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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #982FA2 it is the complementary color #67D05D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #982FA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #982FA2 shade: #9D2F9D, #AE41B0, #BF53C3, #D065D6 and #E177E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #982FA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #982FA2 shade: #982FA2, #871D8F, #760B7C, #650069 and #540056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #982FA2 shade: #982FA2, #A22F8D, #A22F6E, #A22F4F and #A22F30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #982FA2 shade: #982FA2, #792FA2, #5A2FA2, #3B2FA2 and #2F2FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #982FA2 shade matches the following richer shades: #982FA2, #A61EB2 and #B30DC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #982FA2 shade: #982FA2, #8A3F91, #7C5080, #6E616F and #60725E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #982FA2 shade: #592FA2, #772FA2, #962FA2, #A22F8E and #A22F70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #982FA2 shade: #5C1C62, #7A2582, #982FA2, #B638C2 and #C355CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #982FA2 shade: #982FA2, #A23A2F and #2FA268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #982FA2 shade: #982FA2, #A2962F and #2FA296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #982FA2 shade: #982FA2, #A23A2F, #3AA22F and #2F96A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #982FA2 shade: #982FA2, #A25D2F, #3AA22F and #2F74A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

Complementary color

CMYK 50 / 0 / 55 / 18

HEX #67D05D

RGB 103 208 93

HSL 114.78, 0.55%, 0.59%

LAB 75.32, -52.71, 47.3

 

CMYK 0 / 70 / 0 / 38

HEX #9D2F9D

RGB 157 47 157

HSL 300, 0.54%, 0.4%

LAB 40.63, 58.21, -36.75

 

CMYK 1 / 63 / 0 / 31

HEX #AE41B0

RGB 174 65 176

HSL 298.92, 0.46%, 0.47%

LAB 46.86, 58.47, -38.03

 

CMYK 2 / 57 / 0 / 24

HEX #BF53C3

RGB 191 83 195

HSL 297.86, 0.48%, 0.55%

LAB 53.17, 58.27, -38.96

 

CMYK 3 / 53 / 0 / 16

HEX #D065D6

RGB 208 101 214

HSL 296.81, 0.58%, 0.62%

LAB 59.5, 57.82, -39.67

 

CMYK 3 / 49 / 0 / 9

HEX #E177E9

RGB 225 119 233

HSL 295.79, 0.72%, 0.69%

LAB 65.81, 57.22, -40.24

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 6 / 80 / 0 / 44

HEX #871D8F

RGB 135 29 143

HSL 295.79, 0.66%, 0.34%

LAB 34.01, 56.96, -38.99

 

CMYK 5 / 91 / 0 / 51

HEX #760B7C

RGB 118 11 124

HSL 296.81, 0.84%, 0.26%

LAB 28.24, 54.66, -36.55

 

CMYK 4 / 100 / 0 / 59

HEX #650069

RGB 101 0 105

HSL 297.71, 1%, 0.21%

LAB 22.95, 50.46, -33.01

 

CMYK 2 / 100 / 0 / 66

HEX #540056

RGB 84 0 86

HSL 298.6, 1%, 0.17%

LAB 18.17, 44.15, -28.25

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 0 / 71 / 13 / 36

HEX #A22F8D

RGB 162 47 141

HSL 310.96, 0.55%, 0.41%

LAB 40.63, 56.83, -26.99

 

CMYK 0 / 71 / 32 / 36

HEX #A22F6E

RGB 162 47 110

HSL 327.13, 0.55%, 0.41%

LAB 39.31, 52.56, -9.86

 

CMYK 0 / 71 / 51 / 36

HEX #A22F4F

RGB 162 47 79

HSL 343.3, 0.55%, 0.41%

LAB 38.34, 49.3, 8.32

 

CMYK 0 / 71 / 70 / 36

HEX #A22F30

RGB 162 47 48

HSL 359.48, 0.55%, 0.41%

LAB 37.71, 47.12, 26.99

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 25 / 71 / 0 / 36

HEX #792FA2

RGB 121 47 162

HSL 278.61, 0.55%, 0.41%

LAB 35.41, 51.11, -48.43

 

CMYK 44 / 71 / 0 / 36

HEX #5A2FA2

RGB 90 47 162

HSL 262.43, 0.55%, 0.41%

LAB 31.38, 44.87, -55.15

 

CMYK 64 / 71 / 0 / 36

HEX #3B2FA2

RGB 59 47 162

HSL 246.26, 0.55%, 0.41%

LAB 28.3, 39.78, -60.31

 

CMYK 71 / 71 / 0 / 36

HEX #2F2FA2

RGB 47 47 162

HSL 240, 0.55%, 0.41%

LAB 27.42, 38.25, -61.79

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 7 / 83 / 0 / 30

HEX #A61EB2

RGB 166 30 178

HSL 295.14, 0.71%, 0.41%

LAB 41.61, 68.7, -47.64

 

CMYK 8 / 93 / 0 / 24

HEX #B30DC3

RGB 179 13 195

HSL 294.73, 0.88%, 0.41%

LAB 43.96, 76.54, -53.74

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 5 / 57 / 0 / 43

HEX #8A3F91

RGB 138 63 145

HSL 294.88, 0.39%, 0.41%

LAB 39.58, 44.15, -31.34

 

CMYK 3 / 38 / 0 / 50

HEX #7C5080

RGB 124 80 128

HSL 295, 0.23%, 0.41%

LAB 40.54, 26.95, -19.63

 

CMYK 1 / 13 / 0 / 56

HEX #6E616F

RGB 110 97 111

HSL 295.71, 0.07%, 0.41%

LAB 42.78, 7.99, -6

 

CMYK 16 / 0 / 18 / 55

HEX #60725E

RGB 96 114 94

HSL 114, 0.1%, 0.41%

LAB 46.08, -10.9, 8.88

 

CMYK 45 / 71 / 0 / 36

HEX #592FA2

RGB 89 47 162

HSL 261.91, 0.55%, 0.41%

LAB 31.27, 44.69, -55.34

 

CMYK 27 / 71 / 0 / 36

HEX #772FA2

RGB 119 47 162

HSL 277.57, 0.55%, 0.41%

LAB 35.13, 50.69, -48.9

 

CMYK 7 / 71 / 0 / 36

HEX #962FA2

RGB 150 47 162

HSL 293.74, 0.55%, 0.41%

LAB 39.79, 57.49, -41.16

 

CMYK 0 / 71 / 12 / 36

HEX #A22F8E

RGB 162 47 142

HSL 310.43, 0.55%, 0.41%

LAB 40.68, 56.98, -27.53

 

CMYK 0 / 71 / 31 / 36

HEX #A22F70

RGB 162 47 112

HSL 326.09, 0.55%, 0.41%

LAB 39.38, 52.81, -11

 

CMYK 6 / 71 / 0 / 62

HEX #5C1C62

RGB 92 28 98

HSL 294.86, 0.56%, 0.25%

LAB 23.63, 39.1, -27.44

 

CMYK 6 / 72 / 0 / 49

HEX #7A2582

RGB 122 37 130

HSL 294.84, 0.56%, 0.33%

LAB 31.97, 48.96, -34.32

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 6 / 71 / 0 / 24

HEX #B638C2

RGB 182 56 194

HSL 294.78, 0.55%, 0.49%

LAB 47.84, 66.93, -46.91

 

CMYK 5 / 59 / 0 / 20

HEX #C355CD

RGB 195 85 205

HSL 295, 0.55%, 0.57%

LAB 54.56, 60.2, -42.46

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 0 / 64 / 71 / 36

HEX #A23A2F

RGB 162 58 47

HSL 5.74, 0.55%, 0.41%

LAB 39.43, 42.37, 29.63

 

CMYK 71 / 0 / 36 / 36

HEX #2FA268

RGB 47 162 104

HSL 149.74, 0.55%, 0.41%

LAB 59.38, -45.49, 21.19

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 0 / 7 / 71 / 36

HEX #A2962F

RGB 162 150 47

HSL 53.74, 0.55%, 0.41%

LAB 61.39, -7.69, 53.19

 

CMYK 71 / 0 / 7 / 36

HEX #2FA296

RGB 47 162 150

HSL 173.74, 0.55%, 0.41%

LAB 60.47, -34.22, -2.97

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 0 / 64 / 71 / 36

HEX #A23A2F

RGB 162 58 47

HSL 5.74, 0.55%, 0.41%

LAB 39.43, 42.37, 29.63

 

CMYK 64 / 0 / 71 / 36

HEX #3AA22F

RGB 58 162 47

HSL 114.26, 0.55%, 0.41%

LAB 58.92, -51.68, 48.72

 

CMYK 71 / 7 / 0 / 36

HEX #2F96A2

RGB 47 150 162

HSL 186.26, 0.55%, 0.41%

LAB 57.1, -24.8, -14.82

 

CMYK 6 / 71 / 0 / 36

HEX #982FA2

RGB 152 47 162

HSL 294.78, 0.55%, 0.41%

LAB 40.11, 57.94, -40.64

 

CMYK 0 / 43 / 71 / 36

HEX #A25D2F

RGB 162 93 47

HSL 24, 0.55%, 0.41%

LAB 46.6, 24.2, 37.75

 

CMYK 64 / 0 / 71 / 36

HEX #3AA22F

RGB 58 162 47

HSL 114.26, 0.55%, 0.41%

LAB 58.92, -51.68, 48.72

 

CMYK 71 / 28 / 0 / 36

HEX #2F74A2

RGB 47 116 162

HSL 204, 0.55%, 0.41%

LAB 46.58, -6.08, -31

 

Description

Color code: HEX #982FA2 | qconv.com Color code: HEX #982FA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 47 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 47 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 71 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 71% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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