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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98399F it is the complementary color #67C660. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98399F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98399F shade: #9D399A, #AE4BAD, #BF5DC0, #D06FD3 and #E181E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98399F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98399F shade: #98399F, #87278C, #761579, #650366 and #540053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98399F shade: #96389D, #9D3889, #9D386E, #9D3852 and #9D3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98399F shade: #96389D, #7B389D, #60389D, #45389D and #38389D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98399F shade matches the following richer shades: #96389D, #A527AE, #B416C0 and #C304D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98399F shade: #96389D, #874A8C, #785B7A, #696C69 and #5A7E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98399F shade: #5F389D, #7A389D, #95389D, #9D388A and #9D3870

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98399F shade: #5C2260, #792D7F, #96389D, #B343BB and #BF62C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98399F shade: #98399F, #9D4438 and #389D6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98399F shade: #98399F, #9D9538 and #389D95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98399F shade: #98399F, #9D4438, #419D38 and #38919D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98399F shade: #98399F, #9D6238, #419D38 and #38739D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 64 / 0 / 38

HEX #98399F

RGB 152 57 159

HSL 295.88, 0.47%, 0.42%

LAB 41.38, 53.34, -36.82

 

Complementary color

CMYK 48 / 0 / 52 / 22

HEX #67C660

RGB 103 198 96

HSL 115.88, 0.47%, 0.58%

LAB 72.31, -48.34, 42.26

 

CMYK 0 / 64 / 2 / 38

HEX #9D399A

RGB 157 57 154

HSL 301.8, 0.47%, 0.42%

LAB 41.89, 53.71, -32.96

 

CMYK 0 / 57 / 1 / 32

HEX #AE4BAD

RGB 174 75 173

HSL 300.61, 0.4%, 0.49%

LAB 48.32, 53.52, -33.97

 

CMYK 1 / 52 / 0 / 25

HEX #BF5DC0

RGB 191 93 192

HSL 299.39, 0.44%, 0.56%

LAB 54.77, 53.03, -34.72

 

CMYK 1 / 47 / 0 / 17

HEX #D06FD3

RGB 208 111 211

HSL 298.2, 0.53%, 0.63%

LAB 61.2, 52.41, -35.32

 

CMYK 2 / 44 / 0 / 10

HEX #E181E6

RGB 225 129 230

HSL 297.03, 0.67%, 0.7%

LAB 67.59, 51.71, -35.81

 

CMYK 4 / 64 / 0 / 38

HEX #98399F

RGB 152 57 159

HSL 295.88, 0.47%, 0.42%

LAB 41.38, 53.34, -36.82

 

CMYK 4 / 72 / 0 / 45

HEX #87278C

RGB 135 39 140

HSL 297.03, 0.56%, 0.35%

LAB 34.99, 53.08, -35.58

 

CMYK 2 / 83 / 0 / 53

HEX #761579

RGB 118 21 121

HSL 298.2, 0.7%, 0.28%

LAB 28.82, 51.87, -33.72

 

CMYK 1 / 97 / 0 / 60

HEX #650366

RGB 101 3 102

HSL 299.39, 0.94%, 0.21%

LAB 22.97, 49.29, -31.02

 

CMYK 0 / 100 / 1 / 67

HEX #540053

RGB 84 0 83

HSL 300.71, 1%, 0.16%

LAB 17.96, 43.64, -26.56

 

CMYK 4 / 64 / 0 / 38

HEX #96389D

RGB 150 56 157

HSL 295.84, 0.47%, 0.42%

LAB 40.81, 52.91, -36.54

 

CMYK 0 / 64 / 13 / 38

HEX #9D3889

RGB 157 56 137

HSL 311.88, 0.47%, 0.42%

LAB 40.9, 51.31, -24.2

 

CMYK 0 / 64 / 30 / 38

HEX #9D386E

RGB 157 56 110

HSL 327.92, 0.47%, 0.42%

LAB 39.79, 47.38, -9.23

 

CMYK 0 / 64 / 48 / 38

HEX #9D3852

RGB 157 56 82

HSL 344.55, 0.47%, 0.42%

LAB 38.91, 44.16, 7.09

 

CMYK 0 / 64 / 64 / 38

HEX #9D3838

RGB 157 56 56

HSL 0, 0.47%, 0.42%

LAB 38.34, 42.02, 22.65

 

CMYK 4 / 64 / 0 / 38

HEX #96389D

RGB 150 56 157

HSL 295.84, 0.47%, 0.42%

LAB 40.81, 52.91, -36.54

 

CMYK 22 / 64 / 0 / 38

HEX #7B389D

RGB 123 56 157

HSL 279.8, 0.47%, 0.42%

LAB 36.88, 46.22, -43.03

 

CMYK 39 / 64 / 0 / 38

HEX #60389D

RGB 96 56 157

HSL 263.76, 0.47%, 0.42%

LAB 33.46, 39.9, -48.73

 

CMYK 56 / 64 / 0 / 38

HEX #45389D

RGB 69 56 157

HSL 247.72, 0.47%, 0.42%

LAB 30.71, 34.36, -53.31

 

CMYK 64 / 64 / 0 / 38

HEX #38389D

RGB 56 56 157

HSL 240, 0.47%, 0.42%

LAB 29.67, 32.13, -55.05

 

CMYK 4 / 64 / 0 / 38

HEX #96389D

RGB 150 56 157

HSL 295.84, 0.47%, 0.42%

LAB 40.81, 52.91, -36.54

 

CMYK 5 / 78 / 0 / 32

HEX #A527AE

RGB 165 39 174

HSL 296, 0.63%, 0.42%

LAB 42.01, 65.47, -44.64

 

CMYK 6 / 89 / 0 / 25

HEX #B416C0

RGB 180 22 192

HSL 295.76, 0.79%, 0.42%

LAB 44.35, 75.01, -51.35

 

CMYK 7 / 98 / 0 / 18

HEX #C304D1

RGB 195 4 209

HSL 295.9, 0.96%, 0.42%

LAB 47.36, 82.05, -56.24

 

CMYK 4 / 64 / 0 / 38

HEX #96389D

RGB 150 56 157

HSL 295.84, 0.47%, 0.42%

LAB 40.81, 52.91, -36.54

 

CMYK 4 / 47 / 0 / 45

HEX #874A8C

RGB 135 74 140

HSL 295.45, 0.31%, 0.42%

LAB 41.12, 36.45, -25.93

 

CMYK 2 / 25 / 0 / 52

HEX #785B7A

RGB 120 91 122

HSL 296.13, 0.15%, 0.42%

LAB 42.58, 17.69, -12.89

 

CMYK 3 / 0 / 3 / 58

HEX #696C69

RGB 105 108 105

HSL 120, 0.01%, 0.42%

LAB 45.29, -1.77, 1.27

 

CMYK 29 / 0 / 30 / 51

HEX #5A7E58

RGB 90 126 88

HSL 116.84, 0.18%, 0.42%

LAB 49.25, -20.78, 16.72

 

CMYK 39 / 64 / 0 / 38

HEX #5F389D

RGB 95 56 157

HSL 263.17, 0.47%, 0.42%

LAB 33.34, 39.68, -48.92

 

CMYK 22 / 64 / 0 / 38

HEX #7A389D

RGB 122 56 157

HSL 279.21, 0.47%, 0.42%

LAB 36.74, 45.98, -43.26

 

CMYK 5 / 64 / 0 / 38

HEX #95389D

RGB 149 56 157

HSL 295.25, 0.47%, 0.42%

LAB 40.66, 52.66, -36.79

 

CMYK 0 / 64 / 12 / 38

HEX #9D388A

RGB 157 56 138

HSL 311.29, 0.47%, 0.42%

LAB 40.95, 51.47, -24.74

 

CMYK 0 / 64 / 29 / 38

HEX #9D3870

RGB 157 56 112

HSL 326.73, 0.47%, 0.42%

LAB 39.86, 47.65, -10.37

 

CMYK 4 / 65 / 0 / 62

HEX #5C2260

RGB 92 34 96

HSL 296.13, 0.48%, 0.25%

LAB 24.53, 35.87, -24.71

 

CMYK 5 / 65 / 0 / 50

HEX #792D7F

RGB 121 45 127

HSL 295.61, 0.48%, 0.34%

LAB 32.86, 44.7, -31.04

 

CMYK 4 / 64 / 0 / 38

HEX #96389D

RGB 150 56 157

HSL 295.84, 0.47%, 0.42%

LAB 40.81, 52.91, -36.54

 

CMYK 4 / 64 / 0 / 27

HEX #B343BB

RGB 179 67 187

HSL 296, 0.47%, 0.5%

LAB 48.49, 60.8, -41.83

 

CMYK 4 / 51 / 0 / 22

HEX #BF62C6

RGB 191 98 198

HSL 295.8, 0.47%, 0.58%

LAB 55.98, 51.68, -36.27

 

CMYK 4 / 64 / 0 / 38

HEX #98399F

RGB 152 57 159

HSL 295.88, 0.47%, 0.42%

LAB 41.38, 53.34, -36.82

 

CMYK 0 / 57 / 64 / 38

HEX #9D4438

RGB 157 68 56

HSL 7.13, 0.47%, 0.42%

LAB 40.55, 36.2, 25.42

 

CMYK 64 / 0 / 31 / 38

HEX #389D6C

RGB 56 157 108

HSL 150.89, 0.47%, 0.42%

LAB 58.07, -40.95, 17.24

 

CMYK 4 / 64 / 0 / 38

HEX #98399F

RGB 152 57 159

HSL 295.88, 0.47%, 0.42%

LAB 41.38, 53.34, -36.82

 

CMYK 0 / 5 / 64 / 38

HEX #9D9538

RGB 157 149 56

HSL 55.25, 0.47%, 0.42%

LAB 60.74, -8.84, 48.56

 

CMYK 64 / 0 / 5 / 38

HEX #389D95

RGB 56 157 149

HSL 175.25, 0.47%, 0.42%

LAB 59.09, -30.73, -4.42

 

CMYK 4 / 64 / 0 / 38

HEX #98399F

RGB 152 57 159

HSL 295.88, 0.47%, 0.42%

LAB 41.38, 53.34, -36.82

 

CMYK 0 / 57 / 64 / 38

HEX #9D4438

RGB 157 68 56

HSL 7.13, 0.47%, 0.42%

LAB 40.55, 36.2, 25.42

 

CMYK 59 / 0 / 64 / 38

HEX #419D38

RGB 65 157 56

HSL 114.65, 0.47%, 0.42%

LAB 57.58, -47.26, 43.52

 

CMYK 64 / 8 / 0 / 38

HEX #38919D

RGB 56 145 157

HSL 187.13, 0.47%, 0.42%

LAB 55.61, -22.37, -14.19

 

CMYK 4 / 64 / 0 / 38

HEX #98399F

RGB 152 57 159

HSL 295.88, 0.47%, 0.42%

LAB 41.38, 53.34, -36.82

 

CMYK 0 / 38 / 64 / 38

HEX #9D6238

RGB 157 98 56

HSL 24.95, 0.47%, 0.42%

LAB 47.22, 19.78, 33.47

 

CMYK 59 / 0 / 64 / 38

HEX #419D38

RGB 65 157 56

HSL 114.65, 0.47%, 0.42%

LAB 57.58, -47.26, 43.52

 

CMYK 64 / 27 / 0 / 38

HEX #38739D

RGB 56 115 157

HSL 204.95, 0.47%, 0.42%

LAB 46.36, -5.7, -28.39

 

Description

Color code: HEX #98399F | qconv.com Color code: HEX #98399F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 57 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 57 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 64 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 64% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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