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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #982180 it is the complementary color #67DE7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #982180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #982180 shade: #9D217B, #AE338E, #BF45A1, #D057B4 and #E169C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #982180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #982180 shade: #982180, #870F6D, #76005A, #650047 and #540034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #982180 shade: #96217E, #96215F, #96213F and #962121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #982180 shade: #96217E, #8E2196, #6E2196, #4F2196 and #2F2196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #982180 shade matches the following richer shades: #96217E, #A51287 and #B40390

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #982180 shade: #96217E, #872F75, #783E6D, #694D64 and #5B5C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #982180 shade: #6F2196, #8E2196, #96217F, #96215F and #962140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #982180 shade: #521245, #741962, #96217E, #B8289B and #D337B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #982180 shade: #982180, #965021 and #21967F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #982180 shade: #982180, #7F9621 and #217F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #982180 shade: #982180, #965021, #219638 and #216796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #982180 shade: #982180, #967321, #219638 and #214496

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 16 / 40

HEX #982180

RGB 152 33 128

HSL 312.1, 0.64%, 0.36%

LAB 36.6, 57.14, -25.43

 

Complementary color

CMYK 54 / 0 / 43 / 13

HEX #67DE7F

RGB 103 222 127

HSL 132.1, 0.64%, 0.64%

LAB 79.99, -53.5, 36.61

 

CMYK 0 / 79 / 22 / 38

HEX #9D217B

RGB 157 33 123

HSL 316.45, 0.65%, 0.37%

LAB 37.27, 57.63, -21.19

 

CMYK 0 / 71 / 18 / 32

HEX #AE338E

RGB 174 51 142

HSL 315.61, 0.55%, 0.44%

LAB 43.24, 58.57, -23.39

 

CMYK 0 / 64 / 16 / 25

HEX #BF45A1

RGB 191 69 161

HSL 314.75, 0.49%, 0.51%

LAB 49.38, 58.79, -25.04

 

CMYK 0 / 58 / 13 / 18

HEX #D057B4

RGB 208 87 180

HSL 313.88, 0.56%, 0.58%

LAB 55.61, 58.59, -26.32

 

CMYK 0 / 53 / 12 / 12

HEX #E169C7

RGB 225 105 199

HSL 313, 0.67%, 0.65%

LAB 61.86, 58.15, -27.35

 

CMYK 0 / 78 / 16 / 40

HEX #982180

RGB 152 33 128

HSL 312.1, 0.64%, 0.36%

LAB 36.6, 57.14, -25.43

 

CMYK 0 / 89 / 19 / 47

HEX #870F6D

RGB 135 15 109

HSL 313, 0.8%, 0.29%

LAB 30.87, 55.08, -22.62

 

CMYK 0 / 100 / 24 / 54

HEX #76005A

RGB 118 0 90

HSL 314.24, 1%, 0.23%

LAB 25.53, 51.52, -18.83

 

CMYK 0 / 100 / 30 / 60

HEX #650047

RGB 101 0 71

HSL 317.82, 1%, 0.2%

LAB 20.91, 45.42, -13.47

 

CMYK 0 / 100 / 38 / 67

HEX #540034

RGB 84 0 52

HSL 322.86, 1%, 0.16%

LAB 16.17, 39.17, -7.73

 

CMYK 0 / 78 / 16 / 41

HEX #96217E

RGB 150 33 126

HSL 312.31, 0.64%, 0.36%

LAB 36.13, 56.37, -24.93

 

CMYK 0 / 78 / 37 / 41

HEX #96215F

RGB 150 33 95

HSL 328.21, 0.64%, 0.36%

LAB 34.8, 52.36, -7.36

 

CMYK 0 / 78 / 58 / 41

HEX #96213F

RGB 150 33 63

HSL 344.62, 0.64%, 0.36%

LAB 33.84, 49.36, 12.02

 

CMYK 0 / 78 / 78 / 41

HEX #962121

RGB 150 33 33

HSL 0, 0.64%, 0.36%

LAB 33.31, 47.66, 30.42

 

CMYK 0 / 78 / 16 / 41

HEX #96217E

RGB 150 33 126

HSL 312.31, 0.64%, 0.36%

LAB 36.13, 56.37, -24.93

 

CMYK 5 / 78 / 0 / 41

HEX #8E2196

RGB 142 33 150

HSL 295.9, 0.64%, 0.36%

LAB 36.06, 58.43, -39.93

 

CMYK 27 / 78 / 0 / 41

HEX #6E2196

RGB 110 33 150

HSL 279.49, 0.64%, 0.36%

LAB 30.89, 52.02, -48.53

 

CMYK 47 / 78 / 0 / 41

HEX #4F2196

RGB 79 33 150

HSL 263.59, 0.64%, 0.36%

LAB 26.6, 46.57, -55.71

 

CMYK 69 / 78 / 0 / 41

HEX #2F2196

RGB 47 33 150

HSL 247.18, 0.64%, 0.36%

LAB 23.32, 42.29, -61.22

 

CMYK 0 / 78 / 16 / 41

HEX #96217E

RGB 150 33 126

HSL 312.31, 0.64%, 0.36%

LAB 36.13, 56.37, -24.93

 

CMYK 0 / 89 / 18 / 35

HEX #A51287

RGB 165 18 135

HSL 312.24, 0.8%, 0.36%

LAB 38.17, 64.45, -27.13

 

CMYK 0 / 98 / 20 / 29

HEX #B40390

RGB 180 3 144

HSL 312.2, 0.97%, 0.36%

LAB 40.87, 70.42, -28.22

 

CMYK 0 / 78 / 16 / 41

HEX #96217E

RGB 150 33 126

HSL 312.31, 0.64%, 0.36%

LAB 36.13, 56.37, -24.93

 

CMYK 0 / 65 / 13 / 47

HEX #872F75

RGB 135 47 117

HSL 312.27, 0.48%, 0.36%

LAB 34.94, 45.86, -21.36

 

CMYK 0 / 48 / 9 / 53

HEX #783E6D

RGB 120 62 109

HSL 311.38, 0.32%, 0.36%

LAB 35.09, 32.21, -16.28

 

CMYK 0 / 27 / 5 / 59

HEX #694D64

RGB 105 77 100

HSL 310.71, 0.15%, 0.36%

LAB 36.43, 16.05, -8.77

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 26 / 78 / 0 / 41

HEX #6F2196

RGB 111 33 150

HSL 280, 0.64%, 0.36%

LAB 31.04, 52.21, -48.27

 

CMYK 5 / 78 / 0 / 41

HEX #8E2196

RGB 142 33 150

HSL 295.9, 0.64%, 0.36%

LAB 36.06, 58.43, -39.93

 

CMYK 0 / 78 / 15 / 41

HEX #96217F

RGB 150 33 127

HSL 311.79, 0.64%, 0.36%

LAB 36.18, 56.52, -25.48

 

CMYK 0 / 78 / 37 / 41

HEX #96215F

RGB 150 33 95

HSL 328.21, 0.64%, 0.36%

LAB 34.8, 52.36, -7.36

 

CMYK 0 / 78 / 57 / 41

HEX #962140

RGB 150 33 64

HSL 344.1, 0.64%, 0.36%

LAB 33.86, 49.43, 11.4

 

CMYK 0 / 78 / 16 / 68

HEX #521245

RGB 82 18 69

HSL 312.19, 0.64%, 0.2%

LAB 18.61, 35.25, -15.97

 

CMYK 0 / 78 / 16 / 55

HEX #741962

RGB 116 25 98

HSL 311.87, 0.65%, 0.28%

LAB 27.55, 46.4, -20.98

 

CMYK 0 / 78 / 16 / 41

HEX #96217E

RGB 150 33 126

HSL 312.31, 0.64%, 0.36%

LAB 36.13, 56.37, -24.93

 

CMYK 0 / 78 / 16 / 28

HEX #B8289B

RGB 184 40 155

HSL 312.08, 0.64%, 0.44%

LAB 44.34, 66.32, -29.4

 

CMYK 0 / 74 / 15 / 17

HEX #D337B3

RGB 211 55 179

HSL 312.31, 0.64%, 0.52%

LAB 51.65, 71.39, -31.85

 

CMYK 0 / 78 / 16 / 40

HEX #982180

RGB 152 33 128

HSL 312.1, 0.64%, 0.36%

LAB 36.6, 57.14, -25.43

 

CMYK 0 / 47 / 78 / 41

HEX #965021

RGB 150 80 33

HSL 24.1, 0.64%, 0.36%

LAB 41.74, 25.59, 39.21

 

CMYK 78 / 0 / 15 / 41

HEX #21967F

RGB 33 150 127

HSL 168.21, 0.64%, 0.36%

LAB 55.75, -36.91, 3.17

 

CMYK 0 / 78 / 16 / 40

HEX #982180

RGB 152 33 128

HSL 312.1, 0.64%, 0.36%

LAB 36.6, 57.14, -25.43

 

CMYK 15 / 0 / 78 / 41

HEX #7F9621

RGB 127 150 33

HSL 71.79, 0.64%, 0.36%

LAB 58.45, -23.83, 54.47

 

CMYK 78 / 15 / 0 / 41

HEX #217F96

RGB 33 127 150

HSL 191.79, 0.64%, 0.36%

LAB 49.14, -18.46, -20.04

 

CMYK 0 / 78 / 16 / 40

HEX #982180

RGB 152 33 128

HSL 312.1, 0.64%, 0.36%

LAB 36.6, 57.14, -25.43

 

CMYK 0 / 47 / 78 / 41

HEX #965021

RGB 150 80 33

HSL 24.1, 0.64%, 0.36%

LAB 41.74, 25.59, 39.21

 

CMYK 78 / 0 / 63 / 41

HEX #219638

RGB 33 150 56

HSL 131.79, 0.64%, 0.36%

LAB 54.47, -51.21, 39.8

 

CMYK 78 / 31 / 0 / 41

HEX #216796

RGB 33 103 150

HSL 204.1, 0.64%, 0.36%

LAB 41.57, -4.63, -31.79

 

CMYK 0 / 78 / 16 / 40

HEX #982180

RGB 152 33 128

HSL 312.1, 0.64%, 0.36%

LAB 36.6, 57.14, -25.43

 

CMYK 0 / 23 / 78 / 41

HEX #967321

RGB 150 115 33

HSL 42.05, 0.64%, 0.36%

LAB 50.52, 5.55, 47.77

 

CMYK 78 / 0 / 63 / 41

HEX #219638

RGB 33 150 56

HSL 131.79, 0.64%, 0.36%

LAB 54.47, -51.21, 39.8

 

CMYK 78 / 55 / 0 / 41

HEX #214496

RGB 33 68 150

HSL 222.05, 0.64%, 0.36%

LAB 31.02, 18.26, -48.65

 

Description

Color code: HEX #982180 | qconv.com Color code: HEX #982180 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 33 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 33 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 16 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 16% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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