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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98197C it is the complementary color #67E683. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98197C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98197C shade: #9D1977, #AE2B8A, #BF3D9D, #D04FB0 and #E161C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98197C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98197C shade: #98197C, #870769, #760056, #650043 and #540030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98197C shade: #99187D, #99185A, #991837 and #991818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98197C shade: #99187D, #931899, #701899, #4D1899 and #2B1899

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98197C shade matches the following richer shades: #99187D and #A70A85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98197C shade: #99187D, #8B2775, #7C356D, #6E4464 and #5F525C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98197C shade: #701899, #931899, #99187D, #99185B and #991839

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98197C shade: #520D43, #761360, #99187D, #BC1E9A and #DC28B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98197C shade: #98197C, #994E18 and #189981

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98197C shade: #98197C, #7D9918 and #187D99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98197C shade: #98197C, #994E18, #189934 and #186399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98197C shade: #98197C, #997518, #189934 and #183D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 18 / 40

HEX #98197C

RGB 152 25 124

HSL 313.23, 0.72%, 0.35%

LAB 35.65, 58.74, -24.41

 

Complementary color

CMYK 55 / 0 / 43 / 10

HEX #67E683

RGB 103 230 131

HSL 133.23, 0.72%, 0.65%

LAB 82.44, -56.01, 37.78

 

CMYK 0 / 84 / 24 / 38

HEX #9D1977

RGB 157 25 119

HSL 317.27, 0.73%, 0.36%

LAB 36.36, 59.21, -20.1

 

CMYK 0 / 75 / 21 / 32

HEX #AE2B8A

RGB 174 43 138

HSL 316.49, 0.6%, 0.43%

LAB 42.09, 60.75, -22.73

 

CMYK 0 / 68 / 18 / 25

HEX #BF3D9D

RGB 191 61 157

HSL 315.69, 0.52%, 0.49%

LAB 48.07, 61.38, -24.7

 

CMYK 0 / 62 / 15 / 18

HEX #D04FB0

RGB 208 79 176

HSL 314.88, 0.58%, 0.56%

LAB 54.17, 61.45, -26.22

 

CMYK 0 / 57 / 13 / 12

HEX #E161C3

RGB 225 97 195

HSL 314.06, 0.68%, 0.63%

LAB 60.34, 61.18, -27.43

 

CMYK 0 / 84 / 18 / 40

HEX #98197C

RGB 152 25 124

HSL 313.23, 0.72%, 0.35%

LAB 35.65, 58.74, -24.41

 

CMYK 0 / 95 / 22 / 47

HEX #870769

RGB 135 7 105

HSL 314.06, 0.9%, 0.28%

LAB 30.21, 55.87, -21.08

 

CMYK 0 / 100 / 27 / 54

HEX #760056

RGB 118 0 86

HSL 316.27, 1%, 0.23%

LAB 25.33, 51.01, -16.48

 

CMYK 0 / 100 / 34 / 60

HEX #650043

RGB 101 0 67

HSL 320.2, 1%, 0.2%

LAB 20.72, 44.93, -11.01

 

CMYK 0 / 100 / 43 / 67

HEX #540030

RGB 84 0 48

HSL 325.71, 1%, 0.16%

LAB 15.99, 38.72, -5.11

 

CMYK 0 / 84 / 18 / 40

HEX #99187D

RGB 153 24 125

HSL 313.02, 0.73%, 0.35%

LAB 35.8, 59.33, -24.78

 

CMYK 0 / 84 / 41 / 40

HEX #99185A

RGB 153 24 90

HSL 329.3, 0.73%, 0.35%

LAB 34.32, 55.14, -4.78

 

CMYK 0 / 84 / 64 / 40

HEX #991837

RGB 153 24 55

HSL 345.58, 0.73%, 0.35%

LAB 33.35, 52.29, 16.69

 

CMYK 0 / 84 / 84 / 40

HEX #991818

RGB 153 24 24

HSL 0, 0.73%, 0.35%

LAB 32.9, 50.92, 35.41

 

CMYK 0 / 84 / 18 / 40

HEX #99187D

RGB 153 24 125

HSL 313.02, 0.73%, 0.35%

LAB 35.8, 59.33, -24.78

 

CMYK 4 / 84 / 0 / 40

HEX #931899

RGB 147 24 153

HSL 297.21, 0.73%, 0.35%

LAB 36.28, 62.35, -41.36

 

CMYK 27 / 84 / 0 / 40

HEX #701899

RGB 112 24 153

HSL 280.93, 0.73%, 0.35%

LAB 30.39, 56.03, -51.15

 

CMYK 50 / 84 / 0 / 40

HEX #4D1899

RGB 77 24 153

HSL 264.65, 0.73%, 0.35%

LAB 25.35, 50.8, -59.6

 

CMYK 72 / 84 / 0 / 40

HEX #2B1899

RGB 43 24 153

HSL 248.84, 0.73%, 0.35%

LAB 21.82, 47.27, -65.55

 

CMYK 0 / 84 / 18 / 40

HEX #99187D

RGB 153 24 125

HSL 313.02, 0.73%, 0.35%

LAB 35.8, 59.33, -24.78

 

CMYK 0 / 94 / 20 / 35

HEX #A70A85

RGB 167 10 133

HSL 312.99, 0.89%, 0.35%

LAB 38.07, 65.72, -26.02

 

CMYK 0 / 84 / 18 / 40

HEX #99187D

RGB 153 24 125

HSL 313.02, 0.73%, 0.35%

LAB 35.8, 59.33, -24.78

 

CMYK 0 / 72 / 16 / 45

HEX #8B2775

RGB 139 39 117

HSL 313.2, 0.56%, 0.35%

LAB 34.45, 50.24, -22.07

 

CMYK 0 / 57 / 12 / 51

HEX #7C356D

RGB 124 53 109

HSL 312.68, 0.4%, 0.35%

LAB 33.85, 38.36, -18.14

 

CMYK 0 / 38 / 9 / 57

HEX #6E4464

RGB 110 68 100

HSL 314.29, 0.24%, 0.35%

LAB 34.74, 23.45, -11.26

 

CMYK 0 / 14 / 3 / 63

HEX #5F525C

RGB 95 82 92

HSL 313.85, 0.07%, 0.35%

LAB 36.44, 7.36, -3.84

 

CMYK 27 / 84 / 0 / 40

HEX #701899

RGB 112 24 153

HSL 280.93, 0.73%, 0.35%

LAB 30.39, 56.03, -51.15

 

CMYK 4 / 84 / 0 / 40

HEX #931899

RGB 147 24 153

HSL 297.21, 0.73%, 0.35%

LAB 36.28, 62.35, -41.36

 

CMYK 0 / 84 / 18 / 40

HEX #99187D

RGB 153 24 125

HSL 313.02, 0.73%, 0.35%

LAB 35.8, 59.33, -24.78

 

CMYK 0 / 84 / 41 / 40

HEX #99185B

RGB 153 24 91

HSL 328.84, 0.73%, 0.35%

LAB 34.36, 55.24, -5.38

 

CMYK 0 / 84 / 63 / 40

HEX #991839

RGB 153 24 57

HSL 344.65, 0.73%, 0.35%

LAB 33.39, 52.41, 15.44

 

CMYK 0 / 84 / 18 / 68

HEX #520D43

RGB 82 13 67

HSL 313.04, 0.73%, 0.19%

LAB 17.86, 36.75, -15.76

 

CMYK 0 / 84 / 19 / 54

HEX #761360

RGB 118 19 96

HSL 313.33, 0.72%, 0.27%

LAB 27.19, 48.41, -20.2

 

CMYK 0 / 84 / 18 / 40

HEX #99187D

RGB 153 24 125

HSL 313.02, 0.73%, 0.35%

LAB 35.8, 59.33, -24.78

 

CMYK 0 / 84 / 18 / 26

HEX #BC1E9A

RGB 188 30 154

HSL 312.91, 0.72%, 0.43%

LAB 44.17, 69.5, -29.02

 

CMYK 0 / 82 / 18 / 14

HEX #DC28B4

RGB 220 40 180

HSL 313.33, 0.72%, 0.51%

LAB 51.87, 77.45, -31.98

 

CMYK 0 / 84 / 18 / 40

HEX #98197C

RGB 152 25 124

HSL 313.23, 0.72%, 0.35%

LAB 35.65, 58.74, -24.41

 

CMYK 0 / 49 / 84 / 40

HEX #994E18

RGB 153 78 24

HSL 25.12, 0.73%, 0.35%

LAB 41.67, 27.66, 43.42

 

CMYK 84 / 0 / 16 / 40

HEX #189981

RGB 24 153 129

HSL 168.84, 0.73%, 0.35%

LAB 56.65, -38.61, 3.31

 

CMYK 0 / 84 / 18 / 40

HEX #98197C

RGB 152 25 124

HSL 313.23, 0.72%, 0.35%

LAB 35.65, 58.74, -24.41

 

CMYK 18 / 0 / 84 / 40

HEX #7D9918

RGB 125 153 24

HSL 73.02, 0.73%, 0.35%

LAB 59.17, -26.53, 57.69

 

CMYK 84 / 18 / 0 / 40

HEX #187D99

RGB 24 125 153

HSL 193.02, 0.73%, 0.35%

LAB 48.46, -17.24, -22.85

 

CMYK 0 / 84 / 18 / 40

HEX #98197C

RGB 152 25 124

HSL 313.23, 0.72%, 0.35%

LAB 35.65, 58.74, -24.41

 

CMYK 0 / 49 / 84 / 40

HEX #994E18

RGB 153 78 24

HSL 25.12, 0.73%, 0.35%

LAB 41.67, 27.66, 43.42

 

CMYK 84 / 0 / 66 / 40

HEX #189934

RGB 24 153 52

HSL 133.02, 0.73%, 0.35%

LAB 55.3, -53.83, 42.52

 

CMYK 84 / 35 / 0 / 40

HEX #186399

RGB 24 99 153

HSL 205.12, 0.73%, 0.35%

LAB 40.28, -1.98, -35.64

 

CMYK 0 / 84 / 18 / 40

HEX #98197C

RGB 152 25 124

HSL 313.23, 0.72%, 0.35%

LAB 35.65, 58.74, -24.41

 

CMYK 0 / 24 / 84 / 40

HEX #997518

RGB 153 117 24

HSL 43.26, 0.73%, 0.35%

LAB 51.34, 5.47, 51.89

 

CMYK 84 / 0 / 66 / 40

HEX #189934

RGB 24 153 52

HSL 133.02, 0.73%, 0.35%

LAB 55.3, -53.83, 42.52

 

CMYK 84 / 60 / 0 / 40

HEX #183D99

RGB 24 61 153

HSL 222.79, 0.73%, 0.35%

LAB 28.98, 23.34, -53.8

 

Description

Color code: HEX #98197C | qconv.com Color code: HEX #98197C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 25 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 25 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 18 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 18% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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