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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98365B it is the complementary color #67C9A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98365B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98365B shade: #9D3656, #AE4869, #BF5A7C, #D06C8F and #E17EA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98365B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98365B shade: #98365B, #872448, #761235, #650022 and #54000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98365B shade: #96355A, #96353F and #963535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98365B shade: #96355A, #963574, #96358E, #843596 and #6A3596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98365B shade matches the following richer shades: #96355A, #A72455, #B71451 and #C8034D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98365B shade: #96355A, #86455E, #755662, #656666 and #54776A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98365B shade: #96358E, #963574, #96355A, #963540 and #964335

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98365B shade: #591F35, #782A47, #96355A, #B53F6C and #C45982

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98365B shade: #98365B, #968535 and #358196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98365B shade: #98365B, #5A9635 and #355A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98365B shade: #98365B, #968535, #359671 and #354696

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98365B shade: #98365B, #8B9635, #359671 and #403596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 40 / 40

HEX #98365B

RGB 152 54 91

HSL 337.35, 0.48%, 0.4%

LAB 37.97, 44.36, -0.07

 

Complementary color

CMYK 49 / 0 / 18 / 21

HEX #67C9A4

RGB 103 201 164

HSL 157.35, 0.48%, 0.6%

LAB 74.4, -37.61, 9.7

 

CMYK 0 / 66 / 45 / 38

HEX #9D3656

RGB 157 54 86

HSL 341.36, 0.49%, 0.41%

LAB 38.69, 45.46, 4.25

 

CMYK 0 / 59 / 40 / 32

HEX #AE4869

RGB 174 72 105

HSL 340.59, 0.41%, 0.48%

LAB 45.16, 44.89, 2.11

 

CMYK 0 / 53 / 35 / 25

HEX #BF5A7C

RGB 191 90 124

HSL 339.8, 0.44%, 0.55%

LAB 51.66, 44.11, 0.41

 

CMYK 0 / 48 / 31 / 18

HEX #D06C8F

RGB 208 108 143

HSL 339, 0.52%, 0.62%

LAB 58.15, 43.27, -1

 

CMYK 0 / 44 / 28 / 12

HEX #E17EA2

RGB 225 126 162

HSL 338.18, 0.62%, 0.69%

LAB 64.59, 42.41, -2.2

 

CMYK 0 / 64 / 40 / 40

HEX #98365B

RGB 152 54 91

HSL 337.35, 0.48%, 0.4%

LAB 37.97, 44.36, -0.07

 

CMYK 0 / 73 / 47 / 47

HEX #872448

RGB 135 36 72

HSL 338.18, 0.58%, 0.34%

LAB 31.53, 44.49, 2.46

 

CMYK 0 / 85 / 55 / 54

HEX #761235

RGB 118 18 53

HSL 339, 0.74%, 0.27%

LAB 25.39, 43.71, 5.96

 

CMYK 0 / 100 / 66 / 60

HEX #650022

RGB 101 0 34

HSL 339.8, 1%, 0.2%

LAB 19.57, 41.9, 10.64

 

CMYK 0 / 100 / 82 / 67

HEX #54000F

RGB 84 0 15

HSL 349.29, 1%, 0.16%

LAB 15.06, 36.23, 17.02

 

CMYK 0 / 65 / 40 / 41

HEX #96355A

RGB 150 53 90

HSL 337.11, 0.48%, 0.4%

LAB 37.42, 44.04, -0.27

 

CMYK 0 / 65 / 58 / 41

HEX #96353F

RGB 150 53 63

HSL 353.81, 0.48%, 0.4%

LAB 36.72, 41.43, 15.92

 

CMYK 0 / 65 / 65 / 41

HEX #963535

RGB 150 53 53

HSL 0, 0.48%, 0.4%

LAB 36.53, 40.7, 21.96

 

CMYK 0 / 65 / 40 / 41

HEX #96355A

RGB 150 53 90

HSL 337.11, 0.48%, 0.4%

LAB 37.42, 44.04, -0.27

 

CMYK 0 / 65 / 23 / 41

HEX #963574

RGB 150 53 116

HSL 321.03, 0.48%, 0.4%

LAB 38.36, 47.42, -15.25

 

CMYK 0 / 65 / 5 / 41

HEX #96358E

RGB 150 53 142

HSL 304.95, 0.48%, 0.4%

LAB 39.55, 51.53, -29.44

 

CMYK 12 / 65 / 0 / 41

HEX #843596

RGB 132 53 150

HSL 288.87, 0.48%, 0.4%

LAB 37.21, 48.39, -38.19

 

CMYK 29 / 65 / 0 / 41

HEX #6A3596

RGB 106 53 150

HSL 272.78, 0.48%, 0.4%

LAB 33.59, 42.02, -44.2

 

CMYK 0 / 65 / 40 / 41

HEX #96355A

RGB 150 53 90

HSL 337.11, 0.48%, 0.4%

LAB 37.42, 44.04, -0.27

 

CMYK 0 / 78 / 49 / 35

HEX #A72455

RGB 167 36 85

HSL 337.56, 0.65%, 0.4%

LAB 38.08, 55.12, 4.26

 

CMYK 0 / 89 / 56 / 28

HEX #B71451

RGB 183 20 81

HSL 337.55, 0.8%, 0.4%

LAB 39.85, 62.79, 9.76

 

CMYK 0 / 99 / 62 / 22

HEX #C8034D

RGB 200 3 77

HSL 337.46, 0.97%, 0.4%

LAB 42.58, 68.67, 16.61

 

CMYK 0 / 65 / 40 / 41

HEX #96355A

RGB 150 53 90

HSL 337.11, 0.48%, 0.4%

LAB 37.42, 44.04, -0.27

 

CMYK 0 / 49 / 30 / 47

HEX #86455E

RGB 134 69 94

HSL 336.92, 0.32%, 0.4%

LAB 38.08, 30.83, -2.14

 

CMYK 0 / 26 / 16 / 54

HEX #755662

RGB 117 86 98

HSL 336.77, 0.15%, 0.4%

LAB 40.11, 14.88, -1.89

 

CMYK 1 / 0 / 0 / 60

HEX #656666

RGB 101 102 102

HSL 180, 0%, 0.4%

LAB 43.11, -0.39, -0.14

 

CMYK 29 / 0 / 11 / 53

HEX #54776A

RGB 84 119 106

HSL 157.71, 0.17%, 0.4%

LAB 47.13, -15.46, 3.15

 

CMYK 0 / 65 / 5 / 41

HEX #96358E

RGB 150 53 142

HSL 304.95, 0.48%, 0.4%

LAB 39.55, 51.53, -29.44

 

CMYK 0 / 65 / 23 / 41

HEX #963574

RGB 150 53 116

HSL 321.03, 0.48%, 0.4%

LAB 38.36, 47.42, -15.25

 

CMYK 0 / 65 / 40 / 41

HEX #96355A

RGB 150 53 90

HSL 337.11, 0.48%, 0.4%

LAB 37.42, 44.04, -0.27

 

CMYK 0 / 65 / 57 / 41

HEX #963540

RGB 150 53 64

HSL 353.2, 0.48%, 0.4%

LAB 36.74, 41.51, 15.32

 

CMYK 0 / 55 / 65 / 41

HEX #964335

RGB 150 67 53

HSL 8.66, 0.48%, 0.4%

LAB 39.17, 33.78, 25.25

 

CMYK 0 / 65 / 40 / 65

HEX #591F35

RGB 89 31 53

HSL 337.24, 0.48%, 0.24%

LAB 21.43, 29.09, -0.47

 

CMYK 0 / 65 / 41 / 53

HEX #782A47

RGB 120 42 71

HSL 337.69, 0.48%, 0.32%

LAB 29.67, 36.88, 0.07

 

CMYK 0 / 65 / 40 / 41

HEX #96355A

RGB 150 53 90

HSL 337.11, 0.48%, 0.4%

LAB 37.42, 44.04, -0.27

 

CMYK 0 / 65 / 40 / 29

HEX #B53F6C

RGB 181 63 108

HSL 337.12, 0.48%, 0.48%

LAB 44.89, 51.55, 0.02

 

CMYK 0 / 55 / 34 / 23

HEX #C45982

RGB 196 89 130

HSL 337.01, 0.48%, 0.56%

LAB 52.39, 47.03, -2.01

 

CMYK 0 / 64 / 40 / 40

HEX #98365B

RGB 152 54 91

HSL 337.35, 0.48%, 0.4%

LAB 37.97, 44.36, -0.07

 

CMYK 0 / 11 / 65 / 41

HEX #968535

RGB 150 133 53

HSL 49.48, 0.48%, 0.4%

LAB 55.6, -3.46, 44.22

 

CMYK 65 / 14 / 0 / 41

HEX #358196

RGB 53 129 150

HSL 192.99, 0.48%, 0.4%

LAB 50.29, -16.58, -18.23

 

CMYK 0 / 64 / 40 / 40

HEX #98365B

RGB 152 54 91

HSL 337.35, 0.48%, 0.4%

LAB 37.97, 44.36, -0.07

 

CMYK 40 / 0 / 65 / 41

HEX #5A9635

RGB 90 150 53

HSL 97.11, 0.48%, 0.4%

LAB 56.33, -37.05, 43.77

 

CMYK 65 / 40 / 0 / 41

HEX #355A96

RGB 53 90 150

HSL 217.11, 0.48%, 0.4%

LAB 38.32, 6.74, -36.88

 

CMYK 0 / 64 / 40 / 40

HEX #98365B

RGB 152 54 91

HSL 337.35, 0.48%, 0.4%

LAB 37.97, 44.36, -0.07

 

CMYK 0 / 11 / 65 / 41

HEX #968535

RGB 150 133 53

HSL 49.48, 0.48%, 0.4%

LAB 55.6, -3.46, 44.22

 

CMYK 65 / 0 / 25 / 41

HEX #359671

RGB 53 150 113

HSL 157.11, 0.48%, 0.4%

LAB 55.85, -37.37, 11.34

 

CMYK 65 / 53 / 0 / 41

HEX #354696

RGB 53 70 150

HSL 229.48, 0.48%, 0.4%

LAB 32.57, 19.93, -46.1

 

CMYK 0 / 64 / 40 / 40

HEX #98365B

RGB 152 54 91

HSL 337.35, 0.48%, 0.4%

LAB 37.97, 44.36, -0.07

 

CMYK 7 / 0 / 65 / 41

HEX #8B9635

RGB 139 150 53

HSL 66.8, 0.48%, 0.4%

LAB 59.49, -17.47, 48.1

 

CMYK 65 / 0 / 25 / 41

HEX #359671

RGB 53 150 113

HSL 157.11, 0.48%, 0.4%

LAB 55.85, -37.37, 11.34

 

CMYK 57 / 65 / 0 / 41

HEX #403596

RGB 64 53 150

HSL 246.8, 0.48%, 0.4%

LAB 29, 33.02, -51.85

 

Description

Color code: HEX #98365B | qconv.com Color code: HEX #98365B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 54 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 54 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 40 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 40% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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