

LAB 48.75, 71.29, -47.12

 

CMYK 4 / 69 / 0 / 15

HEX #D044D8

RGB 208 68 216

HSL 296.76, 0.65%, 0.56%

LAB 54.56, 72.05, -48.61

 

CMYK 4 / 63 / 0 / 8

HEX #E156EB

RGB 225 86 235

HSL 295.97, 0.79%, 0.63%

LAB 60.48, 72.28, -49.75

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 7 / 100 / 0 / 43

HEX #870091

RGB 135 0 145

HSL 295.86, 1%, 0.28%

LAB 32.25, 62.85, -43.05

 

CMYK 6 / 100 / 0 / 51

HEX #76007E

RGB 118 0 126

HSL 296.19, 1%, 0.25%

LAB 27.73, 56.9, -38.63

 

CMYK 6 / 100 / 0 / 58

HEX #65006B

RGB 101 0 107

HSL 296.64, 1%, 0.21%

LAB 23.1, 50.8, -34.08

 

CMYK 5 / 100 / 0 / 65

HEX #540058

RGB 84 0 88

HSL 297.27, 1%, 0.17%

LAB 18.32, 44.5, -29.37

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 0 / 91 / 18 / 36

HEX #A40E87

RGB 164 14 135

HSL 311.6, 0.84%, 0.35%

LAB 37.76, 64.86, -27.78

 

CMYK 0 / 91 / 42 / 36

HEX #A40E5F

RGB 164 14 95

HSL 327.6, 0.84%, 0.35%

LAB 36.05, 60.28, -5.2

 

CMYK 0 / 91 / 67 / 36

HEX #A40E36

RGB 164 14 54

HSL 344, 0.84%, 0.35%

LAB 34.95, 57.23, 19.87

 

CMYK 0 / 91 / 91 / 36

HEX #A40E0E

RGB 164 14 14

HSL 0, 0.84%, 0.35%

LAB 34.47, 55.88, 42.69

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 32 / 91 / 0 / 36

HEX #6F0EA4

RGB 111 14 164

HSL 278.8, 0.84%, 0.35%

LAB 30.34, 60.59, -57.95

 

CMYK 57 / 91 / 0 / 36

HEX #470EA4

RGB 71 14 164

HSL 262.8, 0.84%, 0.35%

LAB 24.75, 56.06, -67.35

 

CMYK 82 / 91 / 0 / 36

HEX #1E0EA4

RGB 30 14 164

HSL 246.4, 0.84%, 0.35%

LAB 21.1, 53.54, -73.52

 

CMYK 91 / 91 / 0 / 36

HEX #0E0EA4

RGB 14 14 164

HSL 240, 0.84%, 0.35%

LAB 20.39, 53.11, -74.71

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 6 / 81 / 0 / 42

HEX #8C1C95

RGB 140 28 149

HSL 295.54, 0.68%, 0.35%

LAB 35.15, 59.3, -40.79

 

CMYK 6 / 68 / 0 / 47

HEX #7F2B87

RGB 127 43 135

HSL 294.78, 0.52%, 0.35%

LAB 33.96, 48.65, -34.21

 

CMYK 4 / 53 / 0 / 53

HEX #733978

RGB 115 57 120

HSL 295.24, 0.36%, 0.35%

LAB 33.83, 35.51, -25.2

 

CMYK 3 / 32 / 0 / 58

HEX #67486A

RGB 103 72 106

HSL 294.71, 0.19%, 0.35%

LAB 35.12, 19.66, -14.54

 

CMYK 57 / 91 / 0 / 36

HEX #470EA4

RGB 71 14 164

HSL 262.8, 0.84%, 0.35%

LAB 24.75, 56.06, -67.35

 

CMYK 32 / 91 / 0 / 36

HEX #6F0EA4

RGB 111 14 164

HSL 278.8, 0.84%, 0.35%

LAB 30.34, 60.59, -57.95

 

CMYK 8 / 91 / 0 / 36

HEX #970EA4

RGB 151 14 164

HSL 294.8, 0.84%, 0.35%

LAB 37.07, 66.77, -46.72

 

CMYK 0 / 91 / 17 / 36

HEX #A40E88

RGB 164 14 136

HSL 311.2, 0.84%, 0.35%

LAB 37.81, 65, -28.32

 

CMYK 0 / 91 / 41 / 36

HEX #A40E60

RGB 164 14 96

HSL 327.2, 0.84%, 0.35%

LAB 36.08, 60.38, -5.79

 

CMYK 8 / 92 / 0 / 65

HEX #510758

RGB 81 7 88

HSL 294.81, 0.85%, 0.19%

LAB 18.39, 41.95, -29.29

 

CMYK 7 / 92 / 0 / 51

HEX #750A7E

RGB 117 10 126

HSL 295.34, 0.85%, 0.27%

LAB 28.13, 55, -38

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 7 / 92 / 0 / 21

HEX #BB11CA

RGB 187 17 202

HSL 295.14, 0.84%, 0.43%

LAB 45.95, 78.47, -54.54

 

CMYK 7 / 89 / 0 / 8

HEX #DA19EB

RGB 218 25 235

HSL 295.14, 0.84%, 0.51%

LAB 53.6, 87.54, -60.8

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 0 / 81 / 91 / 36

HEX #A41F0E

RGB 164 31 14

HSL 6.8, 0.84%, 0.35%

LAB 35.8, 52.11, 43.63

 

CMYK 91 / 0 / 45 / 36

HEX #0EA45B

RGB 14 164 91

HSL 150.8, 0.84%, 0.35%

LAB 59.34, -52.5, 28.06

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 0 / 8 / 91 / 36

HEX #A4970E

RGB 164 151 14

HSL 54.8, 0.84%, 0.35%

LAB 61.7, -8.47, 63.21

 

CMYK 91 / 0 / 8 / 36

HEX #0EA497

RGB 14 164 151

HSL 174.8, 0.84%, 0.35%

LAB 60.67, -37.92, -3.29

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 0 / 81 / 91 / 36

HEX #A41F0E

RGB 164 31 14

HSL 6.8, 0.84%, 0.35%

LAB 35.8, 52.11, 43.63

 

CMYK 84 / 0 / 91 / 36

HEX #1AA40E

RGB 26 164 14

HSL 115.2, 0.84%, 0.35%

LAB 58.79, -59.7, 57.99

 

CMYK 91 / 11 / 0 / 36

HEX #0E92A4

RGB 14 146 164

HSL 187.2, 0.84%, 0.35%

LAB 55.41, -25.21, -18.57

 

CMYK 7 / 91 / 0 / 36

HEX #980EA4

RGB 152 14 164

HSL 295.2, 0.84%, 0.35%

LAB 37.24, 66.94, -46.43

 

CMYK 0 / 54 / 91 / 36

HEX #A44C0E

RGB 164 76 14

HSL 24.8, 0.84%, 0.35%

LAB 42.9, 33.1, 48.83

 

CMYK 84 / 0 / 91 / 36

HEX #1AA40E

RGB 26 164 14

HSL 115.2, 0.84%, 0.35%

LAB 58.79, -59.7, 57.99

 

CMYK 91 / 38 / 0 / 36

HEX #0E65A4

RGB 14 101 164

HSL 205.2, 0.84%, 0.35%

LAB 41.34, 0.38, -40.5

 

Description

Color code: HEX #980EA4 | qconv.com Color code: HEX #980EA4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 14 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 14 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 91 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 91% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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